Half cylinder shaped (Hanzutsu) tea bowl made of light, coarse unrefined Mino clay, with very little and small ishihaze (exploding stones).
The mouth has been trimmed in a fashion frequently seen in black oribe but rarely in yellow seto bowls. The expertly thrown body is covered with the typical ash glaze inside and outside which has turned into yellow, due to a slight iron oxide content in the clay; the thick and glossy glaze (guinomi-de) has a beautiful, fine crazing...
During Japan's Momoyama period, spanning from the late 16th to the early 17th century, Bizen pottery flourished, producing exquisite pieces such as this “shimokabura” or radish-bulb-shaped sake flask (tokkuri). Crafted from locally sourced Bizen clay, this tokkuri embodies simplicity and understated elegance. Its unassuming form showcases the natural beauty of the clay, enhanced by a delicate ash glaze and distinctive markings achieved through specialized firing techniques...
Best of the best! Distorted half cylinder shaped (kutsugata) tea bowl made of light, coarse unrefined Mino clay. The expertly thrown body is covered with the typical black oniita glaze inside and outside, with the exception of the bottom' the roughly cut foot ring and window, which is decorated with plover birds (chidori) over waves in black under a shin on type glaze. Next to the roughly cut foot ring is a kiln mark (kama jirushi)...
Before styles such as Raku, Hagi, Karatsu, etc came into fashion for use in the tearoom in early Edo, it was commonplace in cultured society to use tea-ware imported from China. In fact, some pottery styles uniquely Japanese (such as Shino) are thought to have been born out of unsuccessful attempts to emulate these extremely high-quality and refined ceramics...
We like to offer you a distorted cylinder shaped ( hanzutsu ) tea bowl made of light, fine but unrefined Mino clay. It dates from the early 17th. century and is in stunning condition.
The expertly thrown body is covered with the typical feldspatic Shino glaze inside and outside, with the exception of the bottom and the roughly cut foot ring...
The Muromachi period in Japan, known for its artistic and cultural flourishing, produced exceptional pottery and ceramics, including this exquisite e-Shino incense burner. Crafted with meticulous attention to detail, this piece exemplifies the refined aesthetics of the time. Its elegant form, featuring gentle curves and a graceful silhouette, reflects the harmony between nature and art...
From our collection of Japanese Chawan with Christian Cross design: highly distorted shoe shaped (kutsugata) tea bowl with a rounded brim, made of light, coarse, unrefined Mino clay. The expertly thrown body was trimmed with a potter's knife in its lower part around the foot ring.
In the style of Seto kuro bowls this Chawan was covered with a brown glaze. On one side the sign of a Christian (Maltese) cross was left unglazed and was covered with a transparent ash glaze...
A very rare Kakiemon moulded dish, ozara, in a nigoshide type porcelain body dating from the first period of the Kakiemon kiln at Nangawara. The dish is moulded with various motifs and symbols of Longevity, including, a pair of cranes, pine, bamboo, a minogame, and prunus, and a pair of precious objects an artemesin leaf combined with a flywhisk. In between the framed motifs various forms of yoraku, pendant Buddhist jewels...
Fine Japanese Arita Imari polychrome fluted bowl. Decorated in underglaze blue and maroon, yellow, red, and gold enamels with floral roundels between flowering shrubs, including plum and prunus, extending over the rim into the interior. The base with an iris. C1700. Dia. 9 1/2" (24.2cm). Condition: excellent, one small frit 0.2cm on rim.(See last image)
A dish decorated with a partially painted and stencilled dragon amongst lightning bolts framed by a double ring within a band of stencilled Wan diaper band to the rim...
Here we present a real old Ko-Karatsu Tenmoku Chawan with a wonderful yobitsugi repair. It dates from the early stages of the Japanese Azushi-Momoyama Period (1573-1603).
A yobitsugi repair is not just a simple repair, it is a recreation by using laquer and some fragments of broken pottery of the same or a similar kiln. The result is a breathtaking consistency of 'landscape' (keshiki)...
Really important Ko-Karatsu (kogaratsu - oldest Karatsu ware made during the 16th century) Madara tea bowl with a yobitsugi repair of highest quality.
The bowl is a so called Madara Karatsu tea bowl (provenance is the legendary Hobashira-kiln) due to its typical cookie-like sandy clay and wonderful blue-purplish flecks.
