A very rare early and finely decorated blue underglazed 3.5" porcelain container bearing the mark of Dohachi I, father of Japanese porcelain.

Condition: Excellent, no chips, hairlines or restoration. The pierced wooden lid, which appears to once have had a nob, has a chip to the underside.

White porcelain dish decorated with underglaze cobalt blue and colored enamels in the Kakiémon style. Japanese work from the end of the 17th century around 1700. It seems to be a creation of the Arita kilns rather than those of Kakiemon because the blue is underglaze. But the exceptional quality begs the question. We know of only one example of porcelain bearing an absolutely identical decoration, it is a small bowl housed in the Baur museum in Geneva. Underside typical Fuku mark...

Bowl with overglaze enamel ( polychrome ) decoration . Dehua ware, Fujian.Late Ming period. D : 3,2 inc. Very good condition !

Arita hard porcelain dish. The decoration is painted with stylized flowers in underglaze cobalt blue and enamelled with medallions. The edge is coated with a thick chocolate brown enamel, typical. Japanese work from the end of the 17th century or the beginning of the 18th. It is a rare artistic model. Below a mark drawn in blue and traces of pernettes. Good condition. Some enamel skids. Diameter 195mm.

Hard porcelain dish from the Arita kilns. Decor painted in cobalt blue underglaze high-fire. A couple of fallow deer are represented in an autumnal landscape. It would seem that the female is reluctant to fall mating because she is lying down while the male at her side rears up desperately to attract attention. In the background clouds (erotic symbol of the "game of clouds and rain") and a maple tree for autumn. On the right a weeping willow tree symbol of lovers...

Small namban style chest with a semi-cylindrical lid made of black lacquered wood (urushi) with gold lacquer (maki-e) and inlaid with mother-of-pearl (raden).
Mon style decoration (family emblem) of ginkos and chrysanthemums framed by friezes alternating three grooves and mother-of-pearl inlays...

The russet iron menpo depicts an older man's face with wrinkles and a long hair mustache (missing). The removable nose plate has small perforated holes for the insertion of horse hair for the mustache. The rivets are rendered in a plum blossom configuration, and the strap posts holder is in the form of petals and stems. The ears are pierced with plum blossoms. The yodare has four plates laced with blue, calico, and pale orange silk cords...

A fine late 17th century oval porcelain bowl molded in the form of a chrysanthemum. 6.375" x 5.5" x2", it is decorated sparingly in the Kakiemon palette. Ex-Christie's.

Condition: Excellent

 

A JAPANESE EXPORT DISH, LATE 17TH CENTURY.

This fine dish is decorated with designs taken from Ming Chinese Wanli 'Kraak' wares and came about as a result of a disruption of Chinese production during a period of unrest. Dutch traders who found their Chinese trade stopped resorted to ordering from Japanese makers. The Japanese versions of these Kraak style pieces are usually thicker than the very thin Chinese Kraak wares and this has ensured their survival in often pristine condition...

Extremely rare Sage jubako in wood covered with basketry applied with flowers and plants in lacquer, gesso, mother-of-pearl and pewter (or lead). The box is composed of several stacked parts. The interior is lacquered in red. In the top compartment there are two Chinese characters which are perhaps an artist's signature. Underneath one can see the weft of a strong lacquered fabric ensuring a good solidity...

Exceptional example of a very old Japanese bronze. This type of lacquered bronze of the best quality is extremely rare. We only know a handful. This is the Mule of Toba in cast bronze, lacquered in red and cream. The animal is represented lowering its head. His rider, Toba has disappeared. Note the elegance of the movement, the strength but also the humor that emerges from this sculpture, this is the unique work of a great sculptor...

Rare japanese urushi lacquer box of a calabash shape. Beautiful Hoteï sleeping on his bag on a black ground. Nashiji lacquer inside with two figthers. A rare border of checkerboard and mother of pearl inlays.

Two very rare Ko-imari rice bowls from the Genroku period. C. 1690-1710. These are just gorgeous, the bottoms are painted in the chevron pattern, and various geometrical patterns of roundels with honey comb patterns throughout. Two dragons adorn either side of each cup and each surrounded with colors of iron red and green enamels with gold gilt accents...

