A 7.5" light olive green silver wire vase, unsigned. Silver rimmed with black counterenamel and bottom, it is decorated with finely executed vines and blue berries.

Imperfections: A small flake directly under the top silver rim, shown in enlargement #1 and one very small light area on the green enamel, 1" above the base, visible in enlargements #3 and #4; both are probably manufacturing flaws...

Half portrait of Daruma in bold strokes of gray and black. Lower right signature Isshin hitsu and two seals. Black and gray ink on paper. Painted area 36 ½ x 8 ½ inches. Toned, some horizontal creases, repaired missing area at lower middle. Celluloid scroll ends.

Feel free to ask for more pictures.

A fine brown goldstone 7.25" Kyoto shield style vase, unsigned, in excellent condition.

California residents please add 8.25% state sales tax.

Ebisu sits on a rock, a bamboo stalk in the hand, as if holding a fishing rod, a giant red carp stuck under his arm. Daikoku stands on rice bales and holds his hammer in the hand. Around them a split daikon and the coat and hat of invisibility. On the lower right two seals: Kachutei Ninsei (or Jinsei). Ink and colors on paper (black outlines are hand painted, NOT printed). Painted area 11 ¾ x 18 1/8 inches...

The deity Shomen Kongo standing on a demon in front of a flaming halo. In front of him a rooster and a chicken and a monkey with a gohei. Ink and colors on paper. Painted area 25 x 11 inches. Several horizontal creases due to rolling, several small missing areas, all backed and partly retouched. New mounting in Chinese style. Overall stable condition.

Feel free to ask for additional photos.

The size of Bowl: 8 3/4" Dia x 4"High. Japanese Ko Imari Porcelain Deep Bowl. The bowl has very good enamel works surface as well as on the backside. Surface has the design of Eagle with Pine tree, clouds and bamboo grass. Inside rim area with blue underglaze and chrysanthemum design. Outside has a lots of enamel work with Peony flower and clouds. Very good works of blue underglaze design around foot rim. The condition of bowl is excellent, no chip, no crack and no hairline...

The size of Bowl: 7 1/2" Dia x 3 3/8"High. Japanese Ko Imari Porcelain Bowl. The bowl has very good enamel works surface as well as on the backside. Surface side has the design of Eagle with Pine tree, clouds and bamboo grass. Insid rim area with blue underglaze and chrysanthemum design. Outside has a lots of enamel work with Peony flower and clouds. Very good works of blue underglaze design around foot rim. The condition of bowl is excellent, no chip, no crack and no hairline...

Zushi or Japanese traveling shrine made of lacquered wood, Meiji period (1868 - 1912), the interior decorated in gold with carved and nicely painted Buddhist figure inside...

Glass ball on a wooden stand of finely carved and undercut work. The base has been carved in the shape of high foaming waves in which fishes are swimming, and that carry the jewel of the tides. The waves inlaid with little pieces of mother-of-pearl and gold lacquer. Ryujin, the Dragon King, held this jewel to rule the tides. Overall height 7 ¼ inches. Japan, Meiji period. Ball in near-perfect condition (one tiny, shallow scratch), the stand with some repairs and some missing tips on the waves...

Japanese Edo period woodblock print by Kunisada II (1823-1880) depicting the actors Seki Sanjuro III and Ichikawa Danzo in the role of old barefoot monks holding fans. Published by Tsutaya Kichizo 9/1862. The cartouches at the upper left and upper right bear the names of the actors. The signature of the artist, publisher's seal and censor's seal are located at the lower right. Measures 14" x 9 3/8"...

Large zushi of square shape with double doors. Outside black lacquer and bronze hard ware, finely engraved with meandering flowers, inside gold lacquer. Inside a sculpture of the deity Benten, or Benzaiten, in her appearance with eight arms...

Exquisite antique Japanese Hina Ningyo (dolls) for Hina Matsuri festival, the Girl’s in Japan. The dolls are probably from the late Taisho to early Showa period, 1910 to 1940 and in excellent condition. The level indicates that they were made in Kyoko by Hinagata-ya, pre WWII in Kyoto, size 2 (second largest). The hair of the emperor and empress appears to be original and brittle. There will be some broken hair fallen whenever the dolls are moved. The empress is 21" tall to the tip of ...

