18th century netsuke of a sennin (Chinese sage) wearing a monk’s robe and a leaf cape and skirt, looking to his left and supporting a double gourd on his shoulders. Netsuke represents Chokwaro sennin who could summon the magic horse out of his gourd to be transported wherever he wanted...

18th century netsuke of a reclining monkey, its front paws and upper body resting on a large chestnut. Very strong early piece, great thoughtful face, excellent incised and etched hair, wonderful detailing of its fingers and toes. Netsuke of characteristic 18th century triangular section, warm yellow patina (darker on the bottom where netsuke was touching the silk of kimono), large and deep himotoshi in accordance with the habit of the time. Length 1 15/16 inches.

19th century netsuke of a bamboo shoot containing a hollow section with anabori (cavern carving) of the Seven Sages of the bamboo grove looking at an open scroll. (see the detail on the first photo), The inside is almost impossible to photograph, but all the sages are there, need a flashlight even to see them. Very clever joke on the usual depiction of the sages being placed among bamboo stalks, not inside them...

Early 19th century boxwood netsuke of a man with a horn on his head, bent under the weight of a richly dressed woman on his back. The subject of the netsuke is Ikkaku Sennin (single horn Sage) carrying princess Sendarama on his back - according to Japanese legend, he grew angry with the Rain Dragons and sealed them away in a cave, causing a drought. Beautiful Indian princess was sent to tempt him and when he could not hold on to his chastity vow, he lost his magical powers, and the rain returned...

19th century wooden netsuke of a slightly inebriated dancer with a fan in his hand. Wood is lacquered in Negoro style - red (or golden brown) lacquer over black, so as it wears the black starts showing. Beautifully carved drunken facial expression, really nice feel of age to the piece, very pleasantly worn. Height 2 inches.

18th century netsuke of a dog with its front paws on a large ball, all on a flat base. Strong early piece, wonderful face, beautiful wear and patina, a lot of compressed dust in crevices, of characteristic 18th century triangular section, old age lines. Height 1 7/16 inches.

Asa (hemp) noren (shop curtain) with "Mitsui" which is a logo of a noted general trading company and was a successful kimono textile dealer in Edo period. Both warp and weft are hand-plied and all hand-sewn. In good condition and has some wear on the selvedge from heavy use and washing. Late 19th early 20th century. W:144cm, L:132cm

A fine bronze brush pot decorated with the Rakan Handaka Sonja holding the begging bowl in gilt takazogan, in a combination of high relief and incised landscape with banana leaves and flowers. Gilt top rim. Incised signature on the Kyoto Kumagai zo (made by Kumagai). H. 9,5 x D 6,5 cm. Meiji period (1868-1912) . Very good condition.

18th century netsuke of a reclining sarumawashi - traveling monkey showman - obliviously smiling in his sleep while his pet steals from a basket behind the back of its trainer. Unusually substantial and heavy, excellent carving capturing facial expressions of both characters. Classic design, differently sized deep himotoshi in accordance with the habit of the time, netsuke of triangular section characteristic for the period, old age lines...

19th century boxwood netsuke of a baby boy crawling on his hands and knees, wearing a bib tied on his back. Excellent rendition of body and limbs showing baby fat, great face, hair knots are inlaid with dark horn. Very beautiful warm brown staining, pleasant patina, overall in excellent condition. Length 1 13/16 inches.

Early 19th century wooden netsuke of seated Hotei with karako (Chinese boy) standing next to him. Hotei is one of the 7 Gods of Good Luck and incarnation of Maitreya - the Buddha of the future, and is liked by children. Great smiling face, excellent depiction of the flow of their robes, nice patina, large and deep himotoshi in accordance with the habit of the time...

19th century wooden netsuke depicting standing Hotei (one of the 7 Gods of Good Luck, also considered to be the incarnation of Maitreya - the Buddha of the future) with a peach in one hand, and the other hand resting on his voluminous belly. Nice quality carving - see his face with a slight smile and beautiful flow of his long robe. Wonderful wear and patina, very pleasant feel of age. Signed SHIGEKAZU on the back - the artist is listed on p...

