Fine Pair of Tall Chinese Han Dynasty Burnished Pottery Vases

This fine, impressive and very rare pair of pottery vases was made during the Western Han Dynasty (206 BC - AD 8) or possibly a little earlier. They are of a particularly pleasing and elegant form, the wide bodies rising up from the flat bases, then constricting into long slender necks and finally opening up into fairly wide mouths. They are quite "heavily-potted" and made from a dense fine-grained dark grey pottery, the surface o...

A pair very decorative Chinese shellwork and mother-of-pearl encrusted vases in the Grotto-style. The four sides with an engraved medaillon showing an elephant, dormice, rabbits or a deer. Wooden core and lacquered base. Condition: few missing shells, traces of age. Dimension: c. 18 cm height.

A fine and very rare pair of monochrome rouleau shaped porcelain vases with apple green lustrous glaze; the base and interior are glazed white. There are old collector's labels to the base. These items were made in China, in the late 17th or early 18th Century, during the reign of the Kangxi emperor (1662-1722). Condition - excellent - no damages and no restoration. 13cm (5inches)high.

清康熙 苹果绿棒槌瓶一对

瓶底和瓶身内部施白釉。两个瓶...

This is a beautiful Japanese cloisonne vase. Though not signed, the workmanship and colors clearly speaks Hayashi Kodenji made this. This same opinion is held by North America's leading cloisonne collector. The vase stands 7 1/4 inches tall. It appears perfect but there is a virtually invisible repair to the midnight blue enamel edge shown in the last image.

Ca. early 1800s

These vases of tapering square form are decorated overall in famille rose and noir enamels, each having four cartouches depicting courting scenes, surrounded by geometric and floral designs. There are four smaller cartouches on the necks with scenes of scholars and young men. The rims are thinly glazed, and the bases are unglazed. There is professional restoration to the base of the neck on one vase, and a small chip to the base of the other that was also professionally res...

Fine Pair of Chinese Tang Dynasty Painted Pottery Figures with Oxford TL Test

These fine pair of pottery figures, one male, one female, was made during the Tang Dynasty (AD 618 - 906). They are made from quite a high-fired creamy-coloured pottery. They are very finely modelled: note the detail of the clothing, hairstyle and facial features. The figures stand side by side, upright, in respectful poses each with their hands held together across their stomachs. Traces of the original various di...

Height: 6.7 cm (2.6 in)
Width: 4.2 cm (1.7 in)
Depth: 1.8 cm (0.7 in)

Fine Chinese cloisonné snuff bottle; depicts horses in rural landscapes; fine wire construction; apocryphal Jingtai mark to the base; end of spoon missing; good condition

Large early Republic Chinese cloisonne lidded box on stand that could have graced a scholar’s desk. On each side is a 5 toed Imperial yellow dragon with the dragon on the lid chasing the flaming pearl of wisdom; all against a dark sky blue ground, the contrasting yellow stand really makes this piece stand out. The metal and wires are bronze gilt over copper. In excellent condition it measures 13.5" wide x 7" deep x 8.75" high

A pair small Chinese porcelain jars with lids, each decorated with two foo dogs among peony flowers and scrolls in the "wucai" palette with underglaze blue. Bases without glaze. Rare to find a pair with matching lids and with so fresh colors. Including two later reticulated wooden stands. Dimension with lid: 14.3 cm high, on stand: 17.3 cm high. Condition: one cover with glued area and rim chips. One jarlet with minor kiln dust and the other jar with negligible rim fritting. The wood stands with...

A rare and very attractive Chinese seated Cloisonne Elephant which can be secretly used as a jar (perfect safe/hiding place for valuables!) 19th Century, very striking designs and unusual colors. Excellent workmanship. Condition: overall good. The head and ears are removable and the elephant can be ingeniously used as a jar with a lid, which is extremely rare, please see photographs (the lid can be put on the jar rim prior to mounting the head and ears to conceal the lid completely from view!)Si...

A Chinese jade vase, carved in the form of a tall thin finger citron. The stone is of very pale hue close to the colour of the pictures, the body is thinly rendered and the exterior well detailed. It comes with its own custom made wood stand. Age: 18/19 C. size: 10 cm high. condition: very good, no breaks , no restoration.

