19th century marine netsuke of three shirauo (whitebait). Classic design, excellent detailed carving, eyes are double inlaid with horn and mother of pearl. Beautiful wear and warm patina, wonderful sheen to the surface. Signed JUGYOKU for Ryukosai Jugyoku on the back - for discussion of this excellent artist see p. 546 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick. Length 2 .03 inches.

Early 19th century large netsuke depicting flat himono (dried fish - salmon in this case) with a rat gnawing at its head. Clever design, very good carving, eyes of the rodent are inlaid with brown horn, pleasant patina. Himotoshi (cord hole) goes through the mouth to the back of the netsuke. Length 4.7 inches (119 mm).

19th century Asakusa school staghorn netsuke in a form of a bowl of ogival section, decorated with an incised keyfret design along the rim. Exquisite subtle piece, one of the most elegant netsuke that I have had. Superb precise carving, warm brownish patina, brown lacquer on the inside, early himotoshi design. Natural darker porous areas of staghorn perfectly imitate scarred surface of an old ceramic bowl...

1930's Japanese Mixed Metal Bronze Vase with Frog Signed

It is 9.4 inches (23.9 cm) tall by 4.5 inches ( 11.5 cm) wide. It is 3.2 Lb.

It has a dent at the side and surface wears and scratches (as seen in the photos).

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An original pair of rare Edo period heavenly Tennyu temple beings. Each has a gold gilt finish with condition consistent with age. Both are complete and ready to be installed.
Left tennyo is depicted with drum suspended from her waist and holding a pair of sticks. The righ is holding a bell and holds Shuni mudra with right hand, symbolizing patience and discipline...

Antique Kano school ink painting depicted ukiyoe landscape with a rising dragon over Mt. Fuji. Painted with ink and gold pigments on paper. Signed Tatenobu, which is the artist name of the Kano Eitoku(1815-1891). There will probably be lightning and a storm raging in the scene where it depicts a person desperately holding onto a torn umbrella as he rushes forward across a bridge that looks like it is about to overflow with river water...

Antique Kano school ink Landscape/suiboku sansui and fukurokuju; god of happiness, prosperity and long life that is said to originate from a Chinese hermit. Usually, he is depicted with a crane or turtle, which are symbols of longevity, and his trademark long head and white beard, but in this painting he is depicted wearing a huge traditional Chinese hand-woven bamboo hat. Painted with ink on silk. Signed Tsunenobu and sealed...

An original pair of plaster Japanese Inari temple foxes. Crushed oyster shell finish with mineral paint detailing in traditional Shinto colorways : orange, purple, green. Each of the foxes has a soft pink underbelly. Wonderful original and complete condition...

Plum Tree. Painted with ink and pigments on silk. Signed Honen and sealed.

Mizutani Hounen(1898-1938) was a Nagoya born Japanese painter. He studied under Nakajima Yuunen(1833-?) and Ishikawa Yuurin(1870-1952). He was adept at painting of bird and flower, especially peacocks...

Antique Kano school inkwash Landscape/suiboku sansui. Painted with ink on silk. Sigend Kano Hakuen and sealed. The signature reads painted by Kano Hakuen at sixty-seven years of age(1710). It is a remounted and restored piece and in fine condition with accompanied by a paulownia wooden storage box.

Kano Hakuen(1642-1726)was a painter from the early to middle Edo period...

This is a rare and exquisite antique Japanese Baku corbel carving from the Edo period (early 19th century). The Baku is a mythical spiritual creature that resides in the Buddhist realm and is known for devouring evil spirits and nightmares. This architectural sculpture is carved from one solid block of Keyaki (Zelkova) wood and has stood the test of time. It is a large example of an antique Japanese Baku corbel used in a temple or shrine...

Pair of painted Japanese interior sliding panels. Depicting wild sparrows amongst the rice fields. Sparrows are regarded as symbols of personal prosperity, rich fruit crops. Stocks of flowing rich reach out. The fields are said to represent providence, creation, blessing, and joy.
Speckled gold throughout the the images radiating warm glow off the paper. A scene of serenity.
Signed by the painter: Kishi Ganku, 1749–1839. Signature: 雅楽助岸駒寫 Utanosuke Ganku. "Utano...

