This is a rare, seldom seen, Snuff Bottle made from Shagreen (Stingray Skin), of a flattened rectangular form, with a flat footing, and a rounded neck. It shows the natural bumps of the stingray skin which have been shortened, and now have a back background with hundreds of gray dots. It is very light in weight...

Rare example of Edo Period (1603-1868) White Shino Ware Tea Bowl (Chawan).
The potter's mark is carved at the base.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
2.925in. (7.5cm.) high;
5.07in. (13cm.) diameter;
405g weight.

Condition
There are chips and cracks due to age...

Japanese Edo Period Lead and Silver Tobacco Pipe with Incised Darumas, both the man Daruma Taishi and the god Daruma. Acquired in Tokyo in 1986 by a renowned author on and collector of Asian art. 5 1/8 inches, 13.5 cm long.

This is an Early 19th Century, excellently hand-carved Japanese Netsuke depicting Tengu, the legendary winged creature that has both human and bird-like characteristics. He appears in its typical form emerging from an egg with its wings spread over it. Very creative used of the natural material colors in the design of the clouds. Very rich patina. Signed Toyomasa in the format he used when he used the go Shonshoan...

This is an Early 19th century Netsuke depicting a Shishi trying to climb over a huge smooth ball, with a fierce look, and menacing teeth. The mane of long and pointed hair strands, the bushy tail held straight up, and engraved sunbursts suggesting hair tufts. Variably patinated, in some areas darker than others. Silky smooth to the touch...

This is an excellently hand-carved netsuke depicting a Japanese Legend Hero wrestling, and about to strike a fierce Shishi. He holds a long ribbon tie that loops over the tail of the dog and wraps around his arms ending in a loop at his waist. The man has a determined expression and his fits are clenched. The Shishi has fine detail to its paws ,its fierce face and fluffy tail...

This is a Kyoto School Netsuke of a Dog. Seated, facing backwards, as if responding to a call. Its thin tail raising over its back forming a look. Finely detailed hair work. Its large eyes inlaid in dark horn. Measures 1.50 inches (3.8cm) long, and one-inch (2.5cm) high.

19th century excellently hand-carved Japanese wood netsuke depicting a Sambaso Dancer, in customary posture , standing on one leg, and garb, to include the mitrelike Okina Hat. He is carrying a Fan on his right hand. Excellent form, expression and bright colors, trademarks of Nagamichi Shuzan. It is signed Shuzan in an irregular reserve on the back of his right leg. Netsuke measures 0.92 inches (2.3cm) wide, and 2.20 inches (5.5cm) tall...

Early 19th century, finely hand-carved Japanese boxwood netsuke of a muscular Toad that has placed itself on top of a decaying Well Bucket. Excellent form and detail on this classical representation of the subject. Nails on bucket sides are inlaid in black horn. Chimney himotoshi that starts on the bottom of the bucket, and continues through its middle handle. The very rich patina that this carving has acquired through the ages has given it a dark color tone...

This is an Early 19th Century finely carved netsuke depicting a Seated Hotei, one of the Seven Gods of Fortune, the God of Contentment and Happiness, with two standing karakos by his side, who are helping the Deity hold a Tama, or Sacred Jewel, which is an Emblem of The Everlasting. Great rounded functional form with a mellow patina. Nicely detailed. Himotoshi shows signs of use, and there is wear associated with use and handling...

This is an Early 19th century excellently hand-carved Netsuke depicting a standing Scholar who is holding a scepter on his right hand. By his side, there is a Karako who is looking up to the scholar and holding a Jar. Intricate detail and rich patina. Signed Genyosai (Minkoku) on an oval reserve on the scholar's back. Netsuke measures 0,76 inches (2.0cm) wide, and 1.90 inches (4.8cm) tall.

1800's, excellently hand-carved Japanese mix-materials netsuke depicting Okame performing the Japanese custom of Mamemaki (bean scattering) during Setsubun (the day before the beginning of Spring) to cleanse away all the evil (demons) of the former year, and drive away disease-bringing evil spirits for the year to come...

This is a 19th century, excellently hand-carved Kyoto School styled netsuke of a seated dog, in a protective posture, with its young puppy right in front of it. Delightful expression on their faces. Outstanding detail, Excellent form, wonderful hair work...

This is an Early 19th Century, beautifully carved Group of Gourds. Outstanding form, polish and patina. Silk-smooth tactile qualities. Natural himotoshi. Unsigned. Netsuke measures 1.40 inches ((3.6cm) in diameter.

