After Maruyama Okyo (1733-1795)
Carp and Pine
Date: ca 1910s-30s.
Size: 5.375 x 3.5 inches.
Medium: Japanese woodblock print.
Condition: Top margin thinning.

Pair of German silver wedding cups. Imported to England by Martin Sugar in 1891. Each: Snug-fitting bodice and raised arms holding aloft scrolled brackets with swing-mounted double-domed bowl. Larger bowl in form of skirt. Chased and engraved strapwork and leafing scrolls. On back is a Green Man between conch-blowing cherubs. One in form of bosomy woman with crown. The other in form of hirsute man with wreath.

Hanau maker’s stamp (Neresheimer) and English sterling standard import marks with ...

Ito Nisaburo
The Inns at Arima Hot Spring
Date: 1950s
Size: 18 x 11.5 inches. Full margins (shown in additional photos).
Publisher: Uchida Woodblock Printing Co., Ltd.
Artist's seal and publisher's seal at lower left.
Medium: Japanese woodblock print.
Condition: Excellent. Removed from original folder.

Pretty English Modern sterling silver vase, 1937. Straight and tapering sides with curved bottom; overhanging mouth has wavy curvilinear rim with applied reeding. Stepped and domed foot; foot underside wood lined. Fully marked including Birmingham assay stamp, Boodle & Dunthorne maker’s stamp, and phrase “Boodle & Dunthorne / Liverpool”. Very good condition.

Dimensions: H 7 1/2 x D 2 3/4 in. Gross weight: 7 troy ounces. #BY886

American Edwardian sterling silver figural letter opener, ca 1910. Cast terminal in form of gaunt face surrounded by feather headdress. Neckcloth spills over onto round frame (vacant). Back plain. A nice piece of turn-of-the-century Native Americana. Marked “Sterling / 97”. Very good condition.

Dimensions: H 10 5/8 x W 2 1/8 x D 3/4 in. Heavy weight: 6.4 troy ounces. #BZ429

Pair of Chinese export silver mustard pots, ca 1890. Each: Cylindrical with fixed and entwined ratan-style handle; cover chained with inset and engraved diaper top. Applied wraparound horned and taloned dragon. For piquant condiments. Marks include stamp for Tien Shing, who was active in Hong Kong in the third-quarter of the 19th century. Very good condition. One pot has a detachable clear glass liner.

Dimensions: H 3 1/2 x D 1 in. Total weight (silver only): 2.3 troy ounces. #BZ583

Set of 6 Midcentury Modern sterling silver demitasse spoons. Made by Tostrup in Norway. Each: Straight and narrow stem with round and shallow bowl. Double-sided gilding. Cobalt enamel on stem front in diagonal frames. In original red case with fitted silk lining with gilt retailer’s stamp (“Georg Jensen / Silver”). Fully marked including maker’s stamp. Very good condition with intact enamel.

Dimensions: H 3 3/4 x D 7/8 in. Case dimensions: H 1 1/8 x W 7 1/2 x D 5 in. Total gross weight...

George III sterling silver baby cup. Made by Rebecca Emes & Edward Barnard in London in 1816. Campana urn bowl with cast palmette and shell border; raised foot with cast leaf-and-dart border. Cast two-headed snake handle. Gilt-washed interior. Gorgeous Georgian for the newborn who deserves a bit of Regency opulence. Fully marked. Very good condition.

Overall dimensions: H 3 3/4 x W 4 1/4 x D 2 3/4 in. Weight: 6 troy ounces. #BZ556

German 800 silver cow creamer, ca 1910. A sweet beast with flexed ears, stubby horns, and slightly agape mouth spout. A stocky body with spindly legs and firmly planted hooves; flicked-back tail handle and hinged flap for refills. Marked. Very good condition.

Dimensions: H 4 x L 5 3/4 x W 1 7/8 in. Weight: 5.3 troy ounces. #BZ349

Edwardian Georgian sterling silver sugar caster. Made by Tuttle in Boston, ca 1910. Baluster on stepped round foot. Cover has stepped top with vasiform finial; sides pierced with engraved diaper. Fully marked including maker’s stamp and no. 25. Very good condition.