19th century 2-toned ichii (yew wood) netsuke of Hotei (one of the 7 Gods of Good Fortune, who is considered to be an incarnation of Maitreya - the Buddha of the future) carrying his bag on the back suspended by a stick across his shoulder. Very good quality carving - see facial expression with a wide smile and wonderful flow of his robe...

Antique Japanese Art Deco bronze and silver figure of a parrot sitting on a holly branch. Elegant simplified lines and form with swooping tail and copper color eyes. In two sections. Signed by the artist, Tanshо̄ Inoue. He was famous for his Art Deco bronze work during the Taisho Period and a member of Tokyo Chukinkai (Tokyo Cast Bronze Craftman's Association)...

18th century netsuke of a wild boar sleeping on a bed of leaves. Classic early piece, excellent carving of the body bulk resting on a heap of elongated leaves with a maple leaf in front of it, old age lines. Very pleasant wear to the surface from more than 200 years of handling, beautiful yellow patina (especially on the bottom from wear against the silk of kimono), of characteristic 18th century triangular section...

Late 18th to early 19th century netsuke of a boy seated on a huge bag and holding a double gourd in his hands. Strong early carving with very good detailing - see the flying sleeve, different textile patterns on an old patched bag and euphoric expression on the boy’s face. Old age lines, beautiful wear and patina turning deep yellow. Signed YOSHINAGA in oval reserve on the bottom - for information on this brilliant artist see p...

18th century netsuke of a cat resting on a large abalone shell. It is uncommon to see cats in netsuke. Finely carved, great expression on its face, beautiful flow to the bumps on abalone, superb wear to the surface, warm yellow patina (darker on the bottom where netsuke was touching the silk of kimono). Differently sized himotoshi typical for 18th century netsuke, with larger one being able to accommodate a knot...

19th century boxwood netsuke of a puppy reclining inside a winnowing basket. Wonderful depiction of its chunky body and mouth open in delight, eyes are double inlaid with light and dark horn, fur is incised and etched with ink, beautiful patina. Signed NOBUMASA on the bottom - for information on the artist see NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, p. 835. Length 1 3/8 inches.

19th century netsuke of Edo omiyage (gifts from Tokyo) including a straw bundle with clam shells, a pouch inscribed Kaminari Okoshi and containing sweetened puffed rice cookies from Asakusa, a necklace of so-called donguri (acorn) sweets, a toy whistle, a small shallow box, the back of the netsuke with a round box inscribed Omori Karashizuke Yamamoto (mustard marinated pickles from Yamamoto of Omori). Extremely well carved with minute details - see the delicate texture of a thin bamboo branch wi...

19th century netsuke in kagamibuta (mirror lid) form. The top is solid silver with medium relief coiled dragon with fiercely open mouth and flames issuing from its body. Superb quality metalwork - see its face, claws and crisply incised differentiated scales, touches of differently colored enamels. Warm patina, beautiful bowl with stable old age line, swinging metal loop at the back for the cord. Very powerful piece. Diameter 1 13/16 inches.

An antique Japanese Kanban signboard of a Sake (rice wine) brewery maker. Hand carved out of a hardwood and finished in a gold gilt with black lacquer in the back. 2 stylized opposing birds and an arrow hitting a bullseye target decorate this sign that was made to depict a celebratory sake cask.

Age: Meiji Era (1900-1910)

Dimensions: 24" Wide by 25" High by 4 1/4" Deep

An antique Japanese Kotansu chest for personal storage use made entirely of Kirinoki (Paulownia). All bronze hardware with 6 drawers and a pair of sliding doors hiding a storage area with a split level shelf. Constructed using straight dovetail joinery with hardened wooden nails. Perfect as a side chest or desktop organizer.

Age: Late Meiji-Taisho Period (1910-1920)

Dimensions: 23 3/4" Wide by 19 3/8" High by 11 3/4" Deep

Rich patina Late Taisho Period C.1920 bronze garden lantern. In the Yukimi snow lantern style. Each panel has an auspicious Japanese symbol: pine, plum, bamaboo and grasses. Great condition. 25" tall by 16" diameter. Ask for shipping quote from CA warehouse.

1900's Japanese Mixed Metal Damascene Compact Box By Arthur & Bond Yokohama

It is 2.7 inches (6.8 cm) long by 3.7 inches (9.5 cm) wide. It is 259 gram.

