This is a landscape work by highly regarded American artist THOMAS WILLOUGHBY NASON (1889-1971). The print is signed in pencil at lower right and dated there 1937, when the artist was 48 years old, at mid-career. Nason was a Boston-born artist who by the late 1920's had taught himself the fine art of creating prints in the wood engraving process. This process was popular for illustrating books in the 19th century but by the twentieth it had fallen from favor...

Oil on canvas, 15 1/4" by 18 1/2" (22" by 25" as frame), the subject a copper or ceramic tub filled with red flowers , all against a simple background. The painting is not signed on the front but on the reverse is "Yerda Werkel" and "von Kurtz" and "1.9.46". So we have likely a German, Swiss or Austrian artist who would have painted this soon after the end of the war. I don't see a listing for the artist but she was talented...

Vintage (circa 1910 or 1920---possibly earlier---) old watercolor landscape of a log bridge over a small creek in a woodland, nicely framed, signed at lower left by listed upstate New York artist ELBRIDGE J. FENN (1857-1934). Fenn seems to have executed landscapes in oil and watercolor, in the area around the old Skaneateles art colony near the Finger Lakes, west of Syracuse. There is not a lot of biographical information to be gleaned from the net, but he was obviously talented...

Etching or aquatint in colors, 18 1/2" by 23" (28" by 31 1/2" as framed), titled at lower left margin "Les Vieux (???)" and signed at lower right margin by the noted French artist PAUL EMAIL LECOMTE (1877-1950). Lecomte was born to an artist father and an art-nourishing environment. After attending the Ecole des Beaux-Arts and study under Fernande Cormon, he went to work for the government...

Pastel on paper, 11" by 23 1/2" (15 1/2" by 28" in its original stained oak veneer frame), unsigned, the subject a beautiful still life arrangement including a number of peaches and bananas in front of a tilted bowl or possibly basket. I think the work dates to about the year 1900 give or take a decade or two. Condition is excellent, with just a little pastel dust adhering to the glass...

Watercolor on paper, with skilled use of wet-on-wet technique, 19" by 27" (31" by 38" as framed), the subject quite possibly a city with figures, (but that is just a guess---only the artist knew for sure), signed at lower right "G. Benaroyo" (or "Benaroya") and dated there 1962. I believe Benaroyo or Benaroya is a Jewish surname, and I discovered upon opening this up that there is writing in Hebrew on the back of the work, the words "Benaroya landscape" and the original $150 price...

Watercolor on paper, 12 1/2" by 9 1/2" inside the mat, 18 1/2" by 14 1/2" as framed, the subject the Museum of Wooden Architecture in Suzdal, Russia. Suzdal is in the province of Vladimir, approximately 150 miles northeast of Moscow. The work is signed at lower right by the talented contemporary Russian gallery artist NIKOLAI TROSCHENKOV (1961-) and dated there 1989, and at lower left, I'm told, is the name of the town (all this related to me by Russian speakers)...

THREE pencil signed etchings, all of orientalist subject matter including possible temples, mosques and bazaars, all unframed, by the Dutch artist MARIUS BAUER (1867-1932). Bauer was born in The Hague and died in Amsterdam but in his lifetime strayed far from the confines of the Netherlands, visiting the Middle East, India, Russia, North Africa and the Dutch East Indies. A precocious talent, he received art training at an early age...

Oil on burlap type canvas, unframed, 29 1/2" by 15", signed at lower right "BEKE", date circa 1950's or early 1960's most likely. The scene is a classic Mediterranean coastline in Italy or Spain, or, just a generic Mediterranean scene conceived by the artist. I don't see a listing for this artist so am offering this as a decorative piece. It is soiled, and would brighten substantially with a professional cleaning.

Watercolor on paper painting of the famous belfry towers and facade of the St. Louis Cathedral on Jackson Square in New Orleans, Louisiana, possibly signed at lower right (illegible), 10 1/4" by 7 1/2" inside the mat, 16" by 10" framed, circa 1960's or 1970's I believe. The work is framed in an old, beveled dark oak quality frame that likely considerably pre-dates the art. When framed, someone wrote the title "St. Louis Cathedral, New Orleans" on the mat below the image...

Watercolor painting of a sunny meadow by the sea, vegetation partially obscuring a distant view to a coastline, 9 1/8" by 13 1/4" (16 1/2" by 20" in wood strip frame), signed at lower right by American artist HARRIET WINSLOW HAYDEN (1840-1926)--some give date of death as 1906. Hayden worked in both Massachusetts, and, later, in Colorado, where she became an active member of Denver-area art groups...