But its true highlight is the perfect traditional yobitsugi restoration with a pure silver gintsugi (kintsugi)...
The design of this mirror has not entirely escaped the conventions of earlier Kagami-e (Long handled Mirrors) of the late Muromachi –Momoyama era, which are essentially mirrors of conventional round form retaining a central boss to which a handle has been attached.
In this example the Cranes are arranged directly opposite each other, their beaks meeting with that of the kame, to create a T form; a convention that appears in the late 16th century...
Considered an auspicious symbols of wealth, status, and good fortune, foo dogs—commonly referred to as shishi or komainu in Japan—are often seen in pairs guarding shrines, straddling the doorways of shops, and protecting public buildings. The yellow Seto-ware shishi featured here is an antique from the Momoyama period that displays a soft patina developed over many decades of use.
Seto-ware is a pottery tradition established in the 12th century with the aim of reproducing fine ...
A fine Arita soba choku decorated with Chrysanthemums within ogee form reserves set against an aka-e kinrande ground dating to the middle of the Eighteenth century
The interior decorated with a diaper band to the rim and a go-ben ka to the bottom of the cup. The base of the cup decorated with a spiral fuku within a double square. The cup is in excellent condition with no cracks, chips or restoration. It measures 9.5cm in diameter and stands 7cm in height.
Shipping at Cost
Antique painting of Hotei/Budai/The Laughing Buddha, standing with a walking stick, and four seated people. They are all observing the sky as what appears to be another Buddha or deity floats on a heavenly cloud, who wears a beautiful robe with gold detailing. Set behind glass and framed, 17th/18th century.
Size: (entire frame) 19" height, 16.25" width (painting only) 9.5" height, 7.75" width
Probably Echizen province, late 16th or 17th century. Bizen province artisans also took up Yoshiro zogan inlay work in the Kinai (ancient provinces and surrounds) manner. Brass (valuable in the period) and silver inlay flush with the iron surface was thought to have been introduced by an artisan named Yoshiro, for whom it is named. Slightly earlier, Heianjo school work tends to rest atop the surface into which it is inlaid. Late Muromachi or early Edo period. Length, about 12 inches. More pictur...
Japanese Tokoname Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333).
Size: 4 cm height x 15,6 cm (max) in diameter.
Shipping included
Japanese Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333). Highlight is big golden Foo Dog which was added by a former owner as a kind of Kintsugi to close a damage on the inside surface. Such typ of Kintsugi is definitely rare.
You can also find traces of the famous kai-yu glaze on this excavated piece, which makes it to a true historic-cultural highlight.
The gray-blue celadon displays finely crackled glazing with areas slightly darkened by time. A faint pattern made of white inlay can be seen along the upper rim, complimented in several areas by antique kintsugi repairs. The maki-e gold repair at the base—with its design of half waves and half flowering vines—though quite old, seem not quite so old as the repairs along the rim. The small delicate kodai (foot) supports this fine work with grace and effortlessness.
Though the exac...
Japanese Yama Chawan (literally 'Mountain Tea Bowl'), biscuit firing ware with impressive natural glaze and slightly distorted form. It dates back to the Kamakura Period (1185 - 1333). Highlight is the inside design with a Japanese Koi image which was added by a former owner as a kind of Kintsugi to close a damage on the inside surface. Such typ of Kintsugi is definitely rare.
You can also find traces of the famous kai-yu glaze on this excavated piece.
At the beginning of ...
A Japanese copper writing box used for paper and writing supplies. The lid is engraved with grape leaves and grape clusters. The border is nail studded. The interior is beige velvet.
Date: Taisho c1920
Dimensions: 11" X 9.25" X 2.75"
Rare Japanese Heian Period, 12th Century Wood Sculpture of Kannon, the Goddess of Compassion and Mercy. Even though it is not in a complete
state, it has a wonderful, peaceful presence that is really a delight to bask in. It has a magnetic face with a serene expression. Japanese sculpture of this age is hard to find.
A fabulous work of art and a rare, magnificent sculpture. 16 inches, 40.5 cm. From a widely renowned and published collection that has been exhibited at the Metropolitan Museum an...
This is a collectable Japanese Seto ware mountain tea bowl, excavated and repaired with a gold repair, an aesthetic kintsugi.
The Yamajawan or Yama-Chawan, which means translatet 'Mountain tea bowl', has an ore-like sparkle natural ash glaze. It is for sure a proto-pottery bowl with great reference value.