It has tarnished metal, minor rubbing of gold, missing a pen and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally ...

19th century boxwood netsuke of seated Gama sennin (Chinese sage) with his usual companion - three-legged magic frog - climbing onto his head. Beautiful carving with wonderful expressive face and beautiful flow of the robe with nice cloud patterns, differently sized himotoshi, very well carved leaf cape and skirt. Wonderful wear, excellent patina. Height 1 5/8 inches.

Late 18th to early 19th century bronze suigaraake (ashtray) netsuke in a modified hexagonal drum shape, its outside cast with a sinuous water dragon chasing a Precious Gem. Very well designed piece, good detailing, functional netsuke shape. Nice old piece with very pleasant patina on metal. Maximum width 1 5/8 inches.

An antique Japanese Ikebana bamboo basket designed as a baluster shaped vase. Large bamboo slats interwoven with other delineated free form smaller slats. The mouth opening has some decorative bamboo rope matching the all rope footed base. Three slats at the base forms a star shape while the body is strong with a wide sweeping design.

Age: Meiji Era (1890-1910)

Dimensions: 14" Wide by 14" Deep by 18 1/2" High

Width: 12.4 cm (4.9 in)
Height: 4.9 cm (1.9 in)

Quality Japanese Satsuma bowl featuring Samurai having a discussion in a rural setting; floral decoration to the exterior; finely gilded throughout; marked Senzan; excellent condition

Rare and exceptional tanto of the Koto period with a polishing perfectly revealing the metallurgical qualities of the blade accompanied by a completely extraordinary lacquer and inlays sheath. The blade is in hira zukuri with a forge (hada) itame, a quenching in suguha. The tip (boshi) is chu maru. On the nakago in ubu keitai there are 2 mekugi ana. Length of the nagasa blade 28.8 cm. The scabbard (koshirae) in dark brown lacquer and ro-iro black lacquer for the decoration of gourds and folia...

Well defined bronze elephant koro incense burner, C.1920. 18cm tall by 15cm wide. Very good condition.

Small bronze sculpture of a seated rhinoceros.

Japan, Meiji period (1868-1912)

Height : 4.3 in (11 cm) - Width : 2.7 in (7 cm)

Ivory netsuke representing a bag.

Netsuke constitute the major part of Japanese ivory of great quality. Since the Japanese costume (kimono) had no pockets, the objects were passed under the belt and the netsuke, held by a cord, was used to hold them.

At the end of the Edo period, Japan started to adopt western ideas. Japan entered a phase of commodification. The movement of people and goods was facilitated by improved land and sea transportation. Education spread among...

Banko polychrome enamelled terracotta teapot, representing on each side masks from the Japanese folklore. Handle in wickerwork.

On the spout, Hyottoko, a comical and childlike character. He is recognizable by the shape of his elongated mouth with two red dots (he blows fire with a bamboo pipe), his white scarf with blue dots around his face and his eyes of different sizes. During local festivals like in Miyazaki, he appears in traditional dengaku dances and plays the role of a clown...

Born the second son of Ryônyû, the 10th Raku Kichizaemon Tannyû took over the family kiln in 1811 at the age of 16 and served until his retirement and subsequent handing on of the title of Kichizaemon to his son-in-law Keinyû some 34 years later. Retaining many of the unique stylistic innovations of his father including his clay trimming technique, Tannyû went on to establish several new family kilns and to produce wares for both 10th and 11th Tokugawa Lords. The piece seen here is a classi...

A small porcelain teapot with molded chrysanthemum blossom decoration and arch-shaped handle. Thick greyish clay with craquelé. Condition: few tiny rim frits near the spout end, no repairs. Dimension: 12.4 cm high x 12.8 cm long.

KIHARA CHAWAN

Japanese semi-porcelain bowl with such calm iron-glazed picture as the transitional ware between Karatsu and Shoki-Imari ware, Kiwara kiln in Nagasaki area, Edo period (1603-1868), approx. D 12 x H 6.9cm (4.72 x 2.71in). Some restorations and a crack but no leak.


selected by titcoRet




* Please understand that EMS shipping fee is additionally charged, and also confirm our Sales Policy befor...