A slender shape patinated bronze vase depicting a naturalistic scene of a cricket sitting on iris leaves. Signed Joun in relief within an oval reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 26 x 7.5 cm. State of conservation: Very good

A Japanese ivory okimono depicting a pair of figs decorated in polychrome. One of the fruits is ripe and shows partial peeling, revealing the inside. Origin: Japan Period: Meiji end of 19th century. Dimensions: 6 x 5.8 x 4.5 cm. State of conservation: Very good

VOTIVE PHALLUS

Quite a simple and rustic Japanese wood carving phallus in the form of ultimate, once offered for pregnancy and smooth delivery, 19th - early 20th century, L 20.1 x 3.6 x 3.6 cm (7.91 x 1.41 x 1.41in). Aged deterioration as is.


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A yamatoe painting depicted an aristocratic man is about to go out for a night out on horseback. It is attributed to Hoyama Yuinen(Hananosha)(1823-1894).

Hoyama Yuinen(Hananosha)(1823-1894) was a painter monk at the end of the Edo period and Meiji period. He was a chief priest of Shinshu Rinshuji Temple. The first name was Hanado and later Hananosha. He studied painting with Watanabe Kiyoshi and Ukita Ikkei.

Some light marks and insigificant light crease are present on the painti...

19th century kokutan (ebony) netsuke of a sitting shishi (Buddhist lion), its tail up and its head turned to the left, mouth open in a wide grin. Represented beast is definitely male both because of its explicitely carved bottom and because its mouth is open emitting sound A (the first letter of Sanskrit alphabet), while the female shishi are depicted with closed mouth emitting sound N (the last letter). Wonderful expressive face, oversized powerful paws, superbly voluminous mane and bushy tail,...

19th century small black and red Japanese lacquer 4-compartment inro with two different carved scenes of two scholars in discussion under rocks (one with waterfall cascading off it) with bamboo gracefully growing on their surfaces. Top and bottom are carved differently with peony branches with leaves and buds. Elegant dignified design, very clever and striking use of red lacquer for figures, bamboo and and some peony details. Old silk cord, in excellent condition, no cracks or losses. Height 2 ...

19th century porcelain netsuke of a street entertiner - an acrobat / contortionist - performing on a low stand. Very well made, nice face, pleasant patina. Four feet of the stand are old kintsugi (gold lacquer) repairs. Height 2 inches.

Late 19th century porcelain netsuke of an old woman Uba with a broom in her hand. Uba and her companion Jo are an elderly couple living as spirits in pine trees in Takasago. Wonderful expressive face with wrinkles and hollow cheeks, beautiful wear and patina. Looks like old smoothed losses to the back of her robe by the bottom. Height 2.73 inches.

19th century small porcelain netsuke of standing Ebisu - one of the 7 Gods of Good Fortune, that of fishing and luck. Clever modeling reminiscent of ittobori (one cut) wood carving style, nice wear and patina. Height 1.4 inches.

Ivory netsuke, belonging to the Osaka school, portraying a tiger lying on a section of bamboo, with its head turned backwards and its tail to the side. It has an excellent patina, subject and shine. Origin: Japan Period: Edo late 18th century Dimensions: 4 x 4 x 1.5 cm. State of conservation: Very good

A Japanese Satsuma ceramic bowl adorned with relief glazes and gold details depicting a motif of Manchurian Cranes in flight, symbols of longevity and happiness in Japanese culture. Inside, the bowl features a dense motif of a thousand butterflies, often associated with symbols of transformation and rebirth. The bowl is signed Sozan under the base within a rectangular reserve. Origin: Japan Period: Meiji end of 19th century. Dimensions: 8.5 x 16 cm. State of conservation: Very ...