Seto ware is pottery with the oldest history in Japan. There is no older chawan in existence (Heian-Kamakura period, 12-13th century).
Since the products from t...
Another Kamakura (end of Heian Period 1100-1300) Yama chawan from our collection made of unglazed pottery.
This is an excavated tea bowl from the Seto area (Aichi Prefecture).
Very good antique condition and atmosphere.
Size: 2 inches height, 6.2 inches width, 6.1 inches length.
Shipping included
15th Century Japanese and carved wooded with gold gilt Japanese mounted flame. Once used as a flaming back drop to an important Japanese religious statue. Original gold pigment in great condition with undertones of black lacquer.
Custom forged iron stand mounted for home display.
Muromachi period 1336 to 1573 C. 15th Century
Dimensions: Base 9" long X 4" wide 34 1/2" high
A Japanese circular hand mirror decorated with a stylised representation of Penglai, Horai, island the principal elements of which are a pair of small birds in flight, stylised rocks with pine branches above stylised waves and a central Turtle, kame, form boss. The mirror is probably late Kamakura or Nambokucho in date, first half of the fourteenth century.
The mirror measures approximately 10.7cm in diameter, and 0.7cm high at the rim, and the edge measures 3.75mm in width, and weighs 200gms....
A classic renditions of the Bodhidharma (more commonly known as the Daruma in Japan), this scroll from the Muromachi period (1336-1573) depicts the legendary monk who famously introduced Buddhism to China. Originally from India, he is said to have traveled across the Himalayas on foot to share the wisdom and knowledge from his studies of meditation which later spread to Japan, Korea, and other parts of the world. In Japanese Buddhist paintings from Edo to the present, the Daruma is often seen as...
A bronze mirror, wakyo, decorated with a classic Autumn pattern that evolved in the Heian period which features a pair of birds, sparrows, water weeds, ashi, water, and a wave washed sandy beach, suhama. The design is cut by a single ring. The design of the inverted pistil boss and the density of the design, horror vacui, dates the mirror to the late Kamakura period 1275-1325.
A great deal of the detail has been lost as a result of wear and over polishing. See British Museum 1927 – 1014.5 (...
A rare Japanese bronze mirror in Tang style dating to the late Heian period decorated with Karahana, Tang flowers, and a pair of Mandarin ducks, symbols of marital fidelity. A distinguishing feature of Japanese mirrors was that each individual design was carefully carved into the sand mould using a spatula and similar tools, so that no mirror was identical, rather than using a mould as did the Koreans and the Chinese. Similar patterns appear on Korean mirrors of lobed form, direct copies it is ...
Ceramic "tenmoku" bowl of classical shape with thick rim and small base. Fine glazing of "hare fur" type, part of which has run down gracefully to the base. An old accident at a small area on the rim has been restored (see last two photos). China, Song Dynasty period. Height: 4,6 cm. Diameter: 10,7 cm.
A 13th.century ko seto Kamakura vase in elegantly-shaped meiping form, with a gradual outward curve on the shoulder, with short-knopped neck, incised beneath the greenish-yellow / olive glaze.
The box was added by our gallery 20 years ago. It was made by a tomobako artist, and there is written 'ko seto kamakura vase' if my memory does not fool me. The vase is decorated with kanji letters.
Marked on the bottom ( maybe a kiln mark ).
It is in good condition. Onl...
The history of Japanese chawans should not be written without this 15th century Iga chawan. It was produced during the Muromachi Period, which was running from approximately 1337 to 1573.
So here is one of the best chawans from this era and one of the best available antique chawans in the world: a round wan-shaped bowl thrown on a hand wheel (thick bottom!) from a relatively fine light clay with very little ishihaze (exploding stones), very low content of iron oxide, some red disco...
Very Rare Goryeo Dynasty (12th/13th century) Korean Celadon Inlaid Crane Stoneware Oil Bottle
Provenance: Japanese private collection
Size
Diameter 7.5cm
Height 4.5cm
Weight 110g
Condition
There is excess of scree around the bottom occurred when firing.
Please see the pictures for reference.
Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This ...
A very rare and fine example of a Jomon Period (13,000-300BC) Terracotta Plaque of a Dogu, the earliest known Japanese figure. This figure was purchased from the H. Taneguchi Gallery of Kyoto in 1985 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because o...
