A nicely painted and early miniature portrait of a man done in watercolor on natural organic material. The blue-eyed sitter is a nice-looking gentleman fashionably attired in a full, long wig, a blue loose fitting robe, and white ruffled shirt.

One of the interesting things about this piece is that the original gold case is of a type known as a "slide case"...

This beautiful miniature portrait, painted in watercolor on natural material, is signed "SH 1786" on the right center of the painting, and also on the reverse as "Sophia Howell 1786". The sitter, a woman wearing a white gown with a lace-edged black overpiece, and holding a salmon colored muff, is posed in front of a blue drape and a stone column and plinth...

A beautiful Samuel Cotes miniature painted in watercolor on organic wafer. The sitter was an officer in the First Royal Dragoons, first raised in 1661, making it one of the oldest cavalry regiments in British Army history. It served in many campaigns until 1969, when it was merged into The Blues and Royals.

The portrait is in a gold case which has been mounted on a 10K gold Victorian bracelet. The bracelet comes with its original blue silk lined leather case...

A nice miniature painting done, in watercolor on natural material, by Ebenezer Mack. The sitter is dressed in a black jacket, and a white vest, shirt, and stock. Housed in its original gold case.

Although all of Mack's works are quite naïvely rendered, this example is even more primitive than most, indicating that it was done quite early in his career, probably in the 1785 time frame. His works are very rare, and he did not sign his paintings...

A c1790 fine miniature done by John Barry. This portrait of a gentleman in a gray coat, with his powdered hair en queue, is an extremely well painted example, and in excellent condition. Presented in a 1 7/8" by 1 1/2" period gilt metal case.

BIOGRAPHICAL NOTE: John Barry, who lived in London and was active from 1784 to 1827, exhibited at the Royal Academy during this period. Among his sitters was Rev. John Wesley, the founder of Methodism...

A finely limned miniature portrait painting by Andrew Plimer. The sitter, a beautiful young woman with dark hair and blue eyes, is wearing a high-necked white dress, a pearl necklace and a pearl barette. She is posed against a cloud filled blue sky...

A striking portrait, on natural material, of a French colonel, purportedly Charles Ferdement, Baron de St. Clair. The colors are vivid, and the strength of the sitter is well captured by the artist. The condition is excellent, and the diameter is 2 3/4".

Italian. 17th-18th Century, Oil on Copper, 21"w by 15.25"h in an antique frame 26.25"w by 22"h. On the verso is an antique inscription that attributes the painting to Jean Honore'Fragonard 1775. The inscription is obviousely antique and written in English.

An extremely fine watercolor and gouache on organic substrate miniature portrait done by Henry Benbridge, painted in his crisp, realistic style. The sitter is attired in a blue coat and a white ruffled shirt and collar, the fabrics of which are carefully and richly depicted, a characteristic of Benbridge's work. The surround to the painting is gold, while the original case, with a pin on the reverse, is gold filled.

Both the painting and the case are in excellent condition...

Balthasar Beschey, Netherlands/Flemish, 1708-1776. This lovely portrait of the Madonna and Child in a Landscape is oil on wood panel. It is 10 5/8" by 12 7/8" and is in a beautiful period frame with overall dimensions of 19 6/8" by 22". Provenance: Private Midwest Collection, Hanson Gallery, Private UK Collection...

Francoise Boucher Attr or School of : Cupids in Landscape: Pair 18th C French. This pair of oils on canvas is lovely in the quality of painting and the charming subject matter. Each panel is 28"w by 64"h. They had hinges on them as a standing screen but were later used as hanging panels. They are from a prominent french family who brought them to the USA.

A superb double silhouette on natural organbic material, in a cast foliate locket, by John Field. One side is of a woman, the other of a man, wearing spectacles (highly unusual) and both are signed "John Field 111 Strand" along the lower edge of the bust line. These paintings display the finely executed bronzed work that was a hallmark of Field's.

The sight size is 1 1/2" by 1 1/4"...

A watercolor on organic wafer, painted by John Smart, and initialed lower left, along with the date of 1797. The sitter is a young woman with brown curls and eyes. She is attired in a green and blue feathered cap, a white gown with lace on the collar, and a green sash.

The brushwork is impeccable, the texture and blush of the skin, the details of the eyes, the clarity of each hair, and the overall luminescence of this painting are stunning...

A wonderful English watercolor miniature on natural wafer, painted by Ozias Humphry. The gentleman depicted is clearly of the upper class, dressed in a dusty rose colored jacket with a lace collar, a style worn in England specifically in the 1765 to 1770 period...

A beautifully rendered miniature painting, on natural organic material, by John Barry...

A watercolor on organic natural wafer of a somewhat older woman wearing a blue jacket with fur edging, a pearl choker, and a rust colored cap with lace. The unusual characteristics of the piece are the hand decorated paper surround and that the painting is in a frame that slides into a close fitting leather case.

The condition of the painting is excellent, with no issues, while the case has exterior wear but is structurally sound. Sight size is 2: by 1 5/8", and the case is 2 7/8" by 2 1/8"

A nice example of a miniature portrait, painted by Nathaniel Hancock on organic material. The sitter is a woman in a blue gown with a lace edged bodice. The gold case has chamfered glass on the front, and the reverse identifies the sitter as "Ridgely 1791."

The condition of this little gem is very fine, with no flaws to speak of. There was some minimal clean-up of a few painting drips in the background. Overall size is 1 3/4" by 1 1/2".

BIOGRAPHICAL NOTE: Information about Hancock is rel...

From our European Collection, a very good 17th century Italian School oil on canvas, 'Ecce Homo.' An enduringly poignant and iconic image of Christ in Pathos and everything else that this represents, it needs no further elaboration from us.

Size and Condition: Framed dimensions, 31.5 x 25.5 inches; Unframed image size is 25.75 inches x 19.75 inches. The painting has crazing / craquelure consistent with its 17th century age. There is some paint flaking / paint loss towards the bottom, but...