Oil on canvas, 13 1/2" by 9 5/8" in its thin old frame, signed at lower center "Ellen B. Farr", the subject her typical signature pepper tree leaves and the distinctive red "berry" seed pods. Farr (1840-1907) is quite appreciated today for her California paintings of pepper trees, still life works of poppies, citrus, native indian baskets, and landscapes...

The famous large folio size Currier and Ives lithograph of 1864, "Winter in the Country" (sometimes referred to by its subtitle, "Getting Ice") is a very desirable image, and the original printing is very rare, highly coveted by collectors, and in 2002 with the late George Cohenour of Pennsylvania, Currier expert and publisher of a widely used price guide, that print is likely the most rare in the entire Currier and Ives production history...

Large folio size (19 1/2" by 24" inside the mat, 24 1/2" by 20" as framed) hand colored 19th century original vintage lithograph print (1867), titled at bottom "Horses at the Ford" by the iconic American print makers Currier and Ives. A great piece of Americana, this print is apparently rather scarce. Hand coloring in various shades of green, mostly, makes for a most attractive example. I have had an opportunity to examine this out of the frame. It exhibits normal browning, and there are old...

Watercolor on paper painting of flowers in a short vase in a dish, a piece of fruit and a small book nearby, 11" by 15" inside the mat, 19 3/4" by 24" as framed, signed at lower right by the artist and dated there 1970. I do not see a lot of biographical information on the artist, but he did apparently work in a modernistic style, as Paul Klee or Lionel Feininger inspired semi-abstract or abstract works have appeared at auction in Germany. This piece is in extremely fine condition and is ready...

Oil on canvasboard, 14" by 10" (19 1/4" by 15 1/4" as framed), signed at lower right in red "K. L. Weatherly" and dated there 1940. One of two works by this same artist I acquired at the same time, (the other one also in my shop), this is an impressionistic view of a southern American regional landscape, a swamp or lake with bald cypress and Spanish moss hanging from the trees. Such a scene would normally be encountered in a place like the Louisiana bayous. The artist Weatherly does not seem...

Pencil drawing on paper, 4 1/4" square inside the mat, 9 1/4" by 9 1/4" as framed, signed at lower right "Luce", the subject an elderly man at left and elderly woman at right, both reading a letter or periodical. The paper is browned with age, though, evenly, and there's a small crown-shaped stain that looks like an ink blot, irregularly shaped, at lower right. The work is affixed to a board on which is written in old hand "No. 20". The mat, with its hand-drawn border, seems to be glued down ...

Oil on board, (ONE OF TWO BY THE ARTIST IN MY SHOP), 4" by 7 1/2" inside the mat (7 1/2" by 11 1/4" as framed) signed at lower left in green "Six" and dated there "32", the subject the iconic saguaro cactus of the southwestern American desert at sunset. Because that species of cactus grows naturally only in Arizona, we can assume that this is indeed an Arizona scene. The painting's style is typical of that of an obscure painter by the name Robert Six, whose works I have seen from time to time in...

This is an original Currier and Ives lithograph print, frame opening 10" by 8" (total frame 14 1/2" by 12 1/2"), titled "Little Snowbird", from the 1860's, in a nineteenth century typical American walnut frame with gilt fillet. Unfortunately, this very old print has been damaged over the years, and it is now severely torn at top. The title portion and "Currier and Ives" are folded under, as are side portions. Therefore, the principal value of this item is the frame, and the print is a bonus....

Old impressionist oil on canvas laid on wood board painting of a typical Dutch scene with windmills, boats, and a waterway, 9" by 11 1/4" (13 1/2" by 15 3/4" in 20th century frame). There does appear to be a signature at lower left but despite my best efforts I am unable to determine that name. On the reverse in pencil is written (Pound or Florins? sign) and 5.50, and below that, at the very edge of the panel, appears to be very possibly a name, however it is cut off by the lower edge of the p...

A photographic print, apparently printed in Italy, featuring Harry Jackson's important sculpture of John Wayne on a horse, autographed and then dedicated "For my good friend Mert/All the best to you/Your friend/Harry/June 10, 1991/Cody Wyoming". HARRY JACKSON (1924-2011) was a western American artist for many decades, best known for his sculptures, some large or life-size, featuring cowboys, horses and indians. These western works commonly bring $50,000 to $100,000 at auction today, and they a...

