Koga Iijima (1829-1900)
Leaping Trout
Date: Late nineteenth century.
Publisher: Matsuki Heikichi / Daikokuya.
Signed and sealed by the artist.
Size: Shikishiban. Approximately 9.25 x 9 inches.
Medium: Japanese woodblock print.
Condition: Back toned. Front very good with a few faint marks in sky an left edge toning.
Note: The fish in this wonderful design is highlighted with mica.

Watanabe Seitei (1851-1918)
Winter Landscape
Date: Early twentieth century.
Publisher: Matsuki Heikichi / Daikokuya.
Sealed by the artist.
Size: Shikishiban. Approximately 9.25 x 9 inches.
Medium: Japanese woodblock print.
The print has backing paper attached at the left and right edges only.
Condition: Very good with left edge vertical crease corresponding to the location where backing paper is attached.

Shodo Kawarazaki (1889-1973)
Iris
Date: 1950s. Later edition.
Size: Oban. 15.75 x 10.75 inches.
Artist's seal lower left.
Publisher: Unsodo. Publisher, carver, and printer seals at left margin.
Medium: Japanese woodblock print.
Condition: Excellent.

Shodo Kawarazaki (1889-1973)
Wisteria
Date: 1950s. Later edition.
Size: Oban. 15.5 x 10.75 inches.
Artist's seal lower right.
Publisher: Unsodo. Publisher, carver, and printer seals at left margin.
Medium: Japanese woodblock print.
Condition: Excellent.

Shodo Kawarazaki (1889-1973)
Fukayama Tsuji
Date: 1950s. Later edition.
Size: Oban. 16 x 10.75 inches.
Artist's seal upper left.
Publisher: Unsodo. Publisher, carver, and printer seals at left margin.
Medium: Japanese woodblock print.
Condition: Excellent.

Shodo Kawarazaki (1889-1973)
Bamboo
Date: 1950s. Later edition.
Size: Oban. 15.75 x 10.75 inches.
Artist's seal lower left.
Publisher: Unsodo. Publisher, carver, and printer seals at left margin.
Medium: Japanese woodblock print.
Condition: Excellent.

George V sterling silver picture frame. Made by Docker & Burn Ltd in Birmingham in 1923. Rectangular window in flat cutout curvilinear shaped surround. A simplified postwar Edwardian design. With glass, silk lining, and wood back and hinged easel support. Very good condition. Wear and warping to wood.

Dimensions: Frame: H 10 1/2 x W 8 1/2 in. Window: H 8 x W 6 in. #BY909

Woman in Snow with Umbrella and Lantern
Artist: Unsigned.
Date: 1930s or earlier.
Size: 5.5 x 3.5 inches.
Medium: Japanese woodblock print.
Condition: Small raised bump at lower left.

Tsuchiya Koitsu
Asakusa Temple (Sensoji) Main Gate
Publisher: Takemura Hideo. Round Takemura seal lower right.
Date: 1930s.
Size: 5.5 x 3.625 inches.
Title and Koitsu's Kiyoshi seal at left.
Koitsu catalog no.: TK-TM-136.
Medium: Japanese woodblock print.
Condition: Excellent.

Ide Gakusui
Plum Tree
Size: Approximately 5.75 x 3.825 inches.
Date: 1950s-60s.
Gakusui signature and seal lower left.
Publisher: Watanabe Shozaburo
Woodblock print is tipped along its top edge only to original 7 x 4.5-inch blank card.
Medium: Japanese woodblock print.
Condition: Excellent.

Takahashi Shotei
Night Scene of Mabashi, near Tokyo
(This smaller unsealed print is clearly based on the above Shotei chuban design.)
Date: 1950s-60s.
Size: 5.75 x 3.625 inches
Publisher: Watanabe Shozaburo.
Medium: Japanese woodblock print attached along its top edge only to original blank card (7 x 4.625 inches).
Condition: Excellent.

Elizabeth II sterling silver box. Made by Mappin & Webb in Birmingham in 1965. Rectangular with straight sides. Cover hinged with flat top and scalloped tab. Interior cedar-lined and partitioned. Underside leather-lined. Fully marked. Very good condition.

Overall dimensions: H 1 3/8 x W 6 x D 3 3/4 in. Gross weight: 13.3 troy ounces. #BZ514

Pair of Chinese export silver vases, ca 1910. Each: Flat and round moon body on domed foot; animal-head handles mounted to shoulder. On front and back is chased dragon—a horned and taloned serpentine serpent on hand-hammered ground. Marked Wang Hing & Co., an early 20th-century retailer active in Canton and Hong Kong. Very good condition. Handwork visible on foot underside.

