An early Hindu sculpture in redish buff stone, of the godess Davi or Tara, Hindu artisans of Java, Indonesia, ca. 10th. century.

A nice very early sculpture, made while Southern Indian influence was strong in Java. Likely made by South-Indian artisans in the style of MADHYA PRADESH, though still with subtle Indonesian elements to the expression.

The curvaceous devi standing with a slight twist in her hips wearing elaborate jewelry that highlights her feminine form. She is ...

Fine Tall Chinese Western Han Dynasty Painted Pottery Soldier (with stand)

This impressive pottery model of a warrior was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a dense grey pottery and quite highly-fired. He stands alert with his right hand raised. The pack on his back, a container for arrows, shows that he is an archer. In the hands would originally have been placed a miniature wooden shield and weapon, now long since rotted away and lost....

Four finely carved wooden (maybe sandalwood) masks with lacquering and most with glass bead eyes. Showing different types of theatre masks as Hannya, Oni etc. Condition: minor rim frits, the Hannya mask with few lacquer losses. Dimension: c. 5.1 cm long x c. 3.5 cm wide.

Over the years we have taken a special interest in Raku pottery, especially in pieces made by the original Raku family (16 generations) and by a branch kiln known as Tamamizu—started by the illegitimate son of the potter Ichinyū, whose work we see here. Approximately 350 years old, this piece displays a beautiful red glaze and has a shape known as “tsutsu” with high walls and a slender form making it ideal for keeping in heat during the cold winter months. Antique gold repairs...

An unusual Chinese amethyst covered vase, carved with squirrel amongst fruiting vines ,with the sides showing bunches of grapes. The cover is carved in detail with a laughing, mischievous boy holding some of the fruit. The vase stands on a separate base which is formed to resemble a rock. This is an elegant composition with high quality craftsmanship , where the carver has exploited the shades of the stone to perfection. Age: 19 C. size: 15.6 cm high x 15 cm wide. condition: very good indeed, n...

Antique marquise shaped 18K gold and chrysoberyl ring is an excellent example of Portuguese jewelry of the late 18th century. The Portuguese mined these gemstones from their colony in Brazil and created jewelry that was typically pave-set as seen here. The ring is size 10 and can be sized to fit.

Late Qing hand carved turquoise snuff bottle with bok choy and radish along with an ant, cicada, grasshopper and cricket. The workmanship and details is superbly done including the insects, having very fine details to the legs, antennae and bodies. Presented on a rosewood stand, this snuff bottle has a wonderful color and patina and is one of the coolest bug type carved snuff bottles that we have encountered in some time. In excellent condition, a later spoon and cork was applied. Measures: H...

From a well-known series entitled “Chōtō” (Listening to the Waves) this large contoured vase features a sandy glaze that the sculptor claims is an expression of the features of the landscape where he grew up.

Born in the port city of Shimoda, Sakiyama studied art in Osaka and then later went on to open his own kiln that he named “Hidaka” (High Sun). Appearing to have a natural gift for form and proportion, his pieces soon attracted the attention of galleries and collectors...

Japanese two(2) section Tansu, chest on chest, Ca. Meiji period, late 1800's, 41" high, 41" wide, 17" deep, Black Iron round Back Plate with floral Mon design, beautiful shaped heavy black iron handles. Two(2) small drawers behind black iron mounted small blind door on lower right side. Two(2) small drawers are "as is", one(1) missing small round ring and damaged wooden area in front.

A large and very impressive tomb pottery horseman, Chinese, 1368-1644 AD. The type has been thoroughly tested and was burnt approx 500 years ago, placing it in the mid Ming period, c. early-mid 16th. century.

The pottery horseman, a higher-ranking officer, was probably originally equipped with a standard of wood, that has now decayed. He is clad in body armor in blue and torquise and wears a cone- shaped helmet. He is riding a white horse with details in torquise.

A rare to...

Chinese Ming Dynasty Blue & White Porcelain Bowl (Hongzhi)

This blue and white porcelain bowl with flared rim was made during the late 15th - early 16th century (Hongzhi reign 1488 – 1505). The outer wall is decorated in underglaze blue with a honeycomb pattern. The central decoration is loosely based on a vajra (Buddhist sceptre) with various other decorations around the inner wall. It is coated in a finely-crackled glaze.

Diameter 14.5 cm. Condition is very good: there is a hairlin...

Published in 1913, by Valentine & Sons, Dundee, London, and Montreal, this extremely rare publication, "Ten Little Nigger Boys", is a highly creative and imaginative variation of the original 1869 minstrel song "Ten Little Niggers", composed by the British songwriter Frank Green.

(Likely inspired by Frank Green's lyrics, Agatha Christie, in 1939, composed her very well-known "Ten Little Niggers" story, with the title for the 1940 US edition changed to "And Then There Were None", the final lin...

A box for keeping incense – kogo – decorated with a carriage used by court nobles and members of the Imperial family of the past in dense gold dust sprinkle on a black lacquer background. The sky sprinkled with clouds of nashiji. Insides with dense nashiji. The bottom section decorated with a rock surrounded by bamboo in gold togidashi and kao of tea master Hisada Soya. Silver rims.

Tiny signature in gold lacquer on the bottom: Gaho.

The kogo was made for the tea master Hisada So...

A very rare pair of Antique European late 19th century cold painted spelter sculptures on elaborated square bases. The finely and realistically modelled sculptures depict a Chinese man and a Chinese woman in national costumes. The man is wearing a long green robe with gold swirl motifs, grey Balloon Pants and red shoes on his feet, the hair is braided and drawn back under a black hat. His left hand is grasping a Chinese musical stringed instrument (Erhu). The female is wearing a lavish robe, ela...

DESCRIPTION: A classic and quite old pair of hand carved South American wood stirrups. The Guacho of Argentina, the Morochucos of Peru and the Hauso of Chile all preferred large wooden "shoes" for use as stirrups rather than the more prevalent iron stirrup. These stirrups cover the whole front of the foot, which can be an advantage when riding through tall brush. This pair has good age and obvious usage; we estimate them to date from the early 1800's. Each shoe is carved from a single piece...

Offered for your consideration is an appealing, circa late 1900s, deep aqua blue painted wood jewelers sign. The sign was acquired from a Columbia, South Carolina estate and measures approximately 63" long x 7" wide. It is in very nice overall condition except for areas of paint loss, some crackling and general wear of a vintage sign. An unobtrusive 4 inch split is noted near the left edge and some scattered paint flecks add to a wonderful patina. A modest scratch is apparent through the word "J...

Rare Chinese Yuan Dynasty Early "Blue & White" Vase

This rare pear-shaped vase or bottle was made during the Yuan Dynasty (AD 1279 - 1368) by one of the kilns at Yuxi county in Yunnan province, one of the first places in the world where blue & white ware was produced. It is "heavily-potted" and decorated in underglaze cobalt blue with floral and leaf designs. It is coated with a clear glaze that falls short of the heavy irregularly cut foot. Similar wares were first unearthed in 1973 in Lufe...

Chinese Ming Dynasty Glazed Pottery Ridge Tile - Lion Dog

This sturdy ridge tile in the form of a seated lion-dog dates to the latter part of the Ming Dynasty (c. 1600 - 1644). It is coated in a thick and finely-crackled attractive turquoise glaze. The curved underneath of the tile remains unglazed and has the impressions of a finely-woven cloth on which it must have been placed during manufacture.

Height 22 cm. There is a chip to one ear and kiln scars on both sides of the animal's mout...