A Chinese jade vase, carved as a lotus leaf with a flower in one corner and a ribbon tying the leaf and its coiled trailing stalk forming the base. The composition is very attractive, the body is quite thinly carved and the stone is of celadon hue. A high quality example of Qing lapidary arts, it measures 14 cm ( 5 1/2 inches) high. It comes with its own custom made wooden base. Age; 19 C. condition: excellent.

A square Chinese cloisonne enamel gau box with four arched apertures and gold gilt strap loops for personal carrying. Richly decorated on a yellow ground with designs of formal lotus and foliage, the top side panel has a dark blue fylfot. The back panel, with the large red Shou-type character, slides up to open. Made for the Tibetan market, this dates early to mid 19th century, but could possibly be late 18th. Measures 3.35 inches high, 3" across, 1" deep.

An unusual Chinese amethyst covered vase, carved with squirrel amongst fruiting vines ,with the sides showing bunches of grapes. The cover is carved in detail with a laughing, mischievous boy holding some of the fruit. The vase stands on a separate base which is formed to resemble a rock. This is an elegant composition with high quality craftsmanship , where the carver has exploited the shades of the stone to perfection. Age: 19 C. size: 15.6 cm high x 15 cm wide. condition: very good indeed, n...

A Chinese silver vase with elaborate handles and decorated in repousse work with a phoenix on a hammered ground and the sides showing flowers and foliage, the back with a plain shield. Size: 23 cm high. weight ; 8 1/4 oz. two maker's stamps in Chinese characters on the base. It reads YUAN BEI which was an artisan workshop in Tianjin. The middle set of marks reads"wen yen" meaning "cash silver" and indicating a standard similar to Sterling. We pay credit and respect for this identification to Ad...

Chinese Qing Dynasty Pair of massive Canton lidded urns with Fou dog lids Approximately 42 inches high and 20 inches wide, come with associated carved wood stands

This is a very fine pair of Japanese satsuma vases that stand just 4 1/4 inches tall. Attractive form, enamel colors and very fine details. They look like they have spent most of their lives stored in the box. One has the original sticker and both are signed. The signature looks a bit like the Kozan mark but we are not sure. Some of the larger flowers remind us of work seen on Bizan and Yabu pieces.

The is a very rare large Koi vase created by a master. The koi are large and much finer than most ever seen on this style of vase. The vase is 9 1/2 tall and 11 1/4 inches wide. Rims are silver with an old Jungin stamp. Condition of this vase is excellent.

Antique Chinese tall vase, beautiful dripping flambe glaze in purples and reds with hints of green, inside has light green glaze, Qing Dynasty (19th century). Size: 16 3/4" high x 8" wide

A pair of rare 19th C Chinese hand carved hardwood, possibly Hong Mu wood, Scholars desk trays in a large lily pad leaf design with flower heads. Each being slightly different, one has a bird’s head and the other a nice protruding stem between the flower heads, they were made to be displayed together. These were finished with a mix of beeswax and a few other natural concoctions the Chinese used to seal the finish and give it a great mellow sheen. The beauty of the surfaces is that wheneve...

A pair of very high-quality Chinese agate ShiShi Lions on rosewood stands. This pair is carved from the same agate stone boulder having blue/grey color tones with soft hints of tans and an impressive surface polish. The carved details are performed with great skill showing wonderful curling hair along with exacting facial features as well as tail and feet accents. They are both displayed on their original carved and pierced open worked rosewood stands remaining in excellent condition. Dates circ...

This is a very special example of Japanese Cloisonne. The workmanship and elegant form are what makes this piece so special. This vase was acquired from one of the world's greatest cloisonne collections. It measures 12 inches tall. Great overall condition but it does has a very tiny enamel flake (See last image) on the back shoulder and minor pitting. It is not signed.

Ca. 1700s

This vase has a graceful, slightly tapering long neck rising from a bulbous body – a classic Song Dynasty form, but this one was produced in the Qing Dynasty in the Song style. The dark “iron wire” crackle pattern covers the entire exterior, including the base, and extends in the the mouth. The interior is also glazed. The glaze is of a thick pale grayish-green celadon type, thinning slightly to a paler gray tone on the mouthrim and stopping just above the footring where th...