Pencil signed color print, 1992, issued by Greenwich Workshop, numbered also in pencil 15856/48000, by the noted contemporary American western artist BEV DOOLITTLE (1947-). The print is titled "Eagle Heart" and shows a Native American Indian chief on a white horse in a carefully arranged late autumn landscape, the snow patches on the rocks, in shadow, shown as an electric blue color, the central subject standing out dramatically. Doolittle is said by some to be a "camouflage" artist, arranging...

Oil on masonite still life painting, 24" by 18" (33" by 26" framed), signed at lower left by California artist CLARETTA ELLIS WHITE (c. 1915-2002). This is a briskly painted work by an artist who was quite active in the Southern California art scene at mid century. An unusually detailed and complete website, evidently created by relatives, gives a complete history of her active life. The artist was born in Tulsa, Oklahoma into a cultured family. She grew up in Tulsa and went on to work as a s...

Large oil on canvas, 52 1/2" by 37", unframed, the name "SERGEI BORISOV" on the canvas overlap, the subject a scene of Cold War era Russia. There is much going on in the image, which is an idealized urban, industrial landscape. The Russian is difficult to translate (I have been helped by a friend who reads Russian), even to a Russian speaker/reader, but the gist of what is being said is that the proletariat and workers must prevail all together to work for the Communist ideal. Also, it could ...

Irving Amen's works are most commonly prints, as he is considered a master print maker in woodblock, etching, lithography and silk screen; this example appears to be etching or etching with aquatint. He also executed oils and acrylics in the course of a long career. This work, titled at lower left in pencil "Love & Peace" and numbered there 31/200 examples, is signed in pencil at lower right. The print measures 20 1/4" by 14 3/4" inside the mat (32" by 23" as framed). Note the colors---a blu...

This is an apparently very early work in sanguine chalk (8 1/2" by 11", unframed, affixed at top edge behind an old mat) by the well listed Chicago-born artist WALTER KAMYS (1917-), now known for his modernist paintings executed in an "abstract impressionist" style. Kamys went to Central America and Mexico at a young age in 1942, there becoming friendly with the important English surrealist Gordon Onslow Ford. This proved to be crucial to the evolution of Kamys' mature style. Ford introduced h...

Ink on rice type paper, approximately 13" by 11" inside the mat, the subject appearing to be a child, with a bird above, signed at lower right "Serisawa" in ballpoint, inscribed "To Gertrude & Jim from Sueo" at lower left in ballpoint. This is an example of the artistry of the American-Japanese artist SUEO SERISAWA (1910-2004). Serisawa is considered to be one of the principal figures in California modernism. Born in Yokohama, Japan, the son of an artist, he was in Long Beach, California as a b...

Original lithograph print, "Six Baigneuses", circa 1925, 9 1/2" by 13 1/4" inside the mat, by the famous French modern artist RAOUL DUFY (1877-1953), the scene a number of female nudes swimming in a turbulent sea. The work, one of an edition of only 33 plus artist proofs, is pencil signed by Dufy at lower right. Raoul Dufy is a modern artist of considerable fame, his major works bringing well into six figures at major international auctions, Dufy was born in Le Havre. He was exposed early o...

This is a very attractive impressionist work, 18" by 23 3/4" (24" by 29" as framed), unsigned, the subject a line of trees, fading sunlight filtering through them, all in a green and brown palette that seems very Arts and Crafts in feeling. I think the work was likely executed in the 1940's or thereabouts. The stretcher is new, and I am trying to decide if the painting has been lined on a newer canvas. The seller told me this work came from the recently broken up estate of Swiss-American arti...

Watercolor and ink on paper painting of a large mature tree in a landscape, 14" by 18" inside the mat, 22" by 25" overall in contemporary pleasant gold framing, titled at lower right "HORTUS LEIDEN GLINGKO TREE/RAPHAEL". The work is by the hand of the important impressionist painter JOSEPH MORRIS RAPHAEL (1869-1950). Raphael was born in Jackson, California, in the so-called Gold Country, but spent a lot of his time in the Low Countries of Europe, so both artistic communities "claim" him. He i...