Dimensions: H 4 1/2 x W 3 1/2 x D 2 in. Total weight: 7.5 troy ounces. #BY228

Elizabeth II sterling silver salver. Made by Harrison Fisher & Co. in Sheffield in 1974. Round with molded ogee rim and 3 cast volute scroll supports. Traditional Georgian from the 1970s. Fully marked. Very good condition.

Dimensions: H 1 1/8 x D 8 1/8 in. Weight: 11.7 troy ounces. #BZ602

George V sterling silver salver. Made by Collingwood & Sons in Sheffield in 1937. Round with molded curvilinear piecrust rim; 3 hoof supports. Fully marked. Very good condition.

Overall dimensions: H 3/4 x W 10 3/8 x D 10 in. Weight: 17 troy ounces. #BZ603

George II sterling silver mug. Made by Samuel Welles in London in 1759. Baluster bowl with leaf-capped double-scroll handle. Raised foot with tooled leaf border. Chased and engraved bucolic scene with hounds racing through an orchard. A later Victorian homage to the tranquility of rural life. An even later engraved presentation in the frame formed by the leafing, overhanging trees: “Palm Beach Golf Club / Florida / State Championship / 1916 / First Prize / Runner Up / Won By”. No name follow...

Midcentury Modern sterling silver water pitcher. Made by Alphonse La Paglia (d. 1953) in New Jersey. Baluster with asymmetrical oval mouth; stepped and round foot ring with flat beading. High-looping handle wrapped with abstract leaves; scroll terminal inset with Jensen-inspired seed-spilling pod on wire stem. The influence of the master applied to a traditional form. Marked “La Paglia Sterling 208”. Very good condition.

Dimensions: H 9 x W 7 1/4 x D 6 in. Heavy weight: 39 troy ounces. #BY...

After Maruyama Okyo (1733-1795)
Carp and Pine
Date: ca 1910s-30s.
Size: 5.375 x 3.5 inches.
Medium: Japanese woodblock print.
Condition: Top margin thinning.

American Victorian sterling silver shaving mug, ca 1880. Curved and waisted with pierced top bowl and second projecting bowl for brush. Frond and flower repousse. Cast scroll handle has same motif. Marked “Black, Starr & Frost / New-York / Sterling”. Very good condition.

Dimensions: H 3 7/8 x W 5 3/4 x D 3 in. Weight: 8 troy ounces. #BZ558

Ito Nisaburo
The Inns at Arima Hot Spring
Date: 1950s
Size: 18 x 11.5 inches. Full margins (shown in additional photos).
Publisher: Uchida Woodblock Printing Co., Ltd.
Artist's seal and publisher's seal at lower left.
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder.

George III sterling silver baby cup. Made by Rebecca Emes & Edward Barnard in London in 1816. Campana urn bowl with cast palmette and shell border; raised foot with cast leaf-and-dart border. Cast two-headed snake handle. Gilt-washed interior. Gorgeous Georgian for the newborn who deserves a bit of Regency opulence. Fully marked. Very good condition.

Overall dimensions: H 3 3/4 x W 4 1/4 x D 2 3/4 in. Weight: 6 troy ounces. #BZ556

American Midcentury Modern sterling silver compote. Round bowl with wide and flat rim and domed foot. Support in form of four cast vertical acanthus leaves. A stylish Danish-influenced design by an unknown maker. Marked “Sterling” with initials RF in chamfered rectangles. Very good condition.

Dimensions: H 5 1/2 x D 6 1/2 in. Weight: 8 troy ounces. #BY822

Set of 6 Japanese silver shot glasses. Each: Straight and tapering sides; applied horned and taloned dragon. For the strong stuff. Unmarked. Very good condition.

Dimensions: H 1 5/8 x D 1 3/8 in. Total weight: 5 troy ounces. #BY231

Artist's gourd-shaped seal unread.
Lighthouse
Size: 16.2 x 11.8 cm. 6.5 x 4.875 inches.
Date: ca 1900s.
Medium: Japanese woodblock print.
Condition: Mark in right sky. Paper residue at top back corners.
Note: We could find no other example of this design.

Takahashi Shotei (Hiroaki)
Crows on a Cold Night
Date: Pre-1936.
Size: Approximately 7.125 x 4.875 inches.
Shotei seal lower left.
Publisher: Watanabe Shozaburo.
Reference: S-19. Watanabe #173
Medium: Japanese woodblock print.
Condition: Tiny lower left margin corner bend.

Victorian Modern sterling silver box. Made by Joseph Braham in London in 1895. Rectangular with straight and plain sides. Cover hinged and tabbed; top gently curved engine turning bordered by same. Box interior cedar lined. Cover interior gilt-washed. Underside leather lined. Fully marked. Very good condition.

