“The Cobbler”, unsigned School of Naples, circa mid 19th Century, oil on canvas, ornate gilt plaster and gold leafed original frame, canvas size 30” x 24”, frame size 41” x 35”. “The Cobbler” depicts a 19th Century shoe mender working with a patron in his workshop . The work is typical of the School of Naples artist.A classic example of veiled Victorian eroticism in Italian mid 19th Century painting. Provenance: The Wheeler Collection 2019, Washington,D.C.

James Abbott McNeill Whistler 1834-1903 American This is an original etching by American artist James Whistler. The title is: "La Marchande de Moutarde" It was part of the series titled: "The French Set", published and printed in 1858. This etching is signed lower left corner of the image, printed on a thin Japan type laid paper. According to the Glascow catalog this is state V/V before the plates cancellation. The image measures 6 1/4X3 1/2 inches.

Armand Mathey, French, 19th - 20th Century, engraving after Van Dyck, "Charles I", image size: 21 x 16 5/16 inches, published by Georges Petit, Paris

An unframed oil on canvas landscape, 12 3/4" by 16", the subject a large lake in high country, a distant mountain in the background and tall spruce-type trees at left along the rocky shore. I have searched diligently for a signature and cannot find one, which is frustrating, as the work is certainly good enough to have been executed by a listed artist. The canvas was laid down on a board circa 1940 or so judging from the "Brownie Board" age...

This is a finely executed watercolor of a seated woman, perhaps in a studio, her props including a metal or ceramic vessel and a draped table, apparently unsigned, and drawn in the later years of the 19th century. The work measures 11 1/2" by 8" inside the old faded red mat, and 20" by 16 1/2" in its modern frame. I opened this up in hopes of finding a signature or other information, but the paper is laid down securely to a board and there is nothing to be seen...

From our European Collection, a lovely and substantially-sized 19th century nautical oil painting of ships in a European port, signed and dated S. Brade 1871. This painting is in excellent condition with only the typical fine craquelure expected in paintings of its age. UV light inspection suggests possible small random areas of touch-up to the sky, but otherwise this piece has survived well in fine original, essentially unrestored condition...

By the Irish-born artist who came to America as a youngster, WILLIAM J. HENNESSY (1839-1917), this is a charming, intimate little oil on canvas, 6 1/4" by 4 3/4" (11" by 9 1/2" in the 19th century frame), depicting an old man reading by candlelight in an interior, a red cloth in his right hand, the left hand splayed towards a comforting glowing fire in the hearth. Apparently he is alone on a quiet winter's evening, reading the way people had to read before electricity's arrival on the scene...

Oil on Canvas, English School. "The Hull to London Post". After Charles Cooper Henderson (1803-1877). Dimensions; 24" x 16", 27.5" x 19.5" framed. Late 19th/early 20rg Century. Condition; crackling and professional restoration done. Reframed.

Theodore Hermann William Koppen (German, 1828-1903)

California Condors, Morro Bay

Oil on canvas, signed and dated: “1893”.

Painting size: 21.5” x 29.5”
Frame size: 30.25” x 38.75”

Koppen was born in Brake, Germany and died in Nymphenbourg. He was known for his paintings of marine and historical scenes, as well as portraits.

He is listed in Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs by Bénézit.

Oil on canvas, 13 1/2" by 9 5/8" in its thin old frame, signed at lower center "Ellen B. Farr", the subject her typical signature pepper tree leaves and the distinctive red "berry" seed pods. Farr (1840-1907) is quite appreciated today for her California paintings of pepper trees, still life works of poppies, citrus, native indian baskets, and landscapes...

Alphonse Legros 1837-1911 French This is an original drypoint etching by French artist Alphonse Legros (1837-1911) The title of this work is: La Ferme De Labbaye (farm at the monastery) Created and printed circa 1880, this image measures 8 1/2X11 1/8 inches. Hand signed and titled in pencil. Printed on a medium weight wove type paper with a partial watermark.

Description: French portrait miniature after Drouais,"L'Enfants Royale", Jean-Germain Drouais (French Neoclassical Painter, 1763-1788). With the prince standing by the princes who is holding a fruit basket with the left hand and holding the pet goat with the right. This intricately and delicately painted portrait is signed by the artist on the lower left and belongs to 19th century era. Size: This item is 6 1/4 inches high and 5 inches wide, housed in a11.5"H x 10"W...