This is a fine pastel on paper work, 9" by 11 1/2" inside the mat, 15 1/4" by 17 1/4" as simply framed in wood, the subject a low desert with saguaro cactus near a desert wash at right center, a range of brooding desert peaks in the distance. The work is signed by the artist on the original mat at lower left corner. Condition of the drawing is superb. The outer portion of the mat is browned and a bit discolored with age, but since the mat contains the signature, if you reframe you would want ...

By the highly important German impressionist and expressionist artist LOVIS CORINTH (1858-1925) is this rare lithograph of 1921/1922, "Die Markgrafin von Bayreuth" (translating as "Countess of Bayreuth"). The sheet measures 8" by 5" inside the mat opening, and 9" by 6" in total. This print is signed in pencil by the artist at lower right. Corinth is considered one of the giants of German 20th century art. One work has exceeded $1 million at auction and many have sold in the multiple hundreds ...

Oil on canvas, 24" by 30" (30" by 36" as framed), the subject a peaceful northeastern cove, which we learn from a penned notation on the reverse is, in fact, Canada, in the province of Nova Scotia. Viewers online have confirmed to me that this is definitely Peggy's Cove on the Atlantic coast. The oil bears a professional-looking signature at lower right: R. Miller. I don't see a listing that would likely correspond to this, so offer it on its own strong decorative qualities and excellent co...

Small oil on canvas laid on board, 9" by 7" framed, unsigned, the view being an extensive hazy landscape with high snowy peaks in the distance, a spindly tree in the middle ground. I have searched without success for a signature. Likely dates before 1940 and more than likely by a listed artist. Light areas in immediate foreground are probably old losses, which have been in turn varnished over.

A contemporary watercolor painting of banana tree or giant bird of paradise, in harmonious green, yellow, violet and brown-red colors, 22" by 19" (29 3/4" by 25 3/4" in blond wood frame), signed at lower right corner by artist Elizabeth Schleich, or Schleichner or similar, followed by "PTL" (meaning unknown). The work is in excellent condition, the colors rich. The artist displays a keen sense of color and some passages in the composition appear almost cubistic. The giant bird of paradise is ...

Oil on canvas, 27 1/4" by 39 3/4" (32 1/4" by 44 3/4" with modern simple frame), signed at lower right by the artist and penciled notations on the stretcher as well, the subject most peaceful, consisting of a small pond with ducks and rowboat in a clearing, painted early in the 20th century by the noted Scandinavian artist OTTO PETERSEN BALLE (1865-1916). Balle's works are held in many collections in Denmark, and some especially fine examples have sold at auctions, one at Sotheby's. This work ...

An opportunity to acquire an original oil on canvas painting by a very highly esteemed twentieth century California artist, the works of whom have exceeded $50,000 at auction. This work is signed at lower right by California twentieth century artist ROGER KUNTZ (1926-1975). The subject is apparently a coastline with abstracted trees and houses next to a dark blue sea. The work itself measures 12" by 16" (17 1/2" by 21 1/2" in a quality frame by Munn, a respected old La Cienega Boulevard framer)...

ONE OF TWO OF THIS SAME PRINT IN MY SHOP, lithograph print in elegant gray and white on black paper, 27" by 22", (and 33 1/2" by 27" in silvery modern frame), pencil signed at lower right, and numbered 5/100 at lower left. The title is "Daphne and Apollo", the imagery consisting of idealized male and female figures with leafy trees in the background, creating a most interesting and modern composition that looks almost like a "solarized" photo. Considering the complexity of this image, it is no w...

Oil on canvas impressionist seascape painting of green waves breaking on a beach, 12" by 24" (17 3/4" by 29 1/2" framed), signed on overlap "D. W. Parshall '95". This is a work by a Buffalo-born artist, DeWitt Parshall (1864-1956) who is today best known as a California painter from the Santa Barbara area. Parshall studied in Dresden and Paris and painted in the east before heading west to California in 1917, where he became noted for his beautiful landscape paintings (and his son Douglass als...

Etching of a lady removing her slipper, 6" by 7 3/4" inside the mat (13 1/2" by 14 1/2" framed, to be shipped with no glass), pencil signed at lower right margin by the noted French twentieth century master ANDRE DUNOYER DE SEGONZAC (1884-1974). This is a beautifully executed work , showing the artist's skill in draftsmanship and the graphic arts. Like many of his works, this image is suggestively erotic in nature. Dunoyer de Segonzac was exhibiting at the Salon d'Automne and the Salon des I...

