王雲為王翬（清）所製 蟠龍鈕雞血紅石套印 印文：松風、竹影、盒底刻：石谷所有。 Two Chiken-Blood Red-Stone Seals in a Dragon Box Made by Wang Yun (1652-1735) for Wang Hui (1632-1717) Qing Dynasty The seal set was made for Wang Hui (1632-1717), the leading master of "Four Wangs of Early Qing" and "Painting Sage of Early Qing". Since Wang Hui's courtesy name is Shi Gu, the seal box bears a carved mark of Shi Gu SuoYou, meaning Property of Shi Gu...

The elegant vintage bracelet, approximately 2 3/8 inches (60.33 mm) in inner diameter and 41 grams in weight, is skillfully hand-carved. Its strong natural jade material shows different beautiful green hues. Medium: Aged Hetian Jade Date: Qing Dynasty Condition Report: Hand-Carved, Good Condition Provenance: Property of a MA collection

Hanten with sashiko (quilting) which is made in Shonai in Yamagata prefecture in Tohoku District, which is made of hand-spun cotton and vegetable indigo dye. It has 2 layers of cloth with sashiko. The collar cloth is also hand-spun and vegetable indigo dye cotton with stripes. In excellent condition. The first half of the 20th century. W:88cm, L:75cm

San Idelfonso blackware jar, burnished finish with abstract designs, early unsigned piece, in the style of Maria Martinez (1887-1980), beautiful condition and good size. Measures 6" diameter, 4 3/4" high, opening is 3 3/8", bottom is 3 1/8" diameter. Fairly thick walls, evidence of hand finishing in interior, bottom has spots where it looks like felt buttons were once attached. Classic designs of feathers, circular shapes, all very precisely done, this was crafted by a highly skilled artisan...

Gorgeous art deco Tamekichi Mitsui III signed Kutani plate. He received his artist's name Tamekichi III in 1961 from his teacher, and was soon afterward commissioned to create a plate for Edwin Reischhauer's visit in 1962. He was a favorite of the royal family who bought numerous pieces in 1976. Also from 1979-1988 Japanese Prime Ministers took his works abroad as gifts during state trips. He was a professor of art in Washington D.C...

Hanten, called "suzukake" worn by a Shugen-sha or Yamabushi who practiced Shugendo. Shugendo is the Japanese unique religion combining Buddhism, Shintoism, and worship of nature (mountains). A practitioner (shugen-sha) trained himself in the holy mountains that is ascetic and very painstaking. It is made of hemp and weft of is hand-plied but warp is machine-spun...

Korean pojagi (bojagi) made of fragments of choma (ramie). All hand-sewn. In excellent condition. the first half of the 20th century. 106cm x 120cm Belt:3.7cm x 41.5cm

Kawase Hasui
The Great Buddha, Kamakura (Kamakura Daibutsu)
Date: 1930.
Pre-war edition.
Size: Oban. Margins trimmed. Approximately 14.375 x 9.5 inches.
Reference: Hotei #204a.
Medium: Japanese woodblock print.
Condition: Margins trimmed. Fading.

Peerless Mount Fuji
Unsigned. Artist not identified.
Date: 1934.
Size: Oban. Approximately 13.75 x 10 inches.
Origin: Issued as a folded insert to an N.Y.K. Line publication called, "Glimpses of the East". The folds are vertical.
Medium: Japanese woodblock print.
Condition: A faint foxing spot at the upper left.
The composition of this print is reminiscent of the Fuji views of Tsuchiya Koitsu.

Japanese bronze suiban, or a dish to be filled with viewing stones called suiseki, as well as small plant arrangements. The rim has flower petal incision motifs while the sides are decorated by medallions and a pair of handles shaped like elephant heads. Artist's signature on bottom.

Size: 17" L x 9" W x 4.5" H

Shoda Koho
Moonlit Sea
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 11 x 8 inches.
Artist's seal lower left.
Date: 1930s. Printed 1938-1960.
Publisher: Nishinomiya Yosaku.
Medium: Japanese woodblock print.
Condition: Excellent.
"Made in Japan" stamped on verso.

