An antique Japanese Byosho Bako (peddler's chest) made of Hinoki (Cypress) wood. All original hand forged iron hardware. Two loop rings where a carrying rope was once attached allowing the merchant to carry this chest on his back. The hinged door opens to 5 drawers used for the storage of wares for sale. A few small ink stains on the upper surface attests to the merchant using the top as a writing surface when writing sales...

An antique Japanese Tohoku Mizuya Tansu in 2 sections made of Burl Keyaki (Zelkova), Aka Matsu (Red Pine) and Hinoki (Cypress) woods. Two sets of large doors separated by a middle set of 4 drawers with Mokko handles. A lift-out door hides additional storage space where tall narrow items were stored. Original wiped Urushi lacquer finish.

Age: Meiji period (1870-1890)

Dimensions: 65 3/4" Wide by 55 5/8" High by 21 5/8" Deep

An antique Japanese 2 section Kyoto Mizuya Tansu made of Keyaki (Zelkova) and HInoki (Cypress) woods. The upper and lower sections feature sliding doors behind which removable shelves allow for split level storage with 5 drawers for organizing small items. The small hinged door to the upper right features a secret sliding locking panel that opens and closes the door. Side horizontal ribs for additional strength and visual design. Mortise and tenon Japanese joinery was used in its construction...

Antique Japanese fine lacquered kogo box for holding incense. Comprised of 3 stacking compartments, the lower of which has a gilt copper lining. The overall shape is that of a textile knot (musubi) with ornate patterns in gold takamaki-e on black and nashiji lacquer. The sides of the box are further decorated with a landscape of trees on a rocky outcropping, a village of thatched roof huts, and low hills near a lake, all on a fine nashiji ground. With signed kiri wood tomobako...

An antique Japanese Yamagata Tansu made of Kurinoki (Chestnut) and Suginoki (Cryptomeria) woods. Original hand forged iron hardware including the Hikute handles and the Urushi lacquer finish. Lock plates feature the family crest of the Paulownia. Four large drawers and one small drawer to the exterior. The hinged security door hides 2 small drawers where valuables were kept...

Antique Japanese Red Raku Tea Bowl (Chawan) made by Waraku during Meiji period (1868-1912).

Made in Utsushi (ship design) style, its shape resembles the famous Seppo bowl, an important cultural asset, made by Honami Koetsu which is located in the Hatakeyama Memorial Museum of Fine Art in Tokyo.

Waraku started producing Raku wares around 1830 in Kyoto and now Motoo Kawasaki is the 8th generation of Waraku.

Raku pottery is traditionally used in Japanese tea cerem...

An antique Japanese Chonin Kobako (merchant storage box) made entirely of Kirinoki (Paulownia) wood. Original hand forged iron hardware with construction using straight dovetail Japanese joinery and hardened wooden nails. The drawer handles are of the Kakute style comprising six drawers to organize and secure its contents...

Edo Period (1603-1868) Mishima calendar (Koyomide) tea bowl (三島暦手茶碗) with Ogata Kenzan mark.

Mishima pottery is a slip inlay technique brought to Japan from Korea in the 16th century.

In the city of Mishima there is a Grand Shrine of Mishima that was famous for publishing an almanac/calendar with bars for describing each day with its good and bad luck connotations.

The Koyomide bowls seemed to mimic these almanacs...

Kato Harutake (1886-?) Shino Ware Chawan (Tea Bowl) for Tea Ceremony

Kato Harutake is of the same lineage as Seto ware founder Kato Kagemasa (1168-1249), and was born into a family that passed down the name Kato Buemon from generation to generation...

An antique Japanese Okidoko (display stand for a Tokonoma, a reception room) made of Kakinoki (Persimmon) and Keyaki (Zelkova) woods. Originally it was used to showcase Ikebana flower arrangements, special porcelain vases, Japanese sculptures, or seasonal displays. It will work in a contemporary setting to elevate and display any myriad of items.

Age: Early Taisho (circa 1912-1920)

Dimensions: 47 1/2" Wide by 5" High by 16 1/2" Deep

Large cloth which is recycled from hemp maku (shroud) with Tomoe-mon crest (three-way), dyed with vegetable indigo and painted with sumi (ink). Both warp and weft yarn are hand-plied. The original maku might have been used in the temple or shirine, or on the occasion of rites and festivals. Generally in god condition but has a few mending patches and the indigo blue faded parts and wear. 19th century. 148cm x 2m80cm

Third son of the director of the Kano School of painting, Yasunobu was appointed head of the Kyoto branch at a young age after his father’s death. Meanwhile, his two older brothers went to Edo to take up prestigious positions painting for the Tokugawa Shogunate. In 1662 Yasunobu gained the honorific title of “Hogen,” and near the end of his life in his 70s he wrote a treatise on the art of painting that would server as a central doctrine for later generations of painters...

In Japan, woven baskets such as this are often referred to as “karamono” (Chinese style) to denote their stylistic origins tending towards symmetrical proportions and tight weaves. Though the maker and date of production for this piece are unknown, judging from appearance it was likely crafted in Late Edo or in Meiji—with the box being furnished at the time Houn-sai granted his endorsement...

Antique Japanese round lacquered wood container decorated on both sides with a karakusa (octopus vine) pattern and blossoms around the central aoi mon of the Tokugawa shogunate. Gold lacquer on a dark brownish black ground. Possible for archer bow strings.

Age: Edo Period (1603-1867)

Dimensions: 3 3/4" wide diameter x 1 3/4" deep

This beautiful Red Raku tea bowl is the work of Raku XI Keinyu (1817-1902), the 11th Raku potter in an unbroken line of artisans stretching back over 450 years. Keinyu was adopted into the Raku family after marrying the daughter of the 10th Kichizaemon, thereupon becoming torchbearer for the most noted and celebrated tradition of pottery within the world of Japanese tea...

Raku-ware carries with it a very naturalistic aura; with its implements made of raw clay, its use of fire water and air to shape and harden these implements, and with its myriad processes that produce smooth glossy surfaces—like those often found in nature. In fact, if you look more deeply into Raku, you find that many of the shapes and motifs are inspired directly by nature.

Born the second son of Raku VII, Chônyû (1714 - 1770), Ryônyû took over the title of Kichizaemon (head...

This is silk beautiful yuzen-dye fukusa textile of meiji Era. This little bird is White wagtail and is hand-embroidered. It's a very polite and beautiful embroidery. Thread of gold is embroidered of the morning sun .The other part is yuzen-dye which was drawn by hand and dyed. It's like a beautiful Japanese painting. This fukusa can be easily decorated on the wall. Recommended for your antique collection. It has few thin stain. However, it is not conspicuous. It does not have a damage and is i...