This is a 19th Century, Dear Horn Antler Netsuke in the form of a Seated Monkey that is holding its young on its lap with both hands in a protective manner, with a tender look on its face. Impressive chimney himotoshi, common of Edo period netsuke, that starts in the back of the monkey and continues to a large opening on the bottom of it. Wonderful. rich patina. Unsigned. Netsuke measures 1.02 inches (2.5cm) in diameter, and 1.47 inches (3.7cm) tall. It is in excellent condition, as ma...

Finely carved Japanese Netsuke Depicting a Kappa laying on top of a Shell. According to Karl Schwartz, in his book 'Netsuke Subjects', Kappa is a Goblin who lived in rivers, having a body resembling a frog with a carapace like a turtle. Its head is similar to that of a Monkey with a cavity on top which must always be filled with water. It is mischievous and is often in love with young girls. This wonderful miniature sculpture was carved by Kozan, a little known artist, dating back to Early 19th ...

This is a finely hand carved, 19th Century Wood Netsuke depicting Ikkaku Sennin (the Single Horn Sage) carrying on his back the beautiful Lady Sendaramo. According to Legend, Ikkaku is an inmortal who could no resist the sight of women on the earth, and he was punished by the loss of his power. He fell in love and married the beautiful Lady Sendaramo, with whom the Sennin is often depicted, carrying her home on his back. Wonderful carving with very fine details. Unsigned. It measures 0.8...

Edo Period Sagemono Tobacco Pipe Set from the collection of a renowned author on and collector of Asian art. Kiseruzutsu (pipe case) of woven straw; kiseru (pipe) of silver, copper and bamboo with painted decorations; tobacco pouch of leather with a bronze dragon lock and a green glass Ojime (sliding button). Pipe and Case: 8 inches, 20 cm long; Pouch: 5 1/2 x 3 5/8 inches, 14 x 8.25 cm. Excellent Condition.

This very well carved and darkly stained ivory netsuke is 3” high, 7/8” wide and half of an inch thick. It is dated early 19th century and is not signed. It depicts an islander with curly hair and beard holding his hands in front of his half naked chest. It is in excellent condition.

From the collection of the Museum of Fine Arts in Boston comes this fine Edo Period late 18th/early 19th Century Japanese Black Lacquered Box with Mother-of-Pearl Inlaid and Gold Lacquered Boats in a classic wave pattern with exceptionally well rendered mother of pearl motifs. A rare masterpiece from all sides. 8 x 5.5 x 5.5 inches, 20 14 x 14 cm. Excellent Condition.

A pair of circular make-up boxes in nashi-ji lacquer adorned with a floral pattern and an aoi go mon motif (three mallow leaves in a ring) on the lid. This motif is well-known for being the mon (family crest) of the famous dynasty of the Tokugawa shoguns. The bottom of the lid and the top of the box are lined with silver. The interior is in nashi-ji lacquer.

These two boxes were probably part of a wedding trousseau of which one of the pieces, a square incense box with identical orna...

Large suzuribako showing on its cover a mountainous landscape, crossed by a river, bordered by two houses and trees such as pine trees and cherry trees in bloom. It could be Okabe, the twenty-first of the fifty-three stations of the TĂ´kaidĂ´. The bottom is gilded in the fundame technique, decorated with takamaki-e, hiramaki-e, hirameji and kirigane. The inside of the lid shows a lake landscape with very sinuous pines in takamaki-e and kirigane on a hirameji background.
Removable part, to...

Beautiful gold lacquer bottle decorated with pine, wisteria and bamboo. Mon (family crest) of Makino and Shinjo families.

Height 6.89 in – Diameter 3.94 in

Japan – EDO (1603-1868)

An amazing japanese table composed of two beautifully decorated shelves. The upper shelf depicts a waterfall, high waves and pine trees in gold and brown takamaki-e, hirakami-e lacquer and kirigane on a base of nashi-ji. It lies on two openwork side panels.
The lower shelf is more sparsely decorated but still finely executed. It depicts a cottage surrounded by hills and trees in gold and brown takamaki-e and hiramaki-e lacquer, kirigane and nashi-ji.

Japan, Edo Period ...

Edo Period Early 19th Century Japanese Gold Lacquered Box. An extraordinary master work inspired by the Rimpa style of Ogata Korin. This stunning box features a pair of Peacocks by a stream with auspicious Flowers and Butterflies rendered in high relief of gold lacquer and accents of mother of pearl. The beautifully rendered auspicious motif continues in the interior of this magnificent work of art. 16 x 12 x 5 inches, 40.5 x 30.5 x 12.5 cm. Excellent Condition.

