Japanese Kamakurabori Lacquered Box by Kasen, with a design of Peony and Shishi, Buddha's Guardian Protector. Gorgeous rich red lacquer intricately carved in high relief. A superb example that is rare for its size, quality, and superior technique. Meiji Period, circa 1890. 13 inches x (33cm) long x 11 inches (28cm) wide x 6 inches (15cm) deep. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
A unique early Japanese Ikebana Basket with a rich camel
colored bamboo entwined with Wisteria vines with a single, beautifully twisted and gnarled Wisteria
branch. Highly sought after by the discriminating basket collectors. Edo Period, circa 1850. 14 inches (35.5cm) tall x 12.5 inches (31.5cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.
Pair of Important 18th Century Edo Period Cricket Cages of museum quality, made for upper
class or royalty. They are exceptional in every way. The Bamboo bars and
Mother of Pearl inlay are of the finest Japanese craftsmanship, as are the Wisteria
wood cases and red lacquered feet. Work like this is extremely rare and highly
treasured in Japan. This is a unique opportunity to own an extraordinary work of Japanese art. 9 inches (23cm) tall x 8.25 inches (21cm) wide x 5.75 inches (14.5cm) deep...
Beautiful Japanese Bonbori lanterns for hina dolls. Hand painted on silk and it is indeed one of a kind. The bonboris are placed on each side of the Emperor and Empress hina dolls during the Hina Matsuri Festival, Girl's Day, in March.
We have not seen this type of lantern until now. The silk is lifted here and there and detached from the frames with some deterioration (probably a reaction to the glue or metal). The amazing thing is how the original colors maintained without fading...
A Very Fine Imperial Court Traditional Dancer Scroll Painting by Gyokuto:
Japan,19th Century,
The artist is not identified, but his work is so impressively done in this painting with ink, water colors and gold. This painting was executed with such detail of this portrayal of a traditional imperial court dancer wearing a brilliant colored court costume dress. This type of dress is typically worn with various heavy hair ornaments and her hat is painted with gold very intricately...
Dated: 1906
Painted in thick overglaze enamels with a scene of fish with human bodies brandishing sticks at a large turtle-like creature. The base in inscribed in gold enamel with a date, a four-character seal and the English name, Thomas Bigelow written in katakana script. The date reads: Meiji 39 (1906), fourth month, tenth day. It is unusual to find specifically dated porcelains and particularly with an individual western name inscribed...
Ca. early 1800s
In the style of Okuda Eisen, possibly made in Kyoto at one of the Kiyomizu Kilns. One of a set of five or ten used for individual servings of sweets or other items in a tea ceremony context. Made from porcelain with thick overglaze green enamel and rapidly painted floral designs in red enamel. This style was popular in Kyoto in the late 1700s and 1800s, and was revived again in the 1900s...
Dated: 1918
Heavy, pure silver box with gold, silver, and copper inlaid bronze plaque inset in lid. The bronze plaque depicts a scene of dragonflies amidst autumn grasses. The grass is both incised and raised. The seeds are all inlaid gold. The dragonflies are raised above the surface with silver wings and copper bodies and the smallest dragonfly is inlaid with silver and copper. The sides of the box are incised with floral medallions and the base is raised on four solid silver feet...
Old Japanese doll resembling the Kuge (aristocrat) from the Heian period (794-1185), 16 inches tall. This doll was probably one of the zuishin (imperial guard) dolls for the Hina Festival (Girl’s Day in Japan). His long face mostly resembles the Kyoho-bina which is the imperial pair dolls from the mid Edo period (1603-1868).
Considering the quality, size and time (late Edo), this doll must have been made for someone special...
Ca. 1920
An overall design of plum blossoms and buds on a rich blue background. The base and mouth are rimmed in silver. There is no maker’s mark, but similar works with generally the same pattern were produced by the artist Hayashi Tanigoro in the Taisho period, 1912-1926. Very good condition, having only a very small dent in the edge of the silver rim.
Height: 8 ¼ in.
Ca. late 1800s
Scene of geese on a flowering stream bank. Though unsigned, the design is very well executed in mostly earth-toned enamels. There are some faint stress lines of discoloration in one area under the enamel, otherwise the condition is very good.
Height: 12 in.
Japanese Kesa, buddhist priests' robe, silk brocades, excellent condition. Circa early 1900 to 1940. Dimensions: 46" x 75"
Japanese Kesa, Buddhist priests' robe, "ro" summer silk. 44 1/2" x 77", the color changed evenly to a tannned tone. There are some stains in the front and back, and the handle and the folding lines in the back are soiled.
Japanese Kesa, Buddhist Priests' Robe, soft brocades with silk liner. The liner has some discoloration and is soiled. 46" x 77 1/2"
Two waterfowl in a marsh, issued ca. 1910
Signed Koson with seal, published by Daikokuya ca. 1910, fine impression, color and condition
Overall size: 14 3/8 x 7 1/8 in.
Bird in willow tree, issued ca. 1910
Signed Koson with seal, published by Daikokuya ca. 1910, fine impression, color and condition
Kakuban: 9 3/8 x 10 in.
Ink and mineral pigments on silk
Interior of a fan maker’s shop with craftsmen at work, ca. late 1800s
Unsigned, very good color, good condition, small repair to backing on upper right margin, retaining a portion of its original silver mounting paper probably from being mounted as a framed panel.
Overall size: 13 x 17 ½ in.; image size: 10 ¾ x 16 ½ in.
Portrait of Kabuki actor, Nakamura Utaemon, issued ca. 1830
Signed Gototei Kunisada on lower left, partial loss of signature, Kiwame seal and publisher’s seal (Heikichi) on lower right, moderate impression and good color
Oban tate-e: 9 5/8 x 14 in.