Oil on canvas painting of flowers in a green glass vase on a table top, a curtain, fruits in a dish and a cup completing the scene. The work does not appear to be signed on the front; on the reverse side is written "Sprague". The painting, 20" by 16" (24" by 20" in cream colored frame) likely dates to about the year 1950. It is in excellent condition save for a pressure dimple, not quite a full puncture, at upper left----also visible from the reverse side near the end of "Sprague"...

ONE OF TWO WORKS BY THE ARTIST IN MY SHOP--Abstract oil on canvas painting, 32" by 25 1/2", unframed, dated on reverse "1996/97", signed there by noted American 20th century contemporary artist CASS SHAW. Shaw, based currently in the Los Angeles area, has had wide exposure of her work, the exhibition history in the United States and France going back to the 1970's. This is one of two works by the artist in my shop (they were acquired at the same time)...

Large abstract oil on canvas painting primarily in black, blue and red, 30" by 48", unframed, titled on reverse "Back in Time", signed there by noted American 20th century contemporary artist CASS SHAW. Shaw, based currently in the Los Angeles area, has had wide exposure of her work, the exhibition history in the United States and France going back to the 1970's. This is one of two works by the artist in my shop (they were acquired at the same time)...

(ONE OF FOUR BY MERRIAM IN MY SHOP) Large oil on canvas, 30" by 40" (38" by 48" framed), in its vintage original frame, the subject California's world famous Yosemite Valley, signed at lower left by the talented California painter JAMES MERRIAM (1880-1951). This work is very typical of the artist, both in its impressive size and in the characteristic impressionistic style of the artist. Merriam was born in Canada and was studying in Detroit, before arriving in Southern California...

Impressionist seascape oil painting on canvas board, 8" by 10" (13 1/2" by 15 1/2" framed) signed at lower right by Colorado artist ALFRED JAMES WANDS (1904-1998). On the reverse in pencil is written "Artist---Alfred Wands/2065 Ivanhoe St./Denver 7 Colo.". The work likely dates to the 1950's. Wands was born and raised in Cleveland, Ohio. He attended the Cleveland Art Institute, then went to Europe for studies in Brussels and Munich...

Large mixed media abstract painting (28 3/4" by 39 1/2", 31 3/4" by 42 1/2" in gold leaf frame) on plywood panel, signed at lower right "WAHL", and dated there 2001. The painting is striking and handsome, the color combinations very in tune with today's retro contemporary look. A brief search of the name does not immediately point to a known artist. Medium is perhaps a thinned oil or gouache possibly, with some pencil lines drawn as well...

Oil on canvas painting of the arcaded breezeways at the famous Mission San Juan Capistrano in Southern California, 8" by 10", unframed, signed with initials at lower right and possibly again by the artist on the reverse. In addition there is an original old slip of paper giving the artist's biography. Schmidt was born in Gladbeck, Westphalia, Germany after the end of World War I. By age 15 he was already receiving art instruction...

Oil on canvas of a blue-eyed elderly lady wearing a white bonnet, 27" by 22" (34" by 29 1/2" in the 19th century frame), that attractive old frame bearing a placard giving the name of the artist as WILLIAM MATTHEW PRIOR (1806-1873). Images of the unsigned painting, which was found in Downeast Maine, were sent to major auction houses in New England and New York City. None disputed this being a work by the famous itinerant portraitist...

An unusual and decorative circa 1930's unframed 16" by 20" oil on canvas painting featuring a beautiful young maiden centered in a tawny, mountainous Southwest landscape, Native Americans surrounding her, signed lower left rather illegibly. I have long studied the signature and believe it might be "Ben Mead", (1902-1986) who was a southwestern (Texas and California) artist-illustrator based in Amarillo and Dallas. Mead focused on illustration for publication...