Cloisonné potiche with a hexagonal shape, embellished with delicate floral decorations on reserves held by silver threads with geometric motifs. The lid features a spherical socket. Origin: Japan Period: Meiji end of 19th century. Dimensions: 13 x 9.5 cm. State of conservation: Very good

A Japanese Satsuma ceramic lobed bowl with curved corners and embellished with a refined scene of daily life along a watercourse on the outside. The interior is adorned with graceful butterflies, creating a harmonious blend of nature and craftsmanship. This bowl is signed Juzan under the base. Origin: Japan Period: Meiji end of 19th century. Dimensions: 5.5 x 8 cm. State of conservation: Very good

The size of Ko Imari Dish: 7 1/4" Long x 4 1/4" W x 1 3/16" H
185 mm x 110 mm x 30 mm.
This is very attractive Ko Imari Dish from Mid 18th century, Kanen to early Horeki period. 1750’s.
The plate has the design of Japanese Princess (Hime). She is dressed with 12 Hitoes Kimono.
A junihitoe is a twelve-layered kimono worn by noblewomen during the Heian Era.
The workmanship of polychrome design are elaborately decorated with
green, gold and black. She wear the design ...

19th Century Japanese Wood Carved Netsuke Figure

It is 2.2 inches (5.7 cm) tall by 1.1 inches (2.8 cm) wide. It is 8.8 gram.

It has repairs at the foot, surface wears and scratches (as seen in the photos).

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Japanese Nippon Coralene Porcelain Vase with Flower Marked

It is 11.65 inches (29.6 cm) tall by 7.3 inches (18.6 cm) wide. It is 4.3 Lb.

It has rubbing gold, dark spots, missing beads, surface wears and scratches ( as seen in the photos).

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid. All you need to do is ...

Auspicious painting depicted Jyuseki, Bamboo, and Reishi sacred mushroom. Painted with ink and pigments on silk. Signed Shuseki and sealed. It is dated as in 1922.

Juseki is an abbreviation for landscape stone, which means a stone that is a scaled-down version of the natural scenery, a stone that resembles a certain shape, or an abstract stone that evokes intimacy and an elegant imagination that is difficult to describe. Furthermore, in the painting, a mushroom called reishi, which has bee...

Woodblock print, Ukiyoe, the original picture is painted by the third generation of Utagawa Toyokuni (Utagawa Kunisada, 1786～1865）The place is Nihon-bashi in Edo, the first stage of the "Tokaido Fifty-Three Stages". The man is a "katsuo-uri", bonito fish vender. In good condition. Mid 19th century. W:25cm, L:37cm

Spectacular 'wagumi' japanese free flowing style bamboo flower basket with root handle. Undulating rim and mixed warp and weft weave. Unsigned. 55cm tall x 30cm in diameter. No breaks and sturdy handle attachments. Very good condition. Ask for shipping quote.

Height: 18.6 cm (7.5 in)
Width: 9 cm (3.6 in)

Fine quality Japanese cloisonne vase depicting birds amongst wisteria; fine gold and silver wire-work throughout with excellent enamel shading; attributed to Hayashi Kodenji; fine diaper enamel patination below and above the rims; excellent condition; email for more pictures

Kano school painting depicted a white heron rests on the willow tree. Painted with ink and pigments on silk. Sealed. It is inscribed the name Kano Motonobu on the side of the scroll.

The condition is reasonable due to its great age, with some marks, crease, damage are present on the painting and scroll mounting due to its great age. There are more crease than you see in the image.

Painting: W13 3/4” x H42 1/8” (W35cm x H107cm)
Scroll: W18 3/4"x H57 1/2” (W47.5cm x H146cm) ...

A set of three hanging scroll paintings finely depicted auspicious motifs such as rising sun and old pine tree, jurojin with divine deer and a sacred scroll, as well as a flock of crow rest in the winter old tree that reminds of the zen like scenery. Painted with ink and pigments on silk. Signed Tsunenobu and sealed. It is attributed to Kano Tsunenobu.

Kano Tsunenobu (1636-1713) was the eldest son of Kanō Naonobu (1607-50), younger brother of the renowned artist Kanō Tan'yū (1602-74). ...

Hotei, one of the seven lucky gods. Painted with ink on paper. Signed and sealed. It is accompanied by an inscripton authenticating the painting that it is painted by Okamoto Hansuke. It is attributed to Okamoto Hansuke(1575-1657).

