Embroidered in vivid pink on olive cotton, this purse from Swat valley is 50-60 years old and in excellent condition. Geometric patterns embroidered in straight stitching in pink floss silk are outlined in yellow and white double running stitch, with accents of purple and cream. The purse measures 18 x 19.5 cm.

This textile from central Afghanistan was made by Hazara women and depicts the severed hands and shrine of Hazrat Abbas, the half-brother of Hussein ibn Ali, during the battle of Kerbala in Iraq. The scene is embroidered in very fine cross stitch in rayon thread on a polyester background and measures 47 x 59 cm. Condition: Excellent. Estimated age: late 20th century...

A carved and dark red lacquered oval tea tray with cherry blossom in cinnabar red and yellow-white. Made in Kamakura, the back with a stamped seal mark. Width "17/ 43 cm. Condition: minimal wear.

A wood plate used by a lacquer ware maker. It has layers of red and black urushi. It is used by a craftsperson of Aizu-nuri, from Aizu in Fukushima in Tohoku district. The first half of the 20th century. Diameter:16.4cm, H:4cm

Ando Hiroshige (after)
"A Fairy Moon and a Lonely Shore"
This scene depicts salt gathering at Suma Beach.
Date: ca 1910.
Size: 7.125 x 4.75 inches (18 x 12 cm).
Publisher: Matsumoto Print Works. Tag on back (#39).
Medium: Japanese woodblock print.
Condition: Mark on island and a couple foxing spots on back.

Japanese Stoneware hanging Vase with green and purple color drip glaze over dark brown unglazed surface, 4 3/4" high, 3 1/4" x 3 3/4" wide, the condition is good, no damages.

Japanese glass ojime in a form of tombodama bead of flattened ball shape with black body and 2 pairs of sunflower and face designs. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Diameter 0.81 inches.

Japanese glass ojime in a form of tombodama bead of flattened ball shape with inlays of a butterfly and cherry flowers. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece, in perfect condition. Diameter 0.78 inches.

Japanese glass ojime in a form of tombodama bead with two flowers on stems with prickly leaves - appear to be some species of a thistle. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.76 inches.

Japanese glass ojime in a form of tombodama bead with bright red flowers floating in a stream, fine gols foil flakes background. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.64 inches.

Japanese glass ojime in a form of tombodama bead with numerous white flowers. Tombodama can be translated as “dragonfly ball” and the name is thought to come about because when the molten glass is applied to the core bead it resembles a dragonfly’s eye. Superbly made piece - see finely textured petals, in perfect condition. Height 0.64 inches.

Fukagawa Japanese porcelain vase of square section with indented corners, and underglaze blue and enamel decoration of a flowering prunus tree with chrysanthemum flowers at its roots. Excellent quality painting, skilled use of gold, green, tomato red, yellow and white enamels. Marked in blue enamel on the bottom with a mountain and inscribed FUKAGAWA TSUKURU (made in Fukagawa). Height 7 1/8 inches.

Josetsu (Jousetsu) 城雪
Cock and Hen with Chickens under a Plum-tree
Size: 7 x 4.75 inches.
Date: ca. 1910.
Publisher: Matsumoto Print Works. Cat. #164 tag on back.
Medium: Japanese woodblock print from a painting by Tokyo artist Josetsu.
Condition: A few marks. Slight waviness corresponding to location of tag on back.

A baby's kimono made of cotton with katazome (stencil-resist-dye), which is imitating shibori pattern. It has thick cotton lining which is from the cold district, such as Tohoku. Generally, in good condition but two belts are damaged and stains in the lining. The 20th century. W:69cm, L:64cm

Elementary student's uniform made of wool and probably blended. It has Longer pants has mending. 1940s. Jacket: W:41cm L:53cm, Long pants: W:38cm :L64cm, Short pants: W:31cm L:50cm

Cotton cloth with shibori (tie-dye) seigaiha (waves) pattern and dyed with akane (madder). In excellent condition but akane color is faded and one mending patch and a few tiny holes. The first half of the 20th century. 35cm x 136cm

This child's hat was hand-embroidered by Uzbek women living in northern Afghanistan. Depicting traditional patterns in vivid pink, green, bergundy and purple, it measures 6 inches (15.2 cm) in diameter and 18½ inches (47 cm) in circumference. The width is 2¾"(7 cm). Long and short stitch are solidly worked in wool thread and reinforced with machine stitching on a cotton base. Condition is excellent on the exterior, with some fraying in the interior. Its estimated age is late 20th century...

Good Kayan Orang Ulu gawai rice festival ceremonial mask, circa 40 years old, from Sarawak. I bought this piece in Kuching, Sarawak in 2003. Used only twice a year for rice planting and harvesting festivals (gawai), these gatherings were usually a good excuse for a party and celebration to encourage the spirits to ensure a good harvest. H: 25cm/9.8in and W: 16cm/6.2in.