Meiji (1868-1912) Japanese Studio Plate with Relief Flower by Shofu Katei with Silver

The plate is 1.25 inches tall, and 8.25 inches in diameter.

It has hairline cracks at the center (as seen in the photos).

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This late 19th or early 20th century Japanese Imari vase is 13 ½” high and 6 ½” on the widest part. The ribbed body was painted a traditional gold, orange and blue floral and bird design. There is a Shishi (lion) on the top of the domed shape lid. It is in great condition.

An actor in street attire standing in front of a row of shops and tea houses by Osaka artist Sadahiro (active 1830-1851) dating circa 1845. A pupil of Kunisada, Sadahiro's woodblock prints were published in Osaka in the 1830's and 1840's. The seal of the publisher Iseya Sensaburo appears on the actor's head. The artist's signature is in black ink at the lower left. Exceptional color and impression with lacquer highlights on the edge of the inner kimono and mica in the background. Chuban-siz...

Large Japanese Imari charger, 18 3/8” in diameter, with vibrant enameling and excellent facial expressions. The subject matter is 'The Seven Sages of Bamboo Grove'. One hairline at the bottom rim and crazing on the rim. Meiji Period (1868-1912).

Antique Japanese silver and gilt Kanzashi; a hairpin with a humorous design of an old lock placed on "kinchuku", a moneybag, with coral beads. With a clear message, it will be a great gift to someone special. Length 7". Meiji period (1868-1912).

Japanese woodblock print of a beauty and child from a series depicting powerful individuals by Ichiyusai Kuniyoshi (1797-1861) published by Hayashiya in 7/1852. The image is signed at the right side "Ichiyusai Kuniyoshi ga" (used circa 1850) within a gourd shaped cartouche. The red Yoshi Kiri seal is beneath the signature. Vertical oban size measuring 14 1/2"V x 9 5/4"H. Fair impression quality. Very good overall condition with minor soiling. The print is not backed and the image and baren m...

Hanging scroll of mandala with Guanyin sitting on a rock, surrounded by two worshiping deities in front of him and by a guardian figure in the upper left corner. Beneath him the gods of thunder and wind and rain in the clouds. Below these, Chinese figures in a mountainous landscape, occupied by different activities. On top of the painting a printed text. Unfortunately we were not able to identify the mandala and thus the meaning. Ink and color on Chinese paper. 19th century, China.
50 ¼ x...

This is a KYOTO SATSUMA VASE on a Cobalt Ground. There are 3 Painted Panels incl. 4 FIGURES; a PAGODA SCENE; and ARHATS or DEITIES. Rich GOLD Enamels. This Vase is from a Maryland Estate standing 6 3/4" tall and dates circa 1850 to 1875. In Excellent Condition. OUTSTANDING SATSUMA VASE for the Collection (more jpgs showing marks to follow)

Antique Tansu cover (yutan) with a family crest of crane. There are few Yutans left in original shape like this one. The fabric is a loosely hand woven cotton and is made to fit over the tansu (cabinet), the size of 40" by 18". This cover can be dissembled into a flat cloth of 27 inches by 118 inches. The condition of the fabric appears to be in new condition with two holes between the 72" to 74" location. The color is uneven in some area; small areas show blue than green, some uneven co...

This is a representation of Shotoku taishi (574 A.D.-622 A.D.), the young princely protector of Buddhism in Japan. At the age of twenty, he reorganized Japan by promoting Chinese Confucian and Buddhist principles. His well known "Constitution with 17 Articles" was the first written law of Japan. The articles begin by emphasizing the importance of harmony, which is still the foundation of the Japanese culture. The figure is from the Kutani kilns, 7 inches tall

Make-up plays a vital roll in a Kabuki play because it is dark in the Kabuki Theater (especially in 17th century Edo period without light bulbs). It was sometimes exaggerated, along with their costumes, to let the audience know right away who they were and also their emotional stages. You might have seen the elaborate (very beautiful), flashy Kabuki costumes. They certainly were not daily wears.