Florine Hyer was an Iowa-born artist who became known for her exquisite paintings of roses. She was in Los Angeles by 1898, and remained there her entire life with the exception of the year 1908, when she assisted the botanist Luther Burbank at his home and gardens in Santa Rosa, in Sonoma County north of San Francisco. Burbank is reputed to have said, "Florine can paint roses better than gardens can grow them"...

Oil on canvas still life painting, including a red teapot, plates, funnel, cup, and fruit, all on a striped table cloth with further drapery in the background, 20" by 24", unsigned on front and bearing the name "H...

Acrylic on canvas painting titled on reverse "Memory of Rosie", 17" by 24" (21 1/2" by 29" framed). The image is whimsical and rather mysterious, consisting of three white vases or pots each bearing an image, one of a cat, one a bird, one a jester; one speculates that perhaps, Rosie was a beloved cat. Highly stylized plants or flowers emerge from the pots. The artist signed at lower right and dated the painting 1984. CAROL JABLONSKY (1939-1992) died at a young age but left behind a large bod...

A rare opportunity to acquire a work from close to the heart of American naive painting in the folk art style: an original oil on board painting, 11 1/2" by 35 1/2" plus narrow dark green contemporary framing, signed at lower left by FRED ROBERTSON (1878-1953), and titled on handwritten label by the artist "My Hills of Home". On that label written by the artist is also "Eagle Bridge, New York", considered the home of Grandma Moses. Fred was the brother of Grandma Moses, and he is given credit...

Oil on canvas laid on board, 10 1/4" by 13 1/4" (16" by 19" as framed), the subject snow-streaked brown foothills of the Rocky Mountains in early spring, the main range of the mountains in the distance, signed at lower right in ink "J.D. TURNER", titled on the reverse "Near Cochrane/April 1970/JD Turner". This is a beautiful work by the noted Alberta painter JOHN DAVENALL TURNER (1900-1980). Turner, according to the long bio on the sheet attached to the reverse side, was born in England and wa...

Oil on canvas laid on panel by the artist, 22 1/2" by 16 1/4" (25" by 18 3/4" in its original painted vintage frame), titled on reverse "Black Ivory", signed there and again in yellow at lower left corner by the well listed California artist who hailed from Denmark, EINAR CORTSEN PETERSEN (1885-1986). Petersen was a widely traveled artist, who, according to the Hughes biographical listing in Artists of California, studied art in Paris, Rome and Munich, working as a decorator. By the year 1912 ...

Oil on canvas, unframed, 20" by 26", signed at lower right in red "R. MacDonald" and signed/titled/dated on reverse "R. MacDonald/Heat Wave/July 10 1937". The subject appears to be a young man, possibly African-American, holding a hose on a young child at right, a wooden house hidden partially by a huge tree in the background. The artist has painted a very American work, (and possibly southern, as well), squarely in the 1930's style. I have searched the databases and cannot seem to tie this t...

Oil on canvas, 14" by 18", (18 1/2" by 22 1/2" in old possibly original frame), the subject given on original Sanborn Studio, Belfast, Maine label as "Bend in Little River" (faint, but still readable with some effort). The work is not signed but is surely by the important Maine artist PERCY A. SANBORN (1849-1929). Sanborn was born in Waldo, Maine and lived for many years in coastal Belfast. He is well known for his marine oils of clipper ships, some of which exceed $20,000 at auction, but he wa...

This is an oil on canvas painting of a mounted cowboy in a forested mountain landscape, keeping an eye on several misbehaving steers. The work is signed at lower right by artist WESLEY LE ROY FULLER and is dated there 1993. His interesting cypher appears adjacent to the date. On the stretcher on the reverse the artist has signed again and added the comment "Good luck to the Elks purple pig"; and there also appears to be a price "$600" and title "Keep em out of the tember" (sic). The painting...

By the contemporary Japanese artist HIROMICHI YAMAGATA (1948-). this can be described as a collage of tissue like paper on which is drawn in pencil and blue ink an abstract, almost biomorphic decorative design, charcoal used to create a smudged background, then the paper was affixed around the edges to a white canvas background. It is signed at lower right "Yamagata" and dated there 2007. On the reverse is a personal inscription to "Steve", the previous owner, (dated 12.10.07), to whom this w...