Dimensions: H 8 3/4 x D 3 1/8 in. Weight: 8.8 troy ounces. #BY559

American Midcentury Modern sterling silver compote. Round bowl with wide and flat rim and domed foot. Support in form of four cast vertical acanthus leaves. A stylish Danish-influenced design by an unknown maker. Marked “Sterling” with initials RF in chamfered rectangles. Very good condition.

Dimensions: H 5 1/2 x D 6 1/2 in. Weight: 8 troy ounces. #BY822

Set of 6 Japanese silver shot glasses. Each: Straight and tapering sides; applied horned and taloned dragon. For the strong stuff. Unmarked. Very good condition.

Dimensions: H 1 5/8 x D 1 3/8 in. Total weight: 5 troy ounces. #BY231

Artist's gourd-shaped seal unread.
Lighthouse
Size: 16.2 x 11.8 cm. 6.5 x 4.875 inches.
Date: ca 1900s.
Medium: Japanese woodblock print.
Condition: Mark in right sky. Paper residue at top back corners.
Note: We could find no other example of this design.

Takahashi Shotei (Hiroaki)
Crows on a Cold Night
Date: Pre-1936.
Size: Approximately 7.125 x 4.875 inches.
Shotei seal lower left.
Publisher: Watanabe Shozaburo.
Reference: S-19. Watanabe #173
Medium: Japanese woodblock print.
Condition: Tiny lower left margin corner bend.

Victorian Modern sterling silver box. Made by Joseph Braham in London in 1895. Rectangular with straight and plain sides. Cover hinged and tabbed; top gently curved engine turning bordered by same. Box interior cedar lined. Cover interior gilt-washed. Underside leather lined. Fully marked. Very good condition.

Dimensions: H 2 1/2 x W 5 5/8 x D 3 3/4 in. Gross weight: 17.5 troy ounces. #BZ621

American Colonial sterling silver bowl. Made by Reed & Barton in Taunton in 1950. Curved and tapering sides, flared rim, and stepped foot. Traditional form with plenty of room for engraving. Fully marked including maker’s stamp, date symbol, and no. X1455 as well as phrase “Paul Revere / Reproduction”. Very good condition.

Dimensions: H 5 x D 10 in. Weight: 30.3 troy ounces. #BZ363

Modern sterling silver picture frame. Rectangular window in plain and flat surround. With glass, silk lining, and velvet back and hinged easel support for portrait (vertical) or landscape (horizontal) photo. Marked “Raimond / Sterling”. Raimond Silver Mfg Co. was a Massachusetts maker active in the 1960s and ‘70s. Very good condition with crisp corners. Some velvet wear and discoloration.

Dimensions: Frame: H 10 1/8 x W 8 1/8in. Window: 8 3/4 x W 6 3/4 in. #BY378

Pair of German silver birds, ca 1920. A rooster and hen with downturned wings and flamboyant flouncy tails. The rooster has a shaggy crown and raised talon and looks down while the hen, who has a small trim crown and scaly wattles, looks up. Cawing beaks suggest a barnyard tiff. Marked. Very good condition Gilt wash traces.

Dimensions: Rooster: H 6 x L 6 1/2 x W 2 1/2 in. Hen: H 4 3/4 x L 6 3/4 x W 2 1/2 in. Total weight: 10.6 troy ounces. #BZ417

Tsuchiya Koitsu
Kyoto Kitano
Size: 5.625 x 3.625 inches.
Publisher: Takemura Hideo. Takemura seal at lower left.
Date: 1930s.
Koitsu's Shinsei seal at lower right.
Koitsu catalog no.: TK-TM-120.
Medium: Japanese woodblock print.
Condition: Rough left margin.
Note: Unlike the catalog example, this one is titled in the image.

Tsuchiya Koitsu
Konjikido Hall (Golden Hall), Chusonji Temple
Publisher: Takemura Hideo. Takemura seal at left.
Date: 1930s.
Size: 5.5 x 3.75 inches.
Koitsu catalog no.: TK-TM-139.
Medium: Japanese woodblock print.
Condition: Hole in tree near upper right margin.
Note: Similar to a Hasui scene of this temple.

Large Edwardian big-game sterling silver trophy cup. Made by Gorham in Providence, ca 1910. Baluster bowl with twist-mounted horn handles. On front is engraved parchment scroll for enumerating Deeds of Courage. More room on back in case you run out of space. Fully marked including maker’s stamp, no. A6806 and letters QLR. Very good condition.

