From the 1720's book "Oud en Nieuw Oost-Indiën ..." by naturalist, minister and early day traveler François Valentyn/Valentijn, a horizontal format, large unframed antique engraving, 13 1/2" by 31", titled at top "Amboina" (Ambon Island and town, in the far eastern reaches of present day Indonesia), engraved by F. Ottens (possibly, Frederik Ottens). This was an active Dutch missionary site in the Moluccas, famed for exotic spices...

**PAIR** color offset prints after two Southwest landscape paintings by the noted artist ED MELL (1942-), each laid on artboard and measuring 24" by 36". They were found in brown metal frames with no mat; frames available with the prints at no extra charge should the buyer want them. The prints show slight evidence of the edges perhaps being slightly trimmed, and there are some light scratches and small losses at extreme edges on one print as shown...

Drypoint etching print "Chattes" (Cats) published in Paris in the year 1909 by Gustave Pellet, 8 3/4" by 12 1/4" inside the inner fillet, 17 3/4" by 21 3/4" as nicely framed, numbered in pencil 38/50 (and faint red cypher stamp) at lower right margin, and pencil signed by the artist at lower center right margin. There is a crease in each lower corner that I believe likely dates to the time of printing, and there are a few foxing spots, but the overall appearance is excellent...

Etching titled in pencil in lower left margin "Willow Creek Country", numbered 4/40 at center, and finally signed in pencil at lower right, by the noted Montana artist BRANSON STEVENSON (1901-1989). It measures 5" by 8" inside the tight mat opening, and 15 1/2" by 17 1/2" framed. Stevenson is a well regarded artist in the state, with a long history in painting, drawing, the graphic arts, sculpture, and administration...

An original 17th century etching, "God Appears to Moses in the Burning Bush", plate 30 from the well-known series of 52 published in 1615 in Rome by Giovanni Giacomo Rossi, the artist being ORAZIO BORGIANNI (1578-1616). These works are after the frescoes by Raphael on the second floor of the Apostolic Church in the Vatican. Borgianni, a Baroque painter who adopted the style of Caravaggio after settling in Rome in 1604, turned to etching in the final years of his short life...

Three fine engravings of Mount Vernon, Monticello, and Independence Hall, nicely mounted and framed together vertically. The framed piece measures 16 1/2" by 11". These appear to be the same images that appear on US currency, and the very high quality of the printing (intaglio?) is similar. One wonders if these have been produced by the Bureau of Engraving and Printing, either as printing proofs, or perhaps as official souvenirs to be sold in a gift shop setting...

A rare opportunity to acquire a work by the important California artist AUGUST GAY (1890-1948): an etching on delicate thin tissue-like paper, apparently unsigned, the sheet 5 7/8" by 8 1/8" (9 3/4" by 10 3/4" in black strip frame). The subject is the historic old Stevenson House in old Monterey, a favorite subject of many artists...

Etching titled at lower left within the plate line in pencil "Dans le Vieux Carre New Orleans", signed within the plate line at lower right by the listed English-born artist who worked in a number of geographical areas of the United States, LEON PESCHERET (1892-1971). States in which the artist worked include Louisiana, Virginia, Tennessee, South Carolina, Wisconsin (where he lived for quite some time), Illinois, and notably, Arizona and the Southwest...

A framed PAIR of identically framed color prints, each 11 1/2" by 15 1/4" as framed, the subjects of both the famous bookstalls by the Seine in Paris, Notre Dame cathedral in the distance. Each is pencil numbered at lower left out of editions of 5000, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991)...

A color propaganda poster from the 1960's or 1970's Mao-Tse-Tung era, 19" by 29 1/2" inside the current matting, 28" by 41" in present simple black framing behind Plexi. The paper is of a less-finished type that may be akin to newsprint. Print has slight creases in places but overall is in good clean condition. There are very minor edge tears and skins in a few places where this was crudely taped in the past and small moisture stain as shown...

Large colored etching, posthumous printing, after the circa 1914 original print of the famous Austrian landmark on the Danube west of Vienna, the 18th century-built Melk Abbey (sometimes called Melk Monastery), signed in pencil at lower center by the son of the artist, Robert (the actual signature is preceded by "nl" which indicates Nachlass, or Studio, of the artist). The image is by the well-known painter and printmaker LUIGI KASIMIR (1881-1962)...

