An Arita plate decorated in underglaze blue with yellow blue and green enamels gilding and iron red and black "dry" enamels. The centre painted with a large tripod censer containing Spring flowering Peonies on a low table flanked by a pair of flower vases, containing Autumn flowering Pinkes and Chrysanthemums with a pair of birds. The rim painted with a pair of Hoo birds with Chrysanthemums and Peonies...

An unusual and rare Arita Chawan and cover in late 18th century Qianlong Canton high footed style decorated with an "over the wall" "guogianzhi" pattern of a four toed Chinese dragon. Its full body obscured by the rim and continued in the interior of bowl and under the dish cover. Similar patterns appear on Chinese porcelain dating from the Yongzheng period...

A pair of sometsuke underglaze blue san kaku-gata choku, three sided cups, decorated with contrasting patterns of a pair of "Dutch" figures set against a diaper brocade ground, a scene of Chinese boys, karako, one playing with a standard, the other holding a double gourd form tokkuri, and an auspicious kara hana (literally Tang flower) inset within an arabesque of kara-kusa (Tang grasses) painted in kakiwake style. This form of cup is rare and apparently only occurs with this pattern...

BEWARE OF FIRE

Old Japanese paper hanging scroll with hand-drawn traditional slogan word for the protection against fire as ‘Hi-no-yo-jin’ (Beware of fire) in such unique unusual style, 19th - early 20th century, 25 x 92 cm (9.84 x 36.22in). Aged deterioration (stain, peeling, rip, etc.) as is as seen. Repaired at the backside in the later years...

Antique Japanese hand-colored photograph of two beautiful young ladies in a garden. One uses a bamboo ladle to scoop water from a fountain. The other stands on the path behind her. Tall bamboo fences and manicured pants enclose the scene.

Meiji period (c. 1870)

Dimensions: Frame: 25 3/4" high x 19 1/2" wide. Image: approx. 10" high x 8" wide

Antique Japanese woodblock print of a Kabuki actor with an ornately lacquered cart, scene from play. Signed Gototei Kunisada ga. From 1811-1844 Utagawa Kunisada I (Toyokuni III) used the name Gototei Kunisada.

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he impressed the great master, Toyokuni I of the Utagawa school. He became his apprentice, officially adopting the name Kunisada around 1807...

Japanese antique woodblock print by Utagawa Kunisada I (Toyokuni III) (1786–1864) titled: Night Rain at Hirefuri Peak (Hirefuri-mine yoru no ame): Actors Iwai Kumesaburô III (?) as Ôtomo's Daughter (Sokujo) Wakana-hime (R) and Nakamura Shikan IV as Toriyama Shûsaku Terutada (L), from the series Eight Views of Shiranui (Shiranui hakkei no uchi).

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art...

Antique Japanese diptych woodblock print by the artist Utagawa Kunisada (1786-1865) also known as Toyokuni III. The scene is of two beautiful ladies entertaining two men, most likely either samurai or actors in an elegant urban setting overlooking the harbor.

Kunisada was born to a family that owned a ferry boat service allowing him the time and money to devote to art. At an early age, he impressed the great master, Toyokuni I of the Utagawa school...

19th Century Japanese Wood Carved Netsuke See, Hear, No Evil Wise Monkey Signed

The monkey 1.4 inches (3.5 cm) tall by 1.2 inches (3 cm) wide.

It has surface wears and scratches (as seen in the photos).

Please contact us for more photos.

Our Guarantee: We stand behind all of the items that we sell. That is to say, if you purchase an item from us and are unhappy with it for any reason, return it for a 100% refund of the amount you originally paid...

KYOHO-BINA

Empress of old Japanese hina doll made during the Kyoho era (1716-35) in Edo period so-called 'Kyoho bina', in such damaged condition due to age but with beautiful face...

A fabulous large porcelain vase by Daimaru Hokuho (Hoppoo) complete with a rosewood base enclosed in the original signed and compartmentalized wooden box titled Konko-yu Semi Monkizami Kabin (Golden Yellow Glazed Vase inscribed with Cicada Patterns). The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The baluster form rises to frets in the shape of stylized cicada under a belt of archaic figures and yotsu-domoe (yin-yang) symbols...

A large porcelain vase by) Daimaru Hokuho (Hoppo) enclosed in the original signed wooden box titled Yellow Porcelain Lightning Pattern Vase. The vase is a perfect example of the Sinophile aesthetic that permeated Japanese art in the early 20th century. The simplified form rises to a row of alternating concentric lines known as Lightning pattern. It is 21 cm (8-1/2 inches) diameter 25 cm (10 inches) tall and is in excellent condition...

1930's Japanese Plique a Jour Cloisonne Silver Vase with Butterfly, Bird, and Chrysanthemum Marked

It is 7.16 inches (18.2 cm) tall by 5.6 inches (14.2 cm) wide...

Japanese bamboo lacquered hat.

Age: Japan, Showa Period, Early 20th Century
Size: Diameter 46.8 C.M. / Height including stand 89.7 C.M.
Condition: Nice condition overall (some expected degradation due to its age including a minor tear on the rim). Please refer to the enlargement photos for more details.
Shipment: Worldwide shipping from Bangkok, Thailand at actual cost. Please e-mail us for the shipping fee.

Ivory netsuke depicting a sitting monkey holding a peach, with the little one next to him stretching out his hand to ask for the fruit. Himotoshi is natural. Period: Meiji end of 19th century. Dimensions: 3.3 x 3.3 x 2.3 cm. Conservation status: Excellent condition

Ivory manju netsuke with inlays in the Shibayama technique depicting one of the seven Deities of good luck: Fukurokuju 福禄寿, god of knowledge and long life. The netsuke is signed Kōgyokusai 光玉齋 with ivory engraving on the back. Period: Meiji end of 19th century. Dimensions: 1.6 x 4.3 cm. Conservation status: Excellent condition

Ivory okimono depicting the goddess Kannon standing on a lotus flower. With her right hand she holds a koro while with her other hand she holds a jewel that grants her wishes. She signs Gyokushin 玉心 engraved on red lacquer under the base. Period: Meiji end of 19th century. Dimensions: 25 x 7 x 6 cm. Conservation status: Excellent condition

Ivory okimono, depicting a farmer with an Onagadori rooster and a child on his shoulder offering food to the rooster. The sculpture, carved from a single block, is finely engraved with details of the rooster's feathers and kimono. The Hōzan signature is engraved on red lacquer under the base. Period: Meiji end of 19th century. Dimensions: 27 x 8 x 6 cm. Conservation status: Excellent condition