The poem etched on the side of this exceptional piece reads: "As a pastime ― bringing clumsy, fragile things to sell ― at Uruma Market ― how lonely!"  A very significant poem as it conveys a bit of irony; for the Edo period nun who inscribed this poem would go on to create a legacy of art, beauty, and philosophy that endures even today. The poem also suggests that this is one of her earlier works that would have been produced before she became renowned throughout Japan for her...

Special Offer: Reduced from $1200. now $700. Impressive Ming Dynasty pottery “sancai” green and amber glazed wedding bed. There are two repairs: appears to have been cut in half and then glued back together and there is one on repair at the top of the roof façade- all noted in last enlargements. H: 47cm18.5in and W: 35.5/13.9in x 20cm/8in.

Pictured in the book "Mexican Silver Masters" by Penny Morrill on page 40, plate I-55 is this lovely and unique bracelet by Hector Aguilar. Circa 1945-1950 it features a deep purple oval Amethyst cabochon stone on the clasp with fancy and ornate silver wire links. It measures 7 1/2" long by 3/4" at the widest and weighs 42.3 grams. The hallmark is blurred but the HA mono is clear, a partial mark reads "Ster" and the rest appears to be "Hecho en Mexico". It is in good vintage condition with light...

This massive cuff by Antonio Pineda features a design inspired by the French cave of Lascaux. He made several items with this design which can be found in the book "Silver Seductions" on page 141. This bracelet measures 2 1/4" at the front tapering to 1" at the back with an inside measurement of 5" and an opening of 1 3/4". Very heavy at 135.3 grams. Hallmarked with the Antonio Taxco Crown, 970, Hecho en Mexico, Silver, ZZ 717" and the eagle 17. It is in good vintage condition with only light ag...

This is a stunning necklace with a timeless elegance by the famous and highly sought after Fred Davis. It consists of three rows of silver half domes that slightly overlap and when closed creates a continuous design. It is in good condition with no signs of damage or repair, measures 16" long by 1" wide, and weighs 68.2 grams. Hallmarked "FD, Silver Mexico". This is an exceptional Mexican Silver Necklace and a rare find for those who love and collect the finest vintage Mexican Silver.

One of Antonio Pineda's most spectacular bracelets and highly sought after by collectors is his "Spheres" bracelet. Also known as the Ball Bearing or Saturn design it's a book piece featured on page 52 in Silver Seductions and was also included in the Fowler museum exhibit. Measuring 7" long by 1" wide, it weighs a hefty 125.3 grams. Hallmarked with the Antonio Taxco Crown, 970, and the eagle 208. It is in good condition with no damage noted only slight wear and tarnish. The box clasp is secure ...

Pair of Portuguese Classical silver candlesticks, ca 1840. Each: Globular socket with turned downleaf-and-dart rim; knopped and baluster shaft on domed foot mounted to shaped square base with applied leaf rim and splayed corner paw supports. Dentil, diaper, pointille, guilloche, and gadrooned ornament. Marked. Very good condition with deep patina.

Dimensions: H 8 3/8 x W 3 7/8 x D 3 7/8 in. Total weight: 22 troy ounces. #BV975

Pair of super stylish Art Deco Classical 950 silver 2-light candelabra, ca 1930. Each: Broad and faceted. Two scrolled arms with volute terminals and single socket on reeded wax pan bracketed to baluster with beading draped over top; raised foot. Marked “950M”, which is associated with Belgian production. Very good condition.

Dimensions: H 9 3/4 x W 14 x D 6 3/8 in. Total weight: 69.5 troy ounces. #BG503

A testament to the brilliance of traditional Japanese craftsmanship, this lacquered mizusashi—skillfully handcrafted from bamboo—showcases a deep crimson hue that radiates warmth and sophistication. Its seamless design and flawless finish reflect the skilled hands of the first generation artisan who crafted it, achieving a harmonious balance between form and function. Designed for use in Japanese tea ceremony, this indispensable implement would love to be put back into service o...