Dimensions: H 10 x W 12 1/4 x D 8 in. Gross weight: 63.5 troy ounces. #BZ435

Tsuchiya Koitsu
Amano Kaguyama
Publisher: Takemura Hideo. Round Takemura seal lower right.
Date: 1930s.
Size: 5.5 x 3.5 inches.
Title and Koitsu's Shinsei seal at left.
Koitsu catalog no.: TK-TM-134.
Medium: Japanese woodblock print. Print is attached along top edge only to original greeting card.
Condition: Card is discolored which has resulted in toning below the peak of the mountain (see enlargement 3).
Notes: Listed as very rare in Koitsu catalo...

Gorgeous Victorian Japonesque sterling silver baby cup. Made by William Hunter in London in 1877. Straight and upward tapering sides; leaf-mounted bamboo-style c-scroll handle. Dense and stylized acid-etched ornament with birds flitting amongst leafing and blossoming branches. Vertical arabesque frame (vacant). Gilt interior. Fully marked. Very good condition.

Dimensions: H 3 3/4 x W 4 x D 2 3/4 in. Weight: 5.6 troy ounces. #BZ391

Japanese Meiji Art Nouveau silver tea tray, ca 1890. Retailed by Arthur & Bond in Yokohama. Lobed oval. Well stippled and engraved with shaded interlaced monogram. Upturned c-scroll end handles. Blossoming prunus branches, iris flowers, and bamboo applied to handles and tapering shoulder. Exotic ornament and Western form. Marked “Arthur & Bond / Sterling / Yokohama”. Very good condition. One handle back has dent (not visible from front).

Overall dimensions: H 2 7/8 x W 28 1/2 x D 18 1/2 in...

English Thatcher-era sterling silver champagne set, 1981-3. Retailed by Asprey in London. This set comprises 4 flutes and 1 tray.

Each flute: Ovoid bowl on gilt cast stem in form of fruiting grapevine with leaves and bunches set in open foot. Tray round with deep well; shoulder inset with same. A stylish way to remember the no-apologies, let-it-rip capitalism of the Eighties.

Fully marked including maker’s stamp (Hector Miller) and London assay stamp. Flutes have retailer’s stamp. Tray h...

We are delighted to present to you this remarkable pair of candlesticks in the shape of Athenian women, real jewels inspired by the drawings of the illustrious artist Jean-Charles Delafosse. These 18th century candlesticks harmoniously combine functionality and aesthetics, offering a unique experience. Each candle holder, in addition to being a magnificent candle holder, is also a refined perfume burner. The combination of these two functions makes them versatile and elegant pieces, bringing a ...

Kasamatsu Shiro (1898 - 1991)
Shirahone Hot Spring in Shinshu
Size: Oban. Approximately 15.5 x 10.5 inches.
Date: 1935. This edition post-1989 from the original blocks.
Publisher: S. Watanabe. Red seal at left margin along with printer's seal. Watanabe round seal in lower left corner of image.
Artist's signature and seal in image.
Medium: Japanese woodblock print.
Condition: Excellent.

Kasamatsu Shiro (1898 - 1991)
Spring Night, Ginza
Size: Oban. Approximately 15.75 x 10.25 inches.
Date: 1934. This edition post-1989 from the original blocks.
Publisher: S. Watanabe. Red seal at left margin. Round seal in lower right corner of image.
Artist's signature and seal in image.
Medium: Japanese woodblock print.
Condition: Excellent.

Koichi Okumura (1904 ~ 1974)
Red Mt. Fuji from Shojin Lake
Size: Oban. Approximately 15.5 x 10 inches.
Date: 1948. First edition.
Publisher: Unsodo.
Carver: Nagashima. Printer: Shinmi.
Medium: Japanese woodblock print.
Condition: Excellent.

Ishiwata Koitsu (aka. Yoshimi) (1897-1987)
Water Wheel in Snow
Date: 1930s. Early postwar edition.
Print size: Approximately 5.5 x 3.75 inches.
Publisher:Watanabe Shozaburo.
Koitsu's "Yoshimi" signature at lower right.
Medium: Woodblock print attached top edge only to a holiday card from Japanese and US representatives.
Medium: Japanese woodblock print.
Condition: Excellent.