Cabinet in black lacquered wood. Decor of plants in gilding and mother-of-pearl inlay. The mounts are incised and gilded copper. Two doors conceal a series of drawers and a small door. The small handles of the drawers are in cast bronze as well as the handles. On the top is represented in mother-of-pearl Mount Fuji partly concealed by clouds. This type of lacquer called "Namban" was manufactured in Japan for export at the beginning of the 17th century, either at the end of Momoyama or at the ver...

The shallow dish with a roundel containing a very finely painted coiled dragon, Danryū mon, within a double circle. The cavetto is decorated with a stenciled trellis or Chinese lie-wen design against a pale ruri background. Within the foot-rim is found an apocryphal Chinese Ming Chenghua reign mark.

See Shibata vol II #612, for another example, dated to 1690-1710.

Approximately 17.4 cm diameter. In perfect condition.

Please study the photographs.

Within...

Well cast Japanese Edo period round-form bronze kagami (mirror) decorated in relief with a motif of cranes among pines. The perforated central boss, which is designed to hold a tassel, is in the form of a minogame (tortoise). Two cranes reach toward each other with their beaks to kiss the head of the tortoise. Marked "Tenka" (all under Heaven) at the lower right. This decorative motif has been attributed to the Momoyama period (16th/17th century). We are unsure of the specific dating, but a...

A Japanese hand forged iron tsuba. A tsuba is an important fitting on a samurai's sword to protect their hands from the blade and provide balance. This tsuba has cast motifs of a 5 petal flower and oblong hole. The tsuba is from the Myochin school (1573-1867).

Date: Edo Period (1603-1868)

Dimensions: 2.75" in diameter

Hard porcelain box from the Arita kilns decorated in the Imari style with stylized flowers and scrolls in underglaze cobalt blue and iron red. Gilded details. It is rare to find a box from this period in good condition. Japanese work from the Edo period, end of the 17th century. Diameter 15cm. Good condition.

Arita molded hard porcelain dish. This is one of the first productions for export which were made in small quantities around 1650. It was at this time that the ceramicists of Arita began to cover the edges of some of the porcelain with brown enamel, it is not a trivial gesture because the addition of this brown which is an overglaze enamel alone requires additional firing, which represented an additional cost and above all an additional risk of breakage. The spontaneity of these decorations, typ...

Rare porcelain dish decorated in cobalt blue underglaze. In the center the prestigious mark VOC (Vereenigde Oostindische Compagnie) of the Dutch East India Company. The decoration of flowers and birds in cartridges inspired by the Chinese style of the late Ming.This dish was created for a member of the powerful company. Japan Genroku period end of 17th century. Perfect condition. Diameter: 35 and 35,5cm.

Influenced by the Chinese Transitional porcelain this dish shows in the center a bridge with a farmer and two cows. On the back a single spur mark. Condition: fine, little wear, foot rim with a small loss (production flaw). Dimension: diameter: 21.3 cm, weight: 396 g. Without wooden stand.

An interesting, rare and early Arita crackle-glazed bottle, Japan, early to mid 17th century, heavily potted, with silvery bronze rim mount and attractive kintsugi gold lacquer repairs to the foot rim. 32 cms. A recent (mis-catalogued) purchase from the Robert Kime Collection pt. 2, La Gonette, France.

Japanese porcelain soup tureen whose shape is inspired by European goldsmith pieces. On the sides two heads of modeled Buddhist lions and on the lid a crown. Simple decor of phoenixes, flowers, plants and waves in the color palette of the Imari style. An old collector's label indicated that this tureen was part of the service of Augustus the Strong. Probably verifiable statement for motivated collectors. From memory, a Japanese porcelain sauce boat whose shape was also inspired by European gold...

A square shallow bowl in the form of a Japanese rice measure, masu, which was considered to be an auspicious form decorated to the exterior with two Dragons in different stances with two eight character poems with seals. Presumably the shape was intended as a play on the word, namasu, a term used to traditionally describe a serving of pickled vegetables and the related bowl. It could possibly have been used as a guinomi, sake cup, as the vessel when filled takes a similar quantity to square s...

An Ai-Kutani plate, Arita circa 1700. Decorated in underglaze blue with various molluscs amongst seaweed clad rocks. The back is plain with three spur marks within the foot-rim. Overall the glaze has a blue tinge.

Approximately 18.8 cm diameter. Perfect condition.

Please study the photographs.

