Unframed oil on paper on board painting of a desert Southwest landscape, 8 1/2" by 12", signed at lower right M. Edwards. The painting probably dates to the 1920's or 1930's I would guess. It has accumulated a lot of soiling and varnish has yellowed, so it desperately needs a cleaning. Note the left extreme edge, which must have been behind a frame, to get some idea of the potential after cleaning. There is also a small dig at right edge, and upper right corner of the paper is missing...

Richard Faralla american artist 1916-1996 1992 colored ink Petaluma CA 1992 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7.5" by 10" matt 12.25" by 14.75"

Oil on canvas landscape of a red-painted fishing shack or summer cottage on an idyllic lake, other cottages in the distance, 15" by 18 1/2" (20" by 22 1/2" as framed), signed at lower right "K. Andor". I thought this scene perhaps Swedish, but the name Andor is Hungarian...

Richard Faralla american artist 1916-1996 1992 watercolor " The Great Mill Petaluma CA" 1992 Many original works by this artist are in the SF Museum of Modern art. Matted sight 7" by 4" matt 12" by 15"

(**One of two works by the artist in my shop**). Unlike most commonly seen works by this artist, which are actually serigraph prints, this is an original oil on canvas painting, measuring 34" by 18" (unframed). The scene, which could be described as a floral fantasy, incorporating at least two human heads floating within the composition, is rather typical of the work of the artist, HERMANN DIETRICH (1916-2003). Dietrich's online profile has only in recent years become more developed...

An interesting pastel drawing of older high rise apartment buildings in a major city, perhaps New York, signed at lower right with initials "EM" or "EW" and dated there 1939. The work, 15" by 11" (21" by 16 1/4" in simple gold metal frame), deals very skillfully with what could potentially be quite sterile subject matter in the wrong hands. This could be seen as a commentary on the anonymity of high rise living in any city...

A circa 1960's painting of a clown playing a most curious blue violin, signed at lower right with what appears as "J. A. Evans" (or, Evers, or similar). The oil on canvas measures 20" by 16" (24" by 20" framed). There are few tiny flecks of missing paint, very minor, but generally the work is in good condition.

This is a fascinating drawing, in that it appears to be a photograph, such as a rotogravure print........but, it is not. It is guaranteed unconditionally to be an original watercolor, ink and gouache drawing of an old portal, possibly the entry to a church. The door seems to have been a favorite motif for generations of German and traveling artists.....a favorite "motif" just like the iconic red fishing shack in Rockport, Massachusetts, or the Brulatour Courtyard in New Orleans...

When I first saw this abstracted figure drawing I was half expecting to see the "Moore" signature, thinking this a dead ringer for the work of famous English modern artist Henry Moore (1898-1986). Measuring 8" by 6", 13 1/4" by 10 1/4" including the gray mat and silver metal frame, the piece is signed "Saibra" at lower right, or, possibly (less likely), "Sailera"...

Oil on canvas painting, unsigned, contemporary, unframed, 24" by 36", executed in retro 1960's and 1970's colors: olive, powder blue, orange, white. If your interior is modern and skewing towards the "Pan Am" days, then this will surely please. It has a few light scuffs and soiling that might be removable with light soapy water--see photos.

A watercolor painting of a steep hillside with trees, several structures filling the lower portion of the composition, unsigned, 13 1/2" by 10 1/2" (24 3/4" by 20 1/2" in the dark simulated wood framing. The painting does have some age and would likely be by a listed artist. Mat got wet at some point at bottom and will need to be replaced. Art itself is in excellent condition, the colors fresh...

A pleasing watercolor painting of a small sail boat on a lake, trees beyond, painted in an impressionist hand. Unfortunately the talented artist did not sign the work, which is laid down on a card. Framing circa mid 1960's included the old fashioned detail-dulling non-glare glass which should be discarded. The work measures 14" by 10" inside the mat and 19 1/2" by 14 1/2" framed...

If you're looking for an Asian accent piece for your interior, consider this oil on canvasboard, 23 5/8" by 17 5/8" (a little over 31" by 25" as framed), signed at lower right "Bill Parrish" (or Perrish, or Porrish), not dated but likely mid century from late 1940's to early 1960's, the subject a young Chinese woman in traditional colorful costume, with what I believe is an important Chinese character for something important like "life", "luck", etc. at upper right background...

A familiar scene that brings back fond memories to travelers who have experienced the pleasures of browsing the famous bouquiniste bookstalls along the Seine River in the heart of Paris---Notre Dame dominates the background, while a lively scene transpires, with a yellow-shirted artist and his easel at left, and a mother and her impatient young child at right, leafy trees framing the activity. The work is on canvas and measures 9" by 10 3/4" (15" by 16 1/2" framed)...

Mid 20th century painting of a vessel containing a plant with interesting leaves and orange tightly closed flowers, executed in an impressionist style with a modernist feel, on a 16" by 20" canvasboard, unframed, signed in black capital letters at lower left "Chatterton". Neither the signature nor subject matter resemble those of noted artist Clarence Chatterton, who was a student of Edward Hopper. I am offering it simply as an interesting still life painting...

Oil on canvas laid on board painting of a late autumn landscape, complete with flaming trees and distant hillside across a lake, 9 1/2" by 13" (13"by 17" in old likely original frame),signed at lower right by American artist Isabel Scott. The painting likely dates to the years before 1950---possibly to the 1930's I am thinking...

Found in Connecticut, this beautifully drawn still life features poinsettia in a blue and white vase, other props including a Greek or Russian icon, a book and a plate, the work signed at lower right by artist Charlotte Newton. There is an askart listing for an artist of that name, born in Missouri in 1839, a resident of Los Angeles by 1880, who passed away in 1914. The presence of the poinsettia leads me to believe that this might well be a work by this California artist, but it is difficult...

A watercolor on paper of people conversing and socializing in a square or city street, the sheet 15" by 11", the drawing 12 1/2" by 8 1/2" (22 1/2" by 18" in newish gold framing), the work indecipherably signed in red below the linen mat. The signature looks like "Arnold Balg(xxxxx)" or any number of variations of that, but to date I have been unable to tie this to a listed artist. The work came from the liquidated collection of eastern Pennsylvania theatre owner mogul Merton Shapiro (also of ...