19th century Japanese raku ceramic box for use in tea ceremony potted and painted to represent yuzu citron with leaves. Could serve as chaire (tea caddy for powdered tea) or kogo (box for incense). Wonderful hand potting, excellent depiction of fruit skin texture. Stamped with RAKU character on the body by the foot. Comes with newer kiriwood box and wrapping cloth. Very pleasant feel of age, well-used, in great condition. Diameter 3 1/4 inches, height with cover 2 5/8 inches.

Highly unusual Buddhist shrine with the image of a horse looking back. The horse has a ‘brocade’ cover over his back and is standing behind a mesh wire fence, the way they would be kept in temple compounds.

Polychromed wood with some gold details. The roof of the shrine is a separate piece and can be detached, which allows for taking apart the zushi.

Japan, Meiji period, 19th century.
Height of zushi ca...

Late 19th to early 20th century Japanese ceramic brush pot made in raku technique with rich multicolored glaze and an unglazed sector with stylized painting of autumn grasses. Beautifully made, awesome colors produced by raku process. Signed in gold lacquer with 2 characters on the back reading GERAKU. There appear to be characters incised into the body on the bottom, but I am not entirely sure. Unusual piece, pleasant to handle. Height 5 inches, maximum diameter at the top 4 5/8 inches.

A set of plain candle sticks, called shokudai, used for hanging on a wall (like sconces). Each stick is made of bamboo. On top of the stick is a forged iron hook to hang it from a horizontal beam or slat on the wall, together with a candle pricket. On the bottom is an iron sheet dripping saucer with pricket. Mingei.
Japan, Edo period, early 19th century. Very rare pieces.

L stick 1: 15 in.; depth saucer 3.5 in. L stick 2: 16 in.; depth saucer 3.5 in...

Simple wooden shishi (or lion) dance mask with movable ears and jaw. The ears and eyebrows are stained black. Behind the ears a row of small holes have been made, used for attaching the garment (the body of the lion). Mingei.
All light wood, wooden joints (ears on sticks for manipulation by hand).
Japan, 19th century.

H 6.5; D 9.5 inches.

Nice patina, minor traces of usage: small chip at one of ears, short and unimportant crack in skull. All in all very good condition.

Meiji (1868-1912)Japanese Bronze Turtle Okimono Signed

It is 1 inch (2.54 cm) tall by 4 inches (10.1 cm) wide by 2 inches (5 cm) wide. It weighs 210.7 gram.

It is missing claws and has oxidation and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

An antique Japanese Sendai Tansu made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original natural Urushi lacquer with hand forged iron hardware including the lock plates featuring Peonies and a door lock plate featuring a large radish...

Antique Japanese small Gigaku performance mask. Gigaku (literally meaning "skill music") is an earlier form of Japanese theatre that was brought over from Korea and China in 612. Gigaku reached a high point during the Nara Period and continued it's popularity until it was eventually replaced by Bugaku theatre. Traditionally performed outdoors at a temple, Gigaku masks were carved with exaggerated features in order for them to be seen by an audience seated at a distance...

Japanese lacquered gold and silver hira maki-e biwa shape box (kobako).

Japan, Edo period

Length 7,67 in – Width 3,14 in – Heigth 0,7 in

The biwa is a japanese short-necked fretted luth, often used in narrative storrytelling. The biwa is chosen instrument of Benten, goddess of music, eloquence and poetry.

Japanese Zenga scroll painting of a staff by the Zen master Nakahara Nantenbō (Toju Zenchu) (1839–1925). Born into the Shioda samurai clan in Saga Prefecture, Nantenbō lost his mother when he was 7 years old and was sent to Yukoji monastery to study as a novice when he was 11 where he became a monk of the the Rinzai sect of Zen Buddhism...

