This rare Edo period (江戸時代 1603~ 1868) silk covered accordian-fold book is hand painted on rice paper. The title and artist's seal appear on the cover. It is 9 5/8" long, 7 1/4" wide and 1" thick. The opening pages (both verso and recto) from either direction are blank, gold flaked rice paper; the end pages (bother verso and recto) are plain rice paper. The book contains 12 paintings, 6 paintings on each side...

It was carved by a late Meiji period (1868~1911) artist Tozan (東山). It depicts a smiling wood cutter taking a break and tying his straw sandal lace. A sparrow is resting on his straw hat. It is 6 1/5" high, 3 7/16" wide (from the bottom) and 3" thick (from the bottom). Aside from two hair line cracks; one on his back head and one on the bottom, it is in great condition.

Antique Japanese kesa, Buddhist monk's traditional outer garment. Made from rich fragments of silk donated by wealthy devotees, kesa are traditionally made of square and rectangular swatches of material symbolizing the Buddha's patchwork garments. In contrast with this idea is the material itself, made of fine woven silks...

19th century wooden netsuke of sitting Okame snickering as she fondles a long stem of a mushroom in her hand. The netsuke is definitely of shunga type with not so subtle sexual connotation. Wonderfully carved (see her endearingly ugly face, hair arrangement and flowing lines of her kimono), beautiful patina, little nicks here and there. Height 1 13/16 inches.

A good quality Japanese vase and cover decorated with scrolling Octopus-vine patterns almost entirely covering the body of the vase and cover. Probably Arita in origin. The vase dates to the early 19th Century and the late Edo period. The vase stands 26cm high, including the cover, and has a diameter of 15cm. The foot-ring measures 8cm. The vase weighs 1445 grams in total. The condition is good no cracks, chips or restoration to the body. There is a crack to the rim of the cover (see images)...

A bag made of deer skin with indigo dye hemp rope. It was used for coins which were distributed among citizens in Edo period. Paper moneys were issued later, in Meiji period (1868~1912). The first half of the 19th century. 26cm x 62cm

Japanese bronze incenser in the form of Hotei, one of the Seven Lucky Gods of Fortune. Hotei is clothed with open robes, holding a gunbai fan, seated on top of his large sack. Hotei's name literally means "Cloth Sack", for he can be attributed by the large cloth sack he carries with him during his travels...

This is a very rare and wonderful Japanese Cloisonne box. There are a wide variety of enamel colors and designs making this a very unique piece. The designs, mottled and translucent enamel colors strongly suggest that Honda is the artist. The rims are also Bronze and appear to have never been silver plated. Condition is excellent. There is minor scuffing to the bottom corners. The box measures 5 1/4 inches by 4 1/4 inches and is 2 1/4 tall

Antique Japanese choba tansu made of solid quartered sawn keyaki (zalkova) wood with burl wood front. The upper portion of the tansu has a large full-width drawer and another full-width drawer on the bottom. The right hand side has three small exterior drawers. The middle section has sliding panels with unusually fine vertical slats. The interior has 3 small drawers in a vertical row...

Height: 3.5 cm (1.3 in)
Width: 3 cm (1.2 in)
Depth: 3.7 cm (1.6 in)

Fine example of the work of Gyokkei; a stone lifter, masseur or a man attempting to lift his distended scrotum?; a tumour is also present on the back of his head; the poor fellow also has a wall-eye; signed on an inlaid tablet; good condition

Very unusual and rare early 19th century Japanese cloisonne plate with flowers in the center surrounded by a border of stylized clouds in cavetto and 3 dragons chasing each other along the wide rim, flower design on the bottom and 3 scrolled feet...

19th century Japanese wooden nyoi - a Buddhist scepter - with scrolling finial. Nyoi, or Ruyi scepter is a traditional symbol of scholarship and transmission of knowledge. Dense fruitwood with beautiful texture, simple elegant carving, wonderful patina to the surface from being handled, old ink spots in places, very pleasant to the touch. Great subtle piece for scholar’s table, or a practicing Buddhist. Length 12 1/4 inches.

1890s - 1910s (late Meiji - early Taisho) Japanese inkstone in simple rectangular shape with carved keyfret border and central grinding area. Used for grinding of an inkstick on the surface of the stone. Akama stone of shiunseki type with characteristic reddish brown color - Akama inkstones are quite famous, and come from the Yamaguchi Prefecture. Beautiful patina, traces of ink on the grinding surface, comes with fitted wooden cover. Very nice object for scholars table, in excellent condition...

18th century netsuke of a seated skinny dog wearing a collar with bell and resting one front paw on a cloth ball. Strong early piece, beautifully carved - great face with horn inlaid eyes, wonderful rendition of its spine and ribs, superbly carved paws, netsuke of characteristic 18th century triangular section, beautiful wear and patina (some irregularities on the surface on the darker colored part of its back), old age lines...

Very unusual 19th century mixed metal and wood netsuke of a boy quietly playing a reed flute while leaning against a side of a resting buffalo, 2 baskets next to him. The subject is ushidoji (also called bokudo) symbolizing the perfect peace of mind, and is considered to be one of the stages on the way to the Buddhahood. Excellent quality metalwork of shakudo (buffalo), solid silver (boy) and copper (baskets), perfectly captured mood of the scene...

19th century staghorn netsuke carved as a cluster of all 7 masks of shichifukujin - Seven Gods of Good Fortune: Ebisu - god of fishermen and merchants, Daikoku - god of wealth, commerce and trade, Bishamonten - god of warriors, Benten - goddess of knowledge, art and beauty, Fukurokuju - god of happiness, wealth and longevity, Hotei - the fat and happy god of abundance and good health, and Jurojin - god of wisdom. Essentially the netsuke is a wish for good luck and serves as a talisman as well...

19th century ichii (yew wood) netsuke of a theatrical mask of an oni - a mischievous demon. Cleverly carved in ittobori (one-cut) style characteristic of Hida school, wonderful depiction of its bushy eyebrows and toothy grin. Wonderful patina and beautiful sheen to the surface. Signed SUKEYOSHI on the back bar - the artist is listed on p. 1051 of NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, and was a student of Sukenaga. Height 1 9/16 inches.

19th century kokutan (ebony) netsuke representing a theatrical mask of horned demon Hannya. Wonderful crisp detailing, beautiful lustrous patina from wear. Height 1 15/16 inches.