Circular kobako in gold lacquer, decorated with cranes and pines on a nashiji background. The interior is in nashiji lacquer. On the lid, we can see the mon of the Tsugaru family (ć´Ľčť˝).
This family is a samurai clan from the province of Mutsu, in the north of Japan. It was originally a branch of the Nambu clan, which became free during the Azuchi Momoyama period (1573-1603). It sided with the victorious sides in the battle of Sekigahara in 1600, and became in the Edo period a family of ...

Beautiful Japanese kusuri medical dansu made of kiri wood (paulownia) and sugi side frames (Japanese cypress or cryptomeria). With original finish and hardware. Lacquer with orange, dark reddish, brown and mahogany tones. Usually with 100 small drawers and two large drawers on the bottom. Metal hardware on each drawer and side handles. Age: Edo Period. Size: 37.25" height x 26.25" length x 8" depth

A wonderful large Edo Period Gosho Ningyo of Urashimataro. A delightful, playful rendering of this timeless theme. These type of Palace Dolls are usually smaller. This charming example is a unique, wonderful form from all angles. He is wearing an embroidered cap and bib and has a highly burnished finished gofun pigment. 12h x 11w inches, 30.h x 28w cm. Excellent Condition.

Edo Period late 18th/early 19th Century Japanese Ningyo of Yamauba, the Forest Goddess, half woman and half spirit. She found Kintaro abandoned in the forest by his father, and saved his life. She raised him, and he became the Hercules of Japan. For sure one of the rarest of all Ningyo. Also the rarest of female images. Only a few of these may actually exist. She bares her breasts to nurse Kintaro, as seen in Japanese woodblock prints as a popular subject by artists such as Utamaro. She is holdi...

JĂťbako picnic box made of paulownia wood and shaped like a paulownia flower. It is composed of three compartments with the interior in red lacquer.

With its original box with several inscriptions, included the datation "- 2nd year of Kaei era", namely 1848

Paulownia (kiri) is considered as a symbol of nobility, honor and longevity. Since the Edo era, there has been a tradition that paulownia is planted at the birth of a daughter to be used later as a material for makin...

Extremely Rare Edo Period late 18th/early 19th Century Buraku Theater Puppet. This very large puppet was operated by three puppet masters, with an operator manipulating the head and face to create a wide variety of expressions. We think this puppet was used to portray Benkie, the 13th century warrior monk of Hieizan and trusted adviser to Yoshitsune. He wears a black velvet robe and sumptuous textiles and fiercely brandishes his nagitana weapon. It is very unusual for a Bunraku puppet of this ...

Musha Ningyo of Minamoto no Yoshitsune dressed for the Imperial Court. He is wearing a fantastic brocade robe and a spectacular court hat. This wonderful rare example of high quality has a great presence, sumptuous brocades, gold lacquered armor, and many other fine details. His face is gorgeously and masterfully carved with finely burnished gofun (white clam shell lacquer). An extraordinary example. Height: 22.5 inches, 57 cm.

Edo Period (circa 1820) Japanese Daki NingyĂ´ (Hugging Doll) standing at the unusual height of 27.5 inches (70 cm), making him a very rare and striking figure. It is most uncommon to see this type of NingyĂ´ outside of Japan, for they are highly prized by the Japanese. A widely held theory has it that these dolls were commissioned by patrons of Geisha as presentation gifts. This one is outstanding in every way. It has a wonderfully expressive face and conveys a very happy spirit. He wears a spec...

Rare and Fine Japanese Edo Period Musha Ningyo for the Boy's Day display, depicting the celebrated tea master and political adviser Sen no Rikyu (1522-1591), in a kneeling position wearing rich silk brocades. He is displayed in front of a beautiful and elegant wood and silk screen with four continuing panels of a dragon flying in the clouds and chasing the magic pearl of immortality. The screen is made of black lacquered wood with gilt threads couched and stumpworked onto a dark black silk...

A spectacular early 19th Century Edo Period Takeda Ningyo in superb condition, a rare find in this condition. It is of the most elegant, for sure. He is an actor portraying a young Samurai. He has a beautifully carved face and wears sumptuous brocades. He has all of his original accessories, including a suit of armor on his back. He is positioned an a black lacquered stand on four legs. Total height is 20 inches. Figure height is 14 inches. Excellent Condition.