Midcentury Modern sterling silver porringer. Made by Richard Dimes in Boston. Curved sides and cast open and scrolled handle with kitty sitting pretty, with stiffened forelegs and gaping, gleeful mouth. Fully marked including maker’s stamp and no. 137. Very good condition.

Dimensions: H 1 5/8 x W 6 1/2 x D 4 1/4 in. Weight: 4 troy ounces. #BZ377

Kawase Hasui
Enoshima at Night
Date: 1930s.
This is a late edition (post-1989) printed from the original blocks.
Approximately 6.25 x 4.25 inches.
Publisher: Watanabe.
Artist's oval seal at lower right.
Reference: Hotei #Hp-23.
Medium: Japanese woodblock print.
Condition: Excellent.

Kawase Hasui
Pinebeach at Miho
Date: 1930s.
Print sze: Koban. Approximately 5.875 x 4 inches.
Publisher: Watanabe Shozaburo
"Made in Japan" stamped on verso bottom margin.
Reference: Hotei #Hp-9
Medium: Japanese woodblock print.
Condition: Excellent. Top back corners have paper residue.

Shoda Koho
Moonlit Sea with Clouds - Sepia version
From the Hasegawa Night Scenes series.
Size: Chuban. Approximately 9.875 x 7.125 inches.
Date: 1910-1938.
Koho seal at lower left.
Publisher: Hasegawa Takejiro/Nishinomiya Yosaku
An early marginless edition as originally issued.
"Made in Japan" stamped on bottom left verso.
Medium: Japanese woodblock print.
Condition: Back has adhesive residue. A few spots in upper sky.
Note: Examples of thi...

Tsuchiya Koitsu
Lake Yamanaka
Date: 1939.
Size: Oban. 15.5 x 10.5 inches.
Publisher: Doi Hangaten. Doi watermark upper right corner.
Carver: Harada. Printer: Yokoi.
This seal combination indicates a 1950-62 edition.
Koitsu catalog no. TK-DH-54.
Condition: Slight fading. Very light creasing.

Edwardian Rococo sterling silver mirror. Made by William Comyns in London in 1907. Heart-shaped beveled glass in shaped surround with pointed top and bracket supports. Embossed leafing scrolls and flowers in pell-mell, dynamic arrangement. At top scrolled cartouche engraved with the very turn-of-the-century name “Gertie”. Velvet mount with hinged easel support. A wonderful period piece with lots of charm. Fully marked. Very good condition. Velvet wear.

Dimensions: H 13 x W 10 1/2 in. #BY97...

Aesthetic sterling silver olive spoon. Made by Gorham in Providence, ca 1885. Cast stem with entwined leaf and olive. Shallow and pierced bowl with engraved leaves. At other end pick comprising graduated triangles. Butler finish. Fully marked including maker’s stamp and no. 267. Very good condition with deep patina.

Dimensions: H 11 3/4 x W 1 x D 3/4 in. Weight: 2.2 troy ounces. #BZ228

Tokuriki Tomikichiro
Sanjo Bridge
Date: Likely 1940s-50s.
Size: Tanzaku (pillar) 14.25 x 3 inches.
Signed "Tomi" at lower right.
Medium: Japanese woodblock print on decorative board as originally issued.
Condition: Slight toning near bottom.
Note: This is the only example of this wonderful design that we could locate.

Takashi Nakazato is a celebrated Japanese ceramic artist whose family's mastery of pottery now spans 14 generations. Born in Karatsu, Saga Prefecture in 1937, Nakazato inherited a rich legacy of craftsmanship dating back over 400 years. He trained extensively in traditional ceramic techniques under his father, and later pursued further studies at the Kyoto City Arts and Crafts Institute. Nakazato's work is deeply rooted in the aesthetics of Karatsu-ware, known for its earthy tones an...

Appearing to be from a 2006 excavation site in Tokyo known to be a former residence of the Owari Tokugawa clan—the most senior contingent of the Tokugawa clan that united Japan under one rule—this lovely Mishima tea bowl is one of just two I have seen appear on the Japanese art market over the years. The previous bowl also listed on our site had a large portion reconstructed with a gold repair. This piece meanwhile is entirely intact and even has its original box. Details about t...

