Unusual Japanese 2-panel calligraphy screen with highly stylized brushstrokes, bordered with silver leaf and silk. The left character reads "Gi" (or Righteousness); On the right reads "Dao" (the path or way). The inscriptions appear to mean "Righteousness must always be pursued".

Signature of a monk or a priest in his late 70s named Kakuan, appearing to date Spring 1851 with a description of the studio in which the painting was made...

Rare high grade Japanese mounted shubuichi dragon okimono. The dragon is seen as if it is in mid flight, twisting, an thrusting forward. Overall excellent original condition Shubuichi seen here has a Dark grey / silver tonality an has a trace of gold warm colors tones. Incredible detail seen from the fine scales to the tip of the dragons claws. The dragon represents freedom, good luck, and balance...

Rare large Japanese locking bar tansu made of solid gorgeous quartered sawn Keyaki (elm) hardwood. Finished in its original translucent lacquer finish with a black lacquer frame and dark red lacquer front, top, and sides...

An original 18th century Japanese Namban armor with momonari type kabuto. The wisteria meadate and other occurrences of variations of the Fuji mon belongs to the Fujiwara Clans. The meadate matches that of the family crest seen on the armor. The black lacquered dou is textured with crushed oyster shell in fine detail. The armor is presented with the original hitsu (armor box) with gold beautiful gold calligraphy on the sides...

Antique Japanese cotton woven futon cover, dyed with a paste resist technique called Tsutsugaki on an indigo ground with the mythical creature Baku, devourer of dreams and nightmares and protector against evil. The Baku should not be summoned without caution, however, as ancient legends say that if he is not satisfied after consuming one's nightmares, he may instead devour their hopes and dreams.

Meiji Period (1868-1912)

Size: 64.5" x 53"

Polychrome Sumida-gawa ceramic bowl made from sandstone, also called Sumida-yaki. Some parts are glazed. Original decoration of an old man trying to climb the bowl.

Mark of Ishiguro Koko (石黒香香): 香二, Koko. The 二 marks the repetition of a character in traditional Chinese. His name can also be written 香々 or 香二). His real name was Ishiga Gôzô (石田郷三). He is a potter of the early Meiji era...

19th Century Japanese Bronze Katsuma Dorje Vajra

It is 4.9 inches (12.5 cm) in length by 4.9 inches (12.5 cm) wide. It is 326 gram.

It has loss of patina, oxidation, and surface wears and scratches (as seen in the photos).

The Katsuma is a cross made with three prongs on each arm, thus forming 12 prongs, which symbolize the 12 aspects of the laws of cause and effect. Its full name is Katsuma Kongo, or gilt-bronze katsuma...

A large Japanese bronze flower vase, Edo period, 17th century. 30 cms. Provenence: The collection of the late Simon Digby, Oriental scholar, 1932-2010. A very similar vase, but with different handles, is illustrated by Michael Goedhuis, Chinese and Japanese Bronzes, 1989, pl.92.

Large suzuribako showing on its cover a mountainous landscape, crossed by a river, bordered by two houses and trees such as pine trees and cherry trees in bloom. It could be Okabe, the twenty-first of the fifty-three stations of the Tôkaidô. The bottom is gilded in the fundame technique, decorated with takamaki-e, hiramaki-e, hirameji and kirigane...

An dramatic pair of large Japanese golden gilt lotus flowers. Gold gilt in excellent original condition over hand carved wooden lotus flowers. Originally these would have been exhibited at a large temple. Rare to find such a large pair. Typically when found these are much smaller. Each is mounted to a matching base.

Meiji Period (1868 -1912)

26" wide X 53" High

In the world of Japanese ceramics, Tamamizu-ware has an almost mythical standing. A branch of the main Raku line, at one time the two kilns held equal prominence, both being endorsed by the major tea schools of Kyoto and both being favored by the Imperial household. The first in the line was an illegitimate son of Kichizaemon Ichinyu (Yahē) who studied under his father and then left to open his own kiln in the village of Tamamizu (known today as Ide-cho)...

Round ivory kôgô box with shibayama technique, inlaid with gold and pewter or silver lacquer. Lake decoration in two cartouches on the side and the top of the kôgô, surrounded by rinceaux.

It could be the representation of views of Ômi, around Lake Biwa (present Shiga prefecture). The temple on the rocky mountain is probably the Ishiyama-dera, built around 762 A.D. in Ôtsu. It is part of the Kansai Kannon pilgrimage circuit...

An antique Japanese large Taiko Drum with a Keyaki (Zelkova) wood body and strong leather ends. Beautiful rich deep sound when struck. All original hand forged iron hardware including the very large Taiko nails and the four carrying rings.

Age: Late Edo Era (1950-1860)

Dimensions: 30 1/4" Long by 26 1/2" Diameter.

Japanese solid Keyaki isho tansu from the Sendai region. With original deep red lacquer finish. The interior of the drawers done in black lacquer. With black iron hardware incised with floral motifs, large lock plates with chrysanthemums and open work scrolling leaves, the small corner safe door adorned with a round open work iron plate with peonies and scrolling leaves, opening to two small interior drawers for precious keepsakes.

Meiji period (1868-1912)

Dimensions: ...

This exceptional tea bowl was crafted by one of the great masters of Japanese pottery and given the poetic name “Nami” (wave) by a famous tea master of the Ura-senke school of tea. The Chinese character is not the standard writing for wave but rather one with more nuance, suggesting longevity—as in the image of a long enduring cresting wave. The white hakeme brush strokes and the overall shape of the tea vessel fit perfectly with its poetic name, making this ceremonial tea bowl perfect for...

Antique Japanese scrol painting of a landscape with boat. The water is very still and the moon is high over a mountain in the distance. A flock of geese swoops down from the sky on the right. On the far left, an outcropping of rocks partially obscures some rural houses. A willow tree drapes itself outward over the water. With signed tomobako. Signed Tan'yu and with the seal of his given name Moninobu. Certified by Eitoku, his grandfather. Kano Tan'yu (1602-1674) was one of the foremost...

1930's Japanese Silver Wireless Cloisonne Enamel Vase with Mt. Fuji Marked 純銀 Jungin

It is 12 inches (30.5 cm) tall by 5.5 inches (14 cm) wide. It is 2.9 Lb.

It is tarnished and has surface wears and scratches (as seen in the photos).

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The expression of this armor, with its dragon and carp maedate transformation, sets the tone of its mythological meaning. The red armor has a Zunari Kabuto decorated with a Nichirin sun motif, which supports the dragon and carp conversion. The menpo is a Reisei-men with rabbit hair mustache, rendering a fierce warrior’s expression. The menpo is attached with four Kiritsuke yodare in blue and gold silk cords. The Renzan Dou is decorated with slivers of silver in the Ronin pattern from front to ...