A square Chinese cloisonne enamel gau box with four arched apertures and gold gilt strap loops for personal carrying. Richly decorated on a yellow ground with designs of formal lotus and foliage, the top side panel has a dark blue fylfot. The back panel, with the large red Shou-type character, slides up to open. Made for the Tibetan market, this dates early to mid 19th century, but could possibly be late 18th. Measures 3.35 inches high, 3" across, 1" deep.

Signed studio original hand hammered brass bold kinetic ethnographic like pendant necklace sculpture with four major segments which include an added bold carved carnelian ear of corn dangle.

Looks equally well in a shadow box on your wall, window hanging art piece or around your neck. It was wrought in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.

*Bold north to south: 8" X 3...

A Zuni Polychromed Wood Kachina Group, depciting three Koyemsi, or Mud Heads, of classic articulated form and decoration, one, carrying Kianakwe Shikan’ona, White Kianakwe of the East on its back, dressed in a cloth manta, the white painted case mask with concentric bands in numerous colors with white dotted details, the other, carrying a bowl in his hand; possibly a depiction of the Kianakwe Ceremony. Heights: from 10" tp 13.75".

Conceived by 20th century master ceramicist Kawai Kanjiro—here an abstract depiction of flowers is used to adorn an exquisite “henko” shaped vase. The glaze used is known as “tetsu-yu” for its use of iron compounds to achieve this distinctive look. Though many pieces by Kanjiro remain today, this exact combination of style, shape, and glazing is uncommon, making this a must-have work for serious collectors. Interestingly, though it may likely not have been intentional, the abstract sym...

Fine Chinese Tang Dynasty Painted Pottery Female Courtier ("Fat Lady") AD 618 - 906

Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906).

The lady stands with her head turned a little to her left and tilted slightly at a quizzical" angle. She is wearing a particularly voluminous long robe. Her hands are clearly held together across her chest beneath her ...

A wonderful American folk art portrait of a Methodist minister painted by Ammi Phillips (1788–1865). The distinguished gentleman is sitting at a table, with his hand holding a pair of spectacles and resting on a Methodist hymnal. The finely rendered depiction of the large dominating figure with dark clothing emphasizes the gravitas of the sitter.

The painting is 32 5/8 inches by 27 1/4 inches sight size, and 37 7/8 inches by 32 3/4 inches framed size. The painting is in overall excellent co...

Antique Tibetan Thangka representing Four Hands CHENREZIG, Tibetan Buddha of Compassion, standing in a mountainous landscape and surrounded by deities including Taras.
Pigments on canvas. Very good condition. End of 19th C. 75 x 52 cms.

Fine Pair of Chinese Early Tang Dynasty Painted Pottery Walking Horses & Detachable Riders with Oxford TL Test

This exceptional pair of pottery horses was made during the early Tang Dynasty (AD 618 - 906). They are finely-modelled and "full of life", both in the act of walking. One has its right leg forward with head turned to its left, the other has its left leg forward with its head turned a little to its right. Each has a separately-made rider seated on a saddle, one male, one female, tha...

Signed studio original hand hammered brass bold kinetic protective eye pendant necklace with spiral dangles and an added bold turquoise dangle, was made in a USA studio in the in the Mid Century Modernist or Arts and Crafts tradition by this self directed metalart maker and signed Mimi Dee - Handmade.

The multi cultural ethnographic evil eye protection motif, used in jewelry by the ancient Romans, Asian Dzi, Victorian, Latin American countries and continuously through out the middle east was h...

A Large and Impressive Hand Painted Dutch Delft Vase. Eight reserves; four large ones of a bird and four lesser ones of a stag. Label on the base says "De Oude Moriaans Hoult (The Old Moors Head) Holland Delft (the mark) 1759". This refers to the potters mark, which was first used in 1759 (the Old Moors Head dates from 1648). Dimensions; 16" high, approximately 4.5 pounds in weight. Normal wear for Delft.

A Fine And Rare Khmer bronze figure of Hevajra, Angkor Baphuon Period 11th Century. Standing in Paryankasana with his sixteen arms radiating around his body and formely the hands holding separate casted attributes. Wearing vertical striated sampot secured by a belt and with long fish tail shaped flange falling between his legs. The reverse with butterfly shaped element, bejewelled, his head with nine faces with incised ridged eyebrows set above incised almond shaped eyes, broad noses, pouti...

A Tibetan Mandala Thang-ka, circa 1900 Pigment with gold on cloth, the central square medallion containing a cruciform arrangement of repeated Samvara figures, surrounded by a circular lotus border, with further lotuses in each corner, framed, 400mm square

A fine 11" x 8" Satsuma model of an official seated in a wood grained horse shoe style chair, clothed in finely painted robes and trousers and holding a feather fan. Excellent detail and fine crackle finish. Ex-Sotheby's New York.

Condition: Good. There is an old chip to the nose, a broken fingertip on the hand holding the fan, and an old repair to the back and one side of the base.

The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish lik...

This set of 12 plates was produced in France in the mid 19th century. They are marked with the underglaze Sevres markings but were probably made by a Paris decorator. Each plate is artist signed. They are 9 3/8 inches in diameter. They are made of soft paste porcelain. The set is elaborately hand painted. The center of each place has a different Watteau scene. The style of painting is romantic, soft and dreamy. The borders have etched cartouches and gilding. Delicate and colorful flower...

Antique American Indian Beaded Dance Harness Authentic Antique 19th century American Indian (Canadian Plains Cree from Saskatchewan) dance harness composed of black trade silk fabric with twelve rosettes white red and blue glass beads sown to hide discs enclosed by hanging feather attachments. The central panel of the bandoleer is constructed in a geometrical pattern beaded with emerald green and burgundy glass beads on a thick fabric. The entire sewing was done by hand. These items come fr...

Antique 18th – early 19th Century Chinese Qing Dynasty Carved Dragon Belt Hook mounted as a magnifying glass handle in a gilt copper mount with engraved flowers and leaf decoration attached to a circular polished magnifying lens. A well carved belt hook with a large dragon head hook with bulging eyes, curled horns and pierced mouth. The body of the belt hook is carved with fine openwork with a writhing chilong holding lingzhi in its mouth. The reverse with a raised button. In the late 19th ...

Japanese Meiji to Showa period oval form ikebana basket (hanakago) hand-woven from reddish bamboo with natural gnarled wood branches incorporated. Four strips rise from each side of the shoulder and are twisted together to form the high loop handle. Round mouth and base. 18” high with handle (9 1/4" high excluding handle); about 10” diameter. Late 19th to early 20th century. Very good overall condition with minor wear. From a Scottsdale, Arizona estate.