A Fukagawa porcelain 11 3/4 inch long covered tureen. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration including butterflys inside the cover. Mt. Fuji mark inside the foot ring and Mt Fuji with Fukagawa Sei inside the cover. Late Meiji or early Taisho. Good condition. We are happy to quote a group price or entertain an offer for all available pieces we have in this pattern.

A Fukagawa porcelain 7 1/4 inch diameter serving bowl. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring. This bowl, together with two other sizes of bowls we are offering separately in the same pattern, formed the traditional Japanese graduated bowl set. Late Meiji or early Taisho. Good condition...

A Fukagawa porcelain 8 3/8 inch diameter serving bowl. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring. This bowl, together with two other sizes of bowls we are offering separately in the same pattern, formed the traditional Japanese graduated bowl set. Late Meiji or early Taisho...

A large Fukagawa porcelain 9 1/2 inch diameter centerpiece serving bowl. Iris decoration from Chuji Fukagawa's own 19th century design book. Blue underglaze and red, yellow and gold overglaze enamel decoration. Mt. Fuji mark inside the foot ring. This bowl, together with two other sizes of bowls we are offering separately in the same pattern, formed the traditional Japanese graduated bowl set. Late Meiji or early Taisho. Good condition...

Japanese Bizen ware of Daikoku wearing the Lion mask and is doing the shishi mai or Japanese Lion Dance on top of a rice barrel. Work is sealed on the back of the figure. Seal reads: made by Toshin of Bizen. Age: 19th century. Size: Height: 10.5" Width: 5.75" Length: 4.25"

An interesting Japanese puppet head of an old woman used in Bunraku, the traditional puppet theater developed in the Edo period by Uemura Bunrakuken, which the name of the puppet theater was derived from. The puppet consists of several moving parts. The head and neck are two separate pieces that move up and down. The bar on the bottom assist the puppet master to move the head in various ways and the rope as a lever. Age: 19th century. Size: Height: 11" Width: 7" Length: 4"

Antique Japanese mask used in Kyogen or Kagura theater. The mask is invoking the spirit of a joyous spirit or god and often used in plays such as sambaso, a play which is often performed during New Years. Age: Meiji Period. Size: Height: 7" Width: 3.5" Length: 5"

Edo Period, Late 1700s / early 1800s

This lacquer box of square form has three slightly raised gold lacquer family crest designs on the lid. The well-polished black lacquer covers the interior and exterior of the box which is of a finely constructed wood core. The lid has a slight lip extending from the lower edge. The crest designs are very well painted and incorporate a very fine raised gold stippling in areas...

Very rare Daruma scroll from Futo Sanjin better known as Kanokogi Takeshiro, (1874-1941). He was mainly a western style - painter, studied in France before returning to Kyoto to establish his own school. In his later years was a juror for the esteemed Bunten and Teiten Art expositions. This painting is all the more remarkable because this was a rare stab at the classic zenga ink paintings. This Daruma is a classic in itself. C.1920. Ask for shipping quote.

Japanese antique small single section mizuya tansu (kitchen chest), hinoki (Japanese cypress) wood frame, with beautiful keyaki (elm) wood drawer fronts, three compartments with sliding panels all with black lacquer frames: top sliders with keyaki wood panels, middle sliders with textured glass, bottom sliders with glass backed by wooden lattice work; 6 drawers of various sizes, warabite shaped drawer pulls, Taisho Period. Size: 43 1/4" high x 32" wide x 13 7/8" deep.

Japanese antique Thick hand-spun otton tsutsugaki Horse cover of the Edo period.(1800-1867)The string currently attached to this is shirakage-shibori-dye. It is very impressive and beautiful. It is made of hand-spun and hand-woven and natural indigo dyed cotton. It has a thin stain. However, it is in a state good on the whole. size:190cm x 47cm (74.8" x 18.5")

Japanese Edo period woodblock print depicting a beauty preparing to wash titled "Yellow" from the series "Five Colors of Ink" (Goshikizumi) by Keisai Eisen (1790-1848) published by Aritaya Seiemon between 1843-1846. A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, Yoshimura Gentaro censor's seal, and seal of the publisher all appear at the lower left. Vertical oban print measuring nearly 14 3/8"V x 10"H. Very good impression quality and color...

Japanese Edo period woodblock print depicting a beauty standing under a pine tree viewing a bustling scene of boats on a waterway by Keisai Eisen (1790-1848). A pupil of Eizan, Eisen is perhaps best known for his prints of sensual women. The artist's signature, "kiwame" censor's seal, and seal of the publisher Sanoki all appear at the lower right. Dates from the 1820s to 1830s. Vertical oban print measuring 15"V x 10"H. Most likely a panel from a triptych...

Japanese Edo period woodblock print depicting a young salt-water gatherer by Kikugawa Eizan (1787-1867) from the series "Seiro Niwaka" (Yoshiwara Nikawa festival). Eizan, who was the master of Eisen, specialized in designing prints of beautiful women...

Japanese Totai Cloisonne Vase, enamel with silver wire work on Earthenware, signed in red "Kinkosan" under the high foot base, Ca. late 1800's, late Meiji period, 12" high, 4 3/4" wide-maximum width. The main body has colorful floral design enamel work divided by silver wire inside two(2) cartouches on each side on powder blue background, and more individual enamel floral design on the green Turquoise color background outside the cartouches. Around the neck and bottom part is black enamel work...

1800s

Made in Mino in Gifu prefecture, these e-shino type small bowls were produced in sets of five or ten and used to serve guests the special foods of the Kaiseki meal that often accompanied formal tea ceremonies. These two bowls were wheel-formed, then shaped while the clay was still wet. They were then painted with simple, almost abstract designs using iron oxide for the pigment. Then they were dipped in a thick white glaze which was allowed to fall unevenly over the body, inside and o...

Unique Zen ink wash painting depicts scroll and bamboo broom representing Kanzan and Jittoku. Kanzan and Jittoku were Zen eccentric monks thought to have lived at a monastery on Mt. Tendai in China during the Tang period (618-907). They had a thorough knowledge of Buddhist philosophy. Kanzan often depicted holding a scroll, presumably of his poetry, while Jittoku holding a broom, indicating his position as a scullion at a monastery. Their unconventional appearances have often been painted by Zen...

The painting depicted a samurai met an old man at night. In Japan there are many legendary tales of ogre extermination where samurai fights with ogre to protect people and their town. Some folklore says that the ogre turns into human and attacks people go around. Here, the samurai was prepared for the fight by the torii, which is a traditional Japanese gate commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the profane to the sacred. Whil...