A pair of art deco bronze early Showa Period Ca. 1930 hanging lanterns. 27cm tall x 20cm in diameter each. Great condition. Ask for shipping quote.

Old mask of the Noh traditional theater representing the character of Yamauba or Yamamba, with an emaciated face, dishevelled hair, and a sinister smile. The mask is made of wood, painted to ehance its features, and with brass eyes. The mask is signed. Japan, early 20th century. Height: 21 cm. Some abrasion due to age and wear, otherwise very good condition. The mask is nicely mounted on a custom stand...

Wooden lectern covered with black lacquer, decorated with Japanese seignorial emblems (Mon) with gold powder. The emblems are treated in three different versions, all three of excellent lacquer quality in a very elegant style. The lectern can be dismantled into 4 parts, the box, the drawer, the top and the axis, the elements are assembled using mercury-gilded copper frames, which are finely chiseled with scrolls of stylized plants on a nanako background...

A carved wood figure of a wandering priest, robes billowing in the wind, his large straw hat full of holes, signed Yasuchika on the back. Dating from the late Edo to Meiji period, it is by a member of the Tsuchiya Yasuchika lineage. The figure is 31 cm (12 inches) tall and in excellent condition, complete with walking stick.

Late Meiji (1890s - 1910s) Japanese ivory chashaku (tea scoop used for powdered tea during tea ceremony) of elegant slender shape. Comes in original chazutsu (inscribed bamboo case). Delicately carved, in great condition, beautiful patina, very pleasant to the touch. Chashaku length 7.25 inches, case length 9.25 inches.

Rich green glaze covers this elongated delicate undulating bottle from the Kosugi-yaki tradition of the Kaga region near modern day Kanazawa city. This bottle is roughly 20 cm (8 inches) tall and in excellent condition.
Kosugi ware is a type of pottery that was produced in Kosugi Town over four generations for about 80 years, from around the early Bunka era (1810-1820) to the Meiji 20s (around 1890)...

Crane. Painted with ink and pigments on silk. Signed Furunobu and sealed. It is attributed to Kano Furunobu.

Kano Furunobu was a painter from the middle of the Edo period. He is the fifth generation of the Kobiki-cho Kano family. He learned painting from his father. He succeeded his father as a painter for the shogunate. He is conferred a Hoin.

Some light marks, foxing, and light crease are present on the painting itself, otherwise the painting is in good condition with the age...

Japanese antique 15 ken (plates) jingasa hat for a ashigaru foot soldier. Made of iron with large rivets and edged with oxidized silver. Comes with a custom metal stand. The samurai class in feudal Japan, as well as their retainers and footsoldiers (ashigaru), used several types of jingasa made from iron, copper, wood, paper, bamboo, or leather.

Age: Edo Period (1603-1867)

Dimensions: 23" high (including stand) x 15 1/4" wide

Antique Japanese gosho ningyo doll. Called a "palace doll" as these were once given as gifts from the Emperor and Empress to young princes and princesses. These young baby dolls represent a hope for happiness and prosperity. Made of ceramic and painted with gofun (a paste made from fine itabo oyster shell powder). The gofun was applied in many layers before carving, shaping, polishing and finally painting the details on. This doll is painted with royal gold and purple robes...

Exceptional Meiji Period wood carving of Daikoku, one of the seven lucky gods, known as the god of abundance. He stands on two full rice caskets and carries a bulging bag of treasures and happiness. 22cm tall x 13cm wide x 9cm deep. Ask for shipping quote.

Dry lacquer mask of the traditional Gigaku Theater, finely carved and lacquered to depict an elderly man (old widower) with a long aquiline nose, full red lips forming a smile, elongated earlobes, and deeply carved wrinkles. The eyes and mouth are pierced. The back with a label inscribed inside deszcribing the mask and with the artist signature. Rich, dark patina. Height: 25 cm...

Pair of 19th Century Japanese Kutani Porcelain Vase with Immortal Figure Marked

They are 14.2 inches (36 cm) tall by 6 inches (15.2 cm) wide. Total weight is 8.7 Lb.