Dimensions: H 2 1/2 x W 5 5/8 x D 3 3/4 in. Gross weight: 17.5 troy ounces. #BZ621

Modern sterling silver picture frame. Rectangular window in plain and flat surround. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) or landscape (horizontal) photo. Marked “Raimond / Sterling”. Raimond Silver Mfg Co. was a Massachusetts maker active in the 1960s and ‘70s. Very good condition with crisp corners. Some velvet wear and discoloration.

Dimensions: Frame: H 10 1/8 x W 8 1/8in. Window: 8 3/4 x W 6 3/4 in. #BY378

Tsuchiya Koitsu
Kyoto Kitano
Size: 5.625 x 3.625 inches.
Publisher: Takemura Hideo. Takemura seal at lower left.
Date: 1930s.
Koitsu's Shinsei seal at lower right.
Koitsu catalog no.: TK-TM-120.
Medium: Japanese woodblock print.
Condition: Rough left margin.
Note: Unlike the catalog example, this one is titled in the image.

Tsuchiya Koitsu
Konjikido Hall (Golden Hall), Chusonji Temple
Publisher: Takemura Hideo. Takemura seal at left.
Date: 1930s.
Size: 5.5 x 3.75 inches.
Koitsu catalog no.: TK-TM-139.
Medium: Japanese woodblock print.
Condition: Hole in tree near upper right margin.
Note: Similar to a Hasui scene of this temple.

Tsuchiya Koitsu
Amano Kaguyama
Publisher: Takemura Hideo. Round Takemura seal lower right.
Date: 1930s.
Size: 5.5 x 3.5 inches.
Title and Koitsu's Shinsei seal at left.
Koitsu catalog no.: TK-TM-134.
Medium: Japanese woodblock print. Print is attached along top edge only to original greeting card.
Condition: Card is discolored which has resulted in toning below the peak of the mountain (see enlargement 3).
Notes: Listed as very rare in Koitsu catalo...

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner. The combination of these two functions makes them versatile and elegant pieces, bringing a ...

Kasamatsu Shiro (1898 - 1991)
Shirahone Hot Spring in Shinshu
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1935. This edition post-1989 from the original blocks.
Publisher: S. Watanabe. Red seal at left margin along with printer's seal. Watanabe round seal in lower left corner of image.
Artist's signature and seal in image.
Medium: Japanese woodblock print.
Condition: Excellent.

Kasamatsu Shiro (1898 - 1991)
Spring Night, Ginza
Size: Oban. Approximately 15.75 x 10.25 inches.
Date: 1934. This edition post-1989 from the original blocks.
Publisher: S. Watanabe. Red seal at left margin. Round seal in lower right corner of image.
Artist's signature and seal in image.
Medium: Japanese woodblock print.
Condition: Excellent.

Koichi Okumura (1904 ~ 1974)
Red Mt. Fuji from Shojin Lake
Size: Oban. Approximately 15.5 x 10 inches.
Date: 1948. First edition.
Publisher: Unsodo.
Carver: Nagashima. Printer: Shinmi.
Medium: Japanese woodblock print.
Condition: Excellent.

Ishiwata Koitsu (aka. Yoshimi) (1897-1987)
Water Wheel in Snow
Date: 1930s. Early postwar edition.
Print size: Approximately 5.5 x 3.75 inches.
Publisher:Watanabe Shozaburo.
Koitsu's "Yoshimi" signature at lower right.
Medium: Woodblock print attached top edge only to a holiday card from Japanese and US representatives.
Medium: Japanese woodblock print.
Condition: Excellent.

Striking Modern Classical sterling silver bowl. Retailed by Tiffany & Co. in New York. Round and curved. Chased imbricated and graduated egg-and-dart ornament. Tactile with beautiful shimmer. Marked “Tiffany & Co. / Sterling / Portugal”. Excellent condition with deep patina.

Dimensions: H 4 x D 8 3/4 in. Heavy weight: 26.5 troy ounces. #BZ340

Kawase Hasui
Enoshima at Night
Date: 1930s.
This is a late edition (post-1989) printed from the original blocks.
Approximately 6.25 x 4.25 inches.
Publisher: Watanabe.
Artist's oval seal at lower right.
Reference: Hotei #Hp-23.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Pinebeach at Miho
Date: 1930s.
Print sze: Koban. Approximately 5.875 x 4 inches.
Publisher: Watanabe Shozaburo
"Made in Japan" stamped on verso bottom margin.
Reference: Hotei #Hp-9
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have paper residue.