This is tsutsugaki & handwriting fireman's cotton coat sashiko hanten coat of a splendid firefighter of the late Tokugawa period of the Edo era(1800-1867).It is the pattern that is impressive with a dragon and the boldness of the sword. It is a very high technique. And there is sashiko stitch on the entire surface by hand. As for it, length is longish with 116cm. The lining is indigo dyeing. Textile is thick cotton with wonderful atmosphere of the era. I recommend it to collection of you. It...

This is a Japanese antique indigo dye silk Hand-painted dyeing child kimono.It is a very elegant and very beautiful children's kimono with hand-painted Yuzen dyeing and embroidery. It is a charming and elegant design of kaioke and chrysanthemums and peony. It has a light stain but is not noticeable.A "kai-awase" is an octagonal container that holds a game of shellfish (a large clam with portrait petals and Japanese poems written on it) called Kai-awase, which was held among the upper classes of...

This is a rare hand-spun natural Shina-fu ( linden)boro bag from the Meiji period (1868-1911). It was originally a stiff material, but it softened after being used many times. The repair marks are cotton fabric and hemp thread. linden cloth naturally turn dark brown over time due to the tannins in the fibers of these trees. There are stains and repair marks. Size: Length: 51cm (20") / Width: 33cm (12.9").

This is a very rare tattered boro textile with a lot of Japanese antique natural Persimmon astringent dyed brown and indigo dye hemp patched with sashiko stitches. The vintage old cloth, which has been repaired and used many times and has faded, is a wonderful work of art in itself and can be enjoyed on both sides. You can easily decorate it on the wall or use it as a bedspread. Size: Length: 176cm (69.2inch) / Width :: 100cm (39.3inch)

This is Coat which Shugendo Gyojya of Edo wore. As for this, upper hemp is used. This is dyed in persimmon juice. And light brown is very rare and is very impressive. This has one hole of around 1cm on the part of the shoulder. The sumi dyed in Hangi has the part which soaked. However, They are not disturbing, and as a whole it is In very good condition.You can wear this item. Size 96cmx 128.5cm (37.7 "x 50.5")

It is Japanese antique edo kasuri indigo dye & grey silk child kimono rare.It is summer kimono where does not have the lining.It is a very good condition.It does not have a stain and the damage.There is a little discoloration aside.However, The stain does not stand out.size:Length 89cm (35inch) sleeve to sleeve 77cm (30.3inch)

This is Folk art boro Leather haori of the indigo dye rare of the Edo era. The change of the color and a leather wrinkle are very charming. It has the change of a stain and the color and a small hole. However, It is a good state. I recommend this to collection of you. size:102cm x 135cm (40.2" x 53.1")

This is the one in the of Edo period. (1800-1867) wonderful textile of very valuable museum class. The lotus flower represents the Pure Land. Tsutsugaki textile of museum class Rare It used it in the buddhist temple at the ceremony. Please look at the leaf of the lotus. The expression of the technology of the shadow is very wonderful. Tsutsugaki to make good use of this advanced exact technology is very rare. Please look at the cloud. The technology of this expression is a feature ...

This is Swan 's wing Weave haori coat very rare at the end of bakumatsu of Edo period(1852-1867). This was made in the Tohoku region. There are a water-repellent effect and an effect of heat insulation of swan's shuttlecock. Textile seems to be hand spun and woven.It is little, is thin, and it sees. There is no damage. The lining is silk. There is a little repair mark in the lining. The cloth is strong and the state is very good. It is wonderful textile.It is also possible to enjoy putting it on...

This is a antique silk tsutsugaki dye child kimono With auspicious designs from the Edo period, treasures are delicately and carefully drawn. And the crane and turtle are very charming. There is a light discoloration. There is one small damage, but not noticeable. size:104cm x 87cm (40.9" x 34.2")

This is a very elegant ramie summer children's kimono from the Edo period. The sleeves have a hand-painted bamboo pattern. The family crest is the rare mitsumorikumikaku. There are no stains or damage, and it is very carefully made.size: Length :90cm (35.4inch) / sleeve to sleeve :83cm (32.6inch)

A piece of Iyo-zome cloth which was futonji (bedding). It is made of hand-spun cotton and has katazome (stencil-resist-dye) pattern. The name Iyo-zome is originated from Iyo sudare (bamboo screen) since the pattern looks like wood grain by looking through two layers of them. Stripes are dyed with two katagami (stencil paper), one is vegetable indigo and the other is natural brown dye. Two katagami are dyed by displacing them so that they make wood grain like pattern. Iyo-zome was very popular in...

