Pre-Columbian Mayan Poison Vessel – Guatemala Circa Classic period 600 A.D. – 900 A.D??. 3” x 2 ½”. Cream slip with red cinnabar hightlighting a Maya seated dignat___ with glyphs surrounding him. Repaired break showing area of mineralization.

Pre-Columbian Mayan Cylinder Vase – Honduras. Circa. - 600 – 900 A.D. Classic period. 7 1/2” x 7 ½. Displays Warriors and Nobles with fish faced glyphs encircling upper band. Repaired from approximately 9 pieces, root marks and numerous mineral deposits. Provenance: Hilton Collection, Santa Monica, Ca. Collected in the 1960s. Please Note: Color most accurate in Enlargement 1.

Pre-Columbian Jalisco Male Figure. Circa. 300 B.C. – 300 A.D. Standing Male figure with a cream slip with blacken facial markings with head, nose and ear ornaments showing extensive mineralization.. 9 1/2” x 6 1/2”. Provenance: John Platt Collection

Pre-Columbian Mayan Warrior Cylinder Vase. Circa. 600 A.D. to 900 A.D. Black rimmed, orange surfaced with black robed warriors holding what appears to be spears. 5.5” x 5.5”. Provenance: Metropolitan Museum, New York, Rockefeller Collection. Arte Primitivo, NY,NY.

Pre-Columbian A Very Rare Chinesco Figure Seated Figure, ‘Type E’. Laguna. This striking, yet delicate seated figure with a burnished creamy white slip, decorated with red painted details, including the well known “Red Hand”, emblematic of the Type ‘E’ Chinesco figures in the distinguished museum collections, dates to the Protoclassic Period of the West Mexican sculpture tradition in Southwestern Nayarit...

Mayan Decorated Cylinder. 10 ¼” x 4 1/4” Circa 600 A.D. – 900 A.D. A tall, polychrome decorated vase having a wide center band two large Moan birds, a sea shell. Upper band of well developed, painted glyphs. Wide lower band containing four large circlular elements. Repaired from several large original pieces. Some areas of root marks minor paint loss. Provenance: Ex. Prof. Hugo Munsterberg (1916 – 1995) Collection. Acquired from Andre Emmerich, 1974.

Teotihuacan Articulated Maskette. Mexico. A natural buff-brown pottery mask depicting an wrinkled faced male, probably representing Huehueteotl, the fire god. Articulated lower jaw, upper with two teeth. Perforated eyes and ears and incised wrinkles. Repaired from approximately six original pieces with some fill along the break lines. Perforated along the rim for attachment. A rare example. 5”H. x 5 ½” W. ” Circa: 600 A.D. – 800 A.D. Provenance: Howard S...

Aztec Serpent Censer. Central Valley Mexico. Aztec. Circa. 1350 A.D. – 1520 A.D. 2” x 5.25” x 25”. Musical Fire Censer in the form a of a serpent, very highly detailed piece. Repaired from several breaks multi color red, buff, cream, and brown. Very unique and beautiful. Provenance: Howard Rose, NY,NY

Xochipala Jade Ear Ornaments. Mexico. Circa. 1200 - 1000 B.C. 1 7/8”L x 1 7/16” W. A matched pair of carved, thin, pale green jade plaques having incised carvings, each showing a crested bird’s head with open work mouth. Each perforated at the back of the head for suspension, one with a perforation above the birds eye. Both are intact, exc. cond. It was common practice in antiquity to recycle and re-carve broken jade objects...

Chinese enameled porcelain plate, decorated with butterflies, floral sprigs and shuangxi emblems on a yellow ground, the base with an apocryphal Qianlong mark, from early 20th century period. Size; Diameter of plate is 7.125 inches. Condition Report; Good condition with minor chip to enamel.

Chinese enameled porcelain plate, decorated with butterflies, floral sprigs and shuangxi emblems on a yellow ground, the base with an apocryphal Qianlong mark, from early 20th century period. Size; Diameter of plate is 7.125 inches. Condition Report; Very Good condition.

Very fine Chinese export silver mirror decorated with dragon motif in high relief, late 19th/early 20th century period, bearing Chinese silver mark. Size; Dimensions of mirror are 9.25"x2.8"x0.5", in good condition.

Five sewn together lengths of bright blue silk embroidered with metal lamella. From Georges Redard's study collection (please visit http://www.iranicaonline.org/articles/redard-georges), mainly comprising Persian textiles. Condition: some splits and undone seams, partial staining and fading. Please look at photos carefully, being part of condition report. Dimension: c. 30 cm x 210 cm.

A beautiful antique Japanese Imari ware bowl. The bowl is decorated with motifs of phoenixes, plum flowers, scrolling vines, peony like patterns, and other geometric patterns. The bowl contains a pomegranate symbol on the bottom. Age: Taisho-Showa Period Size: Diameter 10.25" Height 4.2"

A rare South-East-Asian Bronze Bell, ca. 12th Century, from the Estate of Johan and Randi Daehlfeldt, Denmark. Natural aged Patina. Produces a sonorous sound when in motion. Comes with an attractive custom made stand! Good condition with some inconsequential wear due to it's considerable age. Size: H. 8 cm. to top of loop x 5.5 cm

A rare ca. 12th Century S-E Asian Bronze Bell from the Estate of Johan and Randi Daehlfeldt, Denmark. This bell is still sonorous and has a nice relief design on top. Beautiful naturally aged patina and comes with an attractive custom made stand. Some inconsequential wear due to considerable age. Size: H. 7 cm. including top loop x 4.5 cm. without the stand.

A rare and splendid genuine Ming Dynasty Tomb Pottery Horse bending it's head down with a seated musician playing the cymbals. This is one of the earliest Ming pieces, ca. 1400 A.D., depicting a beautiful and elegant horse with fine modeling. The horse's neck is arched and it's mane and tail are glazed in a rare and vibrant turquoise color. The musician's head is removable and his robe is painted in rich cobalt blue, red and turquoise pigments...

This is cloth of indigo dyeing cotton made in Aichi in the Meiji era. It colors the both sides (Ryoumensome) with the same paper pattern. Ryoumensome could use both sides, but the quantity of the work of the dyeing was double. Most Katazome dyes only one side. Because a craftsmAn imitated Shibori of the Narumi district, this Katazome is called NarumiKongata. And Narumikongata expresses delicate rhythm of Sibori smart in Katazome. There are no damage and stain...