Okamoto Hansuke(1575-1657) was a military tactician and calligrapher of the early Edo period. His original surname was Ishigami, and he later inherited the Okamoto clan. He is well known by his given name, Nobunari, and his common name, Hansuke. He originally se...

Okimono expertly carved from a single block of ivory depicting a hunter in the company of an Onagadori rooster. A child stands at the hunter's feet while he strokes the rooster's feathers. This okimono features the Yukiharu 之晴 signature in relief under the base within a rectangular reserve in red lacquer. Origin: Japan Period: Meiji end of 19th century. Dimensions: 29 x 7.5 x 6 cm. State of conservation: Very good

Bronze okimono depicting the study of a powerful tiger in a furtive position. The animal is represented with its legs bent, its tail curled upwards and its body in a lowered position just before launching the attack. The streaks of the fur, typical of the animal, are depicted in a masterful way and highlighted with a marked engraving. This okimono is signed Hideyoshi 秀義 under the belly. Origin: Japan Period: Meiji second half of the 19th century. Dimensions: 10 x 36 x 9 cm....

Late Edo (1603-1868) Period Shino Chawan with all highlights of the Japanese aesthetics of wabi sabi. It is in perfect antique condition and comes with its original wooden box, a cloth bag (shifuku) and the attestation of a tea master inside.

Shino-ware dates to the Momoyama period when potters were attempting to recreate white porcelain-wares that were being imported from China at the time. Originally they were made in single-chamber anagama style kilns set into the hillsides. La...

Kano School painting depicted Inkwash landscape/Suiboku Sansui. Painted with ink on paper. Signed Naonobu and sealed. It is attributed to Kano Naonobu.

Kanō Naonobu (1607–1650) was a Japanese painter of the Kanō school of painting during the early Edo period. He was the younger brother of Kanō Tan'yū, who was to continue the line and become one of the foremost painters of the school. Together with Tan'yu, Naonobu completed a number of prominent commissions for the Tokugawa shogunate...

Urushi sakazuki (sake cup) made of wood and painted with black urushi. It has hand-painted sculp with red urushi which is for a charm against evil spirits and used in a temple or a shrine. It is from Akita prefecture in Tohoku. Late Edo period (The first half of the 19th century). In good condition. H:3.5cm, Diameter:10.3cm

1900's Japanese Iron Mixed Metal Miniature Box by Komai Otojiro

It is 0.78 inches (2 cm) tall by 1.2 inches (3.1 cm) long and 1.6 inches (4.1 cm) wide. It is 54.6 gram.

It has tarnished, surface wears and scratches (as seen in the photos).

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DOROMENKO

Primitive Japanese earthen toy for children called 'Doromenko' (lit. 'Mud face') including rare motif like ghost, fox, fish, etc., 19th century, approx. 3-3.5 cm (1.18-1.37in). Aged deterioration as is but in generally good condition.


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Important 'Omizutori' festival lacquer plate from the late Meiji Period. Omizutori (お水取り), or the annual, sacred water-drawing festival, is a Japanese Buddhist festival that takes place in the Nigatsu-dō of Tōdai-ji, Nara, Japan. This ceremony is to cleanse the people of their sins as well as to usher in the spring of the new year. Once the Omizutori is completed, the cherry blossoms have started blooming and spring has arrived. Eleven priests, who are called Rengyoshu, are appointed i...

Late Meiji period (1890s to 1912) Japanese lacquered wood set of kushi (hair comb) and kogai (hair pin) with colored and gold lacquer decoration of a carp swimming in a stream among water lillies. Beautifully made out of dense wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, loss to part of lacquer on the fish of the comb, otherwise in excellent condition. Kogai length 5.56 inches, comb length 3.46 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) encased in silver sheath with gold and shakudo inlays representing beans thrown during setsubun ceremony performed at the New Year around the house to exorcise the oni (demons). Superbly made, crisp detailing, wonderful work in Japanese taste, in great condition. Length 3.39 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with carved and gold lacquered decoration of a drum in garden settings among flowers. Superbly made, crisp carving, excellent lacquering with various colors, wonderful work in Japanese taste, in great condition. Length 3.37 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of narrow theatrical masks on one side and flowers with buds and leaves on the other. Beautifully made out of wood with dense texture allowing for very fine teeth, excellent lacquering, wonderful work in Japanese taste. Length 3.27 inches.

