Chinese Ming Dynasty Glazed Pottery Chair (16th Century)

A pottery model of a folding wooden chair made during the 16th century (c.1500 - 1600). Made from a hard creamy-white pottery and coated in green and greenish-yellow glazes that have, in places, acquired a silvery iridescence, a result of very long exposure to moisture. There are also traces of red pigment in places.

Height 15 cm. No restoration or repair...

Chinese Ming Dynasty Glazed Pottery Chair (16th Century)

A pottery model of a folding wooden chair made during the 16th century (c.1550 - 1600). Made from a hard creamy-white pottery and coated in green and yellow glazes that have, in places, acquired a silvery iridescence, a result of very long exposure to moisture.

Height 15.5 cm...

Chinese Ming Dynasty Glazed Pottery Chest (16th Century)

A pottery model of a hinged chest made during the 16th century (c.1550 - 1600). Made from a hard creamy-white pottery and coated in green and golden-yellow glazes that have, in places, acquired a silvery iridescence, a result of very long exposure to moisture.

Length 14 cm, height 11 cm. "Calcified" burial deposits in places and a couple of small chips at the corners. No sign of restoration or repair...

Chinese Ming Dynasty Glazed & Painted Pottery Wash Stand & Basin (16th Century)

A pottery model of a wash stand and basin made during the 16th century (c.1550 - 1600). The stand is made from a hard creamy-white pottery and coated in green and golden-yellow glazes that have, in places, acquired a silvery iridescence, a result of very long exposure to moisture. The four finials of the stand have been painted in red pigment...

HAIL LOTUS SUTRA

Edo period, Japan. H 13.5 cm (5.31in).

Aged wooden 'Butsugu' as a gold-foiled Buddhist altar equipment, similar to a presence like 'ikon' (Western religious painting on panel) of traditional Japanese Buddhist art piece. The seven kanji characters written in Indian ink pronounced as "Na-m-myo-ho-ren-ge-kyo" as a whole mean "I devote myself (embrace) to the teachings of the Lotus Sutra."...

Jurōjin / Gama Deity of Good Luck. Painted with ink and pigments on silk. Signed Tosa no mori Fujiwara Mitsusada and sealed. It is attributed to Tosa Mitsusada.

In Japan, Jurōjin, also known as Gama, is known as one of the Seven Gods of Fortune. He is the God of longevity. Jurōjin is originated from the Chinese Taoist god, the old man of the south pole. He is known as the immortal of the Northern Song dynasty (960 – 1127), and may have been a historical figure of the period...

Large landscape/sansui painting depicted Mt. Fuji and mountain village. Painted with ink and pigments on silk. Signed setsuzan and sealed. It is attributed to Nagashio Setsuzan...

Fine Chinese Tang Dynasty Painted Pottery Female Courtier ("Fat Lady") AD 618 - 906

Perhaps the most desirable and collectable pottery sculpture from the Tang Dynasty is the female courtier, or "fat lady". This fine example was made during the Tang Dynasty (AD 618 - 906).

The lady stands with her head turned a little to her left and tilted slightly at a quizzical" angle. She is wearing a particularly voluminous long robe...

Chinese Western Han Dynasty Incised & Burnished Pottery Cocoon Jar

This wonderfully-shaped pottery jar was made during the early part of the Western Han Dynasty (206 BC - AD 8), or possibly the preceding Qin Dynasty (221 - 206 BC). This type of jar is usually referred to as a "cocoon jar" due to the shape of its body. Its original function was that of a grain storage jar. The jar is fairly "heavily-potted" and has quite a wide foot with a neck and flared mouth...

Chinese Western Han Dynasty Painted Pottery Cocoon Jar (206 BC - AD 8)

This pottery "cocoon" jar was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a relatively highly-fired grey pottery and has been decorated by "cold painting" different coloured pigments in a design featuring cloud patterns within vertical bands.

Height 22.25 cm, length of body 26 cm. This is a very good example. It has a high degree of the original coloured surface pigments ...

Chinese Western Han Dynasty Painted Pottery Cocoon Jar (206 BC - AD 8)

This pottery "cocoon" jar was made over 2,000 years ago during the Western Han Dynasty (206 BC - AD 8). It is made from a relatively highly-fired grey pottery and has been decorated by "cold painting" different coloured pigments in a design featuring cloud patterns within vertical bands.

Height 22.25 cm, length of body 24 cm. This is a very good example. It has a high degree of the original coloured surface pigments ...

Fine Chinese Han Dynasty Burnished Pottery Cup

This fine & rare pottery cup was made some 2,000 years ago during the Han Dynasty (206 BC - AD 220), or possibly a little earlier. It is very well-made from a fine-grained grey pottery. This inner mouth and outer surface have a smooth burnished surface making it a real pleasure not only to view, but also to handle. On the surface is an area of "calcified" deposits, formed during its long burial.

Diameter 12.5 cm. A lovely example in fine co...

Fine Chinese Han Dynasty Amber Glazed Pottery Jar (Guan)

Han Dynasty (206 BC - AD 220). Made from a reddish pottery, quite "heavily-potted", and coated in a thick amber glaze of very good colour. Han jars such as this very often have kilns scars to their rims and bases showing that they were fired in the kiln stacked on top of each other.

Height 15 cm. A chip to the glaze at the mouth edge but no repair or restoration; fine condition.

*** TO ORDER THIS ITEM PLEASE EMAIL US QUOTING OU...

Vase of outstanding provenance, acquired in 1962, well before the UNESCO World Heritage Convention of 1972.
Pagenstecher lekythos showing a goose with high swung neck, massive body with distinct wing tips, and detailed feet.
The beak once rendered with white color, faint discoloration of the eye. Above the bird a dot rosette.
Ascending tendrils on the sides, a linear palmette on the back.
The decoration scheme is characteristic for the Sicilian Marianopoli-Gela Grou...

Vase of outstanding provenance, acquired in 1962, well before the UNESCO World Heritage Convention of 1972.
Black glazed sieve guttus with a raised molding around the perforated sieve at centre. Pairwise cannelures on the cushion-shaped body. The ring handle placed at right angles to the straight spout. Ring foot reserved underneath.
For a related example, cf. inv. no. Cp 3333 in the Louvre Museum database.
Ceramic
Greek Sicilian, 4th-3rd century BC
D. 9.6 cm (...

Three bottles with elongated foot, spindle-shaped body, and long cylindrical neck. The buging rim of two of them (foot of one) dipped into brick-brown glaze.
For similar dipped examples from Sicily, cf. Beazley Archive vase no. 1005311.
Unguentaria are small ceramic or glass bottles frequently found in burial contexts. Their most common use was probably as a container for oil. The unguentarium is sometimes referred to as lacrimarium (tear-container) or balsamarium (balsam-container...

Herd of wild horses. Painted with ink on silk. Signed and sealed. Circa 19th C.

Some marks, insignificant light crease and foxing are present on the piece due to its great age, otherwise it is in good condition.

Painting: W17 3/8” x H13 1/4” (W44cm x H33.5cm)
Scroll: W19 1/8"x H44 5/8” (W48.5cm x H113.5cm)

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Antique Japanese uma-jirushi, flag standard for battle. This uma-jirushi is in the shape of a large war sensu (folding war fan). Made of gold and black lacquered paper and lacquered wood. The front and back with round circle motif in alternating gold on black on one side and black on gold on the other. Mounted on a metal stand.

Age: Edo Period (18th century)

Dimensions: 51" high x 25" wide