This is boro sashiko noragi hanten textile at Meiji era (1868-1912). It is very nice touch of the indigo dye cotton. It is very charming. The indigo dye of hemp has adhered back. It is exactly a work of art. Size:94cm/37"x 86cm/33.9"

Late Edo Period (1850 - 1868) Japanese signed Noh theater Mask of Okame, the Goddess of Mirth, a very popular image in Japanese culture. A beautiful example of the type of mask done by a master carver, using Cypress wood (Hinoki) and many layers of Gofun, crushed oyster shell lacquer. A very charming and well rendered image. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Antique Japanese wooden temple carving of a fu dog (fu lion, or shishi). Carved of keyaki (zelkova elm) wood with wonderful details including characteristic swirling fur and wide, toothy jaws, this fu dog is a powerful Shinto temple guardian. Wide eyes are made of reverse-painted glass with irises of two different colors and with pupils of varying width, adding an intensity to his expression...

A unique early Japanese Ikebana Basket with a rich camel colored bamboo entwined with Wisteria vines with a single, beautifully twisted and gnarled Wisteria branch. Highly sought after by the discriminating basket collectors. Edo Period, circa 1850. 14 inches (35.5cm) tall x 12.5 inches (31.5cm) wide. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

This is a Japanese antique indigo dye cotton Shonai Sashiko noragi boro hanten jacket. A slightly thin indigo-dyed cotton cloth with two threads in one, and hand sashiko. Cotton cloth is a thin hand-spun cotton. It is an item around the end of the Meiji era...

Japanese antique rectangular kesa or priest/monk's outer vestment cloth. The silk brocade of this kesa is a pale orange color and finely woven with colorful designs of dragons in clouds. The silk is Imperial Chinese, as shown by the five clawed dragons. Lined with dark blue silk.

Often described as a mantel or robe, the kesa is worn draped diagonally over the left shoulder and under the right armpit...

This is made with crepe embroidery of the Edo era, printing silk, Akita silk. The time when this was made is the latter period of the Meiji. There is no stain dirt. The condition is good. The embroidery of four attractive cherry blossoms is impressive. Size: 89cm x 120cm (35 "x 47.2")

Shima-cho, a sample book of cotton stripes with 182 fragments which are mostly hand-spun and vegetable dye. The book is "daifuku-cho", a record book of a merchant. It has the age Keio 2nd, 1866. 11 pages with fragments. The second half of the 19th century. 16cm x 22cm

Japanese antique old colorful Slightly thin cotton Patched boro big futon cover.It is sashiko- stitch for repair by hand.size:Length 165cm (64.9inch) Width 162cm (63.7inch)

This is Meiji(1868-1912) benibana-dye yuzen cotton Child kimono. It is a design of flying pine, bamboo, plum tree, and crane and turtle. It is a design that acting is very good. Everything is drawn by the hand. There are several small holes in a thin stain and the skirt. However, the state is overall good. It is a gorgeous, beautiful child kimono. size:109cm x 100cm (43" x 39.4")

Maeda Toshinaga was a Japanese daimyo, who was the second head of the Kasa Domain. He was the eldest son of Maeda Toshiie and married one of Oda Nobunaga's daughters, Ei-Hime. He supported Tokugawa Ieyasu and, after receiving his brother Toshimasa's lands (Noto, 215,000 Koku), controlled a total of 1,250,000 Koku, an amount exceeded only by the Shogunate. Toshinaga built and resided in the Kanazawa Castle. He had no children and adopted his brother Toshitsune as his heir...

The Moon of Yamaki Mansion - Kagekado (Yamaki Yakata no Tsuki - Kagekado). Printed: 3.1886. Engraver: Enkatsu. Signature: Yoshitoshi. Seal: Taiso. Publisher: Akiyama Buemon. Format: Oban tate-e. H.12.75 x W. 8.75". Condition: Good Impression and colors. Some soiling, including an ink spot (from original printing?) on the lower portion of print. Slight margin trimming. "Karazuri" embossing on Kagekado's clothing and cartouche...

Antique Japanese hikeshi banten, fireman's coat. Made of cotton and stitched over every inch using a sashiko quilting technique. Fires were common in Japanese urban areas due to the dense population as well as construction material (primarily wood and paper). Fire brigades were made up of samurai class (buke hikeshi) as well as common class (machi hikeshi) and their primary goal in containing a fire was to knock out the surrounding buildings so the fire had no more fuel...

This is a layer of stencil-dyed cotton and indigo-dyed plain cotton, with hand-stitched stitches all over...

Stemming from the philosophy of wabi-sabi—often described as the beauty found in the imperfection and transience of the world—cracks and repairs in a work of pottery are often seen as highlighting the history and importance of a ceramic object. Practitioners of tea in particular are fond of reminding us that works repaired with lacquer and gold such as the one featured here become more resilient and beautiful for having been damaged...

Late Edo Period (1850 - 1868) Bronze Incense Burner Sculpture of a Duck, Japanese symbol of faithfulness and light. An exquisite expression of Japanese bronze craftsmanship of the finest quality. It exhibits a rich dark patina. A Japanese bronze classic. An important acquisition for a bronze collector. 13.75 inches, (35cm) tall. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum and Japan Society.

Silk embroidery on woven silk and velvet representing a Bijin at her toilette. Copying a famous print by Utamaro. Painted details. Good condition, no restaure. It is rare to find this kind of textile, especially reproducing a print. Wooden frame. Total size: 37 x 85cm Japanese art work around 1900.

This is a Japanese antique indigo dy sakiori noragi hanten of paper, Hemp, cotton. It is an item from the Edo to Meiji era. This item was made in Sado region of Japan. It is a wonderful sakiori noragi haten, which is woven with very finely twisted indigo dye, hemp yarn and paper twist. The rubbing of the thread due to use has a warm touch. And the indigo dye lumps seem to look into the very beautiful sea. It does not stain or damage...