Kangxi style, but probably early 1800s

This vase is painted in green, yellow, turquoise and black enamel on a pale aubergine background, depicting various dignitary figures in a garden setting. The interior is fully glazed white, having some minor pitting and small iron specks in the glaze. The base is unglazed with areas of light orange re-oxidation from the firing, and the fine white paste is visible around the perimeter. There is a spurious Zhengde mark in black enamel on the shoulder. ...

A massive bronze (copper tin alloy) vase cast in Han dynasty Hu shape and with Han style Taotie mask handles. The archaistic style decoration is an amalgam of Shang and Zhou dynasty motifs. These consist of upper and lower bands depicting stylized dragons and a central band of large Taotie ("monster"} masks. All are reserved against a flattened Leiwen (cloud) daiper ground. Below the upper two horizontal bands are pendent 'Cicida Blades'. An accompanying 1973 British Museum letter suggests a...

24” high Chinese late Qing dynasty Guangxu period baluster form geyao style crackle glazed porcelain vase decorated in underglaze blue with a central panel featuring a deer and crane in a landscape on a white ground. Blue pine branches extend from the central panel to the front of the golden neck. A cream-colored crackled glaze lines the base and interior of the wide dish-form mouth. The rim is dressed brown. The splayed base holds blue and white huts among mountains in front and a celadon...

A fine pair of Kashmir lidded jars or vases. The copper base was first engraved with special tools to create the design in relief, the grooves were later filled with glass and then embellished with additional engraving and wonderful shiny gilding. This technique is called in India "meena" or "meenakari" and was first applied by the Mughal. Condition: fine, only one rim with a small dent and minor wear to gilding. Dimension: c. 18 cm high, diameter: c. 12.5 cm, total weight:

Blue & White Soft Paste Vase with Pomegranates, 18th Century

The vase is 8 inches (20 cm) tall, and 6 inches (15 cm) in diameter.

It has hairline cracks, glaze crazing, stains, numbers written at the bottom, and surface wears and scratches (as seen in the photos).

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A fine Arita blue & white porcelain flower vase to be mounted on a wall, kakehana. 18th century.

The flower vase is heavily moulded with a leaping Chinese Lion or karashishi in a landscape of rocks and Tree Peonies, a classic subject in Japanese art known as “Botan-ni-Shishi”, an auspicious subject.

This old kakehana was manufactured in Arita in the mid Edo period, probably for the home market.

Approximately 16.7 cm high. A tiny glaze chip on the mouth-rim,...

A Chinese 'Longquan' kiln celadon-glazed arrow vase, probably Yuan/Ming Dynasty. Height: 15 cm Width / Diameter: 7.7 cm

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

A very rare pair of Antique European late 19th century cold painted spelter sculptures on elaborated square bases. The finely and realistically modelled sculptures depict a Chinese man and a Chinese woman in national costumes. The man is wearing a long green robe with gold swirl motifs, grey Balloon Pants and red shoes on his feet, the hair is braided and drawn back under a black hat. His left hand is grasping a Chinese musical stringed instrument (Erhu). The female is wearing a lavish robe, ela...

Antique Chinese late Qing Dynasty woman’s informal satin silk robe, finely embroidered in satin silk stitch with six roundels displaying vases with branches of various flowers and butterflies, amidst branches, peonies, magnolias, and goldfish, all picked out in bright shades of red, blue, pink, brown, and orange, reserved on a cream - white ground, and edged by black silk. The cuffs, embroidered in suite, are bordered with a band of brocade woven with five-clawed Principal Celestial Long Drago...

Chinese late Qing to Republic period guanpixiang table-top chest with a mansard-style hinged top that lifts to expose a single shallow tray above a pair of doors opening to five drawers with metal pulls all upon an attached base. A circular lockplate with ruyi-form clasp is on the front. Two side carrying handles. These chests were typically utilized by men to hold seals and related accessories while women were known to use them for cosmetics storage. Early 20th century. 15” high x 14 1/2” ...

This early 20th century carved jade brush rest is 8 ¾” long, 3” high and 1 ¼” thick. It depicts three playful PiXiu facing each other. PiXiu are Chinese mythical creatures who are considered to be very powerful protectors in the practice of Feng Shui. Not only can they protect an individual or a family, they will also draw wealth from all directions. The PiXiu resembles a winged lion and is the ninth offspring of the dragon. It has a pair of bulging eyes, a long, bushy tail and one ...