Xanthus Russell Smith (February 26, 1839, Philadelphia, Pennsylvania – December 2, 1929, Glenside, Pennsylvania) was an American marine painter best known for his illustrations of the American Civil War.………….. The most historic event of Kearsarge's history was her historic duel with the Alabama off Cherbourg, France in 1864 as it was the only naval duel in which an American warship was one of the principals. On 19 June, Alabama stood out of Cherbourg Harbor for her last action...

Finely crafted bronze sculpture, boy smocking a cigarette, 19th century period, bearing artist's signature. Condition Report; Good condition, cigarette in boy's mouth is missing.

A fine, highly finished and detailed watercolor painting of a seated lady on a patio, her large lute at her side. The setting is possibly a castle, as a tower in the background suggests. The artist signed at lower right and dated the work 1875. It measures 13 1/2" by 9 1/4" (16 1/2" by 12 1/4" in its attractive circa 1930's framing (note the old Jordan Marsh department store label from Boston on reverse--could have been purchased or framed there). Frame shows some wear on right hand side...

The study photo on the left is a close up of Mr. John White Field,a Philadelphia Merchant, which was painted by John Singer Sargent in the early 1880's. The study image in the center shows what Mr. Field looks like with the beard removed. The image on the right shows an earlier Sargent portrait of Mr. Field. Please refer to Sargent Painting in our listing.

William Henry Howe 1846-1929 American This is a fine original oil on board painting by American artist William Henry Howe. This image of Village life in Normandy France. A subject that he was well known for in the late 19th century. This view of carts unloading the days catch has an image size of 9 3/4X13 1/4 inches. The painting is signed lower left William Henry Howe. with a partial date after the name.

A nineteenth century watercolor painting of high purple mountains looming above an arid landscape framed by two trees at right, unsigned, 6 1/2" by 9 1/2" plus 3/4" wide framing. Found in California, and I lean towards this being a view in that state, though it could be elsewhere in the West or even conceivably in a place like Italy. The houses at far left do not help to solve the riddle. The piece, glued to the backing board, is definitely quite old...

This is a fine example of the important etching by Jean Baptiste Corot. This etching is titled: Enviorns De Rome, it was created in 1866, this proof is the second state A. of three. Printed on Holland Paper, This printing had the addresses of:" Cadart and Luquet Editeurs, 79 Rue St Jacques 303 Paris" A rich impression, Catalog Delteil 6 II/III. Framed, previously sold by Kennedy Galleries in New York. The image size measures 11 1/4X8 1/2 inches.

"The British Countess" Oil on canvas, 25" x 30" unframed Jonathan Pratt was a Midlands artist working in Birmingham. He was an extremely diverse artist painting genre, figure and portraits, as well as street scenes, rural and coastal views in Britain, France and Algiers. He studied in Birmingham and exhibited a total of 279 works there between 1864-1915, the latter being posthumously exhibited...

A classic old landscape with figures, old structures and feathery trees, somewhat in the Old Master tradition, but created in the mid 19th century, likely in New York, by an unknown yet obviously accomplished artist. The oil on canvas, unframed, measures 24" by 32 1/4". On the reverse are two canvas stencil stamps, one from London, (G. Rowney & Co.), one from New York (Goupil & Co., 289 Broadway)...

PAIR of watercolor coastal scenes, unsigned, circa 1880, on heavy quality watercolor paper, 11" by 18" inside the old mats (18" by 25" in identical framing), found in Essex, Massachusetts. I purchased these for their inherent quality, despite a few condition issues, and hoped to find a signature when I opened them up, but, did not find either signature or any other inscriptions. I imagine these are by a listed artist who worked in the Cape Ann region or in that part of coastal New England. T...

A. WOLFFEROT Flemish Village Boat Scene o/copper 12x16” Set in a beautiful village, people are boating and merrymaking on a Saturday summer day.

Original Watercolor Painting by Salomon Corrodi (1810-1892), spectacular Bay of Amalfi seen from the West showing it's sandy coast with boats as well as houses and the steep cliffs of the terrain. In the background cliffs and the road by the sea lead to the bay of Minori. In the hazy background one can also distinguish the elevation of the Golf of Salerno. Refined are the reflections of the buildings in the sea, the small human figures in the bottom/left area as well as the fishing boat of this ...

A pair of oil on card paintings, each signed lower left, by C. Ph. Weber. The first is of a church and churchyard behind a rock wall. The second depicts fishing along the Delaware river. Typical of the artist's work is the fine use of light and color, rendering an almost impressionistic feel.

Condition of the paintings is very good, with no damage or restoration. There are some scattered minor areas of surface dirt on the fishing scene, which could easily be cleaned without harming the painti...

