Pair of Japanese Hirado blue and white octagonal saucer plates, thinly potted, and decorated in under glaze blue with "lange Lijzen" and flower pots in Kangxi style. Late Edo, c 1850. Marks: Zoshuntei, Sampo sei (cf. mark 96 in Lawrence, Hirado: Prince of porcelains). Diameter"5 ¼/ 13,5 cm. Condition: two chips restuck to one plate at four o'clock as shown in the first photo.

An octagonal beaker and saucer plate, thinly potted and decorated in under glaze blue with "lange Lijzen" and flower pots in Kangxi style. Late Edo, c 1850. Marks: Zoshuntei, Sampo sei (cf. mark 96 in Lawrence, Hirado: Prince of porcelains). Height of beaker "2¾/ 7 cm and diameter "3½/ 9 cm. Diameter of saucer "5¼/ 13,5 cm. Condition: fine.

Early 1900 Japanese silk fukusa featuring a turtle and a crane. Techniques used to create this wonderful fukusa are sumi-e hand painting, yuzen resist dying, some embroidery, and gold foil couching. On the reverse is red rinzu silk with crane and mons motif. Two original tassels are still intact at the bottom. There is a small cluster of tiny gray spots by the crane, see last photo. Otherwise, in very good condition/excellent, it measures 25” wide x 27” high.

This is a Japanese fukusa, a gift cover with the design of the “Eight Views of Omi”. In the beginning of the 16th century, eight scenic spots in Omi (Shiga, Japan) were selected by closely following the Chinese “The Eight Views of the Xiao and Xiang Rivers”...

A nicely enameled early 19th century Imari charger measuring 18".

Condition: Fine, no chips, hairlines or repairs.

Over a jet black ground, a single butterfly flutters among clusters of chrysanthemums on this unsigned 3.625" silver wired vase. The upper rim is of brass, the bottom copper.

Condition: Minimal pitting, no hairlines or repairs.

A pair of lacquered iron abumi (Japanese stirrups) decorated in fine gold and nashiji (pear skin) lacquer on a roiro urushi, black lacquer ground. Each carries a Tokugawa aoi crest (three hollyhock leaves in a circle) within scrolling leaf background, the bottom constructed with wood pieces within an iron frame which made it lighter, thus gave a better control. Edo period (17th/18th century).  9" high, 5 1/4" wide.

This lovely late 19th C Ko Kutani bijin is holding two opened fans with a flower on her head. Exquisite features and detailing, this already highly collectible Ko Kutani figure is even more special because the flower also serves as a candle holder. In very good condition, she measures 11" or 27.9 cm high.

Wonderful pair of Kutani ware porcelain rabbits, one is white and one is light brown, both with areas of gold in which each hair has been painted, pink eyes and inside of ears, the light brown rabbit has it's mouth open and displays a row of tiny teeth and a red tongue, great detail and attention to modeling , Meiji Period (1868-1912). Size: 5 1/2" high x 7 1/2" wide x 6 1/2" deep.

A spectacular Meiji Period Satsuma vase by Kinzan I. In 2001, the Kinzan kiln was designated a National treasure by the Japanese government. The Kinzan kiln pioneered and developed unique gilding techniques, such as underglaze gold leaf. This rare vase is a wonderful example of Kinzan's mastery. Height: 10.5 inches (27cm), circumference: 21.75 inches ((55cm).

This is a "kataginu" (shoulder cloth), only the upper vest of kamishimo without trousers. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai's formal attire when they attended official meetings at the Edo castle. It was worn over a kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occasions...

Edo Period Japanese woodblock print by Toyokuni III (also known as Kunisada) depicting a half-length portrait of an actor portraying a samurai. This is one of a number of half-length portraits of actors designed by Kunisada in 1852. Signed at the right "Toyokuni ga" (in a red cartouche with yellow snow) with the seal of the publisher Yamazakiya Seishichi below. Fresh color and nice impression quality with fine delineation of the hair and lacquer highlights...