Japanese Mugiwara pottery emerged in the Mino region of Japan during the Momoyama period in the late 16th century. It is renowned for its distinctive straw-rope patterns etched into or painted on its surfaces that typically contains hues of indigo, mustard, hazel, ochre, and sometimes greens. The creation of Mugiwara pottery involves a process of hand-building or wheel-throwing clay pieces—typically serving dishes, vases, and teaware items—and then meticulously applying a straw-r...

Not to be confused with the Olympic medalist, this Tomita Hiroyuki (b. 1977) is a talented potter pushing the bounds of an otherwise conservative field where many ceramic forms are carried forward for centuries and sometimes millennia. Beginning his artistic endeavors in the field of metal casting, he soon met and became a student to Ijuin Mariko who introduced him to the world of ceramics. In 2007 he opened his own workshop and since that time he has been actively creating and exhib...

Japanese Jubako, traditional stacked lacquerware food boxes, represent not only culinary refinement but also an important aspect of Japanese food culture. These elegantly tiered containers, often adorned with intricate designs and vibrant colors, are integral to the presentation of special occasion meals such as New Year’s celebrations and formal picnics. Crafted with meticulous attention to detail, Jubako boxes like the one featured here showcase the artistry of Japanese lacquerwa...

Crafted with meticulous attention to detail and showcasing a soft and gracefully executed red glaze, this Raku tea bowl exudes a sense of ease, tenderness, and tranquility. Adorned with subtle crackling patterns and variations in texture, the tea bowl's surface adds to its unique and organic feel. Made by one of the true veterans of Japanese pottery, these are some of the finest Raku tea bowls you will find in all of Japan.

Sugimoto (b. 1935) is one of the most important...

Crafted from locally sourced Bizen clay, this mid-Edo period vase embodies simplicity, beauty, and understated elegance. Originally crafted as a tokkuri, or sake flask, it was recovered from the estate of a tea-practitioner who reportedly cherished it as a vase that would hold colorful flowers and various grasses throughout the seasons.

Thanks to the dedication and passion of a researcher by the name of Katsura Matasaburo (1901-1986) we can be assured that this vase is a...

Japanese bamboo crafting, known as "Takezaiku," is a traditional art form that involves the skilled manipulation of bamboo to create various functional and decorative objects. Craftsmen trained in this art carefully select bamboo of appropriate size and quality, then use specialized tools to cut, shape, and join the bamboo pieces. Techniques such as splitting, bending, weaving, and binding are employed to achieve intricate designs and durable structures. Bamboo crafting encompasses a...

This scroll contains a sutra written as [寿至蓬莱不老僊], pronounced in Japanese as “Jyu-Ita-Hōrai-Furō-Sen.” Originating from Chinese, the characters “蓬莱” refer to the mythical land of “Penglai,” home to the immortals. According to legend the trees that grow here cure all disease; there are rice bowls and flasks of wine that never go empty; and its great castles are built entirely out of gold and silver.

The brushwork is done by a Rinzai sect m...

During the Meiji period in Japan, the humble iron kettle, known as a "tetsubin," emerged as an iconic symbol of traditional craftsmanship and functional artistry. Crafted with meticulous attention to detail and often adorned with intricate designs—as can be seen here with a cherry blossom motif and a what appears to be a pine-cone for a gripper—they became an essential tool in the Japanese tea ceremony. These kettles were prized not only for their practicality in boiling water bu...

Ota Shumin (1884-1950, Japanese)
Boats on River (given title).
Date: 1930s.
Size: Oban. 17.25 x 12.625 inches.
Signed "Shumin" by the artist.
Medium: Japanese watercolor.
Condition: Tonal difference at edges where formerly matted. Light creasing visible in side light.
Note: Shumin participated in a painting event at the 1936 Olympics.

Set of 6 German 800 silver figural open salts, ca 1920. Each: A swan with erect neck and down-turned bill and pointy tail; body hollow. With fluted and scalloped frosted glass liner. Fully marked including maker’s stamp attributable to Martin Mayer. Numbered 2 (1), 42 (2), and 88 (3). Very good condition. One liner has bottom crack.

