Midcentury Modern sterling silver monteith bowl. Made by Tiffany & Co. in New York. Curved sides and reeded curvilinear rim; raised and spread foot. Stylish for serving and presentation. Plenty of room for engraving. Fully marked including maker’s stamp, postwar pattern no. 23881, and director’s letter L (1956-ca 1965). Very good condition.

Dimensions: H 5 3/8 x D 9 1/4 in. Weight: 32.5 troy ounces. #BZ365

Victorian Modern sterling silver box. Made by Joseph Braham in London in 1895. Rectangular with straight and plain sides. Cover hinged and tabbed; top gently curved engine turning bordered by same. Box interior cedar lined. Cover interior gilt-washed. Underside leather lined. Fully marked. Very good condition.

Dimensions: H 2 1/2 x W 5 5/8 x D 3 3/4 in. Gross weight: 17.5 troy ounces. #BZ621

American Colonial sterling silver bowl. Made by Reed & Barton in Taunton in 1950. Curved and tapering sides, flared rim, and stepped foot. Traditional form with plenty of room for engraving. Fully marked including maker’s stamp, date symbol, and no. X1455 as well as phrase “Paul Revere / Reproduction”. Very good condition.

Dimensions: H 5 x D 10 in. Weight: 30.3 troy ounces. #BZ363

Modern sterling silver picture frame. Rectangular window in plain and flat surround. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) or landscape (horizontal) photo. Marked “Raimond / Sterling”. Raimond Silver Mfg Co. was a Massachusetts maker active in the 1960s and ‘70s. Very good condition with crisp corners. Some velvet wear and discoloration.

Dimensions: Frame: H 10 1/8 x W 8 1/8in. Window: 8 3/4 x W 6 3/4 in. #BY378

Art Deco sterling silver ice bucket. Made by Tiffany & Co. in New York, ca 1917. Girdled urn on raised foot. Cover raised with ovoid finial. Faceted and reeded. Snazzy with nice shimmer. Fully marked including maker’s stamp, pattern no. 19346 (first produced in 1917), and director’s letter m. Very good condition.

Dimensions: H 8 1/4 x D 8 1/2 in. Heavy weight: 38 troy ounces. #BZ329

Set of 10 Modern sterling silver bread and butter plates. Made by Tiffany & Co. in New York, ca 1912. Each: Round and deep well, wide tapering shoulder, and molded rim. Fully marked including maker’s stamp, pattern no. 18249 (first produced in 1912), and director’s letter m. Very good condition.

Dimensions: H 1/4 x D 6 1/4 in. Total weight: 43 troy ounces. #BZ533

Modern sterling silver water pitcher. Made by Tiffany & Co. in New York, ca 1907. Ovoid body, stepped foot, short neck, and helmet mouth; soft bracket handle with trefoil shaped tail mount. A spare full-bodied vessel. Nice heft. Fully marked including maker’s stamp, pattern no. 16974 (first produced in 1907), director’s letter m, and volume (4 pts). Very good condition.

Dimensions: H 8 1/4 x W 7 1/2 x D 5 1/8 in. Weight: 31.8 troy ounces. #BZ545

Set of 12 Modern sterling silver goblets. Made by Tiffany & Co. in New York, ca 1940. Each: Conical bowl mounted to tapering stem; foot round and gently raised. Easy grip with nice balance. Fully marked including maker’s stamp and pattern no. 20168. Nine have order no. 11053 and director’s letter m. Very good condition.

Dimensions: H 6 1/4 x D 3 1/4 in. Total weight: 90 troy ounces. #BZ422

English Thatcher-era sterling silver champagne set, 1981-3. Retailed by Asprey in London. This set comprises 4 flutes and 1 tray.

Each flute: Ovoid bowl on gilt cast stem in form of fruiting grapevine with leaves and bunches set in open foot. Tray round with deep well; shoulder inset with same. A stylish way to remember the no-apologies, let-it-rip capitalism of the Eighties.

Fully marked including maker’s stamp (Hector Miller) and London assay stamp. Flutes have retailer’s stamp. Tray h...

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner. The combination of these two functions makes them versatile and elegant pieces, bringing a ...

Midcentury Modern sterling silver toothpick holder. Made by Alphonse La Paglia (d. 1953) in New Jersey. Drum-form with double-banded mouth rim. Spread base applied with cast band comprising alternating leafing scrolls and flowerheads. Fully marked including maker’s stamp and no. 160. Very good condition.

Dimensions: H 2 x D 2 in. Weight: 3.8 troy ounces. #BY921

Midcentury Modern sterling silver toothpick holder. Made by Alphonse La Paglia (d. 1953) in New Jersey. Drum-form with double-banded mouth rim. Spread base applied with cast band comprising alternating leafing scrolls and flowerheads. Fully marked including maker’s stamp and no. 160. Very good condition.

Dimensions: H 2 x D 2 in. Weight: 4 troy ounces. #BY920

Midcentury Modern sterling silver porringer. Made by Richard Dimes in Boston. Curved sides and cast open and scrolled handle with kitty sitting pretty, with stiffened forelegs and gaping, gleeful mouth. Fully marked including maker’s stamp and no. 137. Very good condition.

Dimensions: H 1 5/8 x W 6 1/2 x D 4 1/4 in. Weight: 4 troy ounces. #BZ377

Modern sterling silver vase. Made by Tiffany & Co. in New York, ca 1908. Cone with flared mouth on vertical ovoid knop mounted to domed foot. Fully marked including maker’s stamp, pattern no. 17188 (first produced in 1908), and director’s letter m. Very good condition.