A very rare 17th century model of an actor, 14" in height. Over a blue underglaze, it is enameled in black, iron-red, green and blue, the red and white robe nicely decorated in a pattern of thistles

Provenance: Christie's Lot 341, March 1987

Condition: Minor wear and a few rough spots. Detailed photographs will be provided upon request to one seriously interested in the piece. detailed photograph will be A slight rough spot

Enameled on this unsigned 3.75" silver bodied vase are a pair of snowy egrets, bamboo and a single butterfly.

Condition: There is a stable discoloration behind the bamboo, illustrated in the second photograph, also a hairline shown in the second photograph.

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

This is “kataginu” (shoulder cloth), only the upper vest of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx...

An early 19th century Imari charger or shallow bowl measuring 18" x 2.5"

The piece is signed on the bottom and is in excellent condition.

Japanese Edo period woodblock print from a small series featuring bust portraits of actors portraying two opposite charactors in old and current plays set against calligraphy by Toyokuni III (also known as Kunisada) collaborating with Torii Kiyomitsu II (1788-1868) dated 1852. The lower right corner bears the signature cartouches of both artists, censor and date seals, and the seal of the publisher Joshuya Juzo. The paper measures 14 3/4"V x 9 7/8"H...

Wood Carved Netsuke Shoki & Oni Signed, 19th Century

It is 2.75 inches (7 cm) tall by 1 inch (2.5 cm) wide.

It is in good condition with no repairs, cracks, or chips, except rubbing of paint (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting actors portraying a scene from the kabuki theater. Published by Yamazakiya Seishichi in 1855. Each panel bears the signature "Toyokuni ga" in a red cartouche with yellow snow, a publisher's seal, date seal, and censor's seal (see enlargement 5). Each panel measures about 14 1/2"V x 9 3/4" - 10"H. Very good overall condition with margins...

The only differences between this matching pair of Japanese woman's hair combs are the very slight details in the hand-painted design and the size and spacing of the tines. The finely detailed lacquer design was painted in 3 shades of gold. Unfortunately the minute details, flower petals and tree knots are hard to see in the photos.

Edo Period Japanese woodblock print triptych by Kunisada II (1823-1880) titled "Moon" from the series "Snow, Moon and Flowers" published by Yamamotoya Heikichi in 1852. Each panel bears the signature "Kunisada ga", a publisher's seal, date and censor's seals (see enlargement 7). Each panel measures nearly 14 1/4"V x 9 7/8"H...

A very rare well-potted and painted 8.25" Ko-Imari model of a standing boy reaching into an urn. The boy's face is painted with black hair and features a gilt head band. Both his robe and the urn are painted in blue, orange and iron red.

Condition: Excellent, with no chips, hairlines or repairs.

An exquisitely detailed 5" silver wired scenic cabinet vase decorated with four panels, each representing a different bird - a white egret in a stream, a sparrow and bamboo, a hawk perched on a pine tree, and a finch on a flowering branch. Highly polished, the workmanship is exceptional. The throat and base are gilded, the rims silver. It is marked on the bottom rim within a reserve "SILVER". Condition: Excellent, with no chips, hairlines or repairs.

Japanese woodblock print depicting an actor portraying a seated samurai. The image is signed at the left side "Ichiyusai Kuniyoshi ga" (1797-1861). The red Yoshi Kiri seal is beneath the signature. The print was published by Ibaya Senzaburo between 1847-1848. The paper measures 14 1/2"V x 9 7/8"H. It is most likely a panel from a triptych. Very good overall condition with excellent color. The print is not backed. No tape or tape stains. There are a few tiny pin holes and a very small loss t...

Japanese woodblock print titled "Poem #68" from an untitled set of women compared to the one hundred poets by Toyokuni III (also known as Kunisada). Signed "Kochoro Kunisada ga" at the lower right. This series was published by Sanoya Kihei (Kikakudo) circa 1844-1848. The print depicts a beauty in a kimono kneeling and holding a lacquer tray of snacks. Above her is a book-form cartouche containing the poet with whom she is being compared. Floating in the background are three blue decorative flow...