The term “tenmoku” (heavens eye) refers both to a shape of tea bowl popularized in the Song Dynasty dating back almost 1,000 years, and also to a style of glaze that these pieces are renowned for. In the case of tea bowls themselves, the troughs often have darker coloration with radiating colored rays and, depending on the style, often resemble the iris of a human eye. In the case of the glaze, the individual oil spots that appear on the walls of the vessel can sometime also rese...

Lake Tanganyika Scene in Watercolor measuring 28”x 33”. More information coming soon

This Meiji period vase is made of fine white porcelain fashioned after classic Chinese motifs.. The potter, first generation Miura Chikusen, is the same generation as many of the better known Imperial Court artists (Kozan, Siefu, Tozan, etc…) and just as accomplished in terms of mastery of technique, level of artistic expression, and volume of pieces produced.

An exceptionally skilled Meiji potter, Chikusen (1854 – 1915) specialized in high-quality Kiyomizu-yaki and...

This fine Modernist Bracelet by Antonio Pineda features open work links with two panels overlapping creating a unique design. Measuring 7 1/2" long by 1 1/8" wide and it weighs a heavy 126.6 grams. It has a secure box clasp with an attached safety chain and shows only light age related wear and tarnish. Hallmarked with the Antonio Crown, Taxco, JVL and the eagle 208. There is no mark for the silver content but it has been tested to be at least 925 silver. A superb statement bracelet with great s...

A very unique early Antonio Pineda bracelet with thick heavy 970 silver links set with Tiger's Eye stones featuring carved double portraits. This is a substantial bracelet suitable for either a man or woman measuring 8" long by 1" wide and weighing a heavy 136.8 grams. Hallmarked with the Antonio Crown and the eagle 17, Silver 970, Hecho en Mexico, ZZ 732. Secure box clasp and attached safety chain. The Silver has light age related wear. The stones don't appear to have any damage but as they are...

This Fred Davis Silver & Amethyst Necklace has a classic design with bezel set Amethyst cabochons set at the center of four silver domes, a design that has been a favorite for both jewelry artists and collectors. It measures 14" long by 7/16" wide and weighs 52.7 grams. Secure box clasp. In lovely condition with no damage noted, only light age related wear and tarnish. Hallmarked Silver Mexico FD. A beautiful necklace by an important artist.

These stunning Antonio Pineda Amethyst Earrings have a Modernist style with a elongated tapered tube of silver with a cone shaped amethyst stone set to dangle at the bottom. They measure 3" long and together they weigh 26.6 grams. Hallmarked with the Antonio Crown on one and the eagle 17 on the other (marks are a bit faint and impossible to get a good picture). The screw backs function well and there is only light wear and tarnish, no damage noted. Chic and elegant with timeless style.

This fabulous vintage Mexican Bracelet has a stunning design similar to the work of Antonio Pineda - it's signed with the initials AP but they differ from the more common Pineda hallmark and we're not sure who the artist is. It's a massive piece measuring 7" long, 1" wide and is quite heavy at 115.5 grams. Early style pin closure. No damage noted, just some light wear and tarnish and the Amethyst stones have the typical inclusions. A fantastic bracelet that any collector will love.

A magnificent oil on canvas color block study circa 1970, done in the time of then Abstract Expressionist period of Art. Unsigned measuring 59” x 41” Please see #3463 for a matching artwork

Chinese porcelain hat stand vase with a hand painted scene of a boy playfully dangling a toy spider in front of his pet cat. Mother and brother are standing nearby watching. Dates early 20th C. Measures 11.5" high x 5" diameter.

This stunning bracelet by Antonio Pineda features oval cabochon Moonstones set at the center of 970 silver links. It measures 7" long by 3/4" wide and weighs 45.4 grams. No damage noted. Secure box clasp and attached safety chain. Hallmarked with the Antonio Taxco Crown, 970, Hecho en Mexico along with a partial stamp along the edge that can't be read. A lovely bracelet with timeless elegance and style.

A stylized grass motif painted in ferrous pigment across each side and on the inside of this mukozuke serving dish marks it as being more likely produced in Karatsu as opposed to having come out of a Mino kiln. Though very similar styles and techniques were utilized during the late 16th or early 17th C. when this would have been produced; the color, distribution of glaze, and patterning suggest Karatsu. While at one time this would have been part of a set of 5 pieces, very few sets s...