Here, the interesting design on a male figure face is actually Kabuki make-up called “Kumad...

Japanese kanzashi hair accessory, Kogai hair pin. The quality of decoration is very good. It looks more antique than shown in photos. The material is, bone, hard and heavy as ceramics. 6 7/8 inches long.

Marked “Hichozan” and “made by Maru(circle mark) hei”. Hichozan was a large organization located in Kyushu, the southern island of Japan. The organization did not make any porcelain itself but had large workshops decorating blanks from other factories. Most of the blanks were made at Mikawachi where the Hirado kilns were located. They also ordered underglaze decorated wares that they could supply to their clients. These bowls fall into that category and were made for Hichozan, by the H...

Japanese cloisonne vase of globular form with elongated neck, beautiful light green color with design of 2 white herons in flight, minor cracks on bottom not visible from front, Meiji/Taisho Period (very early 20th century). 9 3/4" high x 4 1/4" wide.

This is a Beautiful SATSUMA 1000 FLOWERS Small Vase circa 1900 to 1920. There are Multiple FLOWERS delicately Hand~Painted over the entire Surface of this VASE. The size of this SATSUMA is 2 7/8" in diameter at the largest and 2" tall, both approximately. Amazing Small SATSUMA Vase ...jpgs give much more info

Old Japanese Kogai, a hair pin made of tortoiseshell(bekko). It is 6 1/4 inches long, from the Meiji period (1868-1912).

Beautiful antique Kanzashi, Kogai Japanese hair pin with gold maki-e on tortoiseshell with identical design on both sides, 5 1/4 inches long.

This is “kataginu” (shoulder cloth), only the upper part of kamishimo without a trouser. Kami-shimo simply means top and bottom in Japanese. It was a high ranking samurai’s formal attire when they attended official meetings at the Edo castle. It was worn over kosode (kimono with small sleeves) with trousers. The shoulders are arch shaped and this was the style that developed in the late Edo period (1603-1868). Longer trousers (approx. 1.5 times longer) were chosen for special occa...

Three Japanese Jyokan (ladies-in-waiting) hina dolls are a part of the hina doll set displayed for the Hina Matsuri Festival, Japanese Girls Day in March, also called the Peach Festival. This day is reserved for the girls of the family wishing for their well-being for the coming year. Late Meiji to Taisho period, early 1900’s.

When the peach blossoms start to open by breaking through the snow from February to March, it is the announcement of the arrival of spring. Plums are often asso...

19th Century Japanese Imperial Gosu Satsuma Hexagon Vase with Dragon & Shishi Signed and Marked

The vase is 10.6 inches (27 cm) tall, and 8.5 inches (21.5 cm) wide.

It has rubbing of gold, minor stains, and surface wears and scratches (as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amoun...

This is a KYOTO SATSUMA EARTHENWARE MUG or Large Cup. Found via a Southern States buying excursion this mug is 4 3/8" tall and is 5 3/8" across outside edge of handle to outside edge of the mug. Circa 1875 to 1900 note the Beautiful PEACOCK and the Floral decorations. Gilded Mark on a rust background. The Condition is EXCELLENT

The idea of a Fukusa gift cover comes from the old Japanese tradition of gift presentation. Fukusa began to be decorative as well as practical in the Edo period (1600 to 1868). The appropriate design was chosen for the occasion; for seasonal, ceremonial and later, time of grief when Japan started to face battles again, with the foreign countries this time. This delicate, indirect way of conveying feelings has been in Japanese culture, poems replacing words for occasions, reminiscent of the ...

Beautiful silk Japanese Uchikake, wedding kimono, from Taisho to Early Showa period, early 1900s. When the peaceful life of Edo (1600-1868) continued without any major battles for years, the lives of the people became more affluent. The merchant's economical power was getting stronger. Some very wealthy merchants were even supporting the different types of art and their extravagant lifestyle was influencing all the social rankings. Threatened by their increasing power, the Tokugawa governme...

