Old (1920's) Japanese Kiyomizu Ware Kyoto Studio Vase with Flower Marked

It is 5.4 inches (13.7 cm) tall by 5.1 inches (13 cm) wide. It is 1 lb.

It has dark spots, skip glaze and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

A lovely little Japanese cloisonne vase depicting two flowers in polychrome enamels worked in silver wire on a green ground with silver mountings. In excellent condition, it measures 5 inches high. Dates circa 1910.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold and brown lacquer decoration of blooming chrysanthemums, design continuing on the back. Beautifully made, excellent lacquering, wonderful work in Japanese taste, in great condition. Length 5.3 inches.

DESCRIPTION: A lovely graduated set of Japanese Kutani porcelain bowls, each delicately hand painted with three overlapping rectangular cartouches which reveal landscape, garden and interior scenes, highlighted with raised gilt decoration. Each bowl is signed on the base, Kutani Sei. The mark and style of this set dates it to the end of Meiji period (1868-1912), from around 1910-20. All bowls are in excellent condition, no chips or restorations.

DIMENSIONS: All three bowls nest neatly...

A Fukagawa porcelain 8 7/8 inch soup bowl. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark and Fukagawa Sei inside the foot ring. Late Meiji or early Taisho. One small chip along the rim (no cracks or lines.) We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

Small gilt copper pot, decorated with flowers in cloisonné enamel. No artist signature but excellent quality. Small precious object Height: 6cm Diameter: 8cm. Good condition. Japon Taisho period.

A masterpiece of Akahada Pottery ware in the shape of a wooden bucket with elaborate scrolling feet from the kiln of Okuda Mokuhaku. It is 18 x 18 x 19 cm (7 x 7 x 7-1/2 inches) and is in excellent condition, enclosed in a modern wooden collector’s box.
Okuda Mokuhaku (1800-1871) was born the son of a merchant in Sakai Machi Yamato Koriyama in Nara Prefecture that served the local lords with hair ornaments, make-up supplies and other fashionable items...

DESCRIPTION: A large and attractive Sumida Gawa tankard with a red ribbed body, graceful handle, and high relief figures of two children. A traditional flowing flambe' glaze in dark brown and beige coats the top third of the mouth and handle. Fine attention to detail has been paid to the handmade figures of children standing on ledges against the ribbed, cold painted body...

Height: 38.4 cm (15.4 in)
Width: 18.5 cm (7.3 in)

Japanese large Satsuma square section vase; shows heavily-gilt polychrome Geisha and children surrounding the piece with details of the clothing picked out in colourful moriage diaper work; a flock of cranes are on the wing under the rim; signed to the base; good condition

Antique Japanese porcelain bottle, with a light beige crackle glaze, and blue underglaze designs of a sailing boat floating atop of waves, and a solid blue ring around the base. The bottle is stout with a thin opening, for pouring aromatic oils onto one's hair. 19th century Size: 3" height, 3.25" width

Late Meiji - early Taisho (1900-1920) okimono size wooden mask of the old man Okina with its typical smiling expression. Actual size masks are used in Sambaso dance. Wonderfully captured facial expression, good representation of its hanging lower jaw, great quality carving typical for the Hida school. The material is ichii (Japanese yew wood) with clever use of wood texture to add to the charm of the piece...

Beautiful silk Japanese Uchikake, wedding kimono, from Taisho to Early Showa period, early 1900s. When the peaceful life of Edo (1600-1868) continued without any major battles for years, the lives of the people became more affluent. The merchant's economical power was getting stronger. Some very wealthy merchants were even supporting the different types of art and their extravagant lifestyle was influencing all the social rankings...

DESCRIPTION: A large and fabulous Sumida Gawa tankard with an unglazed body, graceful handle, and figures of a man and small boy in very high relief. A thick, flowing flambe' glaze in blues and brown coats the mouth and runs down the body and handle in thick drips. Fine attention to detail has been paid to the handmade figures of a seated man with a cane facing a young boy, both supported by craggy rockwork ledges...

A large Fukagawa porcelain 9 1/2 inch diameter centerpiece serving bowl. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring. This bowl, together with two other sizes of bowls we are offering separately in the same pattern, formed the traditional Japanese graduated bowl set. Late Meiji or early Taisho. Good condition...

Museum grade very large Japanese Ginbari enamel vase. Ginbari is a technique using a foil design made with an embossing plate. The vase has a robin's egg blue enamel ground comprised of small flowers, with Wisteria branches bearing pastel green and purple flowers, small birds perched and flying through the tree branches. The elongated vase has a slightly tapered form with short, fluted foot and neck...

Antique Japanese boxwood netsuke carving of a deer, laying very flat to the ground with his antlers tucked against his back.

Meiji period (1868-1912)

Size: 2.25" L x 1.25" W x .5" H

The early 20th century celluloid netsuke is 2 1/8” in diameter and 5/8” thick. This kind of netsuke is called “Kagamibuta.” It is shaped like a Manju (round doughnut) but with a metal disc serving as a lid to a shallow bowl. The pressed silver alloy disc has a dragon design. It is in excellent condition.

17th Century Japanese Arita porcelain blue and white charger, with imagery of one bird flying overhead a second bird, peaches growing to the right and flowers blooming to the left. The inner rim has multiple panels with various flowers and scrolling vine dividers. Circa: 1680 - 1720 Size: 13" diameter, 2" height

A Japanese tissue or cloth holder for a tea ceremony, finely woven with a diamond design, the interior lined in leather, all held together with an ivory clasp carved as a lion's head (shishi) mask, Taisho period.