Dimensions: H 9 x D 3 1/4 in. Weight: 8.5 troy ounces. #BY804

Edwardian Rococo sterling silver mirror. Made by William Comyns in London in 1907. Heart-shaped beveled glass in shaped surround with pointed top and bracket supports. Embossed leafing scrolls and flowers in pell-mell, dynamic arrangement. At top scrolled cartouche engraved with the very turn-of-the-century name “Gertie”. Velvet mount with hinged easel support. A wonderful period piece with lots of charm. Fully marked. Very good condition. Velvet wear.

Dimensions: H 13 x W 10 1/2 in. #BY97...

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

Modern sterling silver porringer with Noah’s Ark motif. Made by Tiffany & Co. in New York, ca 1926. Bellied bowl and solid shaped handle. On exterior is acid-etched frieze with a lion, camel, elephant, bear—and so on single file through the animal kingdom. Destination Ark where Noah awaits. Fully marked including maker’s stamp, pattern no. 20731A (first produced in 1926), and director’s letter m. Very good condition with strong definition.

Dimensions: H 1 3/4 x W 6 x D 4 1/4 in. Weight...

Set of 12 Midcentury Modern sterling silver cocktail cups. Made by Tiffany & Co. in New York. Each: Curved conical bowl on tapering columnar stem with incised bands. Foot round and raised with applied cutout snowflake. A snowflake motif but not for snowflakes. These ones are for the grownups. Fully marked including maker’s stamp and postwar pattern no. 23411. One cup has director’s letter M (1947-56) and 11 have director’s letter L (1956-ca 1965). Very good condition.

Dimensions: H 3 3/4...

Dutch silver figural spice box. Imported to England in 1891 by BH Joseph & Co. An egret gracefully scrolled neck, red glass eyes, and gaping beak stands on one scaly leg, the other leg raised with clenched talons. A beautiful bird with nicely delineated plumage. Hinged at bust. Dutch assay stamp and date letter, and English sterling-standard import marks including London assay stamp. Excellent condition.

Dimensions: H 15 1/2 x W 6 3/4 x D 4 1/4 in. Weight: 19 troy ounces. #BZ288

A pair of blue topaz earrings. The pear shaped stones measure 1/2" x 3/8" while the setting measures 3/4" x 5/8". The butterfly clutches are marked 14k.

Dubya-era sterling silver mint julep. Made by Scearce in Shelbyville, Kentucky. Straight and tapering sides, and beaded and molded rim and foot. A great barware cup from the surprisingly long ago aughts. Marks include maker's stamp and presidential date code "GWB". Very good condition.

Dimensions: H 4 x D 3 1/8 in. Weight: 5.4 troy ounces. #BY876

George V sterling silver box. Made by Sampson Mordan in London in 1914. Rectangular with straight sides and curved corners. Cover hinged with tapering tab and gently curved top. Cedar-lined and partitioned interior. Leather-lined underside. Fully marked. Very good condition.

Dimensions: H 3 5/8 x W 9 x D 5 1/2 in. Heavy gross weight: 41.8 troy ounces. #BZ316

Rare Bird's Nest sterling silver baby cup. Made by Tiffany & Co. in New York, ca 1870. Ovoid bowl on stepped foot. Scroll handle with squiggle tail. Bowl has shaped pointille ornament and wire scrollwork applied with cast fluttering and flapping birds. Beading. Oval frame engraved with 3-letter monogram. Fully marked including Tiffany and Moore stamps, and pattern no. 1063. Very good condition.

Dimensions: H 3 1/2 x W 4 1/2 x D 3 1/4 in. Weight: 5.7 troy ounces. #BZ160

English Modern sterling silver box, 1919. Rectangular with straight sides. Cover curved and hinged with short tab; on top inlaid agate in form of stylized thistle in rondel. Silver lined interior. Leather-lined underside. Indistinct marks include Birmingham assay stamp. Very good condition.

Dimensions: H 2 1/8 x W 5 1/8 x D 3 7/8 in. Heavy gross weight: 15.2 troy ounces. #BZ292

Midcentury Modern sterling silver centerpiece bowl. Made by Alphonse La Paglia (d. 1953) in New Jersey. Deep and tapering with flared rim. Raised foot with short support in the bead and ring arrangement that proved influential with other American silversmiths. Fully marked including maker’s stamp and no. 116. Very good condition.

Dimensions: H 5 1/4 x D 10 1/8 in. Heavy weight: 33.3 troy ounces. #BZ270

Modern sterling silver tray. Made by Tiffany & Co. in New York, ca 1915. Round with tapering shoulder and reeded rim. Fully marked including maker’s stamp, pattern no. 18975 (first produced in 1915), and director’s letter m. Very good condition.

Dimensions: H 3/8 x D 11 in. Weight: 18.8 troy ounces. #BX721

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...

A mesmerizing piece of ceramic art, this exquisite tenmoku tea bowl embodies the rich traditions of Japanese craftsmanship that are inspired by over a millennia of Chinese artistry. With its distinctive deep red glaze, reminiscent of brilliant sunsets, red chili peppers, and festival colors; its presence creates an enchanting visual allure. The bowl's form is elegantly simple, with a gently flared rim that invites contemplation. Crafted with precision and care, this piece reflects th...