They have dark spots, skip glaze, excess clay at the bottom, rubbing of gold, and surface wears (as seen in the photos).

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A lovely chawan made of three separate excavated shards connected by lines of gold dating from the Kamakura to early Muromachi periods (13th to 14th centuries). It is 15.7 cm diameter, 7 cm tall and in excellent condition, enclosed in an old wooden box.

19th century netsuke of a Buddhist monk sawing off the horns of an oni (little mischievous demon) who is holding its hands in a praying attitude. The subject is Oni no Nembutsu - a demon who saw the light of Buddhist teachings and decided to become pious. Wonderful faces, great detailing, beautiful patina, very pleasant yellowing to the surface. Signed SHOKYUSAI on the bottom - the artist is listed on p. 969 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick...

This is a beautiful early Japanese satsuma vase. It is made in the style and quality of mercury/gold fired Meizan pieces, except it stands 18 inches tall. It also features a basket weave design and extensive enamel work. It's unsigned and a very heavy piece. The bottom edge is rough so a stand or protection will be needed to keep it from scratching surfaces. This rare piece belongs in a museum.

This is a very attractive and richly decorated Japanese cloisonne vase. At fist glance one would think it was made by Namikawa Yasuyuki because of the mottled colors and glow to the enamel. There are both silver and gold wires used in the designs. It is not signed but it is so similar to a Namikawa piece that we believe it was made by Shibata, his student. It stands 6 inches tall and is quite heavy because of the thick enamel. The vase may have had a lid at one time but I can't say for certain....

Mid- 19th century netsuke depicting Kokusempu Riki (Li Kui in Chinese) - one of the Suikoden heroes - holding a huge axe. Loosely based on historical events, the Chinese book called Shui-Hu-Chuan (Suikoden in Japanese, The Water Margin in English) it tells the story of a group of 108 rebels living at the edge of Liangshan Marsh who helped to protect the poor and oppressed. Kokusempu Riki (Li Kui in Chinese) was a priest, who was expelled from the Hakuryojin Temple. Excellent carving, wonderful f...

Small furoshiki, made of hand spun cotton and vegetable indigo dye. It has tsutsugaki auspicious motifs, "Sho-Chiku- Bai", the pine tree, the bamboo and the plum bloom. In excellent condition. Late 19th early 20th century. W:69cm, L:77cm

Zabuton, a floor cushion made of hand-spun cotton and vegetable indigo dye. One side has kasuri pattern. It has four layers of cloth and sashiko (quilting) with white cotton yarn. Generally, in good condition but has wear or breaks in hems. Early 20th century. W:58cm, L:59cm.

Unusual Pottery sweets dish in soft green glaze by the 11th generation head of the Raku Family Keinyu, enclosed in the original signed wooden box titled Chagata Kobachi. Covered in crackled pale green glaze, it is 11.5 cm diameter, 8 cm tall and in excellent condition.
The 11th generation head of the Raku family, Keinyu, was born a second son of Ogawa Naohachi, a sake brewer from Tanba, the present Kameoka city in Kyoto, he was adopted in the Raku family as Tannyû's son-in-law, assuming...

Exceptional tripod censer in hard porcelain with a polylobed shape. The censer in the shape of a flattened melon with twelve slices, each decorated with a dragon painted on top in green, manganese and yellow enamels. Below Makuzu Kozan has chiseled his signature in relief which is very important, in fact it is much more complicated to chisel in relief than in hollow. In hollow all it takes is one pass of the tool to trace the characters while in relief you have to lower all the material around t...

Early to mid- 19th century netsuke representing nio (one of the Buddhist Guardian Kings) sitting on a huge old straw sandal and mending it with a rope. Excellent carving, beautifully stained, wonderful wear and patina. Signed TOMOCHIKA in oval reserve on the bottom - the artist is Tomochika the First as discussed on p. 1148 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Height 1.2 inches.