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself)...

A framed PAIR of framed color prints, one (Place de la Concorde, central Paris) 8 3/4" by 12 1/2" (13 1/2" by 17" framed, no glass), the other (Notre Dame and bookstalls along the Seine) 8 1/2" by 12" (15" by 18" framed). Each is pencil numbered at lower left out of editions of 500, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991)...

Fine etching of windmills in a landscape in a brownish-black ink, 9" by 11" (14 1/2" by 16 3/4`" framed), pencil signed at lower right by listed artist DIRK BAKSTEEN (1886-1971)...

Sepia-toned photograph of coconut palms in Hawaii, seemingly in a rice paddy type setting, framed apparently circa 1930 give or take a few years (there being an original old framer/art supply label from Pacific Picture Framing at 1050 Nuuanu St., ("below the hotel"), Honolulu, T.H. (Territory of Hawaii). This would appear to be a downtown Honolulu address, perhaps known today as Nuuanu AVENUE. The exact age of the photo is hard to determine. It is in excellent condition. Measurements are 7 1...

A vintage, 1972 re-issue of the Maurits Cornelius Escher print "Metamorphose" (1939-40), possibly a posthumous or commemorative printing, as its date coincides with the year of Escher's death. The publisher is given at far right margin as G. W. Breughel, and this was printed in Holland. Measurements are an unusual 8 3/4" by 41" in the narrow black metal frame (presently no glass). The work has been laid on foamboard. Escher, one of the best known graphic artists in history, is of course known ...

**ONE OF TWO BY THIS ARTIST IN MY SHOP, SIMILARLY FRAMED, EVIDENTLY FROM THE SAME MIDWESTERN HOME**Original lithograph print of two fashionably dressed ladies taking a stroll on a palmy seaside promenade, possibly Nice or Cannes on the French Riviera, by the important and increasingly popular French contemporary artist JEAN-PIERRE CASSIGNEUL (1935-). The work measures 12 1/4" by 18" and 22 3/4" by 28" in tasteful quality framing (reverse label of Samuel Stein Fine Arts, 620 N. Michigan Ave., Chi...

Lithograph print titled in the artist's hand on the reverse in pencil "Carol Singer", signed in the plate on front right corner and dated there 1939. The unframed print measures 11" by 8 1/4" inside an old gray mat. The artist, BENJAMIN MESSICK (1891-1981) was born in the Missouri Ozarks and served in Europe in World War I. He showed early artistic talent. After his return he was in California, studying at Chouinard in Los Angeles, and winning scholarships and awards. He counted among his t...

An original poster issued by the Museum of Modern Art in New York in 1967, to advertise the Jackson Pollock exhibition which took place from April 5 to June 4 of that year. The poster seems to be scarce today; I was not able to find another available copy in a quick online search. Pollock is perhaps the pre-eminent figure of the Abstract Expressionist movement, his paintings now among the most coveted in the world of art. The poster measures 31 1/2" by 23 3/4" and is presently in a metal fram...

Etching on very thin paper, "Charles Baudelaire, de Face", 1865, later, likely posthumous impression, by the famous French artist EDOUARD MANET (1832-1883). The work measures 3 3/4" by 3 1/4" inside the plate mark, and the sheet measures 8 1/4" by 6 1/4". This is Guerin #38 in the catalogue raisonne, and probably the 4th (final) state. The paper being very thin and flimsy, would lead me to believe this would NOT be a twentieth century restrike. There is a simple modern frame. Two tiny pinho...

A most interesting Mid-Century multiple: a "cast stencil", three dimensional print featuring a grid pattern of roughly rectangular shapes, signed at lower right in pencil and numbered 10/75 in pencil at lower left by noted Arkansas-associated artist PAUL MAXWELL (1925-2015). This is a typical image by the artist and sculptor. The online Encyclopedia of Arkansas History and Culture provides considerable detail about Maxwell's life and art, and much of the following information comes from that ...

A view of the "Kolk" in Rotterdam, Holland, titled "Rotterdam Kolk" at lower left, plate signed with conjoined initials (tiny) and pencil signed "Marius Janssen" at lower right margin, 12 1/4" by 18 1/2" as framed. The Kolk is a familiar part of the center of this historic city, which suffered severe damage in World War II. The paper has darkened with age, the margins are very tight, maybe trimmed a bit to fit the frame, and there is a small edge tear at upper right, not really visible at all ...