Oil on board painting of colorful flowers in a blue ceramic vessel on a tabletop, 20" by 26" (26 1/2" by 32 1/2" as framed), apparently unsigned, the work dating to probably the years around 1930. There is an old crack at upper right as shown, not especially visible to the casual viewer, and I note some flaking and unstable paint in the lower 1/4 of the painting (see bright yellow underpaint showing through----ask for more detailed photos of this).

Oil on canvas painting of famous Morro Rock, the 500 foot high landmark and sentinel that for time immemorial has guarded the harbor at Morro Bay on the coast of central California. The work is titled on the stretcher "August Sunset by Marjorie Sharpe". Beautifully painted, the artist has captured the wispy clouds that cling to the top of the rock and the reflections of the fishing boats. Sharpe is listed in the Dictionary of California Artists by Hughes, who mentions that she was active in Sa...

This is a beautifully executed work in charcoal, 18" by 15" (19" by 16" as framed), the subject a young girl, staring out at the viewer, likely wearing her school uniform, circa 1930's or 1940's, I am thinking. Unfortunately there is no signature. When I first saw this I thought it possible it might be by a Taos and Santa Fe master.......and I held on to it for many years, thinking I could run into another work that would unlock the mystery. That work has not come by, so, I will offer her for...

Pastel on paper drawing of a blonde, very Nordic-looking woman, 17 1/2" by 13 1/2" (25 1/2" by 21 1/2" as framed), signed at lower left Ruth Sammons. I cannot find any information on the artist but she was surely talented. The drawing is very strong and in excellent, fresh condition, and it is very nicely framed with a burl wood type frame and quality matting. The only "Sammons" that comes to mind as a listed artist is Carl Sammons, the California plein air landscapist; I speculate, and it is...

A turn of the century oil of red roses, signed at lower right "Myrtle Crittenden". There is a "Miss M. Crittenden" listed in Hughes' dictionary of California artists, and she was noted there to have exhibited at the California state fair in 1881. This painting came out of the Sacramento area, so, that makes sense. Not dated but likely dates to early 20th century when such works were still especially popular, as they had since Victorian times. This oil measures 18 3/4" by 15 1/4" plus 3 1/2" o...

Oil on canvas, 8" by 10" and 1" wide frame, the subject a classic plein air landscape of the low desert. It is signed "Geraldine" at lower right, and on reverse is the inscription "To Dad Happy Anniversary from Mom". The painter was talented but no doubt still an amateur. This is a pleasant decorative painting that is ready to hang on the wall.

Watercolor on paper, 9 1/8" by 6 3/4" inside the mat (14 1/4" by 11 5/8" in its simple green frame), unsigned, the subject a Spanish (most likely) church tower with arched and arcaded breezeways. I've opened this and don't find a signature nor other information. My best guess is that this would be one of the famous buildings in the south of Spain, such as Granada, Sevilla, etc., though I suppose it possible that it could be elsewhere in the Mediterranean region. The top of the tower has a Moo...

Oil on board, 13" by 17", unsigned, the subject a group of European-looking (French, I'd guess) buildings that appear as if they would belong in a country winery scene, with an early spring impressionistic landscape surrounding them. The conical tops remind me of structures I have seen in California wine country, or, in French chateau country. This one is difficult to describe adequately. I would imagine judging from the quality that it is the work of a listed artist, but I could not venture ...

Etching on paper, 6 1/8" by 9" inside the mat (13 1/8" by 15 1/2" as framed in attractive oak), the title "Emigrants on the Plains", bearing at lower left margin "F.O.C. Darley, fecit." and at lower center "Entered according to act of Congress, A.D. 1869, by D. Appleton & Co in the clerks' office of the district court for the southern district of N.Y.", and at lower right "H.B. Hall, Jr. sc.". This is an extremely clean and fresh example of this well known print by an artist called one of A...

Gouache and pencil on paper, 16 3/4" by 12 1/2" (slightly larger as simply framed), signed at lower left by listed American artist JOHN EDWIN JACKSON (1876-1950). The scene is a genteel one, with a proper southern gentleman and belle, in a grand architectural setting. The artist was very prolific, illustrating many books and magazines in the first half of the twentieth century, yet, little seems to be known about him. A few pieces have been sold at illustration art auctions. This work is in ...

