Ivory white, forest green, and metallic brown/ gold combine to lend this tea bowl a dynamic and refreshing landscape. Bamboo fronds perceived here in the stylized outlines of white marks crisscrossing the front and back inside lip of the bowl signifying strength and resilience...
Antique Japanese scroll painting of a beautiful court lady with very long, flowing hair rolling up her screen door. To her right is a painting of cranes flying over seaside mountains and trees. In good condition. Circa 1800s Edo age (1615-1868) signed Totsugen Tanaka of the Tosa School. From Bay Area Estate.
Size: (entire scroll) 63.5" H x 17" W (artwork only) 33.5" H x 9.75" W
An intriguing set of five small dishes kozara decorated in kakiwake sometsuke style with a design of three Chinese boys, karako, manoeuvring a large snow ball, set within a yukiwa snow flake shaped reserve framed by a band of plum blossom set against a dark blue ground.
The design is a variant of the “One hundred boys playing” pattern popular on Chinese porcelain from at least the Yongle period...
This is a beautiful four sided Japanese cloisonne vase. The work is subtle and the workmanship of very high quality. The artists that come to mind when looking at this piece are Kawade and Souske. The vase is not signed. The rims are silver. The vase stands 7 1/4 inches tall and it is in excellent condition.
Japanese cotton coat, hand-dyed indigo and red with paste resist patterns of waves and Japanese characters. Beautifully hand-woven. Original Condition. Meiji Period (1868 - 1912)
Size: 48" L x 32" H
Antique Japanese coat made of hand-woven cotton indigo fabric. Hand-dyed with paste resist patterns of Japanese characters and a fan design on the back. Originally used and worn by a ship worker. Original condition. Meiji Period (1868 - 1912)
Size: 48" L x 32" H
This is a beautiful Japanese Cloisonne Enamel tray from Namikawa Sosuke. The tray looks perfect but it has does have a very difficult to see professional restoration to the face. This would be a great addition for a Museum or fine collection because it displays so well. This is a top flight piece for less than a third normal price. The tray measures 11 3/4 inches across and it is heavy.
Oribe is a visual style named after the late-16th-century tea master Furuta Oribe (1544-1615). Kuro Oribe (as pictured here) with their jet-black glazes and feldspar ornamentation tend toward the minimalistic, abstract; and, some would say, Zen-like aesthetic...
19th Century, nicely hand-carved Kurogaki (Black Persimmon) wood Netsuke depicting a squatting Shishi that is placing its front paws on a Tama ‹Ê, or sacred Buddhist jewel, a symbol of Buddhist wisdom that brings light to darkness and holds the power to grant wishes. There is a large moving ball inside the Tama. Eyes inlaid in dark horn. Large chimney himotoshi that has been cleverly carved within the form of the figure. Nice compact form. Rich patina...
This is 19th century, hand-0carved netsuke depicting two Karakos with typical costume who are holding a large Daruma Doll.
Netsuke measures 1.24 inches (3.1cm) wide, and 2.12 inches (5.4cm) tall.
Netsuke is in excellent condition, as may seen in the posted photos.
This is a finely carved 19th century Japanese Netsuke depicting Fukurokuju, one of the Seven Gods of Fortune, the God of Wealth and Longevity, holding a staff on his left hand, and placing his right hand on top a seated Karako's head...
This is finely carved, Late 19th century, Japanese Netsuke depicting a jovial looking Entertainer who is making music with a Hand Drum that he is holding in his hands, and Fan looking instrument that he is working with his feet. Excellent form and detail on this piece. It is signed Yoshiyuki in a rectangular reserve posted over the man's rear end...
Tall Japanese Boy's Day banner depicting 3 samurai on horseback. Wonderfully dramatic scene with swords drawn and crashing waves on a black ground. Bright colors in paste resist dye on cotton. The top of the banner is decorated with a wood sorrel (katabami) mon. Taisho Period. Size: 23 1/2 feet high x 33 inches wide.
This extraordinary piece depicting what appears to be a learned scholar (possibly of foreign origin?) being escorted by a young vassal, is done in fine white porcelain from the Hirado region of Japan. Hirado wares—alternately known as Mikawachi wares in some contexts—are known throughout Japan and also abroad for their high quality and fine craftsmanship and date back at least as far as the mid-18th century when they were produced exclusively for powerful lords and their families...
Incredibly charming Japanese bronze incenser in the form of a floppy eared dog, with a curly tail and and a real bell handing off of his neck. A pierced lid comes off of his back to place incense inside, which would then pillow forth from the mouth. Original natural patina from antiquity. Early Edo period (1615-1868)
Size: 7" H x 7" L x 2.5" W
Little distorted half cylinder shaped (kutsugata) tea bowl with flaring mouth made of light, coarse unrefined Mino clay. The expertly thrown body was covered with the typical green copper oxide glaze inside and outside. A 'window' on the side has been left unglazed and is decorated with fern sprouts. This is a typical late Momoyama design, which seems to represent winter and summer. You can find a black Oribe bowl with a similar design in the Nezu Museum...
Massive Japanese Meiji period Kyoto Satsuma earthenware deep scalloped rim bowl with 17 lobes densely painted on the interior and exterior with a profusion of gilt and enamel flowers. Four-character Kinkozan tsukuru mark with Shimazu crest to the base. Very heavily potted (weighs over 8 lbs.). Dates circa 1890 - 1910. 11 7/8” diameter by 7” high. Nicely carved wood stand included. Very good overall condition with no chips, cracks, or repairs...
This rare and interesting ceramic work was done by one of the most renowned and loved waka poets of the 19th century, Ōtagaki Rengetsu (1791-1875). In fact, if you look closely at the attached images, you will see her finger imprints clearly preserved in the molded clay.
Born into a Samurai family but soon after adopted by the Ōtagaki family, from the age of seven to sixteen Rengetsu was a lady in waiting at Kameoka castle where she was trained in the arts and courtly graces...