A lithograph of the year 1953, pencil signed at lower right margin, by the noted 20th century American artist WILLIAM GROPPER (1897-1977). The work is presently unframed, housed inside a mat that lifts up (taped at top corners). Gropper, as the accompanying original Associated American Artists label describes, was born in New York and remained there. He studied under Robert Henri, George Bellows, and Giles. Paintings by the artist are included in American and international collections, with ...

A vintage woodcut print in black with touches of yellow and red in the windows of the picturesque seaside structures, unsigned, titled in the image "NOEL", white speckles (sprayed?) indicating snowflakes, 12 1/2" by 9 1/2" framed. The scene resembles Maine villages such as Port Clyde or Castine. Likely a work from that region, circa 1940's, possibly 1930's. I opened up the backing and found no further information.

Pencil signed by the artist at lower right and numbered 934/975 at lower left, is this contemporary offset color print, 8 3/4" by 10 1/2" inside the mat, 17" by 19" framed, the subject a formally dressed older couple with martini glasses sharing a quiet moment. BARBARA A. WOOD, the artist, is from Ohio but also has spent considerable time in California, and, I believe, Georgia. Her colorful, highly popular much reproduced work, whether in oil or a graphic work, often features studies of figures ...

Photograph titled in the negative at lower left "Douglas and Juneau Alaska view from Mt. Jumbo", signed again in the negative at bottom center by "E. Andrews photo". The photo measures 11 1/4" by 18 5/8" inside the mat and 19 1/2" by 26" framed. According to information taken from the internet, the photographer, ED ANDREWS, was born in Norway in 1872, arriving in Douglas, Alaska in 1897 as a young man during the Klondike gold rush years. He worked as a clerk in the Treadwell Store. After owni...

Original offset lithograph poster for the Tate Gallery, London, 1980 exhibition "Travels with Pen, Pencil and Ink, Drawings and Prints 1961-1979". The exhibition took place from July 2 through August 3, 1980, when Hockney would have been in only his early forties. This poster is very clean and fresh, and attractively framed in brushed silvery metal. There is a little even vertical rumpling of the paper----just enough to prove its earned vintage status at roughly forty years of age. "Printed ...

This is a fine, limited edition wood engraving by the highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1956, when the artist was 67 years old. At lower left in pencil is "Ed. 100". Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had falle...

An original poster dating to 1977, 32" by 18 1/2" in present gray metal framing, advertising an exhibition in Phoenix at the Galleria of the downtown Arizona Bank building, of works by two sentinel photographers of the 20th century in the Southwest: Ansel Adams (1902-1984), and Frederick Sommer (1905-1999). Sommer, born in Italy, lived in Prescott, Arizona for much of his life. He is known primarily for his black and white landscape photography, which sells into five figures at New York aucti...

An elegantly understated print featuring somewhat Hopperesque houses framed by trees, the imagery generally appearing as monochromatic and grayish, with some light green and pinkish color, signed in pencil at lower right corner and numbered 76/90 at lower left, by the noted American contemporary artist ROBERT KIPNISS (1931-). Kipniss is known for his graphic art and for his paintings, which have gone into five figures at auction. He was born in Brooklyn and was taking art classes at the Art Stud...

Color lithograph on wove paper print, pencil signed at lower right margin by famous French cubist painter and printmaker JACQUES VILLON (1875-1963), the title "Carte de Veccio", circa 1960. Villon, one of three brothers, (one of them the famous Marcel Duchamp), worked early on in the style of Degas and Henri de Toulouse-Lautrec. Villon also studied printmaking techniques with Marcel Robbe. Later on he worked in various modernist styles including Fauvism, Cubism, and abstract impressionism. In 19...

Pencil signed limited edition print "Watering Hole", circa 1970's, by the important Western American artist OLAF WIEGHORST (1899-1988). The print measures 21" by 26" and 30" by 35" framed in grayish wood. It is numbered 364/1500 at lower left margin and the artist has signed it in soft pencil at lower right. Wieghorst's works sell at major auctions of western American art, into the hundreds of thousands. Rumor has it that his "Navajo Madonna" masterpiece sold privately for $1.5 million. The...