Oil on canvas painting titled on the stretcher in pencil "Superstition Mountain, Arizona", signed at lower left by the well listed California artist PAUL LAURITZ (1889-1975). The scene is of the legendary, rugged and forbidding mountain range just to the east of the metropolitan Phoenix area, said to contain the fabled Lost Dutchman mine. The painting measures 22" by 34" and 28" by 40" framed. Lauritz is considered one of the important plein air painters, a number of works having exceeded $25...

Oil on canvas paintings laid on board, each 5" by 9 3/4" (8 1/2" by 13" framed), unsigned, the pair appearing to depict the exact same coastal dune, with interesting perhaps seasonal differences----one showing spring dune flowers, the other not----. The scene could possibly be dunes at the beach in San Francisco, where Golden Gate Park meets the ocean. Although unsigned, the handling, subject matter and color palette are immediately identifiable as by the hand of the noted California painter R...

For the collector of scarce early Utah art, an oil on canvas, 22" by 18" on the stretchers (29" by 25" in old, likely original frame), dated 1928 and titled on reverse "Timpanogos Creek", signed lower left by the noted Utah artist BENT FRANKLIN LARSEN (1882-1970). (There is also some old writing on paper adhering to the frame but it is difficult to read). Timpanogos Creek is a scenic area near Provo, Utah. Larsen is a well-known figure in Utah art. His education in art was extensive, beginn...

Oil on canvas scene of a Parisian street with figures, in the early 20th century, 24" by 20" (30" by 25 1/2" framed), signed at lower right by the popular contemporary painter who signs as "G. SHERMAN". The scene is reminiscent of Caillebotte's famous scenes of Paris, or perhaps of a number of works by the noted British painter L. P. Lowry. Paintings signed by this artist G. Sherman were formerly listed in auction catalogs by some of the biggest houses in America as being by the listed artist G...

**ONE OF SEVERAL WORKS BY THIS WELL-LISTED ARTIST IN MY SHOP**Oil on canvas laid on board painting of colorful, flowering shrubs and bushes on a property by the Pacific shore, 14" by 18", unframed, signed at lower left by the California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area. Born in England, Adam studied in Paris, Glasgow and even Buenos Aires...

This is a pretty, impressionist circa 1930's small landscape painting of trees and a path bordering water, painted on gray art board, measuring 9" by 12" (13 1/2" by 16" framed). There is no signature on the front but on the art board label is written in ink "Swick". This may or may not be the artist. The painting is so nicely executed, but its inherent beauty is dulled by decades of dirt. A professional cleaning will truly transform this one. Frame is likely same age as the painting; it ha...

Oil on canvas landscape of the California coast with classic wind-shaped Monterey Cypress tree, possibly the famous tree on 17 Mile Drive on the Monterey Peninsula near Carmel, measuring 24" by 20" and 1 5/8" wide vintage white painted wood frame, signed at lower right "Bessie Lasky" and dated there "41". This is a beautiful California plein air work by noted artist BESSIE MONA LASKY (1888-1972), a lesser known but listed painter of the California school. She was Boston-born and spent some years...

An oil on canvas, beautifully-sketchy, spontaneous painting of a small beached boat at the ocean, as-is condition, 8" by 14" (11 1/2" by 17 1/2" in attractive probably original circa 1920 frame), signed at lower right by the noted California painter ANGEL ESPOY (1879-1963). Espoy is best known for his California landscapes of fields filled with poppies and other wildflowers; it is little known that the Spanish-born artist early in his life studied in Barcelona with the great, important impressi...

