PAIR of fine engraved prints, 9 1/4" by 13" inside the innermost mat, and 20 1/2" by 26" as framed in attractive quality burl wood, one titled "Windsor and Eaton", the other "Carfax and Abingdon", created by the well-known late 18th century topographical artist and diarist JOSEPH FARINGTON (1747-1821). These are quality prints ready for display in any traditional interior, with fine detail and subtle coloring complemented by the rich brown burl and fine matting...

Decorative botanical copper engraving print from 1806, after the famed English botanical artist SYDENHAM EDWARDS (1768-1819), measuring " by " as framed. Sydenham was the son of a Welsh schoolmaster, and went on to become one of the principal artists for Curtis's Botanical Magazine late in the 18th and early in the 19th century. After 1815 he went on to publish The Botanical Register. The present example is surrounded by an ornate mat...

Acrylic on canvas painting in black, red and blue on white background, 28" by 39 1/2" as framed, signed in the lower left corner "J. Brooks". I am offering this as a bold, modern decorative painting, and NOT as a genuine work of the important American artist James D. Brooks (1906-1992). Condition is excellent and save for some wear on the cream-colored frame, this is ready for display.

Impressionist oil painting of stands of white birch trees by a small lake or large pond, painted on the smooth side of Masonite panel, 9 3/4" by 13 1/2" (12 1/2" by 16" as simply framed), apparently unsigned. The scene suggests a northern latitude, perhaps high elevations in the United States, or Canada or northern Europe, but there is little to go on geography-wise. The artist was skilled and created a peaceful little painting in subdued colors...

Oil on canvas painting of a desert southwestern landscape complete with saguaro cactus, unframed, 16" by 20", signed at lower right "Robert Perkins". I do not see a listing by this name so offer the painting on its decorative values. It is in fair condition, with soiling, stretcher bar show-through/uneven canvas, and two very small punctures at sky on right in a cloud at a few inches above the signature. If you like the painting you could hang it as-is, or you could invest money to fix it up.

Nineteenth century American or European drawing of pink roses, their leaves and prickly stems, unsigned, in an oval shape, 9 3/4" by 7 3/4" (12 3/4" by 10 1/2" as nicely framed). The attention to detail by the artist is exceptional. We could prick our fingertip on the fine thorns. This could be considered a folk art or Victorian piece. It is very fresh and clean, considering the age of the work. Allow for reflections in a few images...

**ONE OF TWO EXAMPLES OF THIS PRINT IN MY SHOP, THE SECOND PRINTED IN DIFFERENT COLOR**From the skilled hand of the noted Art Nouveau period painter, illustrator and decorator HENRI BELLERY-DESFONTAINES (1867-1910) comes this well known image "L'Illusion", printed in the year 1897 by F. Champenois in Paris for the popular series "L'Estampe Moderne". The image is a dreamy one, with undertones of male and female sexuality. Note the elegant gray-brown colors and the blue and white highlights...

Oil on canvas painting of small figures walking a dirt track in autumn along the shore of a lake, 19 3/4" by 24" (28" by 32" framed), signed at lower right with what appears as "Fan UDKO". I believe the work is likely by a listed artist but I cannot come up with any listing from the name, at least as I am reading it. Perhaps more research might identify the artist. The painting is competently executed...

**PAIR** of oil paintings on canvas either laid down or laid against board or panel, the horizontal image of a young man wearing a hat in a landscape 9" by 17", the vertical scene of a tawny hillside with thicket beyond and black birds in a partly cloudy sky 13" by 10", neither signed but on the reverse of the latter is 20th century writing: "Section from "Rabbit Warren" by Wm...

Chromolithograph print of jockeys on their mounts in a race, circa mid 19th century, 13" by 19" (15" by 21" in modern day dark frame), signed in the image by the noted British Vanity Fair magazine caricature and sporting artist LIBERIO PROSPERI (1854-1928), who signed as "Lib". The print is framed without mat and has some condition issues, including two vertical folding creases, and a damage area at lower center, below the horse's leg (see close up of that)...

One of dozens of drawings by this artist that I recently acquired, (ask to see others, not shown in my shop), this is a fine image in soft pencil on paper, the drawing itself 14 1/2" by 15 1/2", in a simple frame without mat, signed at lower right by California and Massachusetts listed artist DAISY MARGUERITE HUGHES (1882-1968). Hughes was born and died in Los Angeles but in between she spent much time in the Provincetown art colony on Cape Cod...

An etching of a Native American brave on horseback, by important California and western American artist EDWARD BOREIN (1872-1945). The print is a restrike, likely made from the original plates at some point after the artist's death. Measurements are 7" by 8 3/4" inside the plate line (the sheet 11" by 15 1/4", and 16" by 18" as framed in worn black painted oak circa 1920 frame). Borein's place in the hierarchy of western American art is secure...

An impressive panoramic alpine landscape painting of jagged mountain peaks at sunset, or dawn (actually titled "Sunrise over the Alps", the alpenglow effect captured beautifully, 27" by 39" (36" by 48" framed), signed at lower right by the artist, Waldner, and bearing placard with the above title and again the artist name. The work probably dates to about 1960. It is in excellent vintage condition...

Attractive contemporary era painting of seven ducks in flight over a marshy estuary on a cloudy afternoon, 24" by 36", unframed, signed at lower right illegibly. I am trying to decipher the signature but so far nothing fits. The size and a stamp on the reverse establishing the copyright rights of the artist suggest that the painting is American...

Watercolor on quality watercolor heavy paper, 14 3/4" by 20" (18 3/4" by 24" as framed), the scenes a tropical street with historic old wood houses, likely Key West, Florida, and another street scene with a lone figure, signed in pencil at lower right something like "Meish...." or "Weish....."; I cannot decipher the name. The aritist probably created this in the 1960's or 1970's, and he or she was skilled with watercolor. The brush strokes are brisk but expertly placed. Condition is excellent...

Watercolor on paper painting of a traditional Chinese junk near the shore of a reedy body of water, 15" by 11 1/2" (20 1/2" by 16 1/2" in simple blond wood look framing), signed at lower left in pencil with what appears to be the name "Tang". The transparent washes and deft handling make for a pleasing and calming image that is a fine alternative to a print. The work is affixed or pressed against the backing by the glass---there is not a proper mount.

Late 19th century painting of the Roman Colosseum, an historical arch and surrounding gardens and park, signed at lower left "Conti". The piece, which measures 6 1/2" by 4 1/4" inside the mat, and 13 3/4" by 11 3/4" as framed in polished, shiny reddish-brown wood, displays exceptionally fine detail despite its small size. The colors are sharp and fresh and the paper not oxidized. This might be a work by the listed Italian painter Tito Conti (1842-1924) but I could not stand by that so I will ...

Watercolor/gouache on board painting, 19 1/4" by 12 3/4", the subject the interior of a Jewish place of worship, signed at lower left by the well listed Jewish artist MAX BAND (1900-1974). Band was born in Lithuania and spent much of his earlier life in Paris, after study at the Berlin Academy. His works often feature Judaic themes, though subject matter can range from florals to European urban vistas to genre and portraits. In 1940, presumably as war clouds threatened in Europe, Band moved t...