Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with colored and gold lacquer decoration of a bird in flight against a crescent moon among stylized clouds. Beautifully made out of dense wood allowing for fine teeth, very good lacquering, wonderful work in Japanese taste, wear and loss as can be seen on photos. Length 4.05 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of a leafy vine, design continuing on the other side. Beautifully made out of dense wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, some wear as can be seen on photos. Length 4.2 inches.

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with gold lacquer decoration of grasses among vaporous golden clouds, design continuing over the ridge onto the other side. Beautifully made, excellent lacquering, wonderful work in Japanese taste, some wear and insect damage as can be seen on photos. Length 2.77 inches.

Late Meiji period (1890s 1912) Japanese pressed buffalo horn kushi (hair comb) with embedded design of metal and mother of pearl flowers. Very well made, wonderful work in Japanese taste, in great condition. Signed YOSAI. Length 3.86 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of a scholarly landscape with trees, torii gate, scholar’’s hut and a bay with distant hills, design continuing on the back. Very well made, beautiful lacquering, wonderful work in Japanese taste, in great condition. Length 3.74 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold and brown lacquer decoration of blooming chrysanthemums, design continuing on the back. Beautifully made, excellent lacquering, wonderful work in Japanese taste, in great condition. Length 5.3 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with black and gold lacquer decoration of pine saplings and flowering prunus branches, design continuing onto the back. Nice pairing of the two out of the Three (third being bamboo) Friends of Winter. Beautifully made out of wood with dense texture allowing for very fine teeth, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 4.85 inches.

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with gold and silver lacquer decoration of low flower plants among vaporous golden clouds, design continuing over the ridge onto the other side. Exceptionally well made, excellent lacquering, wonderful work in Japanese taste, some wear and insect damage as can be seen on photos. Length 3.43 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of narrow theatrical masks on one side and flowers with buds and leaves on the other. Beautifully made out of wood with dense texture allowing for very fine teeth, excellent lacquering, wonderful work in Japanese taste. Length 3.27 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with carved and gold lacquered decoration of a drum in garden settings among flowers. Superbly made, crisp carving, excellent lacquering with various colors, wonderful work in Japanese taste, in great condition. Length 3.37 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) encased in silver sheath with gold and shakudo inlays representing beans thrown during setsubun ceremony performed at the New Year around the house to exorcise the oni (demons). Superbly made, crisp detailing, wonderful work in Japanese taste, in great condition. Length 3.39 inches.

Late Meiji period (1890s to 1912) Japanese lacquered wood set of kushi (hair comb) and kogai (hair pin) with colored and gold lacquer decoration of a carp swimming in a stream among water lillies. Beautifully made out of dense wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, loss to part of lacquer on the fish of the comb, otherwise in excellent condition. Kogai length 5.56 inches, comb length 3.46 inches.

Important 'Omizutori' festival lacquer plate from the late Meiji Period. Omizutori (お水取り), or the annual, sacred water-drawing festival, is a Japanese Buddhist festival that takes place in the Nigatsu-dō of Tōdai-ji, Nara, Japan. This ceremony is to cleanse the people of their sins as well as to usher in the spring of the new year. Once the Omizutori is completed, the cherry blossoms have started blooming and spring has arrived...

DOROMENKO

Primitive Japanese earthen toy for children called 'Doromenko' (lit. 'Mud face') including rare motif like ghost, fox, fish, etc., 19th century, approx. 3-3.5 cm (1.18-1.37in)...

1900's Japanese Iron Mixed Metal Miniature Box by Komai Otojiro

It is 0.78 inches (2 cm) tall by 1.2 inches (3.1 cm) long and 1.6 inches (4.1 cm) wide. It is 54.6 gram.

It has tarnished, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

Urushi sakazuki (sake cup) made of wood and painted with black urushi. It has hand-painted sculp with red urushi which is for a charm against evil spirits and used in a temple or a shrine. It is from Akita prefecture in Tohoku. Late Edo period (The first half of the 19th century). In good condition. H:3.5cm, Diameter:10.3cm

Kano School painting depicted Inkwash landscape/Suiboku Sansui. Painted with ink on paper. Signed Naonobu and sealed. It is attributed to Kano Naonobu.

Kanō Naonobu (1607–1650) was a Japanese painter of the Kanō school of painting during the early Edo period...

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi. It is in perfect antique condition and comes with its original wooden box, a cloth bag (shifuku) and the attestation of a tea master inside.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides...

Bronze okimono depicting the study of a powerful tiger in a furtive position. The animal is represented with its legs bent, its tail curled upwards and its body in a lowered position just before launching the attack. The streaks of the fur, typical of the animal, are depicted in a masterful way and highlighted with a marked engraving. This okimono is signed Hideyoshi 秀義 under the belly. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 10 x 36 x 9 cm....

