Unusual 19th century netsuke in bean shape carved on the inside with a scene of a shishi family (2 adults and a cub) frolicking among flowering peony bushes. Rare use of anabori (cavern) carving technique, perfect sculpting with deep undercutting. Beautiful faces and flower petals, great patina. Signed NAGAMITSU SAKU (made by Nagamitsu) in oval reserve on the bottom - for information on the artist see NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, p. 813...

A Japanese Imari dish or plate with scalloped edges, circa 1880. Dish measures 8 3/4" in diameter and 1 1/4" high. Condition: The condition is excellent with some ware to gold on rim and colored enamels. The dish has a "great Ming" mark on the bottom. Free shipping within the USA.

Japanese Edo period (1615~1868) a sage standing on the ground covered by bamboo leaves. It is signed by Kawahara and dated 1824. The base has been repaired. It is in good condition. H: 11 ¼ inches, W: 7 inches, D: 3 ½ inches

A Japanese totai cloisonne (on ceramic body) bottle vase. Blue, white, rose, green, red and yellow enamel decoration of flowers. A silver rim encasement original to the vase. Good condition. Height: 5 inches

19th century Asakusa school staghorn netsuke in a ryusa shape with openwork carving of a water dragon among lotus leaves, flowers and buds. Superb design and excellent quality sharp carving, extraordinary warm patina, darker porous areas as is usual with staghorn. Diameter 1 5/8 inches.

A Japanese gold lacquer Inro with five compartments. A relief of a pair of silver horses dominates the landscape scene of a seaside village with drying racks of fish and pines and clouds in the background. The horses are galloping over a creek with foliage. The reverse side shows a lone horse under a fruit tree and thatched cottage. The inside compartments are covered with dense nashiji lacquer (fine gold flecks). The cord has an agate ojime...

Lacquered wooden box inlaid with gold, silver and mother-of-pearl mosaic, typical work of the famous Somada family of Japanese lacquerers. The box is made up of two superimposed parts which are partially covered by a surprisingly openwork lid, largely revealing the sides. Inside there is a small tray. The preciousness of this box is matched only by its fragility; however, it is in a perfect state of conservation, which is exceptional...

The size of Makie Kobako: 3 3/4" Long x 3" Wide x 3" High. This is Amazingly Fine Japanese 19 th Century Japanese Antiques Makie Kobako(small box). The Kobako has Roiro(black) background Makie with Hira Makie gold design of Japanese trees as well as Japanese Kamon(family crest). One tree looks like Magnolia tree with flowers. It is finely done. The Kobako came with inside tray as well. The side of Kobako with Red Makie finish over cloth texture finish as photo showing...

19th Century Japanese Cloisonné dish featuring a bijin (beautiful young girl) holding irises and rendered in the style of Ukiyo-e. This unusual work of art displays stunning colors with rich royal foil background and aspects of foil throughout. It is of the highest quality, with multicolored flowers and foliage. This exceptional Cloisonné is a gorgeous addition for the finest collection. 7.5 inches (19cm) wide.

Japanese set of 2 Yari spears, signed Yamato Fujiwara Sensada. Hand forged steel, done in the same many and technique as samurai swords...

A small antique Japanese Lacquer box with a scene of river, pampas and clouds. The interior has dense nashiji lacquer (fine gold flecks). Used to store incense.

Date: Meiji Period (1868-1912)

Dimensions: 4"long X 2.5" wide X 1" tall

Rather unusual 19th century Asakusa school staghorn netsuke of a fly with spread wings on a folded leaf of a lotus plant with stem, root and 2 tiny bulbs by the bottom. For some reason flies are not common in netsuke. Superb design and excellent quality carving - see the elegant shape of the folded leaf with its veins and delicately incised wing patterns of the insect. Extraordinary warm patina, beautiful darker porous areas and patches of antler outer texture adding charm to the piece...

Large and wide tray, in Japanese lacquer, black, gold and silver according to the techniques of hiramaki-e and takamaki-e. It offers a setting of two large rabbits in autumn grass looking at the sky, under a large silver crescent moon, on a black background. Length: 66cm x Width: 44cm. With a base. Japan Edo (1603-1868) 19th Century

19th century kagamibuta (mirror lid) netsuke with metal top depicting Kyoyu - one of 7 Sages of the Bamboo Grove - seated among rocks by a waterfall and cleaning his right ear thus washing off the indecency of the suggestion for him to become an Emperor. Sometimes he is shown with his friend Sofu leading his ox away from the river several miles downstream from the waterfall, so it will not drink water tainted by indecency of the proposal...

19th century Japanese kiseruzutsu - tobacco pipe holder - carved out of a section of stag antler. Very clever use of natural skin texture and color to represent an old rotting pine log with its peeling bark. Two holes in the upper back part for hanging. Elegant piece in Japanese taste, excellent patina, in perfect condition. Length 8 1/2 inches.

A pair Japanese hairpins in the fluttering style, worked in silver alloy and having attached metal strips. Showing beautiful peony flowers, one with tiny coral beads forming the center. Ending in a mimikaki (ear spoon). Condition: missing metal stripes, professional cleaning needed. Dimension: 16.9 cm long x 4.5 cm wide.

Japanese silver teapot with a copper lid. Description & size: 7.5 cm height x 9.5 cm wide (2.9 in x 3.75 in) Weight: 119 gram Circa: Meiji Period, early 20th century Production: Handcrafted & forged in a personal silver teapot. A copper silver lid with a small wooden handle on both the teapot and lid. Unsigned

19th century wooden netsuke depicting standing Hotei (one of the 7 Gods of Good Luck, also considered to be the incarnation of Maitreya - the Buddha of the future) with a peach in one hand, and the other hand resting on his voluminous belly. Nice quality carving - see his face with a slight smile and beautiful flow of his long robe. Wonderful wear and patina, very pleasant feel of age. Signed SHIGEKAZU on the back - the artist is listed on p...