Shoda Koho
Moonlit Sea with Clouds - Sepia version
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 9.875 x 7.125 inches.
Date: 1910-1938.
Koho seal at lower left.
Publisher: Hasegawa Takejiro/Nishinomiya Yosaku
An early marginless edition as originally issued.
"Made in Japan" stamped on bottom left verso.
Medium: Japanese woodblock print.
Condition: Back has adhesive residue. A few spots in upper sky.
Note: Examples of thi...

Tsuchiya Koitsu
Lake Yamanaka
Date: 1939.
Size: Oban. 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermark upper right corner.
Carver: Harada. Printer: Yokoi.
This seal combination indicates a 1950-62 edition.
Koitsu catalog no. TK-DH-54.
Condition: Slight fading. Very light creasing.

Edwardian Rococo sterling silver mirror. Made by William Comyns in London in 1907. Heart-shaped beveled glass in shaped surround with pointed top and bracket supports. Embossed leafing scrolls and flowers in pell-mell, dynamic arrangement. At top scrolled cartouche engraved with the very turn-of-the-century name “Gertie”. Velvet mount with hinged easel support. A wonderful period piece with lots of charm. Fully marked. Very good condition. Velvet wear.

Dimensions: H 13 x W 10 1/2 in. #BY97...

Tokuriki Tomikichiro
Sanjo Bridge
Date: Likely 1940s-50s.
Size: Tanzaku (pillar) 14.25 x 3 inches.
Signed "Tomi" at lower right.
Medium: Japanese woodblock print on decorative board as originally issued.
Condition: Slight toning near bottom.
Note: This is the only example of this wonderful design that we could locate.

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

Ota Shumin (1884-1950, Japanese)
Boats on River (given title).
Date: 1930s.
Size: Oban. 17.25 x 12.625 inches.
Signed "Shumin" by the artist.
Medium: Japanese watercolor.
Condition: Tonal difference at edges where formerly matted. Light creasing visible in side light.
Note: Shumin participated in a painting event at the 1936 Olympics.

Tsuchiya Koitsu
Kyoto Kiyomizu Temple
Publisher: Takemura Hideo. Round Takemura seal.
Date: 1930-40s.
Size: 5.5 x 3.5 inches.
Titled and sealed by the artist.
Reference: TK-TM-140.
Medium: Japanese woodblock print.
Condition: Excellent

A pair of blue topaz earrings. The pear shaped stones measure 1/2" x 3/8" while the setting measures 3/4" x 5/8". The butterfly clutches are marked 14k.

Kawase Hasui
Fisherman at Sunset
Date: 1930s. This edition 1950s-60s.
Approximately 5.5 x 3.75 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower left.
Medium: Japanese woodblock print attached along its top edge only to original card.
Condition: Excellent.

George V sterling silver box. Made by Sampson Mordan in London in 1914. Rectangular with straight sides and curved corners. Cover hinged with tapering tab and gently curved top. Cedar-lined and partitioned interior. Leather-lined underside. Fully marked. Very good condition.

Dimensions: H 3 5/8 x W 9 x D 5 1/2 in. Heavy gross weight: 41.8 troy ounces. #BZ316

Fujiwara Fuseki
A Scenic Spot in Atami, Mt. Izu Coast
Not dated. ca mid-century.
Publisher: Nisshinbo
Size: The artwork measures 5.75 x 3.75 inches and is attached along its top edge only to a 7.5 x 5.75 inch paper frame.
Sealed by the artist.
Medium: While this piece has the look of a watercolor, the cover states "hand-printed woodblock print".
Condition: Artwork is excellent. Paper folder is toned.
Note: The print features mica highlights.

Cyrus leRoy Baldridge (1889-1977)
Soo-Chow Canal
Date: 1944.
Size: 16.5 x 12.25 inches.
Signed, titled, and dated by the artist.
Medium: Etching.
Condition: Creasing primarily in margins. Please see last photo. Marks in margin. Small tear at mid-right margin.
Note: Cyrus Baldridge was also a woodblock print artist. See examples in our gallery.

Masaharu Aoyama (1893-1969)
Man Cutting Hay by Hand
Date: ca. 1950s.
Print size: Oban. 16.5 x 12 inches.
Signed in pencil.
Aoyama's seal at lower right.
Medium: Japanese woodblock print attached along top edge only to original holiday card.
Condition: Creasing (See last photo).

Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Typically, black or green glazes are applied to the bodies of these works and light-colored windows are created using feldspar. These high-contrast areas then act as a canvas upon which abstract, minimalistic, and often naturalistic themes are painted.

As can be seen here, this piece is of the green variety and looks to be from the mid-to-early Edo period as can be determined ...