A Japanese porcelain chawan, tea bowl, decorated with a continuous landscape. The concave foot left unglazed. The rim has a number of kintsugi, repaired chips using lacquer and gold dust.

A similar tea bowl is shown in Sekai Toji Zhenshu, Ceramic Art of the World, Vol 8. Edo Period III, no:240, described as Nakano Kiln, Hirado, mid 18th century.

Approximately 11 cm diameter. Fine condition...

Rounded wan-shaped chawan with strong throwing (finger) marks, called rokuro-me. The light, very fine clay with enclosures is expertly thrown. The body is fully glazed - with the exception of the foot and its surrounding area.

The cream coloured glaze shows pink colour in some paces as we know it from Korean Gohon tea bowls. It shows discolouration from green tea and a beautiful crazing - especially on inside, a sign of many years of careful use...

A very unusual dish decorated in somenishiki-de style with a fanciful landscape featuring a Namban figure, a Portuguese perhaps rather than a Dutchman, accompanied by a servant with parasol, walking to and from some sort of compound in the background with a curious barrel shaped tower. The well of the bowl and the exterior decorated in underglaze blue with a Shou symbol, Kotobuki, and three pussy foot Dragons to the exterior of the bowl...

A moulded hexagonal bowl, hakkaku hachi, decorated to the exterior with an iron red ground inset with alternating reserves containing ribbon bound scrolls, makimono, and artemisin leaves, mogusa-ha, two of the Eight Chinese precious objects, Babao, hachitakara, and a band of stylised eight petal flowers, presumably Tessen the clematis flower, with leaves and pine branches...

This extraordinary tea bowl, bearing the poetic name "Sunrise and Longevity," stands as a testament to the masterful artistry of the esteemed tea master, Bunkyo Masaki. A visual symphony unfolds within the bowl, where a pristine white glaze delicately descends over a vibrant reddish canvas, echoing the soft hues of the morning sun...

Very interesting,bowl. Porcelaneous grey stoneware with a underglaze red decoration under a greenish colour fine crackled glaze. I am not very familiar with korean resp. japanese ceramics - I never before have seen a piece like this, but I know, how to look at a piece of porcelain resp. stoneware - this piece is genuine. It also has a " provinience " - it comes from a native Dayak family - very far from the interior of Kalimantan, Borneo. Diameter : 16,3 cm...

A tradition dating from the mid-16th century, Raku teabowls are made by hand, without the use of a potter's wheel; giving them a distinctly human feel. In the process of shaping the bowls, potters handle the tea bowls in much the same manner that users will hold them as they drink from them. In this way, we can imagine a connection is formed between the creator of the tea bowl and the participants in the tea ceremony...

We like to offer you a rare Japanese Hagi Chawan called 'Gohon Chawan', made in the old Korean style from ancient times and dating from the mid Edo period.

Colour and glaze are equally rare and wonderful. We offer this fantastic chawan together with its Edo period wooden storage box and its cloth pouch called 'Shifuku'.

This Hagi Gohon Chawan has a split cross footring called 'warekodai'. Tea bowls of this style were favored by busho chajin (warrior tea men)...

A wonderful mid Edo Period (1603-1868) Hiragata Ao-Oribe Chawan with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potters knife and covered with the typical green copper oxide glaze inside and outside.

The tea bowl is in fine antique condition with no cracks or repairs and comes with a very good Japanese wooden box.

Size: 6 cm height x 15 cm in diameter.

Free shipping

A very nice quality Japanese chawan, rice bowl, of conventional form dating to the Kyoho period, c.1716-1736, decorated with an auspicious pattern, kisshon-ga, featuring a ring motif containing auspicious clouds, painted in a combination of gilt and iron red wash, and Karahana, so called Chinese or “Tang flowers”, painted in a striking pallet of iron red, green, yellow enamels and gilding. The base of the bowl decorated with a Karakusa arabesque inset with Lotus flowers...

An unusual Arita dish with an out-turned rim decorated in a greyish toned under-glaze blue with a Chinese Export Qianlong “Chinoiserie” style pattern featuring a conventionalised landscape of Pagoda and Islands surrounded by two bands of diaper containing four floral sprigs, Peonies and Chrysanthemums...

Tenmokujawan, a tea bowl which is mended with kintsugi with seigaiha (wave pattern) makie. Tenmokujawan is a pottery tea bowl which is fired with Tenmoku glaze (iron glaze). It is made in Seto in Aichi prefecture, one of places where copies of Chinese potteries were manufactured. 17th or 18th century. Diameter:11.8cm, H:5.8cm

This Edo period scroll depicts Meota Iwa—a famous Japanese landmark in Mie. Symbolizing the union between two divine deities, Izanagi (said to be the larger rock, though there is no consensus on this point) and his wife Izanami, the two are joined by a shimenawa (heavy straw rope used in Japanese Shinto ceremonies). This straw rope is quite massive and must be replaced several times a year in a special ceremony...

A rather striking Chinese derived pattern of Shou Lao and the Eight Immortals painted in a wucai, five colour, palette. The central mikomi painted with an amalgam of a Feiyu, Flying fish dragon, and a conventional dragon, rather than a true Feiyu, which would have had a pair of fins and fish tail rather than legs and conventional tail of this example...

A finely painted sometsuke bowls decorated with alternating reserves of three leaping koi divided by a criss-cross ground or “nets” and a central motif of a Chinese landscape featuring a figure collecting fire wood with his head looking skyward. This is probably a representation of Ceng Shen (So Shin) collecting fire wood, a disciple of Confucius , who whilst looking at the moon suddenly became aware that his mother needed him, a popular Confucian parable of filial piety. The symbolism of th...

Edo Period (1603-1868) Japanese Antique Kyo Ware Tsutsu Chawan (Tea Bowl) for Tea Ceremony.

Kyo/Kiyomizu Ware has several centuries of history with over 300 kilns located around Kyoto, Japan.
The history of Kiyomizu pottery goes back to the Momoyama period (1568-1600).

Size
Height 9.5cm
Width 10cm
Weight 480g

Condition
Overall good considering the age, no cracks, no chips.
Supplied with old wooden box.

Dating from early-to-mid Edo the shape of this unique Karatsu piece is referred to as a “takadai-zara” in Japanese, or high-footed serving platter. Modeled on similar Korean pieces from the early Joseon Dynasty, the platter was made using coarse, unrefined clay with high iron oxide content. The clay which forms the bowl shows impurities, intentional pitting, and small stones peeking through the clay making for an interesting ceramic landscape. After firing, pieces such as this are treated wi...

A fine quality early eighteenth century dish decorated with a rather unusual Indian “sarasa” pattern with a Buddhist theme. The design is composed of flowers arranged in columns and rows. Inset within the sarasa ground are three lobed niche like reserves each containing a Dharma singing bird, emanations of the Amitabha Buddha, that reside in the Buddha’s Pure Land paradise. The centre of the dish is decorated with a block of twelve flowers each with nine petals, which presumably has some B...