With an uncanny ability to emulate features of the natural environment, the creator of this sake vessel,Tsujimura Yui, is one of Japan’s most skilled potters working in the field today. With a breathtaking ash glaze that appears half planned and half left to the dictates of the kiln, we can see a number of textures and colors that one might encounter in a Zen garden or while hiking along a mountain brook. The front of the vessel is adorned with an “enso,” however, unlike the tr...

Japonesque mixed metal copper tray. Made by Gorham in Providence in 1882. Lobed and rectangular with curved sides. Applied copper and silver ornament: Tree with blossoming branches and sinuous irregular trunk rooted in granulated soil; above a butterfly and bird. Ground engraved with wild grass in foreground and hills in background. Fully marked including maker’s stamp, no. B75, and date letter. Good condition with some spotting to copper.

Dimensions: H 7/8 x W 12 x D 9 1/8 in. #BY284

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Inspired by Viking longboat with dragonhead stempost and tail sternpost, and rim comprising warrior’s shields. Stylized plant and geometric ornament. Well has radiating guilloche enamel; each in different color (blue, red, and purple). Oval form for stealthy gliding. Fine craftsmanship and rich colors. Beautiful pieces by this maker, who contributed to the revival of Norwegian art and...

Tokoname pottery has a rich history that dates back over a thousand years. Originating in the town of Tokoname in Aichi Prefecture, Japan, this pottery tradition has flourished due to the region's abundant red clay deposits. The history of Tokoname pottery can be traced to the 12th century when the art form was greatly influenced by Chinese ceramics, specifically, by the Yixing clay pottery tradition. Over the centuries, Tokoname pottery evolved to develop its unique style characteri...

This stunning bracelet by the famous Antonio Pineda showcases his remarkable design skill and quality craftmanship. The round links are hinged at the top and bottom and each holds two uniquely cut deep toned Carnelian stones at the side. Measures 7 1/2" long by 7/8" wide and weighs 55.6 grams. Hallmarked with the Antonio Taxco Crown, Hecho en Mexico, 970 and the eagle 17. Gem set box clasp and attached safety chain. A rare and special bracelet by one of the Masters.

During the Kamakura period in Japan (1185-1333), a remarkable form of Buddhist sculpture known as the votive Buddha emerged. Commonly referred to as kakebotoke (hanging Buddhas), pieces like this would have been mounted on spherical plaques made of bronze or copper and hung in a Buddhist temple or possibly even in a Shinto shrine. These small-scale sculptures were created to serve as objects of devotion and were often commissioned by wealthy individuals or temples. The Kurakama perio...

The term “Raku” was once reserved for a style of pottery produced by a specific household in Kyoto that began over 450 years ago. Over the years, as it gained popularity, several branch kilns were established (Ōhi, Tamamizu) and a number of other lineages arose making pieces in the style of Raku, though they were not formally associated with the Raku household. Today, we see that Raku has become a world-wide phenomena and the name is no longer reserved strictly for the Raku fami...

Several years ago we were invited by our very talented kintsugi craftsman to what is known as a “kura-ake” or storehouse opening. Many reading this may be familiar with the traditional storehouses in Japan (kura) with their thick plaster walls used to store valuable items—sometimes for hundreds of years—safe from humid air, insects, and the like. On occession, after the passing of a parent or relative, these storehouses are opened up and the art pieces and valuables inside ar...

This rare Fred Davis bracelet features Amethyst cabochon stones set in links of ornate silver repousse. Circa 1930, it is included in the book Mexican Silver on page 27, plate II-11. Measures 6 3/4" long by 1" wide and weighs 46.5 grams. Hallmarked "FD, Silver Mexico" and is in good condition with a lovely patina. A beautiful and rare find.