This is a color print after the work of California-based Neo-Romantic, surrealist painter ROBERT WATSON (1923-2004), measuring approximately 19" by 24" and 33" by 39" in 1980's style black and silver framing). The work is numbered 15/400 at lower left margin, and at lower right in the margin is a complete, initialed pencil drawing by Watson, adjacent to his full pencil signature. Watson, born near San Francisco, studied in New York and in Wisconsin with Frederic Taubes, before his first one-man ...

By the hand of the noted American illustrator, sporting artist and printmaker CHURCHILL ETTINGER (1903-1984) is this pencil signed etching titled at lower left "Sunrise" the subject two Canada Geese rising from the water. The print measures 5 1/2" by 7 1/2" inside the innermost mat and 12 1/2" by 14" as framed in oak. Ettinger was born in New Jersey and died in Vermont in the 1980's. In between, he was a commercial artist, illustrator, working for advertising agencies, as art director for a pub...

This is one of the very scarce, desirable prints "Le Nid--Coree" ("The Nest--Korea") by the important French-Japanese printmaker artist PAUL JACOULET (1902-1960). In December 1941, as war exploded upon the world, the image was created by the artist as a gift for his mother, who never got to actually see it. The edition in this size/coloration is said to have been fewer than 200 examples. This particular image of a bearded old Korean man in traditional clothing tenderly feeding a dragon fly to hu...

A pencil signed print from near the end of his long and productive life, by the noted American caricaturist, ALBERT (AL) HIRSCHFELD (1903-2003). The work, in his typical black and white for which he is famous (although he did also work in color), features a family portrayed in the popular Fox TV show "Party of Five", which aired from 1994 through 2000. It is numbered 40/100 at lower left and pencil signed by the artist at lower right. Hirschfeld was known for his caricatures of the famous fro...

An offset limited edition pencil signed print of St. Michael's Church in historic downtown Charleston, South Carolina, pencil signed by the artist, Charleston's long time fixture VIRGINIA FOUCHE BOLTON (1929-2004). The 13 1/2" by 20 3/4" print (22 1/2" by 29" framed) is numbered near the signature at bottom center 622/2000. Bolton (often more commonly known as Fouche) was well known in the Charleston area for her sensitive depictions of Charleston, the surrounding country, and other scenes of ...

A highly attractive, eye-catching contemporary lithograph for home or office, circa 1970's or 1980's, featuring black horses in profile in a very decorative design of white and bright pure yellow, 19 1/4" by 26 1/2" in side the mat, 27 1/2" by 34 1/2" framed, pencil signed at lower right and numbered LXI/CXXV (61/125), by the well-known and highly sought after French artist ANDRE BRASILIER (1929-). Brasilier is a familiar name to collectors in Europe, the United States, and Japan (especially po...

Miro lithograph, "La Danse de Feu", ("The Fire Dance"), 1963, Mourlot 273, the sheet 15" by 22" (17 1/2" by 23 1/2" as framed), numbered in pencil 39/90 at lower left and pencil signed at lower center. The work is printed to the edges with no margin, and there is text on reverse, as shown. There is a soft center crease as issued with 1/4"-1/2" short tears along that pronounced crease at the very bottom and top due to the weakness from having been repeatedly folded. Colors are bright and the pr...

This larger (19 3/4" by 36") work "GRAVITY -- Commission Ellwood Kieser" dates to the year 1973. The message, reading "gravity-like, He draws us lovingly into that deep dark center which is Himself. Ego dying. Soul reborning. Meaning revealing. Psyche healing. Shackle bursting. Mind spreading. Love empowering. Ellwood E Kieser" is placed in the rich green area. This colorful print is by SISTER MARY CORITA KENT (1918-1986). Sister Corita, as she is known, became an artist of internationa...

Etching of a young woman in dreamy sleep, 11 1/2" by 8 1/2" (14 3/4" by 11 3/4" simply framed), titled in the plate "Die Rosen", signed in the plate and again in the margin below in pencil by the German-born artist OTTO GOETZE (1868-1945). The artist's name is also sometimes spelled "Goetz" and some cite a death date of 1931. Goetze was born in Germany and was in San Francisco by 1930. Though evidently little known, judging at least from this sensitively rendered print, he was a master etcher...

