A molded porcelain plate with an overlapping acanthus leaf lip picked out in gilding and blue-grey. In the upper part of the well an exotic bird rests on a branch with green leaves and red berries. On the back are the gold anchor mark, pontil marks and an inventory number applied much later. Like most Chelsea of the period it is quite heavy. 8 ¼ inches (21 cm) diameter.

Condition: No chips, cracks, hairlines or repairs...

An exquisite example of a 19th C. Moser hand blown lime green fading to clear vase embellished with 3 rows of applied prunts, a wide diamond cut band, a plethora of gold enameled scroll work and floral designs throughout. The base or foot is softly paneled. In excellent condition, no cracks, no repairs, no chips, minimal wear to gold gilt on lip, it measures 8.5 inches high. Dates circa 1890-1910.

Antique Continental silver tea cup with saucer. Germany. Circa 1870s-1880s. Size: 5.5 in. x 3.5 in. ht. Gilded interior, .750 silver standard. Engraved monogram - 'G.B.'

This porcelain tea cup and saucer was produced in England by Copelands China in 1851. It is made of fine bone china. The saucer has a diameter of 5 inches and the cup is 2 ½ inches high. The set is hand painted in French Sevres style. There are bowers of light turquoise leaves hanging from the rim of the cup. Bunches of colorful flowers fill the space beneath. They are painted in exquisite detail and vivid colors. The use of space and depth is uncommon...

This porcelain plate was produced in Germany by Meissen in the 1880s. It has the first quality, underglaze crossed swords mark with pommels. The plate is made of the finest quality hard paste porcelain ever produced in the Western Hemisphere. It measures 9 ½ inches in diameter. The reticulated border is cut out by hand. The center of the plate has a hand painted scene of Galileo reading a book and inventing the geometric compass. The painting is after the artist Byieu, Dutch master...

This porcelain demitasse cup and saucer was produced in England by Royal Worcester in 1878. The date letter indicates this year. The saucer is 4 ¼ inches in diameter and the cup is 2 ¼ inches high. The set is made of fine, white bone china. The decoration is a transfer design in the Kakiemon style. There are scrolls, mons, and leaves that are Asian inspired...

This set of 6 porcelain ramekins or custard cups with underplates was produced in Germany by the Franziska Hirsch Dresden studio in the 1890s. The saucers are 4 7/8 inches in diameter. The cups are 1 ½ inches high and have a diameter of 3 ¾ inches. The porcelain has scalloped edges. All pieces are hand painted with vibrantly colored flowers. The cups are decorated inside and out. The borders are trimmed with lacy hand gilding...

Ceramic or porcelain, this is a shallow bowl that might have been used for serving foods, measuring at the extreme dimensions 12 3/4" by 8 3/4" by 2" deep. The central design of flowers is hand painted, as is, I think, the gold decoration. As a paintings specialist this is not within my expertise, so I hope to be describing it correctly...

A sauceboat with attached undertray, handles on either side and spouts at either end. Decorated with hand colored transfer printing and with gilded highlights as well as gilded edges. On the base in green is the printed mark for Kuznetsov porcelain company which owned a number of factories in Russia. The date of around 1880 is based on the decoration which follows French decoration of the late 19th century. 4 ¾ inches (12cm) tall, 10 ½ inches (27 cm) long and 6 3/8 inches (16.5 cm) wide...

A fantastic English porcelain scenic topographical cabinet plate by Aynsley, with a hand painted view of Kirkstall Abbey, signed by R.J. Keeling, one of their best artists. Circa 1897. Size: 8.5 in. diameter. Excellent condition with a cobalt glaze border accented with rich raised gilding. Titled on the reverse.

American circa 1885 Victorian winter landscape painting of houses with smoking chimneys along a trodden path in mid winter, several figures braving the elements on this cold day. A charming early primitive work, enhanced by the "sparkles" applied to the snow to ensure that winter effect. Condition is excellent. The typically Victorian blue velvet (worn) adds to the period authenticity. Frame has a bit of wear, some small sections chipped or missing. Measures 23 1/2" by 23 1/2" in the frame.

American stoneware 2 gallon ovoid jug by Cowden and Wilcox, Harrisburg, Pennsylvania. Circa 1865. Decorated with hand painted cobalt blue floral spray. Size: 14 in. ht. Very minor flake to top rim and a tight firing line to one side of top of handled (not damage but made during manufacturing) and fine tiny burst bubbles in cobalt glaze, also part of manufacturing process. See photo details.