Set of 3 plique à jour enamel and gilt 930 silver open salts. Made by Marius Hammer in Norway, ca 1910. Each: Round with curved sides. Well guilloche enamel (two red, one blue). Horse bust side handles. Bands of stylized plant and geometric ornament. Fine craftsmanship and rich colors. In form of Viking kjenge (ale bowl). Beautiful pieces by this maker, who contributed to the revival of Norwegian art and history. Fully marked including maker’s stamp. Excellent condition.

Dimensions: H 2 1/2...

Handsome European stone trinket box, ca 1910. Rectangular with straight sides and sharp corners. Shoulder and base chamfered. Cover hinged, inset, and chamfered. Silver-plated mouth and cover rims. Cover has cabled border and filigree scrolled tab. Stone mottled red. Very good condition.

Dimensions: H 2 x W 4 x D 2 1/2 in. #BX269

Kohiki is a traditional Japanese pottery style known for its simple and rustic aesthetic. It involves applying a white slip onto the vessel's surface, followed by a transparent glaze, creating a contrast between the white and exposed clay areas. Kohiki ware is commonly used in tea ceremonies but it can also be found in various other forms. Its humble and understated style, with organic textures and subdued colors, continues to be appreciated by collectors worldwide. Here we see a koh...

Known as the "Ornamental Squares" design, this bracelet by Hector Aguilar is features in many book and is one of his most iconic designs. This one is exceptional with it's longer 8" length. Crafted in his favored 940 silver it measures 1" wide and weighs an impressive 108.1 grams. Secure clasp and attached safety chain. Hallmarked with the joined HA, 940, Taxco and the eagle stamp 9. Light age related wear with a lovely rich patina. A superb bracelet in a hard to find longer length.

Handwoven with delicate precision, this Japanese bamboo ikebana basket showcases the beauty of traditional bamboo weaving and the elegance of classic Chinese design that much of Japanese traditional art is based on. Its sturdy construction and balanced proportions make it perfect for ikebana arrangements, merging floral artistry with cultural aesthetics.

Though little is known about this artisan, I was able to find examples of their work in several high-end Japanese g...

This beautiful painting from late Edo portrays Mount Fuji as a sublime centerpiece, overlooking a serene landscape below. A lush pine forest embraces the foot of the sacred mountain, its deep greens contrasting against the pristine snow-capped peak. A tranquil lake reflects the ethereal beauty of the surroundings, mirroring the image of Fuji and the towering pines. The composition captures the harmonious coexistence of nature's grandeur, inviting viewers to immerse themselves in the ...

In the tranquil pond, a solitary turtle finds repose upon a weathered rock. With its ancient shell glistening under the gentle sunlight, it sits in serene contemplation. The stillness of the water mirrors the turtle's quiet presence, as it basks in the harmony of its surroundings. In this harmonious scene, time seems to slow, and the turtle becomes a symbol of patience and tranquility amidst the ever-changing world.

Deep in the water A serene heart resides Floating above it...

German Modern 800 silver box, ca 1920. Rectangular with straight sides and crisp corners. Cover hinged with tapering tab; cover top gently curved and inlaid with shagreen in geometric pattern. Cedar-lined interior. Open leather-lined bottom. Marks include maker’s stamp (Wilhelm Binder). Good condition with some wear and rubbing to shagreen.

Dimensions: H 4 x W 7 1/2 x D 5 1/2 in. Gross weight: 28.6 troy ounces. #BX428

Bold and beautiful with a Modernist design, this stunning bracelet by Antonio Pineda is a fine example of his craftmanship and artistry. At the corner of each heavy thick silver link is a light blue faceted Spinel and another spinel tops the push in clasp. Measures 6 7/8" long, 3/4" wide and weighs 95.3 grams. Hallmarked with the Antonio Taxco Crown, Hecho en Mexico, 970 and the eagle 17. A timeless and elegant bracelet.

Unusual American Modern 18k gold chain, ca 1980. Small yellow gold links interspersed with large tooled ovals with central wraparound band as well as thick and solid rose ovals. With clasp. Very good condition.

Length: 32 in. Weight: 21.7 dwt/33.8 g. #1232

American Modern ring with cabochon tiger eye in 14k yellow gold setting; brilliant-cut diamond on each shoulder. Hallmarked. Excellent condition.

