An extralarge bronze seal with a loop on the back and elaborate cross designs, Bactria, 3rd. millenium BC.

Very impressive round seal with large cross-arms in the openwork style.

The seal belongs to one of the varied mostly circular metal “stamp seals” relief cast in bronze or copper alloy, but more rarely in silver or gold, which is classified as so-called “compartmented seal” (a term first used in 1943 by the British archaeologist Stuart Pigott – 1943. P...

An antique silver box with hinged lid standing on four ball feet and a small silver tray decorated with cloves on four legs. Both items unmarked. Condition: traces of age, minimally distorted, the box with few tiny losses. Dimension: box: c. 13.8 x 7.8 x 3.4 cm, weight: c. 192 g, tray: c. 17.5 x 12 x 3 cm, weight: c. 75 g.

A shard has been grafted into the side of this large misshapen Shino bottle dating from the Momoyama to early Edo period, the repair lined with gold. Gold also circle the neck where the discarded misfire was repaired, and gleams on the lip. It is 22 cm (9 inches) tall and in excellent condition...

Very rare tenmoku cup with white spots like as pattern at chest of pheasant in China named "Shako", so it is called as "Shako-spots" tenmoku. The white spots were put artificially. YouTube movie: https://www.youtube.com/watch?v=IroYuzQKV6s Accessary: wooden box written with certificate Size:9.6cm(D) 4.0cm(H) Certification : written by Noriki Shimazu famous researcher with Asian antiques in Japan.

Later Qing Dynasty garden seat with inscription decorated with a gluttonous, monster face. Vivid Sancai glaze. Dimensions 45 cm high. Seat diameter 23 cm. Condition issues: Local bumps, glaze loss and marks as shown in the pictures but a very beautiful example.

Qing dynasty, carved bamboo root seal. The inscription “changle jixiang," means: Ceaseless happiness forever 长乐未央. Length 5 cm, width 3.5 cm, height 1.5 cm

Small inscribed and carved Qing Dynasty bamboo root seal Dimension: 1.5 cm wide, 1 cm high.

Large Qing Dynasty Ying Scholar's Rock. Similar to an illustration in the Suyuan Shipu; the manual on stones written by Lin Youlin in 1613. The stone is characterized by a wonderful, dimpled surface texture, deep craggy depressions, Carmel colored inclusions and old original stand. Dimensions 57 cm high With Stand (Rock is 46 cm) 34 cm wide

Sung dynasty (960-1279) porcelain Buddhist mala (prayer beads) often referred to as Japa beads. The 108 Buddhist prayer beads are commonly used by Buddhists and practitioners of other spiritual traditions for counting and reciting prayers, mantras, or affirmations as part of meditation and spiritual practices. The number 108 holds significance in many spiritual and cultural traditions and is believed to have various symbolic meanings in Buddhism, Hinduism, and other belief systems...

A bucolic scene of temples and rugged seaside hills dotted with pagodas in silver and gold wraps around the black surface of this deep tray dating from the Momoyama to early Edo period (16th-17th century). It is 27 cm (10-1/2 inches) diameter, 8.5 cm (3-3/8 inches) tall. The bottom has been re-lacquered at some time in the past...

Pair of small Ming dynasty Longquan celadon vases of compressed pear-form with flaring foliate form mouth decorated on opposing sides with low moulded relief leafy floral decoration. A pair of s-shaped handles are on each side of the neck. The celadon glaze with olive tint ends at the slightly flaring unglazed foot which has burnt orange from firing. The recessed base is glazed. Each vase stands 4 1/2" high. Circa 1st half of the 15th century...

A substantial carving in emerald of an Horse head Fetish, Native American, probably Zuni, Navaho tribe and 20th. century.

The carving is cut and polished in one emerald stone and depicts the head of horse. The stone is transperant light blue-green and very beautiful.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people...

A large and heavy carving in emerald of an Eagle Fetish, Native American, probably Zuni, Navaho tribe and 20th. century.

The carving is cut and polished in one emerald stone and depicts the head of a Native tribes leader, carved on both sides of the stone. The stone is transperant light blue-green and very beautiful.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people...

A nice pair of carvings in emerald, incl. a finely carved and very large tortoise with segmented shell and a smaller Owl Fetish, Native American, probably Zuni, Navaho tribe and 20th. century (2).

The carvings are cut and polished in one transperant light blue-green stone. The massive turtle probably have had two legs made later and (re)-attached?

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people...

A substantial carving in emerald of an Indian head Fetish, Native American, probably Zuni, Navaho tribe and 20th. century.

The carving is cut and polished in one emerald stone and depicts the head of a Native tribes leader, carved on both sides of the stone. The stone is transperant light blue-green and very beautiful.

Zuni fetishes are small carvings made from primarily stone but also shell, fossils, and other materials by the Zuni people...

Haboku sansui - splashed-ink landscape. Painted with ink and on paper. Signed Seisen hogen and sealed...

Antique tribal oceanic, South Pacific, Maori Carved Wooden Hand Club Patu/Patau. New Zealand, Maori people early 20th century. The club is finally hand carved in relief with traditional Maori motifs, on the one said with the head of a mythological creature Hei-tiki of humanoid form with long teeth and stained with green pigment. The other site is carved on the blade with elaborate spiral zigzag pattern, and with intricate design on the handle. The base of the handle has been pierced with a hole ...

Scarce and very important, Museum Quality, antique,16th century, Turkish Ottoman gilt copper (Tombak) Islamic saddle axe head Balta. The axe head features a flaring downward-curving blade, a central block reinforced with slender vertical ribs, and a protruding rear hammer of a square flaring section.

Each face of the axe has finely carved and engraved floral patterns, including blooming tulips and other flowers on punched ground.

The Ottomans considered tulip flowers, particularly in t...