A PAIR of old engravings from the Passion of Christ series of 14, engraved originally in 1521 by Dutch old master engraver LUCAS VAN LEYDEN (1494-1533). My research leads me to believe these two are apparently later impressions printed on wove rather than laid paper, by noted Flemish engraver Jan Harmansz Muller (1571-1628). (Wove, as opposed to "laid" paper, was not invented until the mid 18th century). The talented Muller made skilled and faithful copies after earlier artists' works...

A fine watercolor on vellum painting of an aristocratic woman. The sitter, a blue-eyed blonde powder haired woman who is coquettishly toying with a long lock of her hair, is gloriously decked out in a very low cut white gown with a red shawl. The gown is partially held up by a long strand of diamond and gold jewelry with a matching bracelet on her left arm. Farther up that arm the sleeve of the gown is cinched by a diamond and pearl brooch. A pearl bracelet circles her right arm...

Etching, tightly trimmed to round shape ("tondo"), 8 5/8" by 8 5/8" (12" diameter in quality round, gold modern framing by Los Angeles framers Jerry Solomon Enterprises Inc.), the title "The Satyr Family", dating to 1657. This is a fine 17th century etching by a talented Old Master...

A beautiful English Seventeenth Century Etching “Townscape” Framed 12” x 17”

( Consignment). Renaissance Deposition after Annibale Carracci (1560-1609), Oil Painting 74 x 51. Carracci is an Italian painter who was influential in recovering the classicizing tradition of the High Renaissance from the affectations of Mannerism.The sons of a tailor, Annibale and his older brother Agostino were at first guided by their older cousin Lodovico, a painter who persuaded them to follow him in his profession...

Antoni Waterloo 1609-1690 Dutch This is an original period printing of The Antoni Waterloo etching, Mercury and Argus. This etching is the 2nd state of three showing the artist initials upper left corner, a proof before letters, The image is in the Barsch catalog as image number 127ii. The image measures 11 1/2X9 1/2 inches. The sheet measures 14X11 1/8 inches. Collectors annotations and stamps on the back of the sheet, From the A. Coppenrath and Frierich Kalla, Moscow collection...

Divinity School Lithograph,English Seventeenth Century 13x16” A beautifully matted and framed work with inscription in Latin. Collection of J. Hirsh

Notice the details of the honeysuckle flower design on the armour. Please refer to the flemish painting in our listing. The honeysuckle design on the middle right side of the photo matches the same design in 17 flemish paintings.

Original 1618 etching by Jacques Callot LE GRAND ROCHER (The Great Rock) from his series “Paysages Graves pour Jean de Medicis”, Lieure catalog number 276, second state of two. Powerful design, excellent clean print. Framed and glazed, not examined outside of frame. Print size 109 x 243 mm (9 9/16 x 4 1/4 inches), frame size 10.5 x 18 inches.

A fine 17th century Dutch landscape by Solomon Van Ruisdael oil on oak panel 19 x 25.5 inches signed lower right. The scene is from a area near old Haarlem where he often painted pictured is a ferryboat in the distance and an angler and woman by a cottage in the foreground. An exquisite old master painting. Biography, (1600/03-1670) Salomon van Ruysdael was called De Goyer until he and his brother Isaack changed their name to Ruysdael, after the castle near their father's birthplace, Blaricum...

This is an antique Corpus Christi "Cristo Morto" from the late 16th century Renaissance period. It was made after a model by Guglielmo Della Porta.

The sculpture is of excellent quality fire-gilded bronze, finely cast with a hollow back and pierced with nail holes, then hand-finished with an artist's tools and gilded. It is believed to have been cast from a wax model. The sculpture is a stunning portrayal of Christ. His long, curly hair cascades down his right shoulder, framing his face...

Nicolas Mignard, French, 1606-1668, "Perseus Slaying Medusa". Etching by Nicolas Mignard after the frescoes of Annibale Carracci depicting scenes from Homer's Odyssey. Plate size 9 7/8 x 17 5/8, published by Pierre Mariette in 1637, with lettering in Latin below the image. Printed on a very early watermarked laid type paper.

Portrait of Abraham Bloemaert. On the background a landscape with buildings and a windmill. 58th plate of the series. Inscription on the bottom: 'ABRAHAMUS BLOEMAERT, / BATAV, PICT. / Pictor naturâ est, usus vix ille magistro: / Arte hic egregiis nec tamen inferior. / Pinxit Aves, Naves, Homines, Herbásque Ferásque, / Et laetos Flores FLORIDUS innumeros'. Etching and engraving, varg type paper with a mitre like watermark ; total:8.5 by 5"

Wenceslaus Hollar (23 July 1607 – 25 March 1677) was a prolific and accomplished Bohemian graphic artist of the 17th century, who spent much of his life in England. He is known to German speakers as Wenzel Hollar; and to Czech speakers as Václav Hollar Czech: [ˈvaːtslav ˈɦolar]. He is particularly noted for his engravings and etchings...

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1618 in Florence, powerful violent biblical scene represented in a European city setting. Lieure catalog number 278, second state of two, excellent impression of this important print. In excellent condition, framed and glazed, not examined outside of frame. Plate size 13,5 x 107 mm (5 3/8 x 4 3/16 inches), frame size 11 x 9 inches.

Attributed to Pieter van Bloemen (Flemish, 1657-1720)

Military Encampment

Oil-on-canvas.

Painting size: 23” x 32”

Frame size: 31” x 40”

Born in Antwerp, van Bloemen was the brother of Jan-Frans and Norbert van Bloemen. His master was the battle painter, Simon van Douw. In 1673 van Bloemen was a master in Antwerp, but he did not stay there long. He is believed to have spent 20 years in Rome and it is known that he was working there in 1688...

Original etching by Jacques Callot LE MASSACRE DES INNOCENTS printed in 1622 in Nancy. Lieure catalog number 427, second state of two, good size margins, excellent impression of this important print. Small crown watermark on the paper, slight darkening in the corners where the print was mounted, overall in excellent condition. Plate size 134x110mm, paper size 157x127mm.

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner...