This is a charcoal with white highlights fine original drawing of a male head on a plinth, the head appearing as would a Greek or Roman marble sculpture. The work, 16 1/4" by 12" (22" by 18" framed), is signed at bottom by the Austrian artist RUDOLF ZELENKA (1875-1938) and is dated nearby 1894. The drawing would likely be an academic study by the artist at age 19, while receiving art education...

Watercolor painting of roses in a pitcher, candlesticks and furniture completing the arrangement, an interesting patterned light from the window panes streaming in at an angle, signed at lower right by contemporary artist "T. Williams" and dated 1998. The work measures 20 1/4" by 27" (31" by 38" in wood framing). This is extremely clean and fresh and ready for display. I do not have a handle at this time on the identity of the artist, but the work was purchased in San Diego.

Fine etching of windmills in a landscape in a brownish-black ink, 9" by 11" (14 1/2" by 16 3/4`" framed), pencil signed at lower right by listed artist DIRK BAKSTEEN (1886-1971). The quality of the work is excellent, reminding the viewer of Rembrandt and other better known artists, though Baksteen is a somewhat obscure figure today. Born in Rotterdam and educated in art there at the academy, by 1912 he was in Mol, Belgium, becoming part of the "School of Mol" landscape artists...

A fine drawing (10 1/2" by 15 1/4" inside the present mat, 18" by 21 1/2" as framed (no glass) by the well listed Czech artist MAX SVABINSKY (1873-1962), featuring cloud formations and a sliver of land below. The artist signed at lower right and dated the work 1949. The medium appears to be charcoal or soft pencil on paper, with a bit of brown color included. A Svabinsky oil painting sold for over $300,000 at auction in the Czech Republic in 2016...

A nicely painted oil on Masonite work featuring pears and apples arranged in a still life that is quite colorful and harmonious, the fruit softly modeled. The work measures 16" by 11 3/4" (19 1/2" by 15 1/2" in bright gold framing) and is signed at lower right with a signature that appears to be "Ardi T. Santi" or similar. The painting is very decorative and attractive in its gold frame.

This is a larger than typically seen watercolor of roses, in the style prevalent around the turn of the century. The work is signed at lower right corner "E. J. Fischer". Measurements are 20" by 29" and 25" by 34" in the white wood frame. There is a listing for an artist in Denmark by that name but I believe this to be an American work and unrelated to the European artist. Condition is excellent. Found in Southern California...

An unusual item...a portion of a birthday or other festive cake on a plate, make of some kind of ceramic material, hand painted very realistically and capable of "fool the eye" (trompe l'oeil), painted in colors reminiscent of the colors used by famous contemporary artist Wayne Thiebaud. Measurements are approximately 8 1/2" across the plate, by 8" in height. The artist has hand signed her name on the bottom of the plate, in black marker...

A framed PAIR of framed color prints, one (Place de la Concorde, central Paris) 8 3/4" by 12 1/2" (13 1/2" by 17" framed, no glass), the other (Notre Dame and bookstalls along the Seine) 8 1/2" by 12" (15" by 18" framed). Each is pencil numbered at lower left out of editions of 500, and signed at lower right in pencil, by the noted French 20th century impressionist painter CHARLES BLONDIN (1913-1991)...

This is an interesting very old monochromatic watercolor, circa late 18th century or very early 19th, measuring 4 1/2" by 8 3/4" (11" by 14" framed). The drawing has the feel of an old master drawing. The scene includes tiny figures, buildings, a willowy tree at right, and what appears as an isolated hill or butte-like feature in the distance...

Large oil on canvas painting of traditional sailing craft on the ocean, 24 1/2" by 34", 26 3/4" by 34 1/4" as framed), painted in an impressionist manner with palette knife, signed at lower right with the familiar "C Buenaventura" signature and "Manila 1964". The artist is CESAR BUENAVENTURA (1922-1983). Cesar was a son of well listed artist Teodoro Buenaventura Fernando Amorsolo the great Filipino artist was Cesar's godfather. The painting is in excellent vintage condition...

Contemporary (late 20th century) oil on canvas painting of a lighthouse, and coastal rocks and sea birds, a tall ship at right, signed at lower left by American gallery artist CRAIG SMITH. The work measures 24" by 30" (31" by 37" framed). The scene resembles Portland, Maine's famous lighthouse, but a business card of the artist affixed to the reverse appears to say that this is a Nova Scotia, Canada scene...

A pair of framed watercolors, each signed by the artist, GEORGIA LEE, circa mid 1960's, the subject being familiar scenes of San Francisco: one, a pink hillside Mediterranean-style mansion most likely in the city's tony Pacific Heights section, (possibly on Divisadero, or Broderick or Fillmore); the other a downtown view towards the Ferry Building and the Embarcadero Freeway, (which was built in 1959---thereby helping us to date the works)...

Oil on canvasboard painting of flowering yucca ("Spanish Bayonet") in a landscape, signed at lower right by Barbara White, a talented artist from Silver City, New Mexico, who was elected first president of the organization in 1968. There does not seem to be much other information readily available on the net, but one reference does indicate that she is deceased. The painting measures 9" by 12" and 15" by 18" framed. The artist wrote her name, address and the title "N...

By noted Scottish artist FRANK COLCLOUGH, a PAIR of gouache drawings of landscapes in Scotland, one of a country lane, 7 1/2" by 11 1/4" (15 1/2" by 19" framed), the other of a harbor, 12" by 7 3/4" (20" by 15 1/2" framed). These are very obviously the product of a talented hand. Colclough was painting as early as 1981. Earlier works are in watercolor (or, presumably, gouache, as in the case of these works), while later efforts are more likely to be in oil or acrylic. Colclough has long been...

A Dutch 17th century etching of a standing horse near a humble abode, 6 3/4" by 7 3/4" (14" by 15 1/2" in 20th century appropriate black frame), unsigned, and with no initials or other indication as to authorship. The work bears old pencil notations on the reverse side of the mat; there appear to be names of potential artists that were pondered by a previous observer in my position (including, it appears, question marks to himself). The names appear to be "Karl des Jardin", "Dirk Stoop", "Pott...

Large colored etching, posthumous printing, after the circa 1914 original print of the famous Austrian landmark on the Danube west of Vienna, the 18th century-built Melk Abbey (sometimes called Melk Monastery), signed in pencil at lower center by the son of the artist, Robert (the actual signature is preceded by "nl" which indicates Nachlass, or Studio, of the artist). The image is by the well-known painter and printmaker LUIGI KASIMIR (1881-1962). The 18" by 23" work (28" by 32 1/2" framed) i...

Oil on canvasboard landscape of Southern California including distant oil derricks, 12" by 16", unframed, not signed on front but on back signed and with artist address at the time in Sunland, CA, a Los Angeles suburb. The forest of oil wells could be in a place like Signal Hill, or Long Beach, near Huntington Beach, or, any number of other points in Southern California or the southern Central Valley west of Bakersfield. This is a work by the talented wife of another talented artist, Roy Brook...

A landscape painting with feathery trees silhouetted against a luminous sky, a female figure walking at right with brown cow on the path which borders a creek, signed illegibly at lower right and dated there 1852. Someone invested some money in preserving the work, as it has been relined in recent times. The original stretcher was retained. The work is now stable. It is not perfectly flat however, there being some roll to the canvas especially at bottom. Hanging on the wall none of this is ...