This is an amazing boro futon cover made of almost countless fragments which are hand-spun and natural indigo dyed cotton(katazome and shibori (Tie-dye) From Edo to Meiji era.In this boro, patched does a piece with a thick hemp thread and indigo dyed cotton thread of the Edo era.The stain & damage & discoloration used for a long time are very charming for that.It can enjoy both sides. size:Length 146cm (57.4inch) Width 90cm (35.4inch)

This is fireman's sashiko hanten coat in Edo period. It is a motif of a big spider and the petal of cherry blossoms and the person of the kabuki. It is very impressive and it is bold.The petal of cherry blossoms that adhere to the cobweb is very fantastic. There is a little part that was able to be rubbed. However, the state is very good. There is neither stain nor damage. The lining is an indigo dye. It is sashiko hanten coat of a very valuable fireman. Please add to your collection. ...

This is Edo yosegire Patchwork itajime katazome chirimen-silk kimono in Edo period(1603-1868). This is very beautiful yosegire kimono. In the skirt part of the lining, it is cotton and there is damage. There is a little, thin stain. However, it is not remarkable. I recommend this for your collection. size:134cm x 125cm(52.8" x 49.2")

This is a horse cover in Edo period. It is very cotton of wonderful tsutsugaki. The touch of cotton is very nice. The wave and the motif of the family crest are very impressive with the rabbit. There is a little small hole. However, the state is very good. This is the one in the Tohoku region. size:127cm50" x 57cm/22.4"

This is Japanese Antique Edo Horse 's string Hemp katazome rare. There are a stain and damage. The string of the same harness as the material pavilion of the Honda family in the Kanazawa city is exhibited. However, it has not seen in another. It is a very valuable excellent article. Please add to your collection. Size:302cm x 27cm (118" x10.6")

This is good-quality Noren used in the merchant's family of the Yamagata Shounai district for Edo period. The figure pattern of a wave and the plover means a good combination of attractive harmony. Merchants of Shonai thought about the harmony with local people to the first. And there was the harmony of a merchant and the farmer there. The good-quality hemp was dyed in Tsutsugaki. This does not have a stain and damage. The state is complete. Size 164cmx 178cm (64.5 "x 70"). Six width

This is Asamai-sibori of the Akita area of the Edo era. It is dyed with an indigo plant of nature. This is good-quality thick cotton spun by hand. This is woven with a good-quality cotton thread spun in the country. The feel is good, and it is comfortable to eyes. A technique of good Shibori was introduced into the Asamai district from the Narumi district late in the Edo era. This is an expression method of early Asamai-Shibori. It is the simplest expression method of good-quality Shibori. The ...

This is watari-cotton boro Stripe Patchwork futon Cove. It is cotton of the very warm feel. It can enjoy both sides. size:162cm x 100cm (63.8" x 39.4")

This is Yogi which a rich merchant used in a district for Edo period. As for this, good-quality Tumugi-Silk is used. This is dyed by Yuzen- dyeing. As for this, brown is used for a basic color. The brown items were popular in the big city for Edo period. As for this, the shading off which is one of the technique of the Yuzen dyeing is very impressive. The shading off expresses the three-dimensional impression of the pattern. This has slight fading on a shoulder. This has several places of small ...

This is Katazome kimono of Edo period. This is the Silk pongee that a face was spun by hand. The lining is cotton cloth. As for this, a pattern of Katazome is a design of a Japanese pampas grass and the ivy. The Japanese pampas grass pattern of Edo period is very rare. As for this, the material of the kimono is silk. The part of the collar is cotton of twill fabrics. It is unusual for two material to be used for the same kimono in the same Katazome pattern. As for this, basics are dyed with a na...

This Japanese antique tsutsugaki textile fireman coat Sashiko Edo era(1800-1867), has a beautiful and dynamic drawing of a hawk that spreads its wings and flaps powerfully on the bold waves. This powerful hawk movement is a painting that is rarely seen in the firefighter Sashiko. And the sharp eyes of the hawk are very impressive. There is a light stain on the bottom wave, but it is not noticeable. There is no damage. The letters on the lining of the collar are the names of the owners stabbed ...

This is Fukusa used in Kyoto for Edo period. As for this, two carps are expressed very boldly. As for this, a carp is expressed in a silver thread. This does not have a stain and damage. As for this, a state is complete.Lining is a red silk. Size 74.5cm x 62.5cm (29.3 "x 24.6")