Size: 8 1/2. Weight: 10.5 dwt (16.3 g). #1223

With pottery shards from excavated kilns dating back to the 5th Century, Mino-ware is one of the oldest and most revered pottery traditions in all of Japan. Though the piece featured here does not fit neatly into any of the typical categories of Mino pottery such as Kiseto, Setoguro, Oribe, or Shino; the shape and overall feel of this piece unmistakably places it within this pottery tradition.

Exceptionally well-proportioned and utterly unique, this tea bowl displays a ...

Silberiris glass vase by historic Loetz with engraved silver overlay. Globular with pinched shoulder and ruffled turned-down quatrefoil rim. On front overlay in form of loose and fluid blooms on entwined and whiplash stems. Back plain. Glass iridescent yellow, green, blue, and purple. Shimmering turn-of-the-century Art Nouveau. Pontil mark. Excellent condition with nice patina.

Dimensions: H 5 1/4 x D 4 3/4 in. #BX856

Turn-of-the-century Silberiris glass vase by Loetz with engraved silver overlay. Ovoid with flared rim in silver collar. Overlay in form of open and stylized leaf band and c-scroll neck border. Glass iridescent in orange, pink, and green. Very good condition.

Dimensions: H 5 1/4 x D 3 1/2 in. #BX858

European silver fish-form spice box, 19th century. Hinged head and lower mouth, and faceted red eyes. Articulated and scalloped wide body, and hinged fins and tail. Loose-mounted ring. Unmarked. Very good condition with deep patina.

Overall dimensions: H 1 5/8 x L 3 1/8 x D 1 7/8 in. #BS513

Twelve French Classical 950 silver plates. Made by Jean-Baptiste Gustave Odiot in Paris, ca 1870. Round well and shoulder with shaped frames; serpentine guilloche rim. Engraved armorial with Latin motto “Non sine labore”. The super sumptuous set to bring out when the book club gets round to Proust. Fully marked with Minerva head and maker’s stamp. Ten numbered 2690 (2), 3670 (1) 7225 (5), 7328 (1), 7329 (1). Very good condition with minor fire scale in well.

Dimensions: H 7/8 x D 10 5/8 ...

A technique most commonly seen in Tenmoku tea bowls, “konoha” is accomplished by applying a coating to an actual leaf and then attaching the leaf to the surface of an artwork before firing. The exact details of this process seem somewhat murky as it appears to be a well-guarded secret among potters. After some research we were unable to identify the potter; and, although there is a signature on the bottom that appears to read “Raishō,” we could find no potter by this name. R...

At various times over the long history of tea practice in Japan, Korean-ware has come into high fashion and ships full of the finest ceramics from the neighboring country were brought to its shores. Such pieces have long been favored by learned cha-jin (tea people); and, older pieces such as this are quite prized today as relatively few from this era have survived in good condition. While it is possible this piece is of Japanese origin, its apparent age would make it more likely to h...

Here we have a beautiful scroll with a mounted letter penned by famed Japanese poet Kobayashi Issa (1763-1828) who is known as one of the 4 great haiku poets of Japan along with the likes of Bashō, Buson, and Shiki. As one might expect, Kobayashi’s life was one of turbulence punctuated by several tragedies including the death of his mother at an early age and a lengthy legal battle with his step-mother over the family inheritance after the death of his father. Through it all Kobay...

An excellent offering from Higaki Ryota of Katsura Kiln, this piece displays a classic and iconic shape coupled with a beautiful Kase-guro glaze said to be used over 400 years ago by Chojiro. The color of this tea bowl changes quite dramatically, taking on the characteristics of its environment; light and cheerful in direct and bright lighting, more austere, deep, and reflective in standard tea room lighting. Perfect for those venturing into the world of Raku tea-ware or for those lo...

A collectible Scandinavian gold and amethyst pin by Kippittan Kulta of Finland. The pin is stamped with the anvil mark 585 Finland and measures 2 1/4" x 1-1/4". Weight 3.6gr.