A beautiful unsigned portrait of a young woman that is in the style of the 19th century.

Charles Mielatz, American, 1864-1919, "Dewey Triumphal Arch," This elegant and detailed etching by Charles Mielatz measures 14 3/4 x 10 7/8 inches. Created in 1899 in NYC it depicts the American Naval Arch on the corner of 5th Avenue and 23rd Street. It is plate signed and dated and also pencil signed. On the lower margin is a pencil sketch of a US Navy battleship. A publishers identification mark is located on the back of this framed piece. Born in Germany and arriving in the US as a young boy,...

From our European Collection, a very fine oil on canvas by British painter William Robert Symonds, signed and dated 1875. Symonds, who lived from 1851-1934, was a genre painter known for touching scenes of people and animals, and most often of small children in random snapshots of everyday life, where he captured well their innocence and curious musings. His works are carried by several UK- based institutions, most notably the Colchester and Ipswich museums, and in his day, he was often exhibit...

Oil on canvas, 24" by 36" (28 1/2" by 42" as framed), unsigned, showing a Victorian/Gothic type castle ruin by a river, by moonlight. ***UNFORTUNATELY THE PAINTING HAS BEEN SEVERELY DAMAGED IN SHIPPING (vertical rip clear through---started with a pre-existing three inch tear which weakened the canvas and made it vulnerable to further damage), so, will need major restoration. Call or email me for more details. **THE ANTIQUE GOLD FRAME HAS VALUE IN AND OF ITSELF***, should you choose to focus on...

Nicely framed antique print. Light foxing but more pronounced on the edges. The frame measures 13" x 18". Not examined out of frame-sold as is. "In the French engraving Le Lever after Freudenberg, of the 1780s (illustration, right), gentle social criticism is levelled at the lady of the court; that she slept without unlacing her stays, apparently, perhaps can be seen as artistic licence. Her maids dress her with deference, while the wallclock under the hangings of her lit à la polonaise reads n...

Oil on board, measuring 13 1/2" by 13 1/2" and 1 1/2" wide gold frame, unsigned, depicting a number of California poppies vignetted against a neutral background. This is a very decorative painting of the California state flower, executed in late Victorian times or early 20th century when such paintings were all the vogue. This one has survived in excellent condition and would be perfect for a Mission, Arts and Crafts, or Southwest style interior. Frame has small losses.

The larger-than-life-sized figure was sculpted by Frédéric-Auguste Bartholdi (1834–1904), who also designed the Statue of Liberty (1886), another gift from the French government that figures prominently in New York Harbor. The granite pedestal designed by H.W. DeStuckle was donated by French citizens living in New York. Lafayette appears in another Bartholdi sculpture at Lafayette Square in Upper Manhattan that depicts him shaking General George Washington’s hand. Lafayette is also honored...

A well-executed watercolor of a tightly grouped bouquet of flowers. This may be a theorem made with stencils, though this painting looks as if it was done freehand. Theorems were more often stenciled on velvet. The style is of the mid-19th century. It could be either American or English. The frame is a good one of that period. The painting was almost certainly in an oval frame originally and the slight shadow around it is evidence of that frame. The sight size is 12 3/8 x 15 ½ inches with the ...

I thought this at first a print, the detail is so life-like and convincing, but closer examination revealed that it is indeed an original drawn work on paper, measuring 9 1/2" by 7" (15" by 13" framed). The artist must have had tremendous patience, or lots of time on his or her hands, to have created each leaf and flower. The work probably dates to the 19th century. As would be expected in art of this age, there are a few discolored areas at lower left and lower right, but they just add to th...

Otto Bacher 1856-1909 American This is a fine and rare etching by American artist Otto H. Bacher. The title of this pencil signed impression is: Venice, Shipping and the Ducal Palace, This etching was created and printed in 1880. Bacher along with a group of pupils of Frank Duveneck followed him to Florance and Venice to be with him for the summer. It was there that Bacher met and worked with Whistler. The image measures 4 1/2X 12 3/8 inches. Printed on an early wove type sheet with a E....

Fine old marine art drawing, in compromised condition, as found in Rhode Island, unframed, 13" by 19 1/2", signed at lower left corner "F R Smith". This is almost certainly by late 19th century American artist F. ROLLIN SMITH, who painted watercolors and oils of marine scenes. Little seems to be known of the artist but works do appear at auction. This drawing is a survivor, found in a portfolio of drawings in Providence, Rhode Island. It likely dates to the late 1870's or the 1880's; many of ...