Dimensions: H 2 x L 2 1/4 x W 1 1/4 in. Total weight (silver only): 2.5 troy ounces. #BZ325

Victorian sterling silver baby cup. Made by John Aldwinckle & Thomas Slater in London in 1887. Straight and gently upward tapering sides and c-scroll handle. Ornamental borders engraved at top and bottom including ribbon-tied garlands. Festive and celebratory with plenty of room for announcing a special event. Interior gilt washed. Fully marked. Very good condition.

Dimensions: H 3 x W 3 3/8 x D 2 3/8 in. Weight: 3.4 troy ounces. #BW400

Dutch silver figural spice box. Imported to England in 1891 by BH Joseph & Co. An egret gracefully scrolled neck, red glass eyes, and gaping beak stands on one scaly leg, the other leg raised with clenched talons. A beautiful bird with nicely delineated plumage. Hinged at bust. Dutch assay stamp and date letter, and English sterling-standard import marks including London assay stamp. Excellent condition.

Dimensions: H 15 1/2 x W 6 3/4 x D 4 1/4 in. Weight: 19 troy ounces. #BZ288

Tsuchiya Koitsu
Kyoto Kiyomizu Temple
Publisher: Takemura Hideo. Round Takemura seal.
Date: 1930-40s.
Size: 5.5 x 3.5 inches.
Titled and sealed by the artist.
Reference: TK-TM-140.
Medium: Japanese woodblock print.
Condition: Excellent

A pair of blue topaz earrings. The pear shaped stones measure 1/2" x 3/8" while the setting measures 3/4" x 5/8". The butterfly clutches are marked 14k.

Kawase Hasui
Fisherman at Sunset
Date: 1930s. This edition 1950s-60s.
Approximately 5.5 x 3.75 inches.
Publisher: Watanabe Shozaburo.
Artist's oval seal at lower left.
Medium: Japanese woodblock print attached along its top edge only to original card.
Condition: Excellent.

George V sterling silver box. Made by Sampson Mordan in London in 1914. Rectangular with straight sides and curved corners. Cover hinged with tapering tab and gently curved top. Cedar-lined and partitioned interior. Leather-lined underside. Fully marked. Very good condition.

Dimensions: H 3 5/8 x W 9 x D 5 1/2 in. Heavy gross weight: 41.8 troy ounces. #BZ316

Pair of German 800 silver figural bird bowl, ca 1920. Each: Swan with ovoid body, upturned tail, and scaly-s-scroll neck terminating in in closed bill. Imbricated feathers and hinged plumy wings that can be opened to suggest flight. Hollow gilt-washed interior for holding treats. German marks including Hanau maker’s stamp (Gebrüder Neumann) and American importer’s stamp (Buchholz & Zelt). Very good condition.

Dimensions: H 5 1/4 x L 6 3/4 x W 3 1/4 in. Wingspan: 8 1/2 in. Total weight: 1...

Set of 12 Art Nouveau sterling silver nut dishes. Made by Howard Sterling Co. in Providence, ca 1900. Each: Round and pierced with 3 leaf-mounted paw supports. Cast and open tendril rim with flower heads. Well has engraved single-letter monogram. Pretty bowls for small servings of treats. Fully marked including maker’s stamp and no. 491X. Very good condition.

Dimensions: H 1 3/4 x D 3 1/2 in. Total weight: 26.8 troy ounces. #BX778

English Modern sterling silver box, 1919. Rectangular with straight sides. Cover curved and hinged with short tab; on top inlaid agate in form of stylized thistle in rondel. Silver lined interior. Leather-lined underside. Indistinct marks include Birmingham assay stamp. Very good condition.

Dimensions: H 2 1/8 x W 5 1/8 x D 3 7/8 in. Heavy gross weight: 15.2 troy ounces. #BZ292

Victorian silver baby cup. Made by S. Kirk & Son in Baltimore. Straight sides with allover floral repousse on stippled ground. Cast and capped leaf scroll handle and pointille foot border. Fully marked including maker’s stamp (1846-61) and alloy “11 OZ.” (that is 11/12 or 916 silver). Very good condition.

Dimensions: H 3 3/8 x W 4 x D 2 3/4 in. Weight: 4.8 troy ounces. #BY966