A Japanese Porcelain food bowl and cover, 19th century.

The delicate porcelain bowl decorated with breaking waves, autumnal maple leaves and chrysanthemum flowers. Within the foot-rim is a coloured ‘clove’ mark. The lid, of similar design, sports a splendid flowerhead knop.

Approximately 15.2 cm diameter. Generally in good state but with some stained crazing. The rim of the bowl has small flakes filled with white...

19th century stag antler mask netsuke representing BESHIMI. Excellent expressive face, beautiful staining. Height 1 1/2 inches.

19th century lacquer on wood mask netsuke of an oni. Wood is lacquered in Negoro style - red lacquer over black, so as it wears the black starts showing, and then wood, thus adding yet another color to the piece. Signed SHUSEN on the back - for information on the artist see NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, p. 1012. Height 1 11/16 inches.

19th century wooden netsuke representing a theatrical mask of a shojo. Shojo are mythical creatures living near the sea, and are particularly fond of sake. Wonderful smiling face with benevolent expression of slight inebriation, finely carved, beautiful patina. Signed SUKETOSHI on the back bar - for information on the artist see NETSUKE & INRO ARTISTS AND HOW TO READ THEIR SIGNATURES by George Lazarnick, p. 1051. Height 1 3/4 inches.

Buddhist shrine containing the deity Uga Benzaiten surrounded by Fifteen Children (Jugodoji), all sitting and standing on a rock formation. In the foreground are the ox and the horse, a boat laden with rice bales and the snake god Ugajin. Hidden between the jugodoji is the tiny figure of Amida Buddha.

In this shrine Benten appears in her eight-armed martial form holding various weapons (wheel, bow, spear, sword, club, lock, and arrow) and the wish granting jewel (all of them missing)...

Height: 20 cm (8 in)
Width: 5.8 cm (2.4 in)
Depth: 5 cm (2 in)

Fine Japanese carved okimono of Gamma Sennin, the Sage Liu Hai supporting a toad on his back; excellent carving throughout; natural material; signed on the base; good condition

Antique Japanese cylindrical hibachi made of bent suginoki (cryptomeria) and decorated with a maki-e lacquer scene of a family of chickens in a bamboo grove. The mother hen and two chicks look for food on the ground while their father rooster looks back at his third little chick. Bamboo details are made of inlaid shell and the background is flecked in gold. With a copper insert.

Age: Meiji/Taisho Period (early 20th century)

Dimensions: 7 5/8" high x 10 1/4" wide

Height: 3.1 cm (1.2 in)
Length: 3.7 cm (1.7 in)
Depth: 2.4 cm (0.9 in)

Fine Japanese netsuke of a calligrapher; leaning back and looking pleased with his work, his legs extended under his worktable; stained natural material; minor age related wear; signed

Height: 3.3 cm (1.4 in)
Width: 3.5 cm (1.5 in)
Depth: 2.7 cm (1.1 in)

Japanese carved shishi dog seal block; inlaid eyes; natural material; minor wear; good condition

An antique Japanese tall Kyushu Choba Tansu (merchant chest) in 2 sections made of Hinoki (Cypress), Keyaki (Zelkova) and Suginoki (Cryptomeria) woods. Original hand forged iron hardware including the Warabite style handles and the double bar lock plates. With 2 pairs of sliding doors and 8 drawers, it has plenty of room for organizing and storage. Side ribs add strength and support as well as visual design to the chest...

An antique Japanese Sakata Bo Tansu made entirely of Kirinoki (Paulownia) wood. All original natural Urushi lacquer and hand forged iron hardware. Locking bar secures three Kimono drawers. The main lock features a stylized Chrysanthemum with leaves design. A hinged security door hides two small drawers where valuables were kept. Constructed using straight dovetail Japanese joinery and wooden nails...

An unusual Arita porcelain tea pot styled after a cast-iron example. The textured surface is described as “nail head” when it appears on an iron tetsubin. Late 18th ~ early 19th century.

The Shibata Museum compendium has a pot of similar shape and cartouche, no nail head texture or iron dressing  but with additional cobalt decoration, item#3782.  1780~1820.

This example is approximately 17.5 cm high. The handle has a very obvious stress crack but no other problem...

A pair of Japanese Export porcelain models of Karashishi, the fabled Buddhist lion-dogs of Japan. Arita, early 18th century. White porcelain with iron-red enamel decoration.

Each is approximately 6.5cm high, 6cm long. The first is in fine condition with some firing lines as issued...

Pair of Japanese sliding door handles. They are made of a copper alloy finely chiseled with scrolls and stylized flowers on a nanako background, alternately there are shakudo plates (an alloy of copper and gold, shibuichi or silvered sentoku. They are excessively heavy and of the best quality. The size is much larger than for a normal door handle (double in size) which implies very high and wide doors. It is not a usual rich house that can accommodate doors of this size...

Okimono of a Chinese cabbage made in woodbox. The texture and veins have been delicately detailed. Native from China, it is an herbaceous plant of the Brassicaceae family. It is eaten in many ways in Asia: in soup, in salads, stir-fried, in ravioli of filled patties. Japon – Meiji era (1868-1912) Height: 2.4 in. (6.5 cm) – Diameter : 1.6 in. (4.5 cm)

Ivory okimono of a toad carrying an orchestra of five monkeys.
Four monkeys is playing instruments such as the shamisen (long-necked lute with three strings), the shime-daiko (small drum) and the flute. The fifth monkey is larger and is singing while holding a book in his left hand and plugging his ear with the other...

Hishaku-gata style yatate in bronze with brown patina. The hishaku-gata style was developed at the beginning of the Edo era, in the 17th century. It is characterized by an ink compartment (sumi tsubo) in the shape of a ladle. Here it is decorated with a frog.
The frog (kaeru) is associated with luck and wealth...

Namban style chest with a semi-cylindrical lid made of black lacquered wood (urushi) with gold lacquer (maki-e) and inlaid with mother-of-pearl (raden).
Decorated with three main bands of floral motifs, middle surrounded by vertical bands of mother-of-pearl inlaid lozenges and framed by the hanashippô pattern (overlapping circles forming petals).
On the lied, acer (momiji) and plum tree flowers (ume). On the front side, branches of citrus tree tachibana (Citrus tachibana), vine le...