An oil on canvas in a naive style of a line of deer walking along a gentle hill toward the top of a larger hill with the sunset and distant view of the other side of the valley. The painting was found in Shenandoah Valley though no record of, “A. Taylor” has been found. The tone of the painting is warm. While there are no give away clues as to the age between the late 19th or the early 20th century, it has a feel of being in the earlier part of that range rather than the later...

Boscoe Holder (16 July 1921 – 21 April 2007), born Arthur Aldwyn Holder in Arima, Trinidad and Tobago, was Trinidad and Tobago's leading contemporary painter, who also had a celebrated international career spanning six decades as a designer and visual artist, dancer, choreographer and musician. Living in London, England, during the 1950s and 1960s, Boscoe Holder has been credited with introducing limbo dancing and steel-pan playing to Britain,[1][2] performing on British television and radi...

Pastel drawing of a path among trees at day's end, 9 1/2" by 5 3/4" (13" by 9" framed), signed at lower right by artist E. W. Rost, or possibly E. Vyrost (Vyrost is a Czech surname). The work has a Tonalist or Barbizon feeling. There is an American artist Rost but with different initials, and that artist created mostly etchings. Condition of the drawing is excellent, though the frame has considerable wear, especially at bottom and left.

A classic old landscape with figures, old structures and feathery trees, somewhat in the Old Master tradition, but created in the mid 19th century, likely in New York, by an unknown yet obviously accomplished artist. The oil on canvas, unframed, measures 24" by 32 1/4". On the reverse are two canvas stencil stamps, one from London, (G. Rowney & Co.), one from New York (Goupil & Co., 289 Broadway)...

Foussa Itaya was born in 1919 in Foukouoka, Japan and finished his studies at the school of Beaux Arts in Japan. He has exhibited at the Salon Nikakai and in 1953 went to Paris to exihibit his works. In 1955 he exhibited at the Drouant-David Gallery, and many of his works are on exhibit at the Israel Museum, Carnegie Hall in New York, the Japanese Embassy in Paris, and in Switzerland as well.

INDIAN BRONZE FIGURE OF A DANCER, LATE 19TH CENTURY captured in mid-dance with a bell in one hand, the dancer dressed in a short patterned dhoti, wearing necklaces and large circular earrings in her pendulous earlobes, all atop a double lotus base, h: 14.5 in

Sold together as a **PAIR**, two watercolor paintings, each signed "BUZZI", one measuring 13 1/2" by 9", the other slightly larger at 14 1/2" by 9" (both 23" by 16 1/2" as framed), the subject two ladies going about their daily activities, dressed in 19th century garb. Condition of both is excellent, with fresh color, and no foxing/staining. The artist is most likely by listed artist Achille Buzzi or possibly Arturo Buzzi.

This work is from her minimalist series. Anne Lane studied art at George mason University in Virginia, completed her education at Saint Patrick’s college, Ireland, where she studied theology and philosophy. The tonal and contemplated intensity of her paintings reflect her 10 years spent working as an artist under the desert sun of New Mexico. Her vibrant style,resonant with color and baroque in detail,swoons its delight over her canvases...

A modern unsigned painting, likely acrylic, the complex surface obviously worked and re-worked and built up by the artist----the piece, unframed, weighs nearly 9 pounds; that is a lot of paint. The measurements are 30" by 24". Despite the thickness of the paint, that paint appears to be stable. The generally monochromatic colors, bluish-gray/black, reminding of volcanic cindery glass, with other color showing through, should work well in a number of contemporary settings...

DON'T COME

Anonymous vintage Japanese oil painting on canvas, Showa period, 20th century. The border area of coastal landscape between Fukushima and Ibaraki prefecture called 'Nakoso' which means "Do not come." in old Japanese words. Attached with an original frame without glass. Frame: 63 x 55 x 6 cm (24.80 x 21.65 x 2.36in). Slight deterioration at frame due to aging as is...

John HOPPNER 1759-1810, Woman in Hat oil on canvas c.1790, 40x35” This painting was exhibited at the Museum of fine arts Boston March 1893, and was a loan from Robert Hall McCormick (1847-1917)the industrialist from Chicago John Hoppner RA April 1758 – 23 January 1810 was an English portrait painter, much influenced by Reynolds, who achieved fame as a brilliant colourist . Hoppner first exhibited at the Royal Academy in 1780...

A PAIR of pastel on paper drawings, each measuring 18" by 24", though they are currently in different frames, one 32" by 38", the other 27" by 32 1/2", the optical illusion making one appear larger than the other. Both works are signed with initials "CA" at bottom right. I confirmed with a Swiss auction house that they are not by Swiss artist Cuno Amiet, therefore they are offered as-is, unattributed. Most likely, they are of American origin...

A high impact Original Acrylic Painting on stretched canvas by A. Srimai. Signed and dated on the back of the canvas. Size: 31.5" x 24" inches (60 cm x 80 cm). Please inquire for details.

The size of Book: 12 1/4" x 9 1/2" x 1 1/8", Weight of Book 3 Lbs. Louis Icart, "The Complete Etchings". West Chester, Schiffer Publishing, Ltd., 1990. First edition hardcover with dust jacket. 245 pp. A great reference book on the artist Louis Icart the French Art Deco painter and illustrator. Trained in engraving, he started out illustrating for the French fashion press. In the 1020's his portraits of women and Parisians seduced the public...

Karl Schlagaler Swiss Artist “Still Life with Mandolin” measuring 12x16 inches gouache and watercolor on board Swiss Artist born 1894 to 1990

Barry Moser, American, 1940-, "Timing Devices". A dramatic triptych wood engraving, the three images are individually titled, "The Dump", "The Burying Ground", and "The Eucharist". The overall image size is 8 x 9 3/8 inches, 1977, pencil signed.

A very finely carved German eighteenth century wooden sculpture of Saint Nicholas, originally done for a private chapel in Southern Germany about 1720. The figure with a bishops cap and fine robes and finery in polychrome. Measuring….

Adolph Richard Fleischmann, American, 1892-1969. This Renoir like floral still life is perfect in its simplicity and strong colors. It is 18" by 14" in its original 5" gold leaf frame. It is signed lower left with the monogram RF in the tablecloth. Fleischman was born in Germany and exhibited in Europe and New York. His work is in museums in New York and east coast museums and in France and Germany. He is listed in Who was Who in American Art as well as in numerous publications.