A strong oil on wood portrait of a gentleman sporting a long ponytail, and wearing a large black hat, a ruffled white shirt, a brownish-gray jacket. Cleverly executed to look like the painting is oval and in a mat, in actuality the entire surface is painted and is not a mat.

The condition of this work is excellent, with no issues or restoration. The frame, which is modern, nicely complements this work sight size is 6 1/2" by 4 1/2", with the framed size being 8 3/4" by 7".

Nicely executed little watercolor of a woman in her nineteenth century finery, 11" by 7 3/4" as newly framed behind quality Tru Vue glass, unsigned. Her dress looks like circa 1860 but I do not know for sure that this would have been painted then. It would make for a pleasing addition to a woman's bedroom or sitting area.

Oil on canvas painting, unsigned, 24" by 12", in pinkish wood strip framing. The colors of the painting could be described as creamy light pink with some green. The work might have some age as it appears that "12-81" is written on the stretcher, possibly a date; and olden-days "$2.03" price is stamped on inside of the frame. There is a three-dimensional relief in places, where the artist spread the paint. No varnish, dull surface.

California Portrait Artist Bradford Lambert 40x30” A beautiful piece done circa 1980 oil on canvas unframed

A beautiful framed Western Scene of American circa 1900-1920 oil on board framed

Australian aboriginal art eucalyptus bark painting (the art itself 28 1/2" by 20 1/2", the mounting panel 35" by 20"), by listed artist GEORGE ANARAGAYURA (1934-), the powerful image consisting of two parallel crocodiles, surrounded by small fish, some tiny humans, and, I think, several other creatures less easily identified...

An illustration art-style color drawing (ink and watercolor) of a pipe-smoking uniformed military officer, possibly a general or other top brass, surrounded by cupids playing with military equipment such as mobile guns, a drone bomb, etc., signed with a capital W in a circle at lower right. It has been suggested to me that this could be a British military colonel (I originally thought him American)...

This is a scarce, even rare work in watercolor, pencil and, I believe, gouache, 17 5/8" by 11 1/4" (24 1/2" by 18 3/4" as framed) signed at lower right and dated there 1937 by painter and sculptor Angelina Beloff (1884-1969). The scene is inscribed "Jalapa"---corresponding to the colonial highlands city in southeastern Mexico on the main road between Mexico City and the coastal city of Vera Cruz...

A beautiful mosaic tile work depicting a Japanese Geisha in full dress, measuring 60” x 45” The work is mounted on a wood panel. Done circa 1960

A wonderfully detailed portrait miniature, on organic material, of a woman of substantial means, bearing, and physique. She is posed by a console table, and elegantly attired and bedecked with jewelry and an elaborate dress.

The portrait is signed on the lower right by Reinhold Krauss, a known artist listed in Thieme-Becker's "Artists of the World"...

CASTEL SANT’ANGELO, SIGNED HERNANDEZ, Roma 1959, Oil, 21.5” x 32” ….. The Mausoleum of Hadrian, usually known as Castel Sant'Angelo (Italian pronunciation: [kaˈstɛl sanˈtandʒelo]; English: Castle of the Holy Angel), is a towering cylindrical building in Parco Adriano, Rome, Italy. It was initially commissioned by the Roman Emperor Hadrian as a mausoleum for himself and his family. The building was later used by the popes as a fortress and castle, and is now a museum...

Warren Davis, American, 1865-1928, "Naiad". This is a very fine etching by Warren Davis, image size 7 3/4 x 5 3/4 inches, printed in an edition of 150, signed within the plate, with the title and edition in pencil below the image. This etching is in pristine condition, printed on a cream colored watermarked Rives paper with ample margins...

Watercolor on paper, 10 1/2" by 16 1/2" image size, (20 1/2" by 26 1/2" in attractive silvery modern-day framing), signed at lower left "P. Sandby 1793". The peaceful rural scene includes two cows, a haystack and at least three structures among the feathery trees. From images sent to major auction house specialists in London, the opinion has come back that this is very likely a work by someone of the period who copied Sandby's style...

A PAIR of elegant paintings on panels, oil and gold leaf on board with some possibly chalky gouache in the white horses, each 11 1/2" by 15 1/2", (framed however in different frames, one gold, 18" by 22", the other black, 19" by 23"), the subjects rather mural-like, one unsigned, the other signed at lower right, by the notable American intra-war artist and illustrator PORTER WOODRUFF (1894-1959)...

Oil on canvas laid on board painting of a colorful, flower-filled garden with paths and birdbath, what appears to be a fog bank moving in, 15 1/2" by 19 1/2" (24" by 28" as framed), signed at lower left by the well listed California painter WILLIAM CONSTABLE ADAM (1846-1931). This is a typical work of an artist who is today best known for his depictions of the landscapes, gardens, and houses of the Monterey Peninsula area...

The SUYDAM House Built by Elie FERT on bushwhack Lane about 1700, a company of Hessians in the revolution says on the selvage. A rare work

PAIR of copper engravings by the early Flemish artist JOHANNES STRADANUS (also known as Johannes van der Straet), born 1523, died 1605. Each measures 8" by 10 1/2" (16" by 18" in identical silvery contemporary frames). One image is titled "Staphae, Sive Stapedes", the other "Ser Sive Sericus Vermis". These works date to about the year 1590 or 1591. They are numbered 8 and 9, part of Nova Reperta, a series of 20 images that illustrated important discoveries of the Renaissance...

Oil on paper, irregularly shaped, maximum dimensions approximately 10" by 16" and 2" wood frame, signed at lower left "S. CIEJKA". I do not see a listing for this name, which appears to be of Polish origin. The painting is in oil on paper. I think from the looks of it, a date around 1940 would not be out of line, but it is hard to tell. The colors remind me of that period, and it is obvious that the piece is not from the late 20th century...