Oil on canvas laid on board landscape of whitewashed red-roofed buildings, foreground donkeys carrying loads while chickens graze nearby, 11 1/4" by 15 1/2" (15 1/2" by 20" framed), signed at lower right by 20th century Hungarian or Romanian artist JULIO BEREGSZASZY. The artist's works of Venezuela, executed in the 1950's, indicate that he spent time there or was from there despite the European name. Little else seems to be known about this talented impressionist. The painting is in excellent...

Beautifully executed by an unknown but obviously talented artist is this 10" by 8" oil on canvas of a seated woman draped in fabric, against a darker drape background. The work is contemporary. It was found unframed and for illustration purposes I have "married" it to a frame that somewhat fits it, however, the frame is marginally unsuitable because it is a bit shallow for an oil painting's stretcher. If desired this frame can be included and you can work a bit on securing this inside the fra...

Pencil signed at lower right, numbered 201/250 at lower left, is this circa 1975 modern print by the noted listed Israeli-born (Haifa), French artist who also worked in America, NISSAN ENGEL (1931-). The work measures 20" by 15" in its silvery metallic framing. The colors do not seem to be faded, though there is rippling in the paper visible in most of the margins, likely from exposure to a damp environment. There is no mold however. Engel is known for his mixed media technique, including co...

Watercolor painting on paper, 29 1/2" by 21 1/2", (37 1/2" by 29 1/2" framed behind Plexi, in simple gold metal framing), signed at lower right "Julia R. Ayres" (and copyright symbol and 1985 date). The subject is the world famous Grand Canyon in Arizona. Ayres might be a listed artist, there being another Julia Ayres on google known as an artist, but further research should be conducted to see if there might be a relationship. The watercolor is nicely executed and the popular southwestern su...

Oil on canvas painting of the streets in the oft-painted Montmartre section of Paris, 18" by 24" (25" by 31" framed), signed at lower right by the noted well listed French naive artist LOUIS PEYRAT (1905-1999). This is a classic scene that reminds of Maurice Utrillo, who, I read online, was a cousin of Peyrat (one painting in the auction record featured as its subject matter Utrillo's house). The muted color palette lends an austerity and understatement to this fine work. Peyrat was from the ...

Watercolor on paper, 20 1/2" by 27 1/4" inside the mat (26 1/2" by 32 1/2" as framed), signed at lower right "Roy E. Swanson", dated there "84" This watercolor is by a skilled hand (see other works by him in my shop), though I cannot seem to find a listing for the artist. There is a listing for a RAY Swanson (Cowboy Artists of America), but this is not that artist. Regardless, the work is excellent, reminding one of the California Scene school of watercolor, with the likes of Milford Zornes, Ja...

Circa 1940's or 1950's oil on canvas, 25" by 30", (33" by 38" as framed), the subject a vase with pink and white flowers, some blue cornflowers at lower left in front of an open oriental fan, the entire scene suffused with a pinkish, mid-century light. The painting is signed at lower right by the Who Was Who in American Art-listed JOSEPH LANE (1900-), an artist and muralist who trained at the Art Institute of Chicago. Today Lane is most associated with Illinois and his trademark still life wor...

Oil on masonite, 18" by 14" (22" by 18" in its wood frame), the subject the familiar streets of the French Quarter, this being a view of Pirate's Alley, from Jackson Square, facing Royal Street, signed at lower right "Weller". I take from the website of the New Orleans Academy of Fine Arts: "Dell Weller studied four years at the Art Students League in New York. After two years of study in Mexico, he returned to New Orleans. He developed a widespread reputation for his wildlife etchings. At pr...

One of three works in my shop by the same artist, F. KENWOOD GILES (1899/1900-1972), is this watercolor on paper painting, 14" by 19 1/2" inside the mat, 20 1/2" by 26 1/2" as framed, the subject several pink-walled, white-roofed island homes on a bluff overlooking the sea, flowering shrubs and bushes completing the happy scene. The paintings are not dated, but I believe they would have been created in the 1950's. Giles was a versatile English artist who lived in Bermuda from 1950 onward. He w...

This is a double-sided drawing of figures by the very well listed American artist RICO (FEDERICO) LEBRUN (1900-1964), measuring 9 1/2" by 7 1/2" (10 3/4" by 8 3/4" in temporary protective framing). The front side shows a figure of a warrior, drawn rapidly in ink; at the bottom in pencil is "to Kate/from Rico--1948". On the reverse are two figures drawn rapidly with pencil, and no writing. On a recent label affixed to the backing is written the phrase "GIFT TO KATHERINE STEEL FROM RICO LEBRUN"...