Paul Jacoulet
Le Nid, Coree (The Nest, Korea)
Date: 1941.
Print size: Approximately 6.25 x 4.25 inches.
Publisher: Self-published, from a series of surimono.
Reference: No. 80, The Prints of Paul Jacoulet (Miles).
Print is tipped along its top edge to original blank card.
Jacoulet liberally employed mica in creating the silver background of this charming subject.
Medium: Japanese woodblock print.
Condition: Excellent. Card is slightly creased.

Kawase Hasui
Springtime Forest
Date: 1930s.
Size: Koban. Approximately 7.875 x 5.25 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-18.
Condition: Excellent.

Vintage Japanese woodblock print by moku hanga style artist Fumio Fujita (1933-present). He graduated the Musashino College of Fine Arts in 1955 and began making woodblock prints in 1963. This is an abstract piece he created early in his career with a goldenrod yellow and grey background and bold, black criss-crossing lines with solid black circles, capturing motion and fluidity. It is set in a black and gold frame...

Guangdong, mid 20th century. H. 34 and 31,5 cm. Custom made stands included.

Bateba Phuwe, made by the ‘carver of the long neck’. Mid 20th century. H. 29 cm. Good condition. Literature: Katsouros/Herkenhoff - Anonyme Schnitzer der Lobi.

Kawase Hasui
Deer Strolling Along Kasuga Shrine, Nara
From the series, Shinto and Its Architecture.
Date: 1936.
Size: Koban. Approximately 7.5 x 5.25 inches.
Provenance: The Robert O. Muller estate.
Publisher: Watanabe Shozaburo.
"Made in Japan" stamped on verso
Medium: Japanese woodblock print.
Reference: Hotei #Hb-s7
Condition: Excellent.

Made of hardwood. Early 20th century. Laos is famous for its ‘tribal’ Buddhas. They were made by village carvers and donated in large quantities to the temples. H. 55 cm. Condition: remains of polychromy, age wear, cracks.

Kawase Hasui
Moon at Matsushima
Date: 1930s.
Image Size: 6.125 x 4.125 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-37.
"Made in Japan" stamped on verso.
Hasui seal at lower right.
Condition: Excellent.

High Bridge at Night Artist: Not signed.
There is a similar Hasegawa Night Scene by Eijiro as well as a painting by James Whistler.
Size: 14.5 x 6.5 inches.
Date: 1910s-20s.
Publisher: Likely Hasegawa.
Medium: Japanese woodblock print on thick paper.
Condition: Excellent with light spotting on back. Note: Lovely visible woodgrain.

Arai Yoshimune
Fishing Boat
Date: 1910s.
This edition late 1950s or later.
Size: Chuban. Approximately 11.5 x 8.25 inches.
Artist's seal at left.
Publisher: Nishinomiya Yosaku. Seal at left margin.
Medium: Japanese woodblock print.
Condition: Excellent. Top margin has faint yellowish spot.

An early 20th Century Zisha ("purple clay") teapot with famille rose enamelled decoration depicting the "Three Friends of Winter" - prunus (plumb) blossom, pine tree and bamboo - and also a single bat. This item was made in Yixing, Zhejiang province, China during the Republic period (1911-1949). The maker's or shop seal mark inside the cover reads "Rong Ji"; the elaborate seal mark on the base reads "Fu Kang Ying Kou". Ying Kou is a town in Liao Ning province, north east China...

Toshi Yoshida (1911-1995)
Sacred Grove (Kami no Mori)
Size: Chuban. Approximately 10.5 x 7.75 inches.
Date: 1941.
Artist's jikoku (self-carved) seal upper left margin.
Later edition (ca. 1970s-1980s) with impressed pencil signature.
Medium: Japanese woodblock print.
Condition. Excellent.

Arai Yoshimune
Pine Beach by Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s. Printed 1938-1960.
Size: Chuban. Approximately 11.0 x 8.0 inches.
Publisher: Nishinomiya Yosaku
Condition: Excellent with slight waviness at top margin.
- A rarely encountered night scene design.

A beautiful vintage Chinese export silver belt with flower and phoenix motif in excellent condition. An excellent gift idea for a lady friend. L:92cm Weight: 92.8g $375 (Pending)

Kawase Hasui
Mt. Fuji from Tago
Date: 1930s.
Image Size: 6.125 x 4.5 inches.
Publisher: Watanabe Shozaburo.
Reference: Hotei Hp-12.
Hasui seal at lower right.
"Made in Japan" stamped on verso.
Condition: Excellent condition.