Two pairs of German 800 silver 2-light candelabra. Made by M. H. Wilkens & Söhne in Germany, ca 1890. Each: tapering pillar on raised foot with spread c-scroll supports. Garland-entwined figure mounted to pillar top. On two, a bosomy, drapery-clad caryatid; on other two, a naked atlantes. Soft youthful flesh that contrasts with the statuary pillar. Each figure holds a stem with two open and scrolled branches terminating in single socket. Fluid and dynamic Art Nouveau mixed with frothy Rococo. ...

Belle Epoque Classical 950 silver wine bottle holder. Made by Odiot in France, ca 1890. Open body comprising two rectilinear supports mounted to round bowl with straight sides. Conical neck with adjustable screws. Leaf-capped double-scroll handle. Meandering fruiting grapevine on stippled ground. Perfect for enjoying a special vintage. Note: The bowl is smallish, so the best fit is going to be one of the really old bottles down in the cellar. Fully marked with Minerva head and maker’s stamp....

Austrian Classical gilt-washed 800 silver box, ca 1875. Ovoid and bellied on plain inset foot. Cover hinged and domed with cast figural finial: A little girl sits cross-legged and barefoot and rests her hand on the back of a hungry animal while spooning sustenance into its mouth. Engraved ornament: Leafing rondels inset with heads alternating with same shaped frames (vacant) on engine-turned border. Shoulder has leaf-and-dart border and cover top leaf-and-patera border. Fully marked including ...

Also known as "The Buddha of Immeasurable Light and Life,” here in this pre-Edo Buddhist painting we see Amida and his two assistant bodhisattvas, Seishi on the left (associated with wisdom and strength), and Kannon on the right (associated with compassion and mercy), descending from the Western Pure Land to welcome newly deceased believers into the realm of paradise. In this practice known as raigō, the faithful are transported via the small lotus pedestal the Kannon holds in his...

Although reports vary, it is generally thought that Zeze-yaki had its heyday in the late Momoyama to early Edo period under the influence and patronage of legendary artists/ men of tea, Honami Koetsu and Kobori Enshu. It was also counted among the seven best kilns selected by Enshu Kobori (1579-1647), a tea master and military commander of that era. In the mid-1600s the tradition died out for a time after the destruction of the kiln by fire. The kiln was later resurrected on two occa...

With a base of dazzling red ochre clay, a technique known as “san-giri,” pioneered by the progenitor of this generational potting family and now widely used among Bizen potters, is employed here to bring out stunning mustard yellows, mossy greens, charcoal blacks, along with a range of subtler hues.

The potter, Konishi Tōko II (1927 -2018) was second daughter to Konishi the first. After graduating from women’s college she assisted her father at the family kiln, e...

This elegant work of Karatsu pottery has an unglazed foot, showing the rich ferrous clay from which it is constructed, and displays splashes of ferrous pigment on a backdrop of ashen glaze with a milky white overglaze. The triangular shape and large proportions make for a very distinctive work of e-Karatsu or “painted” Karatsu.

Like many pottery traditions in Japan, Karatsu takes its name from the city where it originated. As early as the 15th century, Korean potters...

Japanese Modern silver box on stand, ca 1930. Rectangular with curved corners. Box has straight sides and cover top is gently raised and has applied gilt medallion with dramatic dragon in low relief. Box and cover interior lined with stained-wood. Stand has wide and tapering shoulder and flat well border with open stained-wood bottom. Marked. Very good condition.

Dimensions: Box: H 2 1/2 x W 6 1/2 x D 4 3/4 in. Stand: H 7/8 x W 8 1/8 x D 6 3/8 in. #BX437

Belle Epoque Rococo soup tureen on stand. Made by Tetard Frères in Paris, ca 1910. Ovoid bowl with tapering sides and curved bottom with fluted and turned-down leaf handles. Sides have projecting volute scrolls inset with leaves. Leaves stippled and irregular. Sides have curvilinear panels applied with leaf and berry garlands with central branches forming wreaths. Raised oval foot. Cover domed and paneled with fluted top on which is mounted a cast finial in form of two embracing cherubs, their ...