Late 19th century watercolor painting of the famous Spanish Steps in Rome, an historical church forming the backdrop to a scene still iconic today. The painting is signed at lower left "Conti"; it is possible it is a work of the listed artist Tito Conti (1842-1924) but I cannot say for certain that he was the artist. The piece, which measures 12 3/4" by 8 3/4" inside the mat, and 22 1/2" by 18" as framed. Note the exceptionally fine detail throughout; the traditional clothing of the foreground ...

Joseph Pennell 1857-1926 American This is a fairly scarce etching by American artist Joseph Pennell. The title is: Chelsea, No. II, it was created and printed in 1886, in an edition of only 20. Hand signed in pencil by the artist. The image measures 6 1/2X9 1/2 inches. This imag appears in the Wuerth catalog as image number 114. Printed on a medium weight wove type sheet. Chelsea Bridge is a bridge over the River Thames in west London.

A fine autumn landscape painting on old Winsor & Newton art board, 10" by 13 3/4" (19 1/2" by 23 1/2" in the old frame), signed at lower right by the well known American impressionist painter DUBOIS FENELON HASBROUCK (1860-1934), titled on the reverse in pencil "November Woodland by D. F. Hasbrouck". This is an atmospheric little painting by a highly talented artist, the works of whom have brought to nearly $10,000 at auctions. He specialized in sensitively conceived and painted landscape wor...

Watercolor on paper, 5 1/8" by 6 1/4" (13 1/2" by 14 7/8" framed), unsigned, but with a charming old dedication on the reverse side in sepia ink, "Mount Hood/From Vancouver/Eternal Snow/For Mother". This would refer to Vancouver, Washington, across the Columbia River from the mountain. Still adhering to the reverse is printed tape from an old business going by the name Arthur Wayman, of Salem, New York. And this was found in interior Maine. So, the drawing has most definitely strayed far to ...

(Consignment). Milanese marble sculpture of a Bedouin Princess signed and dated 1881 by Carlos Vessina, White Carrera marble measuring 29.5 inches tall, 20 inch width, 8 inch deep

19th century oil on canvas painting of the Angel waking Elijah who was asleep under a tree. Originally this painting probably had an ornate gold frame. We found this hanging as pictured. Artist signed: Robert Ragan. Measures in frame: 44.5” high x 25.5” wide. Site size: 40.75” x 22.25”

Found recently in Maine, this is an antique oil on board painting, 12" by 14 3/4" as framed, unsigned, the subject purple grapes and a ripe peach, the autumnal grape leaf suggesting the season of harvest, all on a marble ledge or table, with a distant view beyond. The gray academy board, style and framing suggest a date of execution of about 1880. The painting is very American in feeling, bordering on folk art as there's a naivete. The frame has wear and an obvious loss at lower left corner. ...

English Artist G.Sutliffe “Off The English Coast” Oil 21x30” Is a beautiful oil on canvas of a ship in a storm.

While we have yet to identify the artist or the subject, we would contend that the work is first rate considering the mood captured by the painter. The man exudes a somewhat austere aristocratic brood, yet exudes the strengths of youth and ambition, a man ready to make his place in the world. We believe the work to be of the British school painted c. 1850 or earlier as suggested by the early Victorian shape of the seat rail. The clothing hearkens more to the earlier half of the century, as do...

Sir Francis Seymour Haden, British, 1818-1910, "Ye Compleat Angler". This is a very rare pencil signed etching by Sir Francis Seymour Haden; it is an early proof, from before the edition published in Hamerton's 1880 'Etching and Etchers'. The image size is 5 1/2 x 7 7/8 inches, 1877, cat: Schneiderman-161, plate signed and dated, pencil signed, a very rich impression on a laid type paper, framed. Sir Francis Seymour Haden was one of the most important British etchers of the 19th century, along w...

This is a very early watercolor, 9 1/2" by 5 3/4" framed, in the style of the early 19th century, titled at bottom "Double Rose", by an anonymous artist lost to time. His or her handiwork has survived likely 150 years or more but has lost a little color from fading, and the paper has browned. These are not faults---rather, they give the drawing age and character. Whoever made this would be happy to know that his or her work is admired so far in the future! The frame is gold but post-dates th...

Metal bust of a cat with glass eyes, gray color metal with remnants of silver, mounted on a round green marble pedestal, bust has written information on back, but is only partial and not legible. Measures 5 1/2" high and pedestal base is 3 3/8" in diameter. Very fierce yet charming cat, very well sculpted with intense glass eyes, he is a wonderful desk companion. The head is hollow and something rattles about when shaken. Condition is good, he may have been silver plated at sometime, as ther...