A young woman dressed in a white robe with red hakama pants is holding a folding fan and is posed to do a dance. This dress is often known as Shirabyoshi where these were sacred dances offered to the gods. The shirabyoshi figure evokes the Heian and Kamakura aesthetic and the legends contemporary to the era that portray the Shirabyoshi. Work is signed and sealed by an artist named Nanko. Age: Early 20th century. Size: height 74.25" width 22.5

Ohara Koson
Peafowl on flowering cherry
Size: ko-tanzaku. Approximately 7.75 x 3.75 inches.
Date: ca. 1900s-1923.
Koson seal at lower right.
Reference: AK.19 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Compare with our large Ohara125 K38.13 published by Daikokuya.
Medium: Japanese woodblock print.
Condition: Excellent. Back lower corner has spot.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters heavily influenced the development of this form—helping to endow it with the earthy, simple, and natural qualities it is so appreciated for...

Arai Yoshimune
Pine Beach By Moonlight
From the Hasegawa Night Scenes series.
Date: 1910s.
An early edition removed from its original matted presentation folder. Size: Chuban. Approximately 9.875 x 7.0 inches.
Publisher: Hasegawa
Condition: Faint matte line from original folder.
- A rarely encountered night scene design.

The creator of this lovely Hagi chawan, Hirose Tanga (b. 1939) is the master-potter of Tenpozan kiln in the city of Hagi. When I acquired this piece I thought it reminded me of bowls produced by Yoshida Shuen (apprenticed under NLT Miwa Kyusetsu). As it turns out, Yoshida worked alongside Hirose in establishing Tenpozan and in training young potters in the art of “oni” Hagi which utilizes a rough textured clay and a milky translucent glaze (like the bowl shown here)...

Ohara Koson
Small Bird on a Morning Glory
Size: Approximately 16.9 x 12 cm. 6.5 x 4.625 inches.
Date: ca. 1910.
Koson signature and seal at lower left.
Publisher: Matsumoto (no. 438).
AK.24 in Crows, Cranes and Camellias: The Natural World of Ohara Koson (Reigle Newland).
Medium: Japanese woodblock print.
Condition: A couple of spots the lower sky.
An early and rarely seen design.

Vintage Japanese woodblock print by moku hanga style artist Fumio Fujita (1933-present). He graduated the Musashino College of Fine Arts in 1955 and began making woodblock prints in 1963. This piece is easily attributed to Fujita as he is well-known for using trees as a focal point. He combines scenic imagery with abstract geometric figures, using bold color combinations...

Kawase Hasui
Torii at Miyajima in Snow (Ryobu-torii of Itsukushima Shrine in Inland Sea)
Size: Koban. Approximately 7.5 x 5.125 inches.
Date: 1936. From "Shinto and its Architecture."
Publisher: Watanabe Shozaburo.
Hasui seal lower left.
Medium: Japanese woodblock print.
Reference: Hotei Hb-s9
Condition: Foxing in sky at right. Pencil note on back.

Takahashi Shotei (Hiroaki)
Returning Home, Evening
Date: Pre-1936 (1920s or 1930s)
Publisher: Watanabe Shozaburo. No. 508 in 1936 Watanabe catalogue.
Medium: Japanese woodblock print.
"Made in Japan" on verso.
Size: Chuban. Approximately 10 x 7 inches.
Provenance: The Robert O. Muller estate.
Condition: Excellent. Uncirculated.

To see more from this collection, search "Muller" in our search box at erawoodblockprints.com.

Hand-carved Chinese natural chicken blood blank seal stone. Dimension: 75 x 20 x 20 (mm) or 2.95 x 0.79 x 0.79 inches with total weight 0.19 of lbs/85 grams. Bloodstone is cinnabar strips of dickite, its color is still red cinnabar. Since its color is as red as blood, it is called bloodstone. The earliest discovered bloodstone is Zhejiang Chang ?? rock pheasant bloodstone. Later it was found in Inner Mongolia Chifeng.