Height: 11.6 cm (4.7 in)
Width: 7.5 cm (3 in)

Japanese Satsuma vase shows two main polychrome panels of families in rural and domestic settings; all surrounded by profuse and very detailed gilt diaper work; signed on the base, Gyokuzan; good condition

This antique Japanese large flying dragon shrine corbel is a stunning piece of art that is sure to impress. The sculpture is made from one solid block of Keyaki (Zelkova) wood depicting a dragon that appears to abruptly change course in mid-air. The body has dramatic features that visually flow with this sculpture, making it a true masterpiece. The custom iron stand cradles the carving giving the appearance of floating in the air, adding to its allure.

Being a rare find, it would make a...

Antique Japanese uma-jirushi, flag standard for battle. This uma-jirushi is in the shape of a large war sensu (folding war fan). Made of gold and black lacquered paper and lacquered wood. The front and back with round circle motif in alternating gold on black on one side and black on gold on the other. Mounted on a metal stand.

Age: Edo Period (18th century)

Dimensions: 51" high x 25" wide

Large landscape/sansui painting depicted Mt. Fuji and mountain village. Painted with ink and pigments on silk. Signed setsuzan and sealed. It is attributed to Nagashio Setsuzan.

Nagashio Setsuzan(1774-1833) was a Kyoto born painter of the late Edo period(1603-1868). He became a private painter for the Mori clan of the Tokugawa shogunate in Izumo (Shimane Prefecture), and created paintings based on the Kano school.

Some marks, severe crease, damage, foxing, fabric peeling off, and t...

Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period. Jurōjin...

HAIL LOTUS SUTRA

Edo period, Japan. H 13.5 cm (5.31in).

Aged wooden 'Butsugu' as a gold-foiled Buddhist altar equipment, similar to a presence like 'ikon' (Western religious painting on panel) of traditional Japanese Buddhist art piece. The seven kanji characters written in Indian ink pronounced as "Na-m-myo-ho-ren-ge-kyo" as a whole mean "I devote myself (embrace) to the teachings of the Lotus Sutra.". Aged deterioration as is as seen.

Antique Japanese jingasa (samurai war hat). Carved of wood and lacquered black with many raised plates and upturned rim. This shape of bajo-jingasa was developed to be worn by warriors on horseback. The underside is lacquered black and his metal eyelets intended for cord. Age Edo Age - 19th century

Dimensions: 6 1/2" high x 16 1/4" long x 12 3/8" wide

Antique Japanese tall bronze vase in the form of a section of a cherry tree trunk. The tree has been pruned and it's new growth is just starting to blossom. 5 bats flit around the trunk. Details like the texture of the cherry tree bark, the faces and fur of the little bats add a life-like feel to the scene. Made for use with dry branches or an insert for water (not included).

Age: Meiji Period (1868-1912)

Dimensions: 13 3/4" high x 6" wide

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with colored and gold lacquer decoration of a bird in flight against a crescent moon among stylized clouds. Beautifully made out of dense wood allowing for fine teeth, very good lacquering, wonderful work in Japanese taste, wear and loss as can be seen on photos. Length 4.05 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of a leafy vine, design continuing on the other side. Beautifully made out of dense wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, some wear as can be seen on photos. Length 4.2 inches.

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with gold lacquer decoration of grasses among vaporous golden clouds, design continuing over the ridge onto the other side. Beautifully made, excellent lacquering, wonderful work in Japanese taste, some wear and insect damage as can be seen on photos. Length 2.77 inches.

Late Meiji period (1890s 1912) Japanese pressed buffalo horn kushi (hair comb) with embedded design of metal and mother of pearl flowers. Very well made, wonderful work in Japanese taste, in great condition. Signed YOSAI. Length 3.86 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of a scholarly landscape with trees, torii gate, scholar’’s hut and a bay with distant hills, design continuing on the back. Very well made, beautiful lacquering, wonderful work in Japanese taste, in great condition. Length 3.74 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold and brown lacquer decoration of blooming chrysanthemums, design continuing on the back. Beautifully made, excellent lacquering, wonderful work in Japanese taste, in great condition. Length 5.3 inches.