Edo Period Japanese woodblock print triptych by Kunisada (also known as Toyokuni III) depicting an actor portraying a samurai sitting on a veranda overlooking a garden with a beauty in the center panel. Published by Joshuya Kinzo prior to 1842. Each panel bears the signature "Gototei Kunisada ga", a publisher's seal, and the kiwame censor's seal used from 1790-1842 (see enlargement 5). Each panel measures about 14 1/2"V x 9 1/2"H. Very good overall condition. The triptych is not backed and the b...

A pair of exceptional and extremely rare dramatic antique 17th century Japanese bronze lanterns from a prominent Tokugawa temple courtyard. Each lantern is made of 10 individual cast bronze sections. Heavenly creatures and symbology are abundant and include: fu-dogs, apsaras (Heavenly People & Celestial Beings).
Apsaras a symbol of beauty, good fortune, fertility, heaven. A feminine shape-shifting spirits of the waters and clouds. They were created to pleasure heroes and the gods. A...

A trio of silver wired cloisonne red crowned cranes flies through goldstone clouds on the shoulder of this 4.5" emerald green basse-taille cloisonne vase. Splashing waves are incised in the silver body, the mark of Kumeno Teitaro is impressed on the base.

Condition: Quite fine, with no chips, hairlines or repairs.

Lovely antique Japanese 4-panel gold leaf screen painting with scene of 3 geese in grasses by water's edge. Beautifully hand painted with fine detail in mineral colors on ground gold leaf paneling. Overall very good condition.

Late Taisho - Early Showa age C. 20th Century

Size: 43" high x 88" long

Wonderful antique Japanese tea ceremony tray to serve sweets. Meiji Period c.1890 made of persimmons wood with rich patina and undulating edges. Inscripted on the tray in flowing japanese characters are the kanji reading 'sei ogi-zo' meaning realized sage and the maker's signature which we can't read. Excellent condition. c.1890. (15" x 7") (38cm x 18cm). EMS Shipping/Insurance to USA or Western Europe $35.

Lac Burgaute Lacquer Pearl Snuff Bottle with Chrysanthemum, Meiji Period (1868-1912)

It is 2.5 inches (6.5 cm) tall by 2 inches (5 cm) wide.

It is in good condition with no repairs, chips, or cracks, except missing inlaid.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is retur...

Beautiful antique Japanese knarled root made of cherry wood. Used in the tea ceremony for bamboo basket or vase ikebana display. Late Meiji Period c.1895 with rich patina and fabulous asymetrical flow. Excellent condition with very tiny minor original wood splits on surface but these nicely add rather than detract. c.1895. (20" x 18" x 15") (50cm x 46cm x 38cm). EMS Shipping/Insurance to USA or Western Europe $200.

Japanese Edo period woodblock print by Toyokuni III (also known as Kunisada) depicting the actor Iwai Hanshirô VII in the role of Koman from the series "Actors at the Fifty-three Stations of the Tokaido." This image is Station 48: "Seki" published by Sumiyoshiya Masagoro in 1852/3. Very good color and impression quality, with fine delineation of the hair not apparent in the images. The date and censor's seals, carver's seal, and signature of "Toyokuni ga" (in a red cartouche with yellow snow) ...

“Kinokuni Hill and Distant View of Akasaka Tameike” from the series “One Hundred Views of Famous Places of Edo” by Ando Hiroshige (1797-1858) dated 9/1857. The print depicts the forward guards of a daimyo procession with the houses of Akasaka district in the background. The print measures 13 5/8”V x 9 3/8”H (image: 13 ¼”V x 8 5/8”H). Signed within a red cartouche at the left. The title and subtitle cartouches are at the upper right. The seal of the publisher Uoya Eikichi is...

This is a beautifully detailed Japanese lacquer screen with exceptional quality Maki-e work used to highlight the details. The front depicts a landscape shore scene, complete with a crab stretching upward, a monkey after the fruit in the tree, and the makers signature. The rear has 3 cranes in flight.

Excellent condition, no loses. 7 inches high and 9.5 wide including the stand.