Oil on canvas laid on board, 19 1/2" by 14 1/2" (22 1/2" by 17 1/2" in simple wood frame), the subject a courtyard of the Vieux Carre (French Quarter) of old New Orleans. The painting is a fine impressionist rendition and is larger than many of Kinsey's typical courtyard and street scene studies. The artist, ALBERTA KINSEY (1875-1952) is considered one of the founders of the New Orleans art colony. Born in Ohio, she undertook formal study at the Art Institute of Chicago, then became an art in...

Large oil on canvas, 30" by 40", unframed, signed at lower left by the artist and dated there "30", the subject a snowy, rugged mountain range with autumnal colors and evergreens, a small lake in the middle ground. The artist, RICHARD DEY DE RIBCOWSKY (1880-1936) was a prolific painter, and a well traveled one, at that. For his time he was truly an adventurous traveler. Born in Bulgaria, he was in Paris by age 13, and Florence and St. Petersburg after that. By 1904 De Ribcowsky found himself...

Oil on masonite painting of a reclining nude woman, 24" by 36" (30" by 42" as framed), signed at upper right "W. R. Shulgold" and dated there "75". This is a beautiful work by a well listed painter who was born in Russia and spent much time in the Pittsburgh area, as well as New York, before settling in Southern California later in life. Shulgold's biography tells of stints as a watchmaker and worker in a bottling plant, before yielding to the desire to create art. He was trained at Carnegie ...

This is a work with a real WPA 1930's feeling to it, but it is dated 1965. The artist was IDA HANSGEN, or possibly, HANSGREN. (There's a little writing on the frame on reverse that suggests there might have been an "r" in her name). Very surprisingly, I cannot find a listing or any information on her. The painting's subject is a courthouse with "1877" over the door, the building artistically placed in a contrived and constricted space, a classic butte type mountain filling the upper left cor...

Oil on canvas, 15" by 19" (22" by 25 1/2" as framed), the subject the famous Taos Pueblo of northern New Mexico, an iconic scene of the Great Southwest, the painting signed at lower right "Stowell". Included in this picture is a stormy dark sky, the pueblo itself bathed in a ray of sun, and no less than eight figures and one saddled horse. I have researched the signature and cannot definitively tie this to any particular artist, listed or otherwise. There IS a Sherman Stowell, who painted in ...

Oil on canvas painting of many pink asters of various shades in a ceramic vase on a tabletop against a greenish curtained background, 18" by 22", 22 1/2" by 26 1/2" as framed, signed at lower right with the distinctive conjoined signature of HARRY HAMBRO HOWE (1886-1966). Howe was a prolific New England artist known for his coastal and White Mountain (New Hampshire) scenes, though he was known to have created still life works as well. He was the son of sea captain T. Bailey Howe, who was appar...

Oil on linen laid on board, 16 1/4" by 23 1/4", the simple modern frame about 1 1/4" wide, signed at lower right by listed California woman artist M.E. HODGDON, not dated but likely before 1920. The painting recently came out of Maine, where it had possibly resided for decades, perhaps brought east by an early day traveler wanting a souvenir. The artist, MARY E. HODGDON, is said by Hughes in his dictionary of California artists to have been a resident of Los Angeles between 1912 and 1922. Not...

By the Danish-American sculptor and painter who between the late 1920's and his death created the famous portraits of the presidents on a South Dakota mountain, is this impressionist seascape painting on board, in a delightful range of blues and whites, 20 1/2" by 28 3/4" (28 1/4" by 37 1/4" in the old frame in which I acquired this), signed at lower right by GUTZON BORGLUM (JOHN GUTZON BORGLUM, 1867-1941). This is a work possibly painted from a California memory of the artist, at a later date...

Oil on canvasboard, 18" by 24", the subject dramatic, fluted, snowy mountain ridges pictured perhaps in late fall, as autumnal colors dominate the creekside grasses in the foreground, the painting signed at lower left "A. Nebeker" and dated there 1966. The location might be but I feel it could be most likely somewhere like Utah or Colorado in the intermountain West, or possibly the eastern slope of the Sierra in California. The only possible hint is an Oakland, California art supply stamp on t...