A handsome pair of French silver Art Nouveau cufflinks, the faces decorated with a young woman against a spider web background. In Art Nouveau jewelry, the spider web motif was meant to symbolize entrapment and danger—in this case as a counterpoint to the maiden who suggests innocence. The outer edges of the faces follow the geometric shape of the spider web at the top, but are more rounded at the bottom of the design where the woman’s hair and clothing flows...

This bracelet is the work of Horatio de la Parra, whose company Plateria Azteca produced hollowware for both William Spratling and Hector Aguilar.

It's an early piece, dating to the 1940's. Six repoussé silver panels, each with a high domed amethyst cabochon, make for a regal deco design bracelet which closes with a pin.

Closed, wearable length is 6 3/4"...

These collector quality mid-century earrings are a very seldom seen design from Hector Aguilar. These are gorgeous, comfortable to wear, and have great movement. Each earring has nine dangles, each tipped with a tiny silver ball. Screw backs work perfectly,. Measures 1 3/4" tall, 3/4" wide. Weight is 12 grams. Signed and hallmarked on each earring with a conjoined flared HA,.940 Taxco, and the eagle assay 9. In excellent vintage condition.

One of my favorite female designers of Mexico's 20th c. Silver Renaissance (and admittedly, they aren't so many to begin with), Carmen Beckmann was a rather flexible maestra, able to create in many different styles. using a variety of materials. Her jewelry can be massive and jaw-dropping but quite as easily delicate and more sophisticated...

A lovely 14K gold pendant designed as a young woman's face captured in a crescent moon. She wears a large brimmed bucket hat with trailing ribbons in the style of the early 20s. In Victorian jewelry symbology, the crescent moon was a reminder of the moon goddess Selene (AKA Luna) and was often used to signal female empowerment. The reverse is marked "14K."

• America, ca...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

Pendant necklaces are a favorite of mine - I love their versatility and the fact that I can layer them whichever way I want. Luckilly, there is a fabulous selection within the world of vintage Mexican silver jewelry to choose from but I feel particularly lucky to have come upon an example of a classic Taxco design that is, however, smaller in scale than pendants of this design usually in...

Less-is-more would be the term I would use to describe this Carmen Beckmann modernist ring if it weren’t for that stone! Molten caramel golds fill the tiger’s eye slab almost in an ombre arrangement so that the ring changes the way it looks as the light that hits it changes...

An early Taxco treasure, this Mexican Deco cuff bracelet is both generous in weight and wrought in fine, .980 silver. The design is classic for the period and I have seen all-silver versions of it over the years by anonymous and recognizable names, that of Emma and La Cucaracha being among the most famous. The marriage of silver and copper that we are treated to here, however, I have never encountered before...

A lovely 18K yellow gold, diamond and ruby love pendant (“medaille d’amour”) with a rebus spelling out Plus qu’hier, moins que demain,” (“More than yesterday, less than tomorrow.”) a line from the love poem written by Rosemonde Gérard to her husband Edmond Rostand (author of “Cyrano”) in 1889. The word “plus” is symbolized by a plus sign set with a rose cut diamond and the word “moins” by a minus sign set with rectangular cut synthetic rubies...

This large Fred Davis amethyst brooch was produced 1930's - early 40's. Measuring 4 1/2" long, 2 3/16" wide, it features a gorgeous hand-carved amethyst tulip. Pin closes with a roller. Signed and hallmarked with a conjoined FD and Silver Mexico. Weight is 32 grams. In excellent vintage condition. Some very minor abrasions on the edge of the tulip, but nothing seen without magnification.

Hand-wrought in its entirety and a design that I have never encountered before, this early Mexican silver repousse necklace is an anonymous beauty. Its early date is attested to by the fact that it's strung on cotton thread (one of the earliest Aguilar "lyre" necklaces I sold was strung on cotton as well) and has a spring ring clasp. Not signed for maker nor metal content or origin, it is adorned by an elongated cascabela attached to the central station in an adorable yet naive way...

Circa mid-century, this hinged bracelet was produced by Erika Hult de Corral and has her unmistakeable style. Rare to see one of her pieces executed in 980 silver as this one is. Hult worked with both Sigi Pineda and Enrique Ledesma before opening her own shop, and the influence of Sigi Pineda can certainly be seen in this bracelet.

It's a beautiful bangle bracelet, hinged on both sides to swing wide open...

Circa mid-century, these earrings are a rare find. Produced by Margot de Taxco, these are a book-piece design shown on page 34 of Margot Van Voorhies : The Art of Mexican Enamelwork. Both earrings and original design drawing are shown.

Referred to as "Egyptian Scroll", the colors are bright and vibrant. Gold, black, and green enamel.

Measure 1 9/16" x 1 1/4"...

Attributions are a difficult issue in the world of vintage Mexican silver jewelry - they are almost never accepted. If a piece is not signed, it’s just not signed! In this case, however, I will put my years of experience behind my suggestion that the necklace I am presenting here is the work of Reveriano Castillo. When I acquired it, it had no clasp and since the specific Reveri design is usually marked exactly there, the connection to its maker was lost...

Per the Spratling Silver website, these earrings were only produced between 1958-1967. These William Spratling earrings are stunning, with eight shiny discs and tiny beading. Each disc moves independent of the others, creating beautiful movement. Measures 1 1/2" tall, 7/8" wide. Screw backs work perfectly. Signed and hallmarked with the WS Script Circle and eagle assay 30. Weight is 11.2 grams. In excellent vintage condition.

This is a gorgeous cuff produced by Los Castillo, with deeply chased swirling lines, oxidized recesses, and a beautiful patina. Signed and hallmarked Los Castillo Taxco, with the eagle assay 15 and design # 110. Weight is 58.9 grams. Edge to edge measures 5 5/8", with an additional opening/gap of 1 3/8". This will fit a larger wrist, but can be gently adjusted to size by a professional jeweler. In excellent vintage condition. Circa 1950's.

Circa mid-century, this is a rarely seen design from Antonio Pineda. I have seen hoop earrings from Antonio, but not this exact design with the rims.

These are fabulous! Repousse sterling silver hoop earrings which are very substantial - weighing 32 grams. Wide and puffy in the center, with a rim on each side. They are comfortable to wear and very secure. Hinged on one side, so simply open in the center to slide right on your ears. Classy, with an elegant modernist design.