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved as geta (a wooden sandal) with gold, red and black lacquer decoration of flowers and leaves. Very nice carving, excellent detailing, pleasant patina. Length 11/16 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a shape of a gourd with leaf. Good design, green staining, natural imperfections in staghorn, overall in very good condition. Height 11/16 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a shape of abalone shell. Good design, natural imperfections in staghorn, stained green (actually resembling the color of large abalone shell from the Sea of Japan that contain edible animal), overall in very good condition. Length 13/16 inches.

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in ball shape with black body and numerous multicolored flower shaped inlays . Beautiful surface, very pleasant patina. Diameter 5/8 inches.

19th century glass ojime (slide bead for tightening the cord going from netsuke to inro) in barrel form with transparent bottle green body and off-white to pink design of cresting waves. Beautiful surface, very pleasant patina, large central hole. Height 3/4 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved in a form of a skull. Very nice work, pleasant patina, light staining, in great condition. Height 1/2 inches.

19th century staghorn ojime (slide bead for tightening the cord going from netsuke to inro) carved as a smooth clam shell. Good design, shunga connotation as almost inevitable with clam in Japanese art, nice patina on the surface, natural imperfections in staghorn, overall in very good condition. Length 13/16 inches.

Late Meiji (1890s to 1910s) netsuke of a standing fat baby boy wearing just a bib and holding a thick rope that serves as a collar for a puppy standing next to him. Excellent carving, great chubby face, superb depiction of his fat body and fingers. Nice flow to the rope with its twisted texture, expert use of black, orange and golden ink, beautiful wear and patina. Signed HOZAN on the bottom - the artist is listed in NETSUKE by Neil Davey (p. 470, number 741). Height 1 13/16 inches.

A Japanese boxwood okimono of a rat-catcher preparing the miso on a big bowl before catching the rat. Black horn eyes. Excellent quality and great patina. Jigaku signature under the base. During the Edo period, blind people were recruited to hunt rats. With their sensitivity and hearing, they were able to hunt small rodents. Meiji period late 19th century Sizes: 9 x 8,5 x 8,5 cm. Condition report: Good condition

A Japanese Imari dish decorated with the Three Friends of Winter, Shochikubai, Pine, Bamboo and Plum, surrounded by overlapping brocades. The back with an apocryphal Ming Chenghua reign mark. Arita, 18th ~ 19th century.

Approximately 20.3 cm diameter...

Antique Japanese bandori, peasant's woven back pad for carrying heavy loads. Woven of re purposed cotton cloth, this bandori is outfitted with shoulder straps and is folded on the bottom for extra padding. The back pad is made of cotton from two different textile: a brown striped cotton and light blue and white pattern on cotton. A bandori is made specially for the person carrying the load so it is beautifully unique in it's materials and construction...

Elegant gold gilt Meiji Period c.1900 Zen Buddhist Altar Inner Mirror meant to reflect the soul. Beautifully carved buddhist clouds and waves. Holds a bevelled round mirror. Back is thick black lacquer. Ecellant condition. 11" by 11". Ask for shipping quote from California warehouse.

Leather tobacco pouch (tabaco-ire), its lacquered wood pipe case decorated with a landscape and a pipe in wood, copper and silver. The pouch still contains tobacco.
Ojime in white and blue porcelain, decorated with a dragon.
Japan, Meiji period (1868-1912)

Pipe case : 8,3 in – 21 cm
Pipe : 7 in – 18 cm
Pouch: Height : 3,1in (8 cm) - Width : 5,1in (13cm)

Antique Japanese scroll painting of Buddha Amitābha also known simply as Amida Buddha and two Bodhisattva attendants: Sanzon Bosatsu (with both hands holding a lotus blossom) and Seishi Raigo Bosatsu (with hands in gassho adoration mudra). The central figure, Amida Nyorai stands with each foot on a lotus blossom, floating on swirling clouds as he descents. His hands are in vitarka mudra, also known as Raikō gesture of welcoming souls to Paradise (Jōdō or Sukhavati in Sanskrit)...

Antique Japanese taiko Buddhist temple drum. Made of keyaki (zelkova elm) wood. Painted with mitsu domoe design, the three comma motif also used as a popular family crest...

