19th century Japanese iron tea ceremony hibashi (long metal chopsticks for handling charcoal in hibachi brazier), each inlaid with 3 multimetal flowers with leaves. These hibashi are for use in the summer time (winter ones have handle parts covered in wood)...

Japanese Seto Earthenware Tea Chaire, Tea Caddy with original Ivory Cap and Gold Foil inside, Ca. Edo Period, 1603-1868, 2 1/4" high include Ivory Cap 7/8" diameter-top rim, 1 1/4" Diameter-bottom rim, this beautiful old dark Brown glazed Tea Chaire or Tea Caddy kept original Ivory Cap, which is stained with dark brown tea between porous grains, some rough spot inside the top rim.

Mizusashi or kensui in the shape of a Chinese boy, or karako, holding Hotei’s large bag over his shoulder, as if dragging it.

Over brownish beige very fine stoneware a layer of mottled brown glaze has been applied, over which a blue-green finely crackled flambé dripping glaze. The inside covered with brown mottled glaze, the outside bottom left unglazed.
Impressed mark in the bottom: Kato Shuntai.
Japan, 19th century.
Height: 3.25 in.; diameter: 6 in...

Japanese Meiji period well rendered Kutani porcelain figure of Kannon, decorated in polychrome enamel and gilt highlight. She sits holding a scroll in her left hand and her face is well modeled with a serene, downcast expression. A gold jeweled necklace hangs from her neck and she wears a white hooded robe permeated with tiny white raised moriage dots and decorated with green dragon roundels. Flat unglazed base. 10 1/2” high. Late 19th century. Heavily potted. Weighs 3 lbs...

An antique Japanese Nihon Matsu Kasane Tansu (stacking chest on chest) made of Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original Urushi lacquer and hand forged iron hardware. The locks feature the double Chrysanthemum knobs with the upper bronze plate featuring coins, a wisdom scroll, a treasure bag and 3 Hoju sacred jewels. A treasure mallet swivels to hide the key hole...

Chawan, or tea bowl, for use in the the tea ceremony. Fine gray stoneware turned out rather thin of almost round shape, with a ‘soul’ in the bottom, standing on a bamboo shaped foot, a swirl inside the foot. Opaque yellow glaze with fine crackle covers the ceramic. Over the yellow a white slip hakeme brush stroke on the outside and on the inside.

Seto region, Japan, 19th century

H 3 x W 5.25 x D 5 in.

Two unprofessionally, but lovingly repaired chips at the lip...

A rare Japanese Sometsuke Mukozuke dish, the design of a partially folded fan taken directly from Chinese porcelain made especially for export to Japan during the late Ming Dynasty, Tianqi Period, 1621-1627.

Modeled in the form of a partially unfolded fan and decorated with a figure on a riverbank, the river and a solitary boat before him. The naturalistically modeled back is plain and has three thickly potted circular feet...

"Silver" hallmarks on the bottom of the saucers. Cups have gold-plating interiors. Probably Meiji Period. Size: Saucer: 8.5 cm diam. Cup: 5.2 cm diam. Condition: Very good. Some oxidized wear.

19th century ichii (yew wood) netsuke of a resting wild boar, its feet tucked beneath it, head raised. Netsuke is skillfully carved by the master of the Hida school in characteristic ittobori (one cut) style with clever use of wood texture to represent the creature’s fur and add to charm of the piece. For similar examples see Bushell’s NETSUKE FAMILIAR AND UNFAMILIAR, p. 128. Excellent rendition of facial expression, wonderful mellow patina...

An antique Japanese Kasane Tansu (stacking chest on chest) made of Kiri (Paulownia) and Sugi (Cryptomeria) woods. All original hand forged iron hardware including the full moon lock plates and the Kakute style handles. The backplates of the handles feature the auspicious Sho Chiku Bai (Pine, Bamboo, Plum Blossom) motif. Side carrying handles to each section with rare connecting pins to secure both sections together. Constructed using straight dovetail joinery and hardened wooden nails...

Unusual 19th century Hirado Japanese porcelain brush rest in a shape of a karako (Chinese boy) lying on his stomach with his head and feet raised, his head is moveable. Wonderful modeling with incised details, excellent face, beautiful glaze, unglazed bottom, in great condition (no chips, cracks or repairs), very pleasant to the touch. Typical Hirado underglaze blue highlights, rich cobalt firing beautiful gray/brown in saturation areas, brown glaze on his pants...

An antique Japanese Funa Tansu (Captain's Chest) made entirely of Kirinoki (Paulownia) wood. All original finish and hand made iron fittings. It was constructed using straight dovetail joinery and hardened wooden nails. The base has an original cross beam support that adds strength and durability to this chest. A hidden secret lidded box hides behind the bottom right drawer with retrieval by way of the back of the bottom left drawer.

Originally used in the captain's quarters of a merch...

19th century boxwood netsuke of Fukurokuju with his characteristic elongated head wearing a long sleeved robe and holding a fan in his hand. He is one of the Seven Gods of Good Fortune, his name consisting of Japanese words fuku (happiness), roku (wealth) and ju (longevity). Great face, wonderful flow to the lines of his robe, beautiful patina. Signed SHUZAN for Nagamachi Shuzan in irregular reserve on the back - this very distinct artist is listed on p. 1015 of NETSUKE & INRO ARTISTS AND HOW TO...

KIHARA CHAWAN

Japanese semi-porcelain bowl with such calm iron-glazed picture as the transitional ware between Karatsu and Shoki-Imari ware, Kiwara kiln in Nagasaki area, Edo period (1603-1868), approx. D 12 x H 6.9cm (4.72 x 2.71in). Some restorations and a crack but no leak.


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An antique Japanese Shinto shrine, made of solid hinoki (Japanese cypress) wood. Center doors do open and close to give access to the interior. Would make for a beautiful home shrine.

Date: Meiji Period (1868-1912)

Dimensions: 40" tall X 38" wide X 21.5" deep

19th century boxwood netsuke of Jurojin (one of the 7 Gods of Good Luck, usually associated with longevity) leaning on a long gnarled staff and accompanied by one of his familiars - a crane (symbol of longevity). Essentially, the netsuke is a wish for a long life. Wonderful carving, great smiling benevolent face, excellent patina. Height 2 inches.

The poem etched on the side of this exceptional piece reads: "As a pastime ― bringing clumsy, fragile things to sell ― at Uruma Market ― how lonely!"  A very significant poem as it conveys a bit of irony; for the Edo period nun who inscribed this poem would go on to create a legacy of art, beauty, and philosophy that endures even today. The poem also suggests that this is one of her earlier works that would have been produced before she became renowned throughout Japan for her...

It was carved by a late 19th century or early 20th century artist Ryuzan (柳山). It depicts a smiling mother holding an umbrella and carrying a child on her back. It is 7 1/2" high and 2 3/4" wide (from the bottom) and 2 3/8" thick (from the bottom). It is in great condition.