Okimono expertly carved from a single block of ivory depicting a hunter in the company of an Onagadori rooster. A child stands at the hunter's feet while he strokes the rooster's feathers. This okimono features the Yukiharu 之晴 signature in relief under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

Hotei, one of the seven lucky gods. Painted with ink on paper. Signed and sealed. It is accompanied by an inscripton authenticating the painting that it is painted by Okamoto Hansuke. It is attributed to Okamoto Hansuke(1575-1657).

Okamoto Hansuke(1575-1657) was a military tactician and calligrapher of the early Edo period. His original surname was Ishigami, and he later inherited the Okamoto clan. He is well known by his given name, Nobunari, and his common name, Hansuke...

A set of three hanging scroll paintings finely depicted auspicious motifs such as rising sun and old pine tree, jurojin with divine deer and a sacred scroll, as well as a flock of crow rest in the winter old tree that reminds of the zen like scenery. Painted with ink and pigments on silk. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74)...

Kano school painting depicted a white heron rests on the willow tree. Painted with ink and pigments on silk. Sealed. It is inscribed the name Kano Motonobu on the side of the scroll.

The condition is reasonable due to its great age, with some marks, crease, damage are present on the painting and scroll mounting due to its great age...

Height: 18.6 cm (7.5 in)
Width: 9 cm (3.6 in)

Fine quality Japanese cloisonne vase depicting birds amongst wisteria; fine gold and silver wire-work throughout with excellent enamel shading; attributed to Hayashi Kodenji; fine diaper enamel patination below and above the rims; excellent condition; email for more pictures

Spectacular 'wagumi' japanese free flowing style bamboo flower basket with root handle. Undulating rim and mixed warp and weft weave. Unsigned. 55cm tall x 30cm in diameter. No breaks and sturdy handle attachments. Very good condition. Ask for shipping quote.

Woodblock print, Ukiyoe, the original picture is painted by the third generation of Utagawa Toyokuni (Utagawa Kunisada, 1786～1865）The place is Nihon-bashi in Edo, the first stage of the "Tokaido Fifty-Three Stages". The man is a "katsuo-uri", bonito fish vender. In good condition. Mid 19th century. W:25cm, L:37cm

Auspicious painting depicted Jyuseki, Bamboo, and Reishi sacred mushroom. Painted with ink and pigments on silk. Signed Shuseki and sealed. It is dated as in 1922.

Juseki is an abbreviation for landscape stone, which means a stone that is a scaled-down version of the natural scenery, a stone that resembles a certain shape, or an abstract stone that evokes intimacy and an elegant imagination that is difficult to describe...

Japanese Nippon Coralene Porcelain Vase with Flower Marked

It is 11.65 inches (29.6 cm) tall by 7.3 inches (18.6 cm) wide. It is 4.3 Lb.

It has rubbing gold, dark spots, missing beads, surface wears and scratches ( as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is ...

19th Century Japanese Wood Carved Netsuke Figure

It is 2.2 inches (5.7 cm) tall by 1.1 inches (2.8 cm) wide. It is 8.8 gram.

It has repairs at the foot, surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is return the item to us within 10 ...

The size of Ko Imari Dish: 7 1/4" Long x 4 1/4" W x 1 3/16" H
185 mm x 110 mm x 30 mm.
This is very attractive Ko Imari Dish from Mid 18th century, Kanen to early Horeki period. 1750’s.
The plate has the design of Japanese Princess (Hime). She is dressed with 12 Hitoes Kimono.
A junihitoe is a twelve-layered kimono worn by noblewomen during the Heian Era.
The workmanship of polychrome design are elaborately decorated with
green, gold and black. She wear the design ...

A Japanese Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorned with graceful butterflies, creating a harmonious blend of nature and craftsmanship. This bowl is signed Juzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 8 cm. State of conservation: Very good

Cloisonné potiche with a hexagonal shape, embellished with delicate floral decorations on reserves held by silver threads with geometric motifs. The lid features a spherical socket. Origin: Japan Period: Meiji end of 19th century. Dimensions: 13 x 9.5 cm. State of conservation: Very good

A Japanese Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies, often associated with symbols of transformation and rebirth. The bowl is signed Sozan under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 16 cm. State of conservation: Very ...

Ivory netsuke, belonging to the Osaka school, portraying a tiger lying on a section of bamboo, with its head turned backwards and its tail to the side. It has an excellent patina, subject and shine. Origin: Japan Period: Edo late 18th century Dimensions: 4 x 4 x 1.5 cm. State of conservation: Very good

19th century small porcelain netsuke of standing Ebisu - one of the 7 Gods of Good Fortune, that of fishing and luck. Clever modeling reminiscent of ittobori (one cut) wood carving style, nice wear and patina. Height 1.4 inches.

Late 19th century porcelain netsuke of an old woman Uba with a broom in her hand. Uba and her companion Jo are an elderly couple living as spirits in pine trees in Takasago. Wonderful expressive face with wrinkles and hollow cheeks, beautiful wear and patina. Looks like old smoothed losses to the back of her robe by the bottom. Height 2.73 inches.