A scarce lithograph print, the sheet 10 3/8" by 6 3/4" (13 1/2" by 10 1/2" in inexpensive modern framing) signed in the plate and dated 1893 by the noted French artist PAUL-ALBERT BESNARD (1849-1934). The image is a self-portrait of the Paris-born artist, who initially worked in the academic tradition before changing over around 1880 to an impressionist style. Besnard was commissioned to execute a number of murals at significant venues around Paris. This print shows the artist at age 45 (who ...

A charming little etching "Cape Ann Near Gloucester", so titled at bottom center, signed in the plate at lower right with the signature of listed American artist LOUIS KINNEY HARLOW (1850-1913). At lower left in smaller type is "Genuine Engraved Etching". The print likely dates to about the 1890's or 1900. Harlow was born in Massachusetts and became known as a prolific watercolorist in New England, producing coastals, landscapes, and images of familiar places. His work became even more known...

Linocut print, the sheet 10 1/4" by 14", unframed, numbered at lower left 70/100 and pencil signed at lower right and dated there 1971, the "HB" blind stamp nearby, by the important and still highly underrated Swiss-California modernist HANS GUSTAV BURKHARDT (1904-1994). The subject is somewhat uncertain; perhaps a look at a catalogue raisonne of the artist's graphic works would provide the title. The primary color used is a rich dark blue, and an orange circle provides a central point of intere...

A gallery poster of the year 1977 promoting a Fifth Avenue exhibition at the Robert Miller Gallery, for Pop Artist LARRY RIVERS (1923-2002). The colorful and complex image is signed by Rivers with felt marker at lower right and numbered 46/100. Larry Rivers, born in the Bronx of Ukrainian Jewish parentage, is considered a major figure of the second generation of the New York School. According to the Wikipedia listing, he is considered by many art scholars to be the "Godfather" or "Grandfather...

**ONE OF FIVE WORKS I AM OFFERING BY THE ARTIS, this is an etching on paper print, 8 1/2" by 10 1/2" inside the mat (14 1/4" by 16 1/4" as framed), signed in pencil at lower left by noted western American artist GEORGE ELBERT BURR (1859-1939). At lower right is written the title of the work, "Whirlwinds Dead Mountains--Mojave Desert". Burr's etchings and watercolors of the Great Southwest, especially Arizona and Colorado, are eagerly sought after by collectors. This example, of dust devils in an...

Etching titled in pencil at lower margin "Springtime", pencil signed at lower right by the National Academician artist, JOHN EDWARD COSTIGAN (1888-1972). The print measures 10" by 11 3/4" inside the mat, 17" by 19" in modern day gold frame. Costigan was known for his sympathetic portrayals of what he knew and loved best, the people and countryside of upstate New York, where he lived on a farm in Orangeburg. A native of Providence, and an orphan, he was moved to New York City, where he learned a...

For the Hawaiiana fans, here is a clean Hale Pua anthuriums print, 13 3/4" by 10 3/4" (24 1/2" by 20 1/2" framed). Close up magnification shows it to be some kind of later photo of an original airbrush painting, I believe (offset printing-type dots visible with a magnifier). The color seems to be just printed on rather than airbrushed, the signature, likewise. You need a magnifying glass to tell the difference. If you are looking for the decorative Hawaiiana look, you can't go wrong with th...

ONE OF A NUMBER BY THE ARTIST IN MY SHOP**A PAIR of small etchings (one, "Cypress Trees at the Beach", 4 3/4" by 6" inside the mat, and 10 1/2 by 11 1/2" framed, the other, "Old Chinese Telephone Exchange", 6" by 4 1/8" and 11 1/2" by 9 1/2" framed), by the noted California artist HARRIET GENE ROUDEBUSH (1908-1998). The artist titled both in margin and signed at lower right. Roudebush was born in Portland, Oregon and moved to Sacramento as a youth. Art education in the Bay Area followed, in the...

An original gallery poster from Old Town Circle Gallery, San Diego, for a September/October 1981 exhibition of the works of the artist, YAACOV AGAM (1928-). In typical style, the artist has HAND SIGNED the poster in color markers at lower right; he did it in that vibrating, repeating style for which he is known, each signature in a different color marker. Agam's works have sold at auction to about the $700,000 level, and frequently into six figures, making him an important Israeli artist. He ...