Fine example of a Jomon Period (13,000-300BC) Dogu, the earliest known Japanese figure. This figure was purchased at a Parke Bernet auction by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This ...
Fine example of a Jomon Period (13,000-300BC) Dogu Head, the earliest known Japanese figure. This figure was purchased in Japan in 1962 by a renowned author on and collector of Asian art. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This prim...
An exceedingly rare ancient Japanese Heian (794-1185) or Nara Period (710-794) Engraved Bronze Tortoise. The entire shell, front and back, has
engraved artistic images of the people and symbols of the era. The tortoise is a
symbol of wisdom, and is able to defend itself on its own. It personifies
Water, Moon, Mother Earth, Time, Immortality, and Fertility. Creation is
associated with the tortoise and it is also believed that the tortoise bears
the burden of the whole world. This was quite ...
Rare Japanese 7th Century Asuka Period
Buddha of Paloma Wood. Beautiful patina and wood grain. The Asuka Period is known for its significant artistic, social, and
political transformations, having their origins in the late Kofun period but
largely affected by the arrival of Buddhism from China. The introduction of
Buddhism marked a change in Japanese society. The Asuka period is also
distinguished by the change in the name of the country from Wa to Nihon. 12.75h x 9.5w x 4.25d, 32.5h x 24w ...
Very Rare Japanese Jomon Period (13,000-300BC) Terracotta torso (broken off at waist) in the form of a female figure with a bird head. Overall incised decoration. Accompanied by a small terracotta disc found in the same grave lot. Figure: 4.5 x 4 inches, 11.5 x 10 cm; Disc: 2.25 x 1.5 inches, 5.75 x 4 cm. Very Good Condition.
Very fine and extremely rare Japanese Haniwa sculpture of a farmer with a charming expression, pointed hat, large hoop ear jewelry below a butterfly hairstyle, arms held to the front, 3rd Century AD (Kofun Period) created for a rice farmer to represent wealth. Rice farmers were among the most prosperous of Japanese society in the Kofun period. Provenance: Property formerly owned by the Honolulu Academy of Art. Collection Number is on the bottom of the piece. A similar example, a National Treasu...
Fine example of a Jomon Period Dogu, the earliest known Japanese figure. This figure was purchased in Japan and belonged to the renowned Japanese art historian, Shirley Day. The Dogu acted as effigies of people. They manifested some kind of sympathetic magic. For example, it may have been believed that illnesses could be transferred into the Dogu, then destroyed, clearing the illness, or any other misfortune. Because of the ritual destruction of Dogu, they are quite rare. This primitive abstract...
A historic-cultural highlight: we proudly present a more than 1000 year old Yama Chawan with a strong kai-yu glaze. Once in a while you can find a traditional unglazed yama chawan on the antique market, but a Yama Chawan with a strong and vivid kai-yu glaze is very very rare. The Yama-Chawan is an excavated piece, stacked together with a second one for the firing process.
At the beginning of the 9th century, ceramics that use cooking at very high temperatures (about 1240 degrees) an...
Beautiful and unusual Jomon Era vessel from the Shiizuka Kaizuka archaelogical site in present day Ibaraki prefecture. The Jomon Period (14,000 B.C.~ 300 B.C.) is considered to be the most intriguing period in Japanese Art history. The odd geometric and abstract shapes in vessels or figurine forms are often found various archaeological sites throughout Japan. Age: Jomon Era Size: height 9.75" diameter 7.25"
Fine early example of a Jomon Period Dogu Clay Figure, the earliest known Japanese
figures. The Dogu acted as effigies of people. They manifested some kind of
sympathetic magic. For example, it may have been believed that illnesses
could be transferred into the Dogu, and then destroyed, clearing the
illness, or any other misfortune. Because of the ritual destruction of Dogu,
they are quite rare. This primitive abstract fertility figure has a
futuristic look. There are fun theories that st...
Interesting and rare lifesize Japanese Demon stone mask of granite, Azuchi-Momoyama to early Edo period c. 16th.-17th. century AD.
The mask made in a heavy granite type of stone, finely sculptured as a Demons face, probably to ward off evil spirits in a temple or as a part of a funeral chamber.
Far to heavy to carry for a human, but still hollowed at the back.
Finely made with facial details and painted in red, white and gold. Old 19th. century museum tag and a number on ...