A charming and impressive model of tiger in bronze. Beautiful fineness and exquise details on its fur. Very fine patina. Signed “Morimasa” on its back. Dimension : 16 x 13.5 cm. Japan Edo (1603-1868) 19th century.

Fan-shaped kobako in lacquer. The kobako is decorated with autumn plants on sequined silver and gold. The inside and the circumference are in nashi-ji lacquer.

Kobako (“little boxes”) are often adorned with harmonious decors and sceneries inspired by Japanese fauna and flora. Japanese artists play with shapes and materials with accuracy and thoroughness akin to silverware.

Japan, Edo period (1603-1868)

Length 3.75 in (9,5 cm) – Height 1.6 in ...

Wooden netsuke, a dog carrying a collar and small bell, baring her teeth, protecting her puppy.
Signed Tomokazu ( 友一 ).

Japan, Meiji period (1868-1912)

Height : 1.3 inches (3,3 cm) - Length : 2 inches (5 cm) -Width : 1.2 inches (3 cm)

Attractive and lovely netsuke carved from ivory. A puppy lying on the carpet, with a decorated collar around its neck, and inlaid with brown horn in its eyes. Beautiful work of the fur. Length : 3,8 cm. Japan Edo (1603 - 1868) end of 18th, very early 19th century.

A pair Japanese porcelain plates decorated with a mountain hermitage and some roundels one containing a rabbit in the Ko-Kutani palette. Base with "fuku" mark, the rim with brown dressing and the underside with pine needles. Condition: fine, base with partial brownish stains and dull glaze. Dimension: diameter: 18.8 cm x 3 cm high.

A Minimalistic Hanging Scroll Painting by Okada Hanko Hanging scroll painting depicting a group of rocks. Ink on paper. Signed Hanko and two seals. Okada Hanko (1782-1846) a Nanga painter and Caligrapher. He was born in Osaka, the son and pupil of Okada Beisenjin. Like his father, he served for a period as a Confucian scholar to Lord Todo of Tsu; at the age of 43 he resigned and joined the circle of intellectuals in Osaka and started to study Chinese painting specialising in misty landscapes...

Pair of 1900's Japanese Mixed Metal Gold Komai Style Box with Geisha & Samurai Fighting Rooster

They are 1.25 inches (3.1 cm) tall by 3 inches (7.6 cm) long by 1.8 inches (4.5 cm) wide. Total weight is 403 gram.

They have rubbing of gold, cut marks at the bottom and bent at the base corners and inside the lid, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us...

Inrô with four compartments in fundame lacquer decorated with a pavilion near a river in a mountain landscape in hira maki-e, taka maki-e lacquer and kirigane.
The inside in nashi-ji gold lacquer.
INRO MANJU NON INCLUDED (SOLD)

Japan, Edo period (1615-1868)

Inrô : height 7,5 cm -3 in

Black and gold lacquer sageju-baco (picnic box) decorated with floral motifs in hiramaki-e. It includes a sake bottle, a four-compartment box with nashi-ji lacquer inside, a simple tray and a hollow tray. At the top, there is a bronze handle for transport.

The sageju-bako is divided into four superimposed boxes for food on the left; a simple tray, a sake bottle and a hollow tray on the right. They are in the shape of a plum blossom.
On the top, on both sides a phoenix. The ph...

Bronze vase with a dark brown patina in the shape of a trunk.
It bears a three characters signature underneath : 京翁斎 « made by an old man in Kyôto”.

Japan, Meiji period (1868-1912)
Height : 22 cm-Diameter : 14 cm

Pair of stamped brass stirrups decorated with Hashizuka, Ito and Manabe Mons.
Japan - Edo (1615-1868), 18th century.
Measures: Height 10.24in , length 12.6in, width 4.72in
As in Western culture, the culture Japanese stirrups were part of traditional accessories used only by the nobility and the people belonging to the upper class. The stirrups were made in the most precious metal, they were intended to indicate the social status of the owner.
They were used in...