Within the UK payment by bank transfer is preferred.

Customers resident in China must make arrangements to pay by International Bank Transfer in GBP, fees paid.

P...

Antique 17th century (circa 1650-1680) Japanese Arita porcelain ewer of oval form with a waisted neck and loop handles, painted in underglaze-blue with panels of peonies reserved on karakusa, the neck is with stylized peonies. The top of the handle has two holes whilst one is pierced and the other is not; the holes were made prior to the firing process of the porcelain at the request of European merchants importing Japanese porcelain for European markets because many of these types of ewer w...

A good example of an “Ai Kutani” style dish decorated with a continuous scrolling vine of Peony flowers with Peony leaves and Buds set against a “frog spawn” type ground, which is typical of the period; see Volume II of the Shibata Collection no 347 for an identical border arabesque there dated circa 1670-80. The reverse of the dish is decorated with a gently undulating vine arabesque incorporating auspicious gobenka, flowers with five petals – see no 344 from the same volume for a sim...

A Japanese Edo period 17 - 18th century Arita Imari Kakiemon blue and white and over glaze enamel large ewer / kendi. Good condition with crack lines at the body, please see picture for detail, size: 20.5 cm height.

An Ai Kakiemon dish decorated with a repeating pattern of Hosoge, flowers of Precious appearance, which in this case would appear to be representations of auspicious Pomegranate fruits constructed from Ruyi, Acanthus style leaves and other disparate elements. The ring of Hosoge pierced by a circlet binding them together with a gobenka motif in the centre. The reverse decorated with a lotus arabesque, karakusa, and a stylised fuku mark within a double square; a mark exclusively used by the Ka...

A fine and early museum quality complete set of five Ko-Imari, Kakiemon style cups or choko. Blue underglaze and green, red, aubergine, yellow and black overglaze enamel decoration of peonies and prunus blossoms in garden landscape with rockery and fence. Traces of rubbed gilt enameled highlights. The choko form saw many uses such as teabowls (also seen in early European ceramics after Japanese examples of the period), large sake cups, and mukozuke. We estimate from the delicate but sure potting...

This is an exquisite antique Japanese Imari porcelain jar and cover from the late 17th century, precisely from the Edo period, circa 1680-1700 AD. The jar is a testament to the unparalleled craftsmanship of the Japanese artisans of the time. The ovoid body of the jar is expertly decorated underglaze with peonies and chrysanthemums in iron red, cobalt blue, and gilt. The decoration seems to be growing out of rockwork, which adds an extra layer of depth and texture to the piece.

The neck of t...

The size of Chawan: 4 1/4" Dia x 2 1/4" High.
Measurement was taking from existing part
This is genuine Japanese Shoki Imari Excavated Chawan (Bowl).
It is dated from early Shoki Imari which dated back to 1630-50 maybe
little earlier. Shoki Imari did not have the process of making porcelain with bisque,
glazed then design painted. Porcelain making process skipped
bisque and glaze making, rather they put right into glazing and painting design done
in same time. Glaz...

An Arita Export porcelain plate in Dutch ‘Kraak’ style. A plate with the same border is illustrated in the Impey Collection “Japanese Export Porcelain, Catalogue of the collection of the Ashmolean Museum, Oxford. Hotei Publishing, Amsterdam, 2002”, item 12. The border pattern shows a striking similarity to that used for V.O.C. orders produced at the Hikeoba and Sarugawa kilns. Circa 1680.

Approximately 22 cm diameter. Perfect condition.

Please study the ...

Large Japanese porcelain dish, Arita kiln, compartmentalized decoration inspired by Chinese models from the end of the Ming dynasty. In the center a flowered basket and on the edge, cartouches containing flowers and emblems are boldly drawn in underglaze cobalt blue. The reverse left without decoration. The firing was perfect, the blue is bright, the glass is uniform. There is a big chip. Curiously this flake is covered with glassure which means that it was made between the first firing of the ...

Arita fine porcelain tea bowl, decorated with dragons and stylized flowers, painted in underglaze cobalt blue. Japanese work from the early 18th century, perhaps a little earlier. Good enamel quality, pretty deep blue, excellent firing. Well drawn. This type of bowl is rare. Below are 6 Chinese characters that we have not translated.The top edge is coated with brown iron oxide pigment. Good condition. Height: 95mm. We have a second.