Antique Japanese six-panel screen with a chirimen gold foil background and eight staggered painted panels across the entire screen, depicting various large groups of beautiful, long-haired women or performers in elaborate dress, images from tale of Genji. Each painting is surrounded with flecks of gold. Meiji period (1868-1912) Size: 59.75" height, 141" width

Late 19th century to early Taisho period Japanese netsuke (can be viewed as a small okimono) carved as three wise monkeys performing their habitual "see no evil, hear no evil, speak no evil” routine in an unusual way by servicing each other: Mizaru with covered eyes, Kikazaru with covered ears and Iwazaru with covered mouth. Nice faces and hairwork, good depiction of limbs, light staining, himotoshi (cord openings) are formed by their limbs, pleasant patina. Length 2 5/8 inches.

Antique Japanese blackwood netsuke carving of a Hanna Noh theatre mask, with piercing gilt eyes and teeth, pointed ears and two short horns. The Hannya (般若) mask is a mask used in Noh theater, representing a jealous female demon. It possesses two sharp bull-like horns, metallic eyes, and a leering mouth. The backside of the netsuke has a calligraphy inscription / signature.

Meiji period (1868-1912), 19th Century

Size: 2" H x 1.5" W x 1.25" thick

Late 19th to early 20th century Japanese Bizen Tokkuri (sake bottle). Pinched form with impressed Daikoku (one of the Seven Gods). Perhaps intentionally thrown with an imperfection. It is in good condition. H: 7 ½ inches, W: 3 ½ inches

This is a beautiful antique Japanese Imari bowl in excellent condition, no chips, hairlines, nor repairs.
The measurements of this bowl is 8 1/4 inches in diameter and 3 1/2 inches high and very solid (heavy). Signed.

Late Meiji period (1890s 1912) Japanese buffalo horn kushi (hair comb) with carved low relief cherry flowers and two metal roundels with cutout brocade patterns, design continuing on the back. Very well made, wonderful work in Japanese taste, tiny areas of insect damage here and there, otherwise in great condition. Length 3.57 inches. Part of East Coast collection of Japanese hair items.

Japanese Imari Porcelain Bowl, 3 5/8" high, 9 3/4" diameter-top, Ca. 1920, typical Japanese garden scenery over the bamboo fence in large separate panels, flying birds inside smaller cartouches inside the bowl, and sprays of branches in red, green and underglaze blue. The condition is good, no damage.

Antique Japanese large 2-panel screen, depicting two large paintings of swimming carp and reeds in sumi ink. Gold leaf and silk borders each panel.

Meiji Period (1868-1912)

Dimensions: 74" L x 68.5" H

A Fukagawa porcelain creamer and large sugar. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring and Mt. Fuji with Fukagawa Sei in underglaze blue inside the cover of the sugar and creamer. About 4 1/4 inches to the finial of the sugar and about 4 inches to the finial of the creamer. Late Meiji or early Taisho. Good condition. We are happy to quote a group price or entertain ...

Japanese porcelain vase of a tapered cylindrical form, with flatted top, and small fluted mouth. The piece depicts three herons in white against a navy blue enamel ground. The foot is signed by Nishiura Enji with two character signature in cobalt blue. Nishiura's studio was famous for it's 'spraying technique' which was unique at the time.

Meiji period (1868-1912)

Dimensions: 3 1/2" w x 7 1/2" h

Late Meiji to early Taisho (1910s) Japanese boxwood okimono of a sleeping monk. The subject is a metaphor for a failure to reach enlightenment - instead of seeking and understanding the profound power of Buddha’s teaching the monk falls asleep. Nicely carved, wonderful tranquil face, pleasant patina. Signed YOSHIHISA on the bottom - for information on the artist see NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, p. 1232. Height 2 inches.

Japanese carved Wood No Mask Okame Netsuke, Ca. 1920, Meiji, 1 1/2" high, 1 1/4" wide, 5/8" deep, round dot natural wood grain dimples on both chubby cheeks and wrinkles on forehead and face, the condition is good, shows old patina.

A White porcelain ware figurine of a Japanese puppy. The puppy has a small hole in its' neck, and an open mouth, and functions as a water dropper. Water droppers were used by a scholar to add water to the ink stone when mixing ink. The puppy is very attractive with Hirado style pierced eyes, large ears, modeled toe nails and a raised left foot. The puppy measures about 4" high x 5" long x 3 1/2" wide and dates to the late 19th, early 20th Centuries. The condition is excellent/perfect. The ...

Additional Exhibition Photos for Seifu Yohei III, IV works at The Cleveland Museum of Art. July 2017 thru January 2018. (Please note: all exhibiting items are not for sale.)

This charming Japanese netsuke has the face of Noh theatre character surrounded with intricate basket weave pattern. It is signed under the chin dimensions 2.5 x 2 x 1 inch

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with multicolored marbled lacquer decoration. Beautifully made, great lacquering, wonderful work in Japanese taste, in excellent condition. Length 4.03 inches.

Japanese Satsuma Signed "Hakuzan" Earthenware Dragon and Rankan decorated Cup and Saucer, Ca. 1920, Cup-4 3/8" wide include handle and 1 3/4" high, Saucer-5 3/8" diameter, small bruise and hairline on top rim about 1/4" wide, condition of the saucer is good.