Antique Japanese doll, a head of a samurai festival ningyo(doll), rare find; dashi (festival float) ningyo or Kiku festival doll. The measurement of this featured head (used for Dashi float or kiku ningyo festival) is approx. 15 inches (38 cm) long from the top to the bottom (stick included), life slightly larger than life size and light in weight, inside wood is carved out. Most of the weight is within the bottom pole...

This folk weaving loom for straw mats, ropes, and the like, was a common feature in rural Japanese homes. Made of heavy keyaki wood frame and base, this "mushirobata oriki" also has a roughly hewn top crosspiece with a natural curve. H. 131cm(51.5") x W. 147cm(58") x D.(base) 46cm(18"). Late Edo to Early Meiji Era.

Indigo dyed cotton wrapping cloth, furoshiki, from late Meiji Era. The family crest stencil dyed (katazome) into the corner is "anzu-botan" (apricot-peony). L.133cm (52.25") x W.130cm (51").

Furoshiki, wrapping cloth, of indigo dyed (aizome) cotton. Two corners display a "kiri" (paulownia) crest, and there is karakusa scrolling around the entire border, stenciled dyed (katazome.) Ca. late Meiji Era (1868-1912). L.142cm (56") x W.132cm (52").

Imari ware soba choko (soba noodle dipping cup) from the mid-late Edo period (1600-1868.) Porcelain with underglaze cobalt blue painting of "takenoko" bamboo shoot pattern. H.5.5cm(2.17") x Dia.7.5cm(2.95"). A crack in the rim has been repaired using synthetic gold and lacquer. Soba choko were originally used for small morsels of food much like the mukozuke is used in today's Japanese place setting...

The Zuishin dolls are a part of the Hina Ningyo doll set for Hina Matsuri, the Girl’s Day Festival in Japan. Though they are commonly called Daijin minister dolls, they are the figures of Toneri, the imperial guardsmen and escorts from the Heian period (794-1185).

It was said that the Zuishin dolls were already seen (created and added to the Imperial Hina couple) in Kyoto during the Meiwa era (1764-1772) while the musician dolls were created in Edo (current Tokyo) at the same time...

This is an ANTIQUE CARVED CAMEO from a Maryland Estate. Depiction of 2 Lovebirds at a Birdbath. Ca. 1900 with size of 2" X 3" approximately. Set in Yellow Gold Filled Mounting. Outstanding piece

Imari ware porcelain soba choko with underglaze cobalt blue pattern of "azami" (thistle.) Mid-late Edo Period (1600-1868.) H.6cm (2.3") Dia.7cm (2.6"). A playful rendering of a thistle adorns both sides of this soba choko, with bands around the bottom of the cup. Some minor glaze crazing and cracks, but overall fine condition. Soba choko were initially used for small food items, much like mukozuke or ko-zara are used in today's presentation of Japanese cuisine...

Japanese Meiji Period woodblock print of a BIJIN by Chikanobu. Dated Meiji 29, or 1897. Fine color and impression. The print measures 9 3/4" wide by 14 5/8" tall.

Small shrine with double hinged doors. Inside three sculptures of a female in dancing pose, holding an open fan and two males, sitting in front of the female. The old man at the left hand side holds bells in his right hand, in his left he held something that is missing today. The man on the right hand side held something in his right hand, now missing. Judging the faces they could be Daikoku, Ebisu and Benten. Three figures elaborately carved in plain wood, their bases decorated in color...

Wooden sculpture of Shichimen Daimyojin in sitting pose, one leg crossed over the other. She sits on the summit of mount Shichimen, her shoes by her side, holding a golden jewel in her left hand and another object, likely a key that is now missing. On the back in red lacquer an donation inscription with the date of Tenpo 7 (1836). Polychrome decorated wood with finish for protection of pigments, gilt metal crown, glass or crystal eyes. Japan, late Edo period...

Miyanaga Tozan Studio Celadon Monk with Tiger, Meiji Period (1868-1912)

He is 5.75 inches (14.5cm) tall by 8 inches (20.3cm) wide.

It is in good condition with no repairs, or chips, except hairline cracks at the base (as seen in the photos).

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Eggshell bowl, saucer and Kakiemon-style decorated cover, artist’s name in overglaze red. Extremely thin, Arita, c 1840-70. Diam. of cover: 3 1/2" / 9 cm, height of bowl: 2 1/4" / 6 cm. Condition: chips to rim of saucer.

Very small scroll painting for in the back of a house shrine. Sumie. Daruma standing on a reed stalk crossing the river Yangtse. In the upper part a commentary or a poem. Black ink on silk. Red seal to the left...

Kanban with identical inscription on both sides: goko (five scents), a general, government licensed medication against all kinds of ailments. Middle brown wood with carved inscription, painted brown, gold and red. Forged iron handle on top.
Height with handle 22 5/8 in...

Kanban with the inscription Inari taiji goyo (great Inari shrine, your order). The sign may refer to a shop at the shrine grounds, selling things to be offered at the shrine or souvenirs, or to a shop that specifically make devotional objects to the order of this particular Inari shrine. Attached to a black patinated wooden board are a bell and rope and two small objects, covered in gold brocade. Forged iron handle at top.
Measurements: height at left 38 ½ in., height at right 38 ¼ in.; wi...

Tall zushi with wooden sculpture of Yakushi Nyorai standing on a high, double lotus base. In his left hand he holds a medicine jar, while his right hand is raised in mudra. Very simple, country style carving. Lotus base very well carved in wood, covered with gold lacquer. Figure is plain wood covered with soot patina. Names of the donors written in ink on the bottom of the case. Date unreadable. Edo period, mid 17th century, possibly earlier. Height of case 25 3/4 in. (65.8 cm). Figure in good c...

Very rare. Simple wooden zushi with a figure of Fudo Myoo sitting on a high rock before a flaming halo. In his right hand he holds a sword, in his left a rope.
On lower levels of the rock formation sits Seitaka doji, holding his scarf in his left hand and a (now missing) club in his right, and stands Kongara doji, holding a lotus flower in his hands.

Light brown CLAY, hand modeled (not molded!), fired at low temperature, painted dark brown. Back of halo engraved with name of temple an...