An original very detailed watercolor drawing of a man who looks to be a commoner, drawn on paper laid on thin card or directly on card, 7 3/4" by 4 1/8" (14" by 11" in modern frame), signed at bottom with the distinctive signature of mid 19th century renowned academic painter and draftsman JEAN LOUIS-ERNST MEISSONIER (1815-1891). The drawing is finely crafted, the lone figure vignetted, the background empty. Meissonier was famous in Europe in his day, that fame buying a lavish lifestyle. His ...

David Y. Cameron 1865-1945 British This is an original etching by British artist David Y. Cameron. The title is: Ayr, Bremen, Vienna. It was created and printed in 1889. The image is pencil signed in pencil by the artist and the image measures 6 11/16X11 3/4 inches.

Milton H. Lowell 1848-1927 American This is an original oil on canvas painting by New York State artist Milton H. Lowell. The subject is of an old rural homestead seen in early Autumn. This painting was created between 1890 and 1910. This work is signed lower right M.H. Lowell and has an image size measuring 16X24 inches. Very nice condition, recently cleaned and lined, housed in a period gilt frame.

Madonna and Child attributed to the Italian Renaissance painter Andrea del Sarto & Studio(1486-1530), Tempera on tulip poplar curved panel, circa 1520Frame Size 27 x 21". Andrea del Sarto was a mannerist Italian Renaissance painter from Florence, whose career flourished during the High Renaissance and early Mannerism. He was known as an outstanding fresco decorator, painter of altar-pieces, portraitist, draughtsman and colorist. Though highly regarded during his lifetime as an artist s...

Beautiful Photogravure by J.L. GEROME, published by GOUPIL &Son prayer in the desert, 12x16, frame size 20x24

Robert Henri 1865-1929 As a young man, he studied in Paris, where he identified strongly with the Impressionists, and determined to lead an even more dramatic revolt against American academic art, as reflected by the conservative National Academy of Design. Together with a small team of enthusiastic followers, he pioneered the Ashcan School of American realism, depicting urban life in an uncompromisingly brutalist style. By the time of the Armory Show, America's first large-scale introduction to...

Beautifully beautifully original framed Engraving of General McClellen and the union army. 25“ x 32“

Peter Paul Duggan (Irish/American 1810 ? -1861)

Macbeth

Oil on artist board

Provenance: Sycamore Farm, Portsmouth, VA (Estate of Robert Vick and Charles Sibley)

Note: Listed in "The National Academy of Design Exhibition Record 1861-1900" page 249, number 482.

Painting Size: 6 ½” x 6 ½”
Frame Size: 10” x 10”

Born in Ireland, Duggan was brought to the United States as a young child, probably around 1810. He was a student at the National ...

The photo on the left shows a double portrait by John Singer Sargent of Mr. John White Field and his wife. This painting was done in the early 1880's and is in the collection of Pennyslvania Academy of Fine Arts. The image on the right shows an earlier portrait of Mr. Field by Sargent. Notice Mr. Field is blind in his left eye, which is enlarged and his right eye is focused which is a good eye. It is my opinion that Mr. Field rejected the first portrait of himself done by Sargent. And of co...

Printed by Delatre in Paris, this Felix Bracquemonde frontispiece measures 14 x 9 3/4 inches, published by Alfred Cadart, Paris. Created in 1865, this bold allegorical etching was created as the frontispiece to a volume of the renowned periodical of the Société des Aqua-Fortistes, a group promoting etching as a fine art. Richly inked on watermarked Aqua-Fortistes laid paper, which was made especially for these publications.

Large round ceramic wall sculpture by artist, Peter Voulkos (1924-2002). Wheel thrown with tears, incisions and imbedded chunks of material. The back has drips of blue glaze and is signed by Voulkos. The base is wrapped with the original wire installed by the artist in order to hang the piece on a wall. Dated 1973.

Peter Voulkos was inspired by the American painters of the New York School, focusing on infusing the spontaneous energy of Abstract Expressionism into his work. He wa...

John Charles Maggs.(British,1819 - 1896 )

The London to Bath Coach Pulling up to the Spaniards Tavern, Bath, England in 1884

Oil on Canvas, signed, and dated l.r.

Painting: 14: x 26"
Frame: 20.5" x 32.5" (outer frame later)

A newly discovered gem from one of England's best coaching painters.

John Charles Maggs (1819–1896) was a painter best known for his coaching scenes. He was born in Bath, England in 1819, his father being a furniture japanner there. John ...