Ikebana basket made of dark brown varnished bamboo wickerwork, square shape with rounded edges. Thicker bamboo braids on both sides and on two of the four sides in the extension of the handle. Removable handle in five segments. Round pot to hold flowers.
Transport box included.

Weaving similar technique to a ikebana basket conserved at the Musée du quai Branly - Jacques Chirac, Paris : Anonymous, Hanakago Karamono - Utsushi, Edo-Meiji period, 19th century...

Incense burner in chiseled bronze with brown patina in the shape of a rounded gourd, decorated with long branched stems fitted with carved branch tendrils, gourd leaves, flowers and shoots.
The calabash is a plant native to the tropical regions of Africa and Asia...

Beautiful gold lacquer bottle decorated with pine, wisteria and bamboo. Mon (family crest) of Makino and Shinjo families.

Height 6.89 in – Diameter 3.94 in

Japan – EDO (1603-1868)

1th Generation Zengoro Eiraku Hozen (1795-1855）Tea Bowl (Chawan) for Tea Ceremony.

The Eiraku family is one of the most important and historically significant family of potters in Japan since 17 century.
They belong to a limited number of craftsmen who is allowed to create tea ceremony utensils for three schools of tea ceremony which are Mushakoujisenke, Urasenke and Omotesenke.

Size
2.6in. (6.7cm.) high;
6.2in...

Japanese Antique Raku Teabowl (Chawan) made during Mid-Edo Period (1603-1868).

Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century.
The seal of the potter is stamped at the bottom.

Size
2.613in. (6.7cm.) high;
4.212in. (10.8cm.) diameter;
230g weight.

Condition
Good considering the age.
There is a chip at the rim. Please see the photos for details.
No cracks.

From a large collection of Edo period Nabeshima and Hirado-ware, this intricately crafted incense burner in the shape of a lantern features two intertwined dragons dancing around the base...

Meiji Period (1868-1912) Japanese Shino Ware Mizusashi (Fresh Water Container) for Tea Ceremony

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
5.7in. (14.5cm.) high;
5.4in. (14.5cm.) diameter;
1470g weight.
Condition
Good.
No chips, no cracks.

Rare 18th Century Hagi Tsutsu Chawan (Cylindrical Tea Bowl) Made for Tea Ceremony Wabi Sabi Mid-Edo Period (1603-1868).

Hagi pottery became popular throughout Japan for tea ceremony during Edo period (1603-1867). Hagi ware has its distinctive nice cracks together with soft texture which is highly prized among tea lovers around the world.

Size
3.7in. (9.5cm.) high;
4.4in...

Lacquerer board. Early Meiji period. Coats of lacquer, wears and splashes due to a long time use. Inscription on the reverse. 40 x 28 x 4,5 cm

A Japanese antique Ikebana Suiban Takekago (basket) made of woven bamboo with its perimeter intertwined with split bamboo. A removable copper insert for the run-off of water. Mixed chestnut color highlights and smoked bamboo. Flat woven bottom with parallel bamboo slats.

Age: Meiji Era (1868-1912)

Dimensions: 18 1/2" Long by 12 3/4" Wideb by 2 3/4" High

An antique Japanese temple carving of a flying dragon protecting a sacred Hoju while flying through the tumultuous clouds. Hand carved from one solid piece of Keyaki (Zelkova) wood. Beautiful three dimensional high relief detail.

Age: Edo Period, circa pre 1850s)

Dimensions: 53 1/4" Wide by 26 1/4" High by 5 1/2" Deep

Rare example of Edo Period (1603-1868) White Shino Ware Tea Bowl (Chawan).
The potter's mark is carved at the base.

Shino pottery is produced in today's Gifu prefecture since 16th century and it is distinguished by thick white glazes, red marks and the surface of small holes.

Size
2.925in. (7.5cm.) high;
5.07in. (13cm.) diameter;
405g weight.

Condition
There are chips and cracks due to age...

Edo Period (1603-1868) Japanese Red Raku Teabowl (Chawan) for tea ceremony.

Raku pottery is traditionally used in Japanese tea ceremony since as early as the 16th century.

Size
2.34in. (6cm.) high;
5.07in. (13cm.) diameter;
365g weight.

Condition
There are old repairs at the rim with gold and red lacquer. Please see the photos for details. No cracks.

A rare antique Japanese temple carving of a mythical sea turtle swimming among the rough ocean waves. Hand carved from one solid piece of Kuwanoki (Mulberry) wood, its three dimensional deep relief was carved on both sides. With large wisps of sea algae trailing on the back of its shell, the Kame (turtle) is a Japanese symbol of longevity signifying 10,000 years of long life. Fine detail and craftsmanship are evident especially in the claws, the scales and its head...

A rare antique Japanese Choba Kotansu (merchant small chest) made of Hinoki (Cypress) and Suginoki (Cryptomeria) woods. All original hand forged iron hardware. Removable hinge doors behind which hides a removable horizontal bar that securely latches the left door in place. Spacious storage behind the doors where the merchant kept his store books and records. Two upper drawers were used to keep money and valuables. Beautiful original calligraphy on the sides and back of the tansu...

An antique Japanese single section Mizuya Tansu (kitchen chest) made of Hinoki (Cypress) and Keyaki (Zelkova) woods. 2 sliding doors designed with individually cut vertical slats (as opposed to a solid board carved to look like slats). Side horizontal ribs add visual strength and structural support to the chest...

A piece of Narumi-Kongata (also called Urumi-zome) cloth which is hand-spun cotton and dyed with vegetable indigo. Narumi-Kongata is one kind of katazome (stencil-resist-dye) imitating shibori. It had been produced from late Edo to Meiji period but not produced anymore. It has auspicious shrimp motif with intricate pattern which requires high dye and stencil making technique. In excellent condition. 35cm x 172cm

An antique Japanese bronze temple bell known as a Bonsho with a carrying handle depicting diverging dragon heads called Ryuzu. The upper protrusions called chi chi or nye improves the resonance of sound. There are two opposing striking panels called Tsuki-za upon which the bell should be struck for the best and longest sound. Large bells such as this one are found in Buddhist temples throughout Japan and they are used to summon the monks to prayer...