This is a humorous Japanese sake cup. The drinker would find that he has drunk from the face of Okame while others would see the other side of the cup with oni's (ogre) face and would have a laugh. All typical Japanese humor from the Meiji Period (1868-1912). 2 3/4 inches in diameter and 1 inch tall (slightly less) at the horn and jaw.

Interesting looking Japanese theater doll, dressed as a Chinese warrior, Kan-U (Guan Yu, Chinese), a Chinese legendary figure from the Three Kingdoms era. The story of the turbulent warring period in Chinese was written by Luo Guazhong in 14th century in his famous novel "Romance of the Three Kingdoms". It became popular among the neighboring countries. In Japan, it was played in puppet doll theaters (Joruri) and Kabuki theaters in late 17th century Edo period. I believe the book was first fu...

Japanese Shoki (demon queller) doll for the Japanese Boy's Day. The story of Shoki came from ancient Chinese folklore. He was known to cure ailing emperor of the Tang Dynasty when he was plagued with nightmares. Shoki showed up in the emperor's dream and chased the demons away. This store was later adopted by the Japanese. Shoki became to be the only non-Japanese figure displayed in early Japanese Boy's Day festival since the Edo period (1603-1868). Circa 1910 to 1930. This is not a ...

This type of fukusa is a covering placed over a gift at the time of a gift-giving ceremony between families. A fukusa with the crest decoration is very practical because it can be used for the different occasions. Beautiful old tapestry weave (hand woven). The dimensions: 25 1/2" x 27"

This type of fukusa is a cover placed over a gift at the time of a gift-giving ceremony such as "Yui-noh" which is prior to a wedding. It has a peaceful, ordinary outside view seen through an elegant blind (shown at the top) and a silk room divider (left side) which are both remainders of the Heian Court (794-1160). Cranes and plums represent longevity, harmony and women’s beauty along with their strength. Combined with a gold bag and mallet of Dai-koku symbolizing wealth, there is no...

Old Japanese teppo (pistol) style candle holders which appear to be made from old pieces. Each piece is 21 inches long and quite heavy. These will probably work well along the wall of a country style room.

Elegant old lacquer towel rack, makie on black lacquer. The dimensions are 25" across at the top, 20 1/4" at the bottom and 22 1/4 inches in height.

This is a KYOTO SATSUMA EARTHENWARE VASE circa 1875 to 1900. Painted with Rust & GOLD there are two Primary Painted Scenes. Those being the SAMURAI Panel and another Panel with CHILDREN Playing. Size of this SATSUMA VASE is 4 1/2" in diameter X 6 1/2" tall. At the top the Dragon Motif Handles. Additionally, Painted Butterflies on the sides. A Very Desirable ANTIQUE KYOTO SATSUMA VASE. Note there is some Restoration that to this VASE that was done many years ago...see final two jpgs

Japanese makie lacquer sake wine Dishes with an auspicous design of Sho-Chiku-Bai (pines,plums & bumboos). This design is a happy ceremonial symbol for the gold taka-makie (raised design) designs with kirigane (small gold leaf squares) on brownish red (with purple tone) lacquer. Each piece is very thin and light and in new condition. There is no wear to the gold and lacquer except one small repair on one dish. This type of set is often used as a set of three. Each dish is numbered 1 to 5 i...

The Kanzashi hair accessory has been the main jewelry for Japanese women. This antique comb and hair pin set has a wonderful design of turtles in the bay area on one side and landscape on the other side. It is a classic design in gold makie on tortoiseshell with coral inlay. Hair Pin is 5 3/4" long, comb 3" long and 1" in width. Meiji period (1868-1912).

Japanese one-piece tree trunk heavy wood stand, almost big enough to display a life size statue. 23" x 23" x 23" in triangle, 2 1/2" to 3" thick. It will be great to show off armors, flower arrangements, bonsai or your treasures (tall?).

Bowl with overglaze enamel ( polychrome ) decoration . Dehua ware, Fujian.Late Ming period. D : 3,2 inc. Very good condition !

Bowl with overglaze enamel ( polychrome ) decoration .Dehua ware from Fujian.Late Ming period. D : 3,4 inc. Minute rim fritting no chrack !