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with gold and silver lacquer decoration of low flower plants among vaporous golden clouds, design continuing over the ridge onto the other side. Exceptionally well made, excellent lacquering, wonderful work in Japanese taste, some wear and insect damage as can be seen on photos. Length 3.43 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with black and gold lacquer decoration of pine saplings and flowering prunus branches, design continuing onto the back. Nice pairing of the two out of the Three (third being bamboo) Friends of Winter. Beautifully made out of wood with dense texture allowing for very fine teeth, superb fine lacquering, wonderful work in Japanese taste, in excellent condition. Length 4.85 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold and brown lacquer decoration of blooming chrysanthemums, design continuing on the back. Beautifully made, excellent lacquering, wonderful work in Japanese taste, in great condition. Length 5.3 inches.

Late Meiji period (1890s to 1912) Japanese buffalo horn kushi (hair comb) with lacquer decoration of a scholarly landscape with trees, torii gate, scholar’’s hut and a bay with distant hills, design continuing on the back. Very well made, beautiful lacquering, wonderful work in Japanese taste, in great condition. Length 3.74 inches.

Late Meiji period (1890s 1912) Japanese pressed buffalo horn kushi (hair comb) with embedded design of metal and mother of pearl flowers. Very well made, wonderful work in Japanese taste, in great condition. Signed YOSAI. Length 3.86 inches.

Late Meiji period (1890s to 1912) Japanese turtle shell kushi (hair comb) with gold lacquer decoration of grasses among vaporous golden clouds, design continuing over the ridge onto the other side. Beautifully made, excellent lacquering, wonderful work in Japanese taste, some wear and insect damage as can be seen on photos. Length 2.77 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with gold lacquer decoration of a leafy vine, design continuing on the other side. Beautifully made out of dense wood allowing for fine teeth, superb lacquering, wonderful work in Japanese taste, some wear as can be seen on photos. Length 4.2 inches.

Late Meiji period (1890s to 1912) Japanese wooden kushi (hair comb) with colored and gold lacquer decoration of a bird in flight against a crescent moon among stylized clouds. Beautifully made out of dense wood allowing for fine teeth, very good lacquering, wonderful work in Japanese taste, wear and loss as can be seen on photos. Length 4.05 inches.

Antique Japanese tall bronze vase in the form of a section of a cherry tree trunk. The tree has been pruned and it's new growth is just starting to blossom. 5 bats flit around the trunk. Details like the texture of the cherry tree bark, the faces and fur of the little bats add a life-like feel to the scene. Made for use with dry branches or an insert for water (not included).

Age: Meiji Period (1868-1912)

Dimensions: 13 3/4" high x 6" wide

Antique Japanese jingasa (samurai war hat). Carved of wood and lacquered black with many raised plates and upturned rim. This shape of bajo-jingasa was developed to be worn by warriors on horseback. The underside is lacquered black and his metal eyelets intended for cord. Age Edo Age - 19th century

Dimensions: 6 1/2" high x 16 1/4" long x 12 3/8" wide

HAIL LOTUS SUTRA

Edo period, Japan. H 13.5 cm (5.31in).

Aged wooden 'Butsugu' as a gold-foiled Buddhist altar equipment, similar to a presence like 'ikon' (Western religious painting on panel) of traditional Japanese Buddhist art piece. The seven kanji characters written in Indian ink pronounced as "Na-m-myo-ho-ren-ge-kyo" as a whole mean "I devote myself (embrace) to the teachings of the Lotus Sutra.". Aged deterioration as is as seen.

Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period. Jurōjin...

Large landscape/sansui painting depicted Mt. Fuji and mountain village. Painted with ink and pigments on silk. Signed setsuzan and sealed. It is attributed to Nagashio Setsuzan.

Nagashio Setsuzan(1774-1833) was a Kyoto born painter of the late Edo period(1603-1868). He became a private painter for the Mori clan of the Tokugawa shogunate in Izumo (Shimane Prefecture), and created paintings based on the Kano school.

Some marks, severe crease, damage, foxing, fabric peeling off, and t...