This is a fine wood engraving from the end of the 1920's by well listed American printmaker LYND WARD (1905-1985). The work is from the 1929 woodcut novel "God's Man" by Ward. Measuring 6 3/8" by 4 1/2" inside the mat (13 1/2" by 11 1/2" as framed) this print is by an artist well recognized today especially for his achievements in the graphic arts and illustration art. He was an associate of the National Academy, and examples by his hand grace the collections of the Library of Congress and mus...

This Francisco de Goya etching was published as a frontispiece to the 1922 Delteil edition of "Le Peintre Graveur Illustre". In beautiful original unframed condition.

Original white line woodcut (aka Provincetown woodblock or woodcut) by Virginia Bill (USA, 1865-1960), circa 1930. In excellent condition. Archivally matted and framed. This work is signed by the artist lower right and is titled lower left "Portuguese Jewish Cemetery 11th Street N.Y." This is a view of an ancient Sephardic cemetery in New York, or rather of what was left of it after most of it was destroyed by road construction. A great work by an elusive proponent of the white line technique...

Poster from the year 1981 for the exhibit "In + Out City Limits: Boston" exhibition of photos by the famous, important contemporary American artist ROBERT RAUSCHENBERG (1925-2008), **hand signed** in red marker at lower left. The poster measures 25 1/2" by 19 1/2" (33" by 26 1/2" framed--no glass). Rauschenberg, according to the askart listing, is "one of the major artists of his generation, credited with Jasper Johns of breaking the stronghold of Abstract Expressionism". He is known for his...

Miniature sized etching (2 1/2" by 3 1/4", and 7 1/2" by 8" framed), titled in margin at lower left in pencil "Cape Cod Shoreline", and pencil signed at lower right by Massachusetts listed artist MARGARET ELDER PHILBRICK (1914-1999). This is a mid-century work, I would guess, by a woman artist who was known for still life and landscape works, primarily in the etching medium. She was a member of the Society of American Etchers, and the Brooklyn Society of Etchers. She won the John Taylor Arms ...

This is an example of the MARC CHAGALL (1887-1985) lithograph "The Tribe of Joseph", from The Jerusalem Windows series of the early 1960's. Measurements are 12 1/2" by 9 3/4", so, this is I believe from a book, and it is much smaller in size than the edition of 150 pencil signed version of the print. It is however a true lithograph and not a dot offset print. I examined this out of the frame (and it is loose under the mat currently, floating). The margin edges have been cut irregularly, but ...

This is an unframed lithograph print of a female nude in an interior suggested by a door and bed headboard, 23" by 29", signed in pencil illegibly at lower right and numbered there 49/97. I think the work American and have tried various likely signatures such as "Czech" or "Bech" without determining who the artist might be---I am pretty sure that it is a listed artist. The print is unframed and can be easily rolled in a tube for shipping. There are soft handling creases and slightly dog-eared...

A circa 1920's etching of the Woolworth Building in New York City, the print signed in the plate and then pencil signed at lower right margin by American artist F.W.W. HOPPE. The artist did leave behind a number of etchings of New York scenes, but there seems to be a lack of biographical information on him or her. The print is in brown ink on a thin paper. Measurements inside the present mat (no glass) are 9 1/2" by 5 1/4" (14 1/4" by 9 1/2" in thin strip frame). You would want to reframe an...

This is an exceptionally fresh example of the 1969 print "Summer", approximately 18" by 24" (25" by 32" framed) by the famous modern artist ALEXANDER CALDER (1898-1969). The print is protected behind Plexiglas, in a black shiny laminated frame. On the reverse is a certificate of authenticity from the Collectors Guild of New York. My research indicates this print was issued in an edition between 1,000 and 4,000 examples, published by the Societe de Verification de La Nouvelle Gravure, Paris/N...

The print (8 1/2" by 9 3/4" inside the mat, 15" by 20" as framed) is a very detailed etching typical of the meticulous style of the artist, renowned for his prolific printmaking. Popular and rare images by the artist, of New York City scenes, can sell for five figures. He traveled widely in Europe and architecture, especially Gothic architecture, especially revered by the artist, was a favored subject. This print is of a Gothic style building in Princeton, New Jersey. The artist signed the w...