This kind of Kanzashi is called Gin (silver in Japanese) Kanzashi. The body is usually made out the stronger mixed metal as this one. The darkened metal flowers are tarnished silver, I believe. The bira bira Kanzashi started to become fashionable in late 18th century, Edo Period and this set is from late Meiji to Taisho period, early 1900s. The chains are very light weight so you can wear as a set if you like. It is in excellent condition except two chains are missing from one - not notice...

Beautiful Shusu (satin silk) Uchikake kimono from the Meiji period (1868 - 1912). All hand sewn with embroidery and gold couching work - overlaying of threads (real gold wrapped around thread) rather than going in and out of the base fabric.

The dimensions are 50 inches between from tip to tip of the sleeves, 60 inches long and 29 and half for the sleeve length. All the edges and openings are generously stuffed with raw silk. The photos shown here do not capture the true quality of this gow...

This is a Beautiful Pair of ANTIQUE SATSUMA VASES. Each Vase is 7 1/2" Tall. The Most Striking Features are the SUNFLOWERS on each Vase ... those Flowers accented with Pink and Gold. Research shows these Vases to be signed with the SHIMAZU Mon; made by the Chin Ju Kan Family. Circa 1900 and in EXCELLENT Condition. A Most Desirable Pair of SATSUMA VASES.

Japanese lidded porcelain choshi, sake server, blue and white glazed, handle is pierced with decorative holes, melon-shaped body, 18th/19th century, good condition with no cracks, chips or losses. 5 1/4" high x 7 1/8" long (to spout) x 5 1/8" wide.

Japanese blue and white glazed Imari plate with scrolling vine motif and sho-chiku-bai (three friends of winter: plum, pine, and bamboo) motif, signed with 4 characters on back, one very minor crack near at rim otherwise great condition, Edo Period (18th century). 11 1/4" wide x 2" high.

Japanese blue and white glazed imari plate with dove on peony branch, Edo Period (19th century, two very minor cracks at rim, beautifully painted. 11 3/4" wide x 1 3/4" high.

This 19th century Japanese unsigned hardwood netsuke of JUROJIN is 2 inches tall, 1 inch wide and ¾ of inch thick. It depicts JUROJIN with both hands in his sleeves in front of him. It is in perfect condition.

This middle or late 18th century Japanese wood netsuke is 3 ¼ inches tall, 1 inch wide and ¾ inch thick. It was carved from unknown softwood and not signed. It depicts a famous Chinese historical character GUAN YU. His right hand is holding a weapon (long handled knife) and his left hand is holding a book called ¡°Spring-Autumn Annals¡±. It is in great condition.

This is an ANTIQUE SATSUMA SMALL VASE from an Eastern Shore of Maryland Estate. The size is 5 3/4" Tall X 2 1/2" at the Widest point. Decorated with Red Enamel and Gilded Highlights, this Vase shows Three Boys at Play on the Bottom. Ca. 1900 - 1925 the Condition is EXCELLENT. JPGS provide more info

An actor portraying a samurai admiring himself in a mirror in a scene from the kabuki theater by Toyokuni III (also known as Kunisada). Signed "by special request of the publisher." Published by Kinjudo between 1847-48. Standard "oban" size panels measuring roughly 15"V x 10"H. Possibly from a triptych. Excellent color with vibrant yellow and green in the background. Good overall condition with no tape stains, toning or tears. The baren marks and image are clearly visible on the back. Not...

The carps and nobori Japanese banners, warrior's Yoroi and Kabuto helmets, samurai dolls and swords are all a part of the display used for Boy's Day (renamed Children's Day) on May 5th in Japan. They reflect the parent's wish to inspire their boys in manliness, discipline, bravery and the honor codes which are associated with them.

Originally, Nobori was used in the battle field to identify the troops, some were to show the warriors where their taisho (general) was. The others were to ...

The shape of this oval Japanese Arita dish derives from European forms. The combination of colors (Celadon and blue & white) is known to be produced from 1780 – 1820, a late Edo example. The dimensions: 7 1/2" x 6"