An interesting fragment of Victorian needlework, the somewhat shiny black (chintz, silk?) fragment of an irregular shape, later laid on a dull black linen backing to attempt to match the color, the final result currently round and 12 1/2" diameter, and 19 1/2" on a side in a new square frame (in excellent condition) with clean mat. The design includes a butterfly, daisies, pansies and other flowers, and grasses gone to seed. I am not a specialist in textiles but that is my best take on what I ...

This set of 8 porcelain plates was produced in England by Minton in 1863. The name Minton is impressed with date ciphers indicating this year. The plates measure 9 ½ inches in diameter. They are made of fine, white bone china. The reticulated borders around the plates are 1 ¾ wide. They are outlined in heavy celeste blue enamel known as French enamel. There are 3 cartouches in the borders containing colorful sprays of hand painted flowers. Similar flower sprays accent the centers of th...

George III sterling silver wine jug, London, 1809, by George Smith II (cover marked by John Robins), with urn finial, and bent fruitwood handle. Size: 11.5 in. ht. x 6.6 in. x 4.5 in. No monogram. Nice condition (cover with slight gap at spout when closed).

A sterling silver soup ladle by the noted New York silversmith, John Polhamus, in the King's pattern (double struck). Circa 1860s. Length: 12.5 in. Engraved H.S. in a Gothic script on handle. Struck with J. Polhamus mark and 'sterling'. Nice original condition.

This set of 12 plates was produced in France in the mid 19th century. They are marked with the underglaze Sevres markings but were probably made by a Paris decorator. Each plate is artist signed. They are 9 3/8 inches in diameter. They are made of soft paste porcelain. The set is elaborately hand painted. The center of each place has a different Watteau scene. The style of painting is romantic, soft and dreamy. The borders have etched cartouches and gilding. Delicate and colorful flower...

Three English silver fiddle serving spoons, all three made in London. One is Georgian, the other two Victorian. Spoon with engraved N has year marks for 1841 and makers mark GA for George William Adams, engraved JJH 1842, makers mark RB for Richard Britton and AVW 1829, makers mark JH for Jonathan Hayne. Length "8 ¾ - 9/ 22.5 – 23 cm, weight altogether 213 grams. Condition: fine.

A large faience shoe, lady’s high heel model, the white ground decorated with floral ropes, roses in bunches, and the toe resembling embroidery. The painting is the palate and tone typical of late 19th century Le Nove at their best. It is 4 5/8 inches (12 cm) tall, 8 5/8 inches (22 cm) long and 2 7/8 inches (7.5 cm) wide. On the bottom is the shooting star mark and there is no country of origin.

Condition: generally, very good though there are rough spots around the edge of the heel and so...

A set of six hand painted porcelain plates with floral bouquets in the well and a gold band around the edge. The mark of KPM with the initials and the scepter in underglaze blue was used from 1837 to 1844. The size would indicate that they are dessert plates, though they are deeper than most. They are 7 inches diameter (18 cm) and 1 inch (2.5 cm) deep.

Condition: excellent, no chips, cracks, hairlines or repairs. Showing only some evidence of light use.

They were once part of a much la...

A powder blue ground cup with elaborate gilding and two reserved oval panels on opposite sides with a spray of European flowers. Unusual for Chinese Export porcelain the two panels are recess molded. Other examples of this period exist with molding in the body, this ground and elaborate gilding. The inspiration is European, probably German, perhaps Meissen. The cup is 2 inches (5 cm) tall and 3 ½ inches (9 cm) diameter.

Condition: No chips, cracks, hairlines or repairs. As is often the case...

Circa late 19th century needlework in cream and red, 11 3/4" by 9 3/4" plus Victorian style wood frame with grape leaves in the corners, wrapped around a board. The birds remind of those seen on American salt glaze cobalt ceramic pieces. Together with the folky framing, this makes for a very decorative work of Americana, and an interesting addition to your collection.

A fine old charmingly naive watercolor drawing of a boy dressed almost as a girl, in the style of the times, titled in pencil at bottom "William John Babb March 1834". This work appears to be in its original weathered old frame, the original surface beautifully alligatored. Measuring 7 1.2" by 5 1/2" (10" by 8" including frame), the drawing is perfect for the small wall. Colors are perhaps a little faded after nearly 200 years. On the wood backing a sort of mathematical problem: the year 19...

A rare opportunity to acquire a 19th century American sampler, including not only the date (26th March 1833) but also the location (Waldoboro, Lincoln County, Maine). The piece measures 14" by 12 1/2" and 21" by 18 1/4" in the period gold frame (framed under the glass, which is broken at lower left corner as seen). Condition is excellent, with the notable exception of significant fading of the color. Most interestingly, this piece includes the name of maker, one Sarah F. Lermond, age 14 in 18...

Rare Blue Willow Creamer and Cover in the shape of a cow standing on a grassy knoll with stenciled blue willow decoration.

English, circa 1840.

A Blue and White Tea Bowl and Saucer. Decorated with a flowering plant growing from among rockwork. Lowestoft C1770. Diameter Saucer: 4 9/16"(11.7 cm). Condition: excellent

Model of a Royal Carriage, realistically detailed with an ebonized carved wood and gilt decorated coach with one working door. Resting on a working metal suspension undercarriage and wheels, one removable trunk.

Late 19th/Early 20 C

H 13 in. x W 41 in. over all, coach 28 in. x D 9 in.

This porcelain lidded vase or ginger jar was produced in England by Coalport in the 1890s. It measures 3 ½ inches high and has a diameter of 3 inches. The shape is Asian inspired. It has a bright olive green enamel ground color. An intricate pattern of raised gold in two colors encircles the piece. There are swags, drapes and other design elements making it look like a piece of jewelry. Bright orange and white enamel jewels accent the gilded design. This is a gem of jeweled porcelains. ...

This porcelain vase was produced in England by Royal Doulton in the 1890s. It is signed by the artist Edwin Wood. He specialized in painting flowers and particularly roses. The vase is 8 inches high and 3 inches across the top. It is made of fine bone china. It has a pedestal foot and scrolled handles. The flower painting is exquisitely detailed. The colors are vibrant. A bouquet is in the center of a frame of roses. There is a different bouquet on the other side. Swags of ivy le...

This porcelain vase was produced in England by Royal Worcester in the 1870s. The date letters in the mark are illegible so it is not possible to specify the exact year. The vase is 7 3/8 inches high. The base measures 5 inches long by 4 5/8 inches wide. The form of this vase is known as “elephant tusk” as it appears to be carved ivory. It also appears to be two separate pieces, the vase on a stand, but is actually one. The vase is made in two layers with the second layer having been cut...

A pair of icon fragments done on wood with extensive gold highlights. They are both from the same icon, which, I believe, depicted the Four Evangelists. The painting is of exceptional quality, as the photos will hopefully confirm. While I believe that they in fact date to the 17th century, I am conservatively dating them to the 19th or earlier. The panels measure 3-1/2" X 5-3/8" and 3-3/8" X 5-1/2", respectively. Rare and beautiful examples.

This pair of porcelain vases was produced in England by Mintons in the 1870s. The vases measure 8 ¾ inches high and are 4 inches in diameter. The ground color shades from turquoise blue to cream color. The decorations are hand enameled. The style is aesthetic, inspired by the Asian cultures. Weeping vines of wisteria, prunus blossoms and Japanese mons are painted in heavy gold and platinum enamel. The shoulders of the vases have a collar of raised gold decorations. The rims are trimmed w...

Although not marked, this art glass piece bears the styling and quality of Victorian pieces made by the Stevens and Williams Ltd of England and in the 1870s under the direction of John Northwood (son Harry Northwood was a glass maker in America). The body is an oval pill-shaped translucent light turquoise glass with an open oval top that is bordered with a scalloped ribbon crest. At each narrow end is a small applique of amber glass. The piece is also supported with four pinched amber glass feet...

A Lowestoft Redgrave Pattern Tea Bowl and Saucer. Decorated in the typical palette. Lowestoft C1785. Diameter saucer: 12.0 cm. Condition: excellent, small firing fault on the base of the tea bowl

Turn-of-the-century American Art Nouveau green plasss perfume bottle with engraved silver overlay. Globular with short neck and everted rim in collar. Ball stopper. Overlay in dense and dynamic flower head pattern with interlaced and overlapping petals and pointille florets. Marked “Sterling Silver Deposit 46”. Very good condition.

Dimensions: H 6 1/2 x D 4 in. #BT172

This exquisite hand painted porcelain center bowl set on a dramatic matching dark green and 22K gold porcelain stand is a spectacular showpiece. The center bowl doubles as a punch bowl and the matching 12 footed goblets can be used separately as sherbet cups. The bowl and cups feature grapes, vines, and leaves hand painted in gorgeous rich tones of greens, purples and magenta on a pastel background. The punch